Songs like Bloodstains & Movies by Jamie Scott
Based on a tempo of (+/- 10%) and a similar genre
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Cary Brothers
Run Away
96 bpm • F Maj • 04:29 • -8.26db
27% Popularity • 49% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
27% Popularity • 49% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
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Oh Gravity
Home
96 bpm • E Maj • 03:08 • -9.45db
28% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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CLOVES
Don't You Wait
96 bpm • A Maj • 03:58 • -5.82db
37% Popularity • 57% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 57% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Lucy Schwartz
Gone Away
96 bpm • F# Maj • 03:09 • -15db
30% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Gary Jules
Falling Awake
97 bpm • F Maj • 05:11 • -15db
39% Popularity • 55% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
39% Popularity • 55% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Taps
Wanna Hear Your Voice
95 bpm • A Maj • 03:34 • -5.11db
18% Popularity • 28% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 28% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Leo Stannard
Gravity
95 bpm • C# Maj • 03:06 • -5db
39% Popularity • 79% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 79% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Folly and the Hunter
Lose That Light
97 bpm • F# Maj • 03:36 • -12.89db
30% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jules Larson
Running Wild
97 bpm • C# Maj • 03:48 • -7.04db
27% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Cary Brothers
Alien
95 bpm • C min • 04:42 • -8.45db
32% Popularity • 54% Danceability • 62% Energy • 31% Liveness
11% Instrumentalness • 22% Positiveness
32% Popularity • 54% Danceability • 62% Energy • 31% Liveness
11% Instrumentalness • 22% Positiveness
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RIVVRS
I Will Follow You
95 bpm • C Maj • 03:27 • -6.3db
42% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Phillip LaRue
Lighthouse
95 bpm • D# Maj • 03:41 • -14db
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 27% Positiveness
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 27% Positiveness
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Aron Wright
Build It Better
95 bpm • E Maj • 03:54 • -13db
51% Popularity • 53% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
51% Popularity • 53% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Michael Lynch
Let's Hurt Tonight
97 bpm • E Maj • 03:20 • -6.78db
32% Popularity • 36% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 36% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Julia Sheer
Little Talks
97 bpm • F min • 03:39 • -9.09db
58% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie Scott
Friendly Fire
98 bpm • C Maj • 03:50 • -5.12db
10% Popularity • 59% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Sawyer Fredericks
Take It All
94 bpm • F Maj • 03:40 • -5.29db
34% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 65% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jillian Edwards
You're a Part of Me
94 bpm • C Maj • 02:35 • -9db
27% Popularity • 59% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 59% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Amy Stroup
Sabotage
94 bpm • F Maj • 03:49 • -9db
24% Popularity • 56% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
24% Popularity • 56% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Mindy Smith
Anymore of This
94 bpm • A Maj • 04:02 • -10db
34% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
34% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Elenowen
No Such Thing As Time
94 bpm • B Maj • 03:52 • -9db
24% Popularity • 47% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 47% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jamie Scott
Friendly Fire
98 bpm • C Maj • 05:06 • -5.09db
5% Popularity • 54% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 54% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Rachel Taylor
Light A Fire
99 bpm • A min • 04:01 • -9db
33% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bear Attack!
