Songs like Blue Arrow Suite - Original London Cast Recording by Audrey Brisson
Based on a tempo of (+/- 10%) and a similar genre
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Alexandra Socha
Good Girl
136 bpm • A Maj • 02:36 • -5db
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Jared
When The Booth Goes Bright - Original Lo...
136 bpm • F Maj • 03:01 • -10db
25% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
12% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Cordero
Nicky Machiavelli
136 bpm • G Maj • 03:41 • -7.89db
11% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
17% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Audrey Brisson
Blue Arrow Suite - Original London Cast ...
136 bpm • F Maj • 02:51 • -8.68db
18% Popularity • 55% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 55% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 48% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Cry-Baby Original Studio Cast
Thanks for the Nifty Country
137 bpm • A Maj • 01:48 • -5.42db
14% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
20% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jeanine Tesori
"Just Had a Good Talk with Dad..."
137 bpm • C Maj • 01:50 • -19.32db
21% Popularity • 60% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Sophie Crawford
Window Seat - Original London Cast Recor...
137 bpm • G Maj • 01:45 • -11db
17% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Reeve Carney
Epic II
135 bpm • F Maj • 02:26 • -6.83db
49% Popularity • 50% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 50% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Will Reynolds
Sail On, Santa Maria!
137 bpm • G Maj • 03:05 • -10.13db
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bernadette Peters
Everbody Loves Louis
135 bpm • A# min • 03:07 • -12.32db
24% Popularity • 46% Danceability • 23% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 46% Danceability • 23% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Mimi Scardulla
Captain of the Team
138 bpm • F Maj • 04:17 • -8.1db
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Michael X. Martin
When I'm Gone
138 bpm • A Maj • 03:49 • -8.55db
15% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 57% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Neil Bartram
Lipstick
138 bpm • G min • 02:50 • -13db
15% Popularity • 59% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 59% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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Fra Fee
Spindlewood
138 bpm • E Maj • 06:23 • -11.3db
16% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ryah Nixon
If You Knew
138 bpm • G Maj • 03:06 • -9db
18% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
17% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Kaitlyn Frank
Forever
134 bpm • D Maj • 04:30 • -7.24db
18% Popularity • 52% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Santino Fontana
Whaddya Do
138 bpm • C min • 02:33 • -9.12db
19% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Audrey Brisson
Half Asleep - Original London Cast Recor...
134 bpm • F Maj • 01:48 • -13.51db
22% Popularity • 44% Danceability • 11% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 11% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Jeanine Tesori
"A Flair for the Dramatic..."
138 bpm • F# Maj • 02:42 • -19.99db
19% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Alice Ripley
Bubble Boy
134 bpm • F Maj • 05:38 • -8db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Carmen Cusack
At Long Last
133 bpm • A Maj • 02:57 • -9db
26% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Molly Gordon
Winter Blooms
139 bpm • G Maj • 02:59 • -8.95db
31% Popularity • 56% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 56% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Penny Fuller
Beautiful
139 bpm • D Maj • 03:46 • -14.7db
17% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
24% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
20% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Lauren Lopez
The Night Belongs to Us
139 bpm • A Maj • 03:02 • -6.9db
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Eva Noblezada
Gone, I'm Gone
139 bpm • C Maj • 01:41 • -10.26db
48% Popularity • 43% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 43% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
11% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Miller
Spring Cleaning
133 bpm • F Maj • 03:02 • -7db
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Ariana DeBose
Out of Your Head - Reprise
139 bpm • D Maj • 01:05 • -7.11db
11% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jeanine Tesori
Helen's Etude
132 bpm • G# Maj • 03:39 • -16.77db
23% Popularity • 52% Danceability • 12% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 52% Danceability • 12% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Cathy Ang
Mattie's Lament
140 bpm • G# Maj • 03:26 • -8db
18% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Bobby Conte
Ain't It the Truth
133 bpm • G# Maj • 03:35 • -6.69db
11% Popularity • 80% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 80% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Mulheren
