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Bloom
Songs like
Bloom
by
Gabriel Garzón-Montano
Based on a tempo of (+/- 10%) and a similar genre
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Ricky Reed
Catch You
110 bpm • C Maj • 03:45 • -8.72db
19% Popularity • 66% Danceability • 64% Energy • 11% Liveness
64% Instrumentalness • 36% Positiveness
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James Tillman
Mr. Midas
110 bpm • C# Maj • 03:48 • -8db
26% Popularity • 76% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 81% Positiveness
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Taylor McFerrin
Now That You Need Me
110 bpm • A# Maj • 04:52 • -9db
21% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Okay Kaya
Dance Like U
110 bpm • C Maj • 02:50 • -14db
37% Popularity • 66% Danceability • 19% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
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Helado Negro
I Fell in Love
110 bpm • F Maj • 04:20 • -12.75db
36% Popularity • 70% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 31% Positiveness
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duendita
Pray
110 bpm • B Maj • 04:13 • -14db
27% Popularity • 85% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Hakim
I Don't Know
110 bpm • D Maj • 04:59 • -10db
47% Popularity • 50% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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otta
just like the rain
110 bpm • B min • 03:07 • -6.13db
9% Popularity • 51% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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James Tillman
Arizona
110 bpm • B min • 04:13 • -10.16db
25% Popularity • 79% Danceability • 47% Energy • 12% Liveness
26% Instrumentalness • 69% Positiveness
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Gabriel Garzón-Montano
Bloom
110 bpm • F# min • 03:08 • -9.65db
19% Popularity • 42% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Becky and the Birds
Do U Miss Me
110 bpm • F Maj • 03:17 • -9.38db
16% Popularity • 45% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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duendita
Magdalena
110 bpm • C# Maj • 03:12 • -14.96db
31% Popularity • 50% Danceability • 30% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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April + VISTA
How To Get By
111 bpm • C# min • 02:31 • -9.94db
22% Popularity • 55% Danceability • 34% Energy • 72% Liveness
0% Instrumentalness • 35% Positiveness
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Lucy Lu
Insomniac - A COLORS SHOW
111 bpm • E Maj • 03:47 • -15.88db
24% Popularity • 73% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jai Paul
All Night - Unfinished
111 bpm • F# min • 03:12 • -12.89db
40% Popularity • 55% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
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Gabriel Garzón-Montano
Flor
111 bpm • F# min • 03:09 • -8.6db
24% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Uma
Standing in the Sun
109 bpm • A Maj • 03:36 • -10.86db
18% Popularity • 75% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 9% Positiveness
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James Tillman
Night Fire
109 bpm • F# Maj • 02:42 • -8.04db
16% Popularity • 80% Danceability • 39% Energy • 10% Liveness
46% Instrumentalness • 36% Positiveness
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Nai Palm
Borderline with My Atoms
111 bpm • C min • 06:26 • -9.89db
24% Popularity • 45% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Dianna Lopez
Internal Lullaby
108 bpm • D Maj • 04:54 • -10.91db
16% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Hakim
Miss Chew
112 bpm • D# Maj • 04:25 • -5.43db
28% Popularity • 66% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Gabriel Garzón-Montano
Fleur
111 bpm • F# min • 03:09 • -9.73db
8% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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BADBADNOTGOOD
Nervous
112 bpm • G Maj • 03:16 • -9db
33% Popularity • 68% Danceability • 36% Energy • 20% Liveness
7% Instrumentalness • 50% Positiveness
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Devendra Banhart
Ami
112 bpm • D Maj • 03:55 • -10db
20% Popularity • 63% Danceability • 49% Energy • 20% Liveness
60% Instrumentalness • 56% Positiveness
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Zsela
For Now
108 bpm • A# Maj • 04:18 • -10db
27% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kindness
Who You Give Your Heart To
108 bpm • B min • 02:57 • -11.84db
19% Popularity • 65% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Charlotte Day Wilson
After All
108 bpm • D# Maj • 04:12 • -8db
42% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Kali Uchis
telepatÃa // acoustic
113 bpm • B min • 02:58 • -8db
42% Popularity • 50% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Nai Palm
Haiku
113 bpm • C# min • 02:15 • -10.58db
33% Popularity • 44% Danceability • 24% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Helado Negro
Imagining What To Do
113 bpm • C Maj • 03:22 • -10.23db
8% Popularity • 64% Danceability • 31% Energy • 46% Liveness
40% Instrumentalness • 19% Positiveness
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Velvet Negroni
CONFETTI
107 bpm • B min • 04:53 • -9.33db
33% Popularity • 74% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jordan Rakei
Lover, You Should've Come Over (Exclusiv...