The Backpack Song
99 bpm • A# Maj • 03:55 • -11.7db
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Oh Gravity
Welcome
93 bpm • A Maj • 03:14 • -8.6db
24% Popularity • 62% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 62% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Sebastian Kole
Love's On The Way
93 bpm • D Maj • 04:19 • -4db
31% Popularity • 43% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 43% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Simple
You Shine
93 bpm • G min • 03:12 • -7db
27% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Scott
Lady West
98 bpm • E Maj • 02:59 • -9.63db
18% Popularity • 70% Danceability • 69% Energy • 11% Liveness
25% Instrumentalness • 89% Positiveness
18% Popularity • 70% Danceability • 69% Energy • 11% Liveness
25% Instrumentalness • 89% Positiveness
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Canyon City
Firework
92 bpm • C# Maj • 03:02 • -10.37db
35% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Arena
Train
92 bpm • C min • 03:17 • -11db
22% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Oh Gravity
This Could Be Love
92 bpm • F Maj • 03:40 • -4.93db
24% Popularity • 58% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 58% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Tristan Prettyman
Say Anything
92 bpm • C# Maj • 03:56 • -10db
43% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Cary Brothers
Free Like You Make Me
101 bpm • G Maj • 05:43 • -11.16db
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
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Jamie Scott
Lady West - Live at the Troubadour
99 bpm • E Maj • 03:28 • -11.32db
1% Popularity • 57% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 57% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Fm Radio
Happily Ever After
102 bpm • C Maj • 03:01 • -7db
25% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kris Allen
Prove It to You
102 bpm • D Maj • 03:34 • -10.91db
21% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Secret Nation
You Are Mine
90 bpm • D Maj • 03:55 • -10.96db
29% Popularity • 21% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 21% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Rose Cousins
Go First
90 bpm • G# Maj • 03:17 • -8.57db
20% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Phillip Phillips
So Easy
90 bpm • G Maj • 03:40 • -8db
46% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jamie Scott
Emily
100 bpm • D Maj • 04:02 • -7.56db
28% Popularity • 52% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 52% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Aron Wright
God It's Late
90 bpm • D Maj • 04:22 • -6.42db
18% Popularity • 41% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 41% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Jake Etheridge
To Me
103 bpm • E Maj • 02:45 • -11.18db
30% Popularity • 62% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
30% Popularity • 62% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
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Act As If
It's That Simple
103 bpm • F Maj • 04:05 • -12.67db
8% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Matt Nathanson
Wedding Dress
103 bpm • C# Maj • 03:54 • -5.75db
38% Popularity • 52% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 52% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Sheeran
Autumn Leaves - Deluxe Edition
89 bpm • A# Maj • 03:20 • -12.64db
54% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jamie Scott
Friendly Fire - Acoustic
101 bpm • C Maj • 03:33 • -10.88db
0% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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You+Me
You and Me
89 bpm • C# min • 03:12 • -10db
51% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Fray
Changing Tides
104 bpm • C Maj • 03:29 • -4.85db
31% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Brown Williams
All of My Days
104 bpm • E Maj • 04:29 • -12.95db
19% Popularity • 52% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 52% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Belle
All Those Pretty Lights
104 bpm • F# Maj • 04:02 • -5.46db
38% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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You Me At Six
Take on the World
104 bpm • D Maj • 04:31 • -6.46db
63% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
63% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jamie Scott
Unbreakable
103 bpm • G Maj • 04:25 • -10db
46% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 63% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Victoria Canal
City Shoes
104 bpm • A Maj • 03:34 • -7db
24% Popularity • 52% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 52% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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The Alternate Routes
Nothing More
88 bpm • C Maj • 03:20 • -6.48db
39% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Annie Drury
One Step
88 bpm • C Maj • 03:28 • -6.57db
13% Popularity • 22% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 22% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sara Bareilles
Satellite Call
105 bpm • C# Maj • 04:50 • -7db
38% Popularity • 57% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 30% Positiveness
38% Popularity • 57% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 30% Positiveness
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Andrew Ripp
When You Fall in Love
105 bpm • C# Maj • 03:41 • -6.95db
34% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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![500 Miles (Acoustic) [feat. Louise Rademakers] cover art](https://i.scdn.co/image/ab67616d00001e0274a451fa808abb69b2f507b0)
Jefr Tale
500 Miles (Acoustic)
105 bpm • E Maj • 02:49 • -12.15db
30% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Rescues
Crazy Ever After
105 bpm • F Maj • 04:09 • -6db
19% Popularity • 74% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 74% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ariela Jacobs
The Sound
105 bpm • C Maj • 04:10 • -8.56db
12% Popularity • 72% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 72% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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North.