Please, Don't Take Him
132 bpm • E min • 02:27 • -8.08db
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Original London Cast Of The Wind In The Willows
Autumn
140 bpm • E Maj • 02:09 • -8.8db
15% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hannah Waddingham
Fear & Whispers
140 bpm • D# min • 03:23 • -10.44db
16% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
8% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Julia Murney
Lucky
140 bpm • A# Maj • 02:33 • -11.07db
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Clockmaker's Daughter Studio Cast
Finale Act I - Raise A Glass
132 bpm • C Maj • 08:37 • -10.34db
17% Popularity • 40% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 40% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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L Morgan Lee
We Wanna Know
132 bpm • F Maj • 02:00 • -8.82db
19% Popularity • 62% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 62% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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"Calendar Girls" Original London Cast
Kilimanjaro
141 bpm • G# Maj • 04:02 • -9.31db
14% Popularity • 45% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 45% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
No Good Can Come from Bad
141 bpm • F# min • 02:42 • -10.51db
16% Popularity • 69% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 69% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Silverman
Very Well-Connected
131 bpm • C Maj • 02:11 • -10.81db
9% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Diana Original Broadway Cast
She Moves In The Most Modern Ways
141 bpm • D Maj • 03:37 • -8.5db
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Larry Owens
We Wanna Know
141 bpm • F Maj • 01:53 • -7.16db
8% Popularity • 55% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 55% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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'[title of show]' Original Cast
Filling out the Form
131 bpm • G# Maj • 01:52 • -10.89db
13% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers - Lovers' Reprise
141 bpm • A Maj • 01:06 • -10.54db
10% Popularity • 33% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 33% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Alan Zachary
Allison's Theme #1
142 bpm • G# Maj • 00:50 • -8.73db
15% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lauren Zakrin
Phoenix
142 bpm • C Maj • 03:12 • -6.54db
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Audrey Brisson
Post Mortem - Original London Cast Recor...
142 bpm • E Maj • 02:19 • -11.32db
20% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Tessa Netting
Barb's Lament
142 bpm • F# Maj • 01:02 • -13.02db
26% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Two Kinsmen
130 bpm • D Maj • 01:32 • -8.93db
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Jake Gyllenhaal
The Dog Song
142 bpm • E min • 03:35 • -11.76db
17% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Galvin
Manage Your Flamingo
130 bpm • G min • 02:24 • -8.3db
32% Popularity • 59% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 59% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Trensch
Fie on Goodness
143 bpm • D# Maj • 03:21 • -8.29db
16% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 51% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Reeve Carney
Come Home with Me (Reprise)
129 bpm • C Maj • 01:01 • -11db
46% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
25% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Alice By Heart Original Cast Recording Company
Down the Hole
129 bpm • A Maj • 03:41 • -8db
24% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Heath Saunders
Chillin' the Regrets
129 bpm • F min • 04:03 • -10.02db
35% Popularity • 46% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Idina Menzel
The Moment Explodes
144 bpm • C# min • 02:20 • -8.29db
17% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Operation Mincemeat
Just for Tonight
129 bpm • G Maj • 05:20 • -6.52db
33% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ramin Karimloo
Impossible
144 bpm • C# Maj • 03:46 • -12.1db
17% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mykal Kilgore
Flying Home
144 bpm • B Maj • 05:21 • -6.64db
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Will Chase
Kiss Me, Kate - Act 1 Finale
128 bpm • F Maj • 02:26 • -7.26db
11% Popularity • 45% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 45% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Krystina Alabado
Simple As That
128 bpm • E Maj • 01:50 • -9.03db
21% Popularity • 68% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 68% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Kennedy
Fly into the Future
128 bpm • C# Maj • 03:53 • -10.58db
17% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Operation Mincemeat
Useful
144 bpm • C Maj • 04:41 • -7.26db
31% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Christopher J. Hanke
The Company Way (Reprise)
128 bpm • A min • 01:39 • -9.65db
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness