Songs like Blue Guitar by Richard Chamberlain
Based on a tempo of (+/- 10%) and a similar genre
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Joni James
Is It Any Wonder
92 bpm • A# Maj • 02:35 • -13.24db
17% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Ames
Edelweiss
92 bpm • G# Maj • 02:23 • -13.33db
20% Popularity • 17% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 17% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jane Morgan
Yesterday
92 bpm • G Maj • 02:23 • -12.53db
18% Popularity • 25% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 25% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Della Reese
Don't Know You - Digitally Mastered 1988
92 bpm • D# Maj • 02:33 • -12.02db
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bobby Goldsboro
I Can't Stop Loving You
92 bpm • A# Maj • 02:17 • -9.69db
41% Popularity • 38% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 38% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Richard Chamberlain
Hush..Hush, Sweet Charlotte
92 bpm • G Maj • 02:37 • -10.07db
2% Popularity • 27% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 27% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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William Shakespeare
Chapter 18 - Romeo and Juliet
92 bpm • C# Maj • 03:46 • -13.57db
1% Popularity • 66% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
1% Popularity • 66% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Tennessee Ernie Ford
Give Me Your Word
93 bpm • D# min • 03:13 • -6.73db
9% Popularity • 28% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 25% Positiveness
9% Popularity • 28% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 25% Positiveness
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Jane Morgan
A Lover's Concerto
92 bpm • D Maj • 02:49 • -11.46db
33% Popularity • 25% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 25% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Shirley Bassey
Reach for the Stars
93 bpm • A Maj • 02:56 • -9.17db
13% Popularity • 28% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 28% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Bobby Goldsboro
Why Don't You Believe Me
93 bpm • E Maj • 02:18 • -13.86db
39% Popularity • 35% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 35% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Des O'Connor
Try to Remember
93 bpm • C Maj • 03:24 • -15db
13% Popularity • 47% Danceability • 18% Energy • 10% Liveness
10% Instrumentalness • 18% Positiveness
13% Popularity • 47% Danceability • 18% Energy • 10% Liveness
10% Instrumentalness • 18% Positiveness
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William Shakespeare
Chapter 3 - Romeo and Juliet
91 bpm • G Maj • 03:02 • -17.4db
5% Popularity • 72% Danceability • 34% Energy • 94% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 72% Danceability • 34% Energy • 94% Liveness
0% Instrumentalness • 61% Positiveness
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Ray Peterson
Missing You
91 bpm • A Maj • 02:44 • -2.51db
34% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The Ames Brothers
You, You, You
93 bpm • E Maj • 02:55 • -11db
28% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Joni James
Hi Lili - Hi Lo
90 bpm • D Maj • 03:08 • -13.84db
9% Popularity • 17% Danceability • 24% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
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Bobby Goldsboro
Blue Autumn
93 bpm • C Maj • 03:07 • -19.44db
15% Popularity • 51% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 51% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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The Brothers Four
Where Is Your Heart
90 bpm • D# Maj • 02:05 • -15.84db
27% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Anthony Newley
I've Waited so Long
90 bpm • G min • 02:45 • -10.14db
11% Popularity • 26% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 26% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
90 bpm • C Maj • 02:49 • -13.13db
45% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Ray Peterson
Richer Than I
90 bpm • D# Maj • 02:26 • -9.7db
11% Popularity • 33% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 33% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Ruby Murray
You Are My First Love
94 bpm • C# Maj • 02:23 • -11.86db
17% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Bobby Goldsboro
A Woman
93 bpm • C Maj • 02:11 • -17.37db
34% Popularity • 41% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
34% Popularity • 41% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ronnie Hilton
No Other Love
90 bpm • B Maj • 03:08 • -10.33db
20% Popularity • 26% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 26% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Crawford
Moon River
90 bpm • E Maj • 02:55 • -16.97db
20% Popularity • 26% Danceability • 22% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
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George Hamilton IV
They Will Understand
94 bpm • F Maj • 02:32 • -10db
17% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Vince Hill
And I Love You So - 2017 Remaster
90 bpm • A# Maj • 03:47 • -9db
18% Popularity • 28% Danceability • 33% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
18% Popularity • 28% Danceability • 33% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
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Joni James
There Goes My Heart
95 bpm • F# Maj • 02:33 • -8db
23% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Ed Ames
Time, Time (Tu As Beau Sourire)
89 bpm • G# Maj • 02:51 • -10.44db
15% Popularity • 32% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 32% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Johnnie Ray
Such a Night
95 bpm • A Maj • 02:13 • -16.71db
27% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Goldsboro
Little Green Apples
95 bpm • E min • 03:13 • -14.52db
48% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Richard Chamberlain
April Love - Remastered
95 bpm • D Maj • 02:19 • -9.85db
4% Popularity • 38% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
4% Popularity • 38% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Vic Dana
Distant Drums
95 bpm • F# Maj • 03:06 • -14.28db
33% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bob Merrill
Love Makes The World Go 'Round
95 bpm • D# Maj • 01:39 • -15.09db
3% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Joanie Sommers
(Theme From) A Summer Place
95 bpm • C Maj • 02:24 • -15.34db
16% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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William Shakespeare
Chapter 7 - Romeo and Juliet
96 bpm • C# Maj • 03:02 • -12.86db
3% Popularity • 69% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 69% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Ray Peterson
Answer Me, My Love
95 bpm • F# Maj • 02:21 • -9.58db
29% Popularity • 30% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 30% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Anthony Newley
If She Should Come to You
96 bpm • D Maj • 02:30 • -12.84db
12% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Linda Scott
This Is My Prayer
96 bpm • F# Maj • 03:00 • -13.29db
26% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ed Ames
If Ever I Would Leave You
88 bpm • A# Maj • 03:14 • -12db
13% Popularity • 18% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 18% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Tommy Edwards
Now And Then There's A Fool Such As I
88 bpm • A# Maj • 02:11 • -18.72db
36% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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The Ray Charles Singers
Hello Dolly!