A Picture of You
105 bpm • B Maj • 03:19 • -10.3db
17% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Gareth Dunlop
How Far This Road Goes
88 bpm • D Maj • 03:42 • -11.83db
29% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jamie Scott
Unbreakable - Live at the Troubadour
106 bpm • G Maj • 04:33 • -15.4db
9% Popularity • 48% Danceability • 17% Energy • 91% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 17% Energy • 91% Liveness
0% Instrumentalness • 31% Positiveness
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Marie Hines
Perfect Kiss
106 bpm • B Maj • 04:08 • -8db
23% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Bella Ferraro
Set Me on Fire
87 bpm • B min • 03:25 • -6db
29% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Howard
No Ordinary Angel
87 bpm • F# Maj • 03:41 • -6.31db
11% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gavin DeGraw
You Got Me
106 bpm • F# Maj • 03:47 • -8.9db
41% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Abraham
This Is on Me
87 bpm • C min • 04:07 • -15db
14% Popularity • 18% Danceability • 20% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 20% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Tori Kelly
I Was Made For Loving You
106 bpm • D Maj • 03:08 • -11.94db
35% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Levi Kreis
I Should Go
86 bpm • G Maj • 03:40 • -19.33db
38% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Matthew Perryman Jones
Until The Last Falling Star
107 bpm • D# Maj • 04:37 • -9.02db
21% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rebecca Roubion
Break
107 bpm • F Maj • 03:55 • -13db
27% Popularity • 46% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 46% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Frances
When It Comes To Us
86 bpm • C# Maj • 04:09 • -8db
38% Popularity • 77% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
38% Popularity • 77% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
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Jamie McDell
Moon Shines Red
107 bpm • B min • 04:11 • -10db
28% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jamie Scott
Lights - Live at the Troubadour
86 bpm • G Maj • 01:42 • -21.32db
1% Popularity • 34% Danceability • 11% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 34% Danceability • 11% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
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The Fray
Be Still
108 bpm • G Maj • 02:48 • -12.07db
54% Popularity • 36% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 36% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Agin
Fragile Love
108 bpm • A Maj • 04:17 • -5.7db
21% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ryan Payne Band
B26
108 bpm • G Maj • 03:24 • -12.67db
20% Popularity • 76% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 76% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Frances
What Is Love?
86 bpm • G min • 04:07 • -11.83db
41% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dave Thomas Junior
3 Wishes
108 bpm • A# Maj • 02:53 • -13.39db
26% Popularity • 74% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 74% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sleeperstar
I Was Wrong
108 bpm • F Maj • 02:32 • -10db
46% Popularity • 44% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 44% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Tristan Prettyman
Who We Are
108 bpm • G Maj • 04:19 • -7.01db
37% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 52% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Phillip LaRue
On The Other Side
85 bpm • C Maj • 03:25 • -13db
30% Popularity • 45% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 22% Positiveness
30% Popularity • 45% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 22% Positiveness
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Golden Age
Running on Sunshine
85 bpm • D min • 05:21 • -7.57db
25% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Kaleb Jones
Till the World Stops Turning - Acoustic
109 bpm • E Maj • 03:30 • -7db
18% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jason Reeves
Save My Heart
109 bpm • B Maj • 03:44 • -5db
34% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Alexander Cardinale
Made for You - Radio Edit
109 bpm • B Maj • 03:21 • -8.39db
35% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Colin & Caroline
Don't Look Back
84 bpm • F Maj • 03:46 • -11db
15% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Claire Guerreso
Placekeeper
84 bpm • E Maj • 03:44 • -12db
21% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Matthew Barber
Where the River Bends
110 bpm • E Maj • 04:07 • -11.05db
31% Popularity • 59% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 59% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Sara Jackson-Holman
Freight Train
110 bpm • E min • 03:34 • -15db
35% Popularity • 33% Danceability • 21% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
35% Popularity • 33% Danceability • 21% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
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Priscilla Ahn
Dream
110 bpm • D Maj • 03:31 • -10.36db
51% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lifehouse
It Is What It Is
84 bpm • B Maj • 03:21 • -8.22db
45% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jamie Scott
Gold
84 bpm • G Maj • 03:48 • -11.67db
36% Popularity • 26% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jules Larson
You Know It's True
84 bpm • G# min • 03:45 • -7db
32% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan Eggold
Here's Lookin' at You
84 bpm • A# Maj • 03:16 • -7.46db
18% Popularity • 49% Danceability • 66% Energy • 12% Liveness
4% Instrumentalness • 30% Positiveness
18% Popularity • 49% Danceability • 66% Energy • 12% Liveness
4% Instrumentalness • 30% Positiveness
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Sounds Under Radio
All You Wanted
110 bpm • C# Maj • 05:10 • -7.88db
33% Popularity • 50% Danceability • 42% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 50% Danceability • 42% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Mike Schmid
To Show You My Love
110 bpm • D# Maj • 04:41 • -9db
20% Popularity • 32% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