113 bpm • E min • 02:37 • -20.04db
11% Popularity • 37% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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KAINA
Could Be a Curse
114 bpm • B min • 06:12 • -10.35db
33% Popularity • 75% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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serpentwithfeet
Fellowship
114 bpm • G min • 03:39 • -8.64db
36% Popularity • 86% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Baby Rose
Marmot
114 bpm • A min • 03:49 • -10.2db
18% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Devendra Banhart
Vast Ovoid
106 bpm • C Maj • 02:32 • -14.87db
9% Popularity • 75% Danceability • 28% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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Divino Niño
Made Up My Mind
106 bpm • B min • 04:04 • -8.03db
18% Popularity • 74% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Gabriel Garzón-Montano
Lullaby
115 bpm • D# min • 02:31 • -18.6db
12% Popularity • 38% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Christelle Bofale
Miles
106 bpm • D# Maj • 04:55 • -13db
24% Popularity • 72% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jonah Yano
poor me
105 bpm • D Maj • 03:21 • -13.56db
15% Popularity • 39% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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Helado Negro
Futurism
115 bpm • B min • 03:10 • -10.04db
21% Popularity • 55% Danceability • 47% Energy • 12% Liveness
69% Instrumentalness • 16% Positiveness
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Tasha
New Place
115 bpm • C# Maj • 03:14 • -12.64db
14% Popularity • 61% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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serpentwithfeet
This Hill
115 bpm • C Maj • 02:06 • -12.13db
16% Popularity • 58% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Gabriel Garzón-Montano
Trial
115 bpm • A# min • 01:53 • -16.56db
16% Popularity • 39% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Puma Blue
Already Falling - A Late Night Special
115 bpm • F min • 04:15 • -14.48db
27% Popularity • 72% Danceability • 24% Energy • 13% Liveness
25% Instrumentalness • 24% Positiveness
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Laura Misch
Blue Dot
115 bpm • C min • 03:09 • -11db
21% Popularity • 75% Danceability • 31% Energy • 13% Liveness
12% Instrumentalness • 16% Positiveness
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Emily King
Georgia
105 bpm • C Maj • 04:03 • -14.59db
43% Popularity • 75% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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otta
Near Enough A Woman
105 bpm • D Maj • 03:34 • -14db
27% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Devendra Banhart
Scenescof
105 bpm • D# Maj • 02:36 • -22.19db
30% Popularity • 55% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Gabriel Garzón-Montano
6 8 (Instrumental)
115 bpm • C Maj • 04:58 • -12.87db
2% Popularity • 88% Danceability • 2% Energy • 8% Liveness
34% Instrumentalness • 29% Positiveness
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Ethan Gruska
Haiku4U
105 bpm • C# min • 01:58 • -14.09db
23% Popularity • 76% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
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duendita
mind
105 bpm • F# Maj • 03:02 • -15.87db
22% Popularity • 66% Danceability • 37% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
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Danny Schiller
Verocai
115 bpm • B Maj • 03:09 • -12db
26% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Puma Blue
Opiate
105 bpm • A# min • 02:31 • -9db
44% Popularity • 87% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Tei Shi
Disappear
116 bpm • G Maj • 02:59 • -8.39db
26% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Gabriel Garzón-Montano
The Game (Remix)
105 bpm • C# Maj • 03:32 • -8db
27% Popularity • 89% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Charlotte Day Wilson
Wish It Was Easy
104 bpm • A Maj • 03:12 • -8.17db
30% Popularity • 57% Danceability • 48% Energy • 44% Liveness
2% Instrumentalness • 20% Positiveness
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James Tillman
Lose Control
105 bpm • C min • 02:24 • -10db
31% Popularity • 62% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Y La Bamba
Gabriel
116 bpm • F Maj • 03:27 • -7.96db
27% Popularity • 54% Danceability • 83% Energy • 57% Liveness
6% Instrumentalness • 64% Positiveness
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Dirty Projectors
Inner World
116 bpm • D Maj • 02:22 • -7.66db
19% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Jonah Yano
stones (tokyo)
116 bpm • B Maj • 03:10 • -15.28db
13% Popularity • 77% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 32% Positiveness
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Gabriel Garzón-Montano
Trial (Instrumental)
115 bpm • A# min • 01:54 • -21.6db
13% Popularity • 50% Danceability • 9% Energy • 19% Liveness
90% Instrumentalness • 13% Positiveness
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River Tiber
Barcelona
104 bpm • E min • 03:49 • -8.03db
27% Popularity • 35% Danceability • 68% Energy • 11% Liveness
6% Instrumentalness • 47% Positiveness
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Onyx Collective
Where or When
116 bpm • A min • 03:10 • -13.77db
12% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Jordan Rakei
Lover, You Should've Come Over (Exclusiv...
116 bpm • E min • 03:00 • -22.91db
26% Popularity • 35% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Arlo Parks
Angel's Song
117 bpm • B min • 03:17 • -15.28db
38% Popularity • 69% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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Shivum Sharma
Ride
117 bpm • B min • 04:08 • -7.52db
8% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Feng Suave
People Wither
103 bpm • A Maj • 05:11 • -15.14db
38% Popularity • 64% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ian Isiah
N.U.T.S
103 bpm • G min • 02:45 • -5.35db
20% Popularity • 70% Danceability • 85% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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Armando Young
Loved Ones (Saudades)
117 bpm • C# Maj • 05:07 • -14.97db
43% Popularity • 75% Danceability • 56% Energy • 35% Liveness
78% Instrumentalness • 52% Positiveness
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James Tillman
Love Within
103 bpm • A Maj • 03:00 • -15.95db
27% Popularity • 41% Danceability • 23% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Joviale
Dreamboat
103 bpm • A# min • 04:28 • -12db
28% Popularity • 88% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 61% Positiveness
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Dirty Projectors
Moon, If Ever
103 bpm • A Maj • 02:19 • -16.09db
13% Popularity • 46% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Dianna Lopez
So I Don't Feel Useless
118 bpm • E min • 03:00 • -13.4db
33% Popularity • 72% Danceability • 44% Energy • 7% Liveness
62% Instrumentalness • 84% Positiveness
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Hope Tala
Summer in Paris (Interlude)
103 bpm • G# Maj • 02:02 • -16.97db
36% Popularity • 62% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Westerman
Waiting On Design
118 bpm • C Maj • 04:34 • -8.3db
20% Popularity • 75% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 35% Positiveness
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Nai Palm
Have You Ever Been (To Electric Ladyland...
118 bpm • A# min • 04:19 • -9db
38% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Charlotte Day Wilson
Mountains
118 bpm • A# Maj • 04:09 • -9.13db
50% Popularity • 54% Danceability • 40% Energy • 37% Liveness
2% Instrumentalness • 14% Positiveness
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Kamaal Williams
Hold On
103 bpm • B Maj • 03:20 • -15.44db
42% Popularity • 30% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Max Pope
Man On The Wire
118 bpm • B min • 04:04 • -12.07db
30% Popularity • 77% Danceability • 38% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Charlotte Dos Santos
It's Over, Bobby
102 bpm • C min • 03:29 • -10.74db
36% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Nick Hakim
Moonman
102 bpm • G Maj • 03:33 • -7.28db
22% Popularity • 61% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Mereba
Late Bloomer
102 bpm • A Maj • 03:22 • -10.1db
39% Popularity • 22% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Roman GianArthur
High & Dry
119 bpm • A Maj • 04:36 • -10.09db
25% Popularity • 44% Danceability • 30% Energy • 20% Liveness
2% Instrumentalness • 18% Positiveness
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Okay Kaya
Baked Bean
102 bpm • F Maj • 03:00 • -13.58db
22% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Fana Hues
Desert Flower
119 bpm • F Maj • 02:54 • -9.45db
29% Popularity • 44% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Kelsey Lu
Too Much
119 bpm • A min • 02:17 • -7.68db
29% Popularity • 24% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Hakim
SEEING DOUBLE
119 bpm • C Maj • 05:22 • -8.96db
8% Popularity • 67% Danceability • 57% Energy • 13% Liveness
12% Instrumentalness • 24% Positiveness
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Sonnymoon
Just Before Dawn
119 bpm • G# Maj • 08:37 • -24.62db
31% Popularity • 38% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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WOOM
Seigfried / Self Control / White Ferrari
101 bpm • F# min • 05:10 • -11.69db
25% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Mndsgn
Medium Rare
120 bpm • C Maj • 05:29 • -10.96db
43% Popularity • 40% Danceability • 36% Energy • 19% Liveness
11% Instrumentalness • 11% Positiveness
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Onyx Collective
Getting to Know You
120 bpm • G Maj • 03:16 • -16.12db
20% Popularity • 64% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
► Preview
Ian Isiah
Loose Truth
120 bpm • G# Maj • 03:58 • -5.26db
7% Popularity • 71% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Nick Hakim
ALL THESE INSTRUMENTS
101 bpm • G Maj • 04:09 • -10.22db
16% Popularity • 64% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Feng Suave
People Wither - A COLORS SHOW
101 bpm • A Maj • 05:04 • -12db
27% Popularity • 53% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Charlotte Dos Santos
Red Clay
120 bpm • B min • 02:27 • -9.81db
39% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Helado Negro
Please Won't Please
120 bpm • B Maj • 03:03 • -12.3db
17% Popularity • 65% Danceability • 30% Energy • 25% Liveness
64% Instrumentalness • 22% Positiveness
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Devendra Banhart
Franklin's Tower
120 bpm • D Maj • 09:00 • -18.28db
24% Popularity • 43% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Gabriel Garzón-Montano
Blue Dot
120 bpm • G# min • 06:28 • -12.64db
9% Popularity • 49% Danceability • 39% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Dirty Projectors
Guarding The Baby
120 bpm • F# Maj • 02:40 • -11.52db
21% Popularity • 72% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Bloom