96 bpm • F# min • 02:13 • -10.5db
11% Popularity • 63% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 63% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Goldsboro
Yesterday
88 bpm • C Maj • 02:40 • -11.35db
36% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Hyland
Bye Bye Love
88 bpm • A Maj • 02:40 • -14.27db
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Ann-Margret
My Last Date (With You)
96 bpm • A# Maj • 02:36 • -13.3db
18% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jerry Lewis
Rock-A-Bye Your Baby With A Dixie Melody
88 bpm • G Maj • 02:36 • -8.4db
16% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tommy Edwards
You Win Again
88 bpm • C# Maj • 02:34 • -12.27db
15% Popularity • 38% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 38% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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William Shakespeare
Chapter 8 - Romeo and Juliet
88 bpm • F# min • 04:32 • -12.31db
3% Popularity • 64% Danceability • 29% Energy • 74% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 64% Danceability • 29% Energy • 74% Liveness
0% Instrumentalness • 48% Positiveness
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Sue Thompson
Too Much In Love
88 bpm • A Maj • 02:38 • -11db
26% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Skyliners
Three Coins in the Fountain
96 bpm • E Maj • 02:19 • -9.64db
27% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Brothers Four
We May Never Love Like This Again
88 bpm • F Maj • 01:54 • -13.02db
26% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jane Morgan
Fascination - 2024 Remastered
88 bpm • F Maj • 02:23 • -13.45db
25% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
97 bpm • F Maj • 02:37 • -17db
51% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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William Shakespeare
Chapter 6 - Romeo and Juliet
87 bpm • C# Maj • 03:05 • -14.65db
3% Popularity • 64% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 64% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Joni James
Wonder Why - Remastered
87 bpm • F# min • 02:49 • -10db
12% Popularity • 29% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 29% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Tony Brent
Girl of My Dreams - 1999 Remaster
87 bpm • E min • 02:33 • -10db
10% Popularity • 42% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 42% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Vic Dana
Bring A Little Sunshine - To My Heart
87 bpm • A Maj • 02:38 • -11.32db
30% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Anthony Newley
And the Heavens Cried
87 bpm • B Maj • 02:13 • -6.12db
13% Popularity • 32% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 32% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Johnnie Ray
Just Walking in the Rain
97 bpm • F Maj • 02:40 • -10db
20% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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William Shakespeare
Chapter 9 - Romeo and Juliet
97 bpm • B min • 03:01 • -10.65db
3% Popularity • 67% Danceability • 52% Energy • 84% Liveness
0% Instrumentalness • 69% Positiveness
3% Popularity • 67% Danceability • 52% Energy • 84% Liveness
0% Instrumentalness • 69% Positiveness
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Joni James
How Important Can It Be - Remastered
87 bpm • C# Maj • 02:35 • -9db
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Eckstine
No One but You
87 bpm • G Maj • 03:09 • -11db
33% Popularity • 34% Danceability • 27% Energy • 29% Liveness
1% Instrumentalness • 13% Positiveness
33% Popularity • 34% Danceability • 27% Energy • 29% Liveness
1% Instrumentalness • 13% Positiveness
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Julie Rogers
The Wedding
97 bpm • G# Maj • 02:26 • -10db
30% Popularity • 38% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 38% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Sue Thompson
I Can't Help It (If I'm Still In Love Wi...
87 bpm • C Maj • 02:35 • -11.16db
14% Popularity • 23% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Debbie Reynolds
City Lights
98 bpm • D Maj • 02:26 • -11.91db
27% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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The Ames Brothers
Cruising Down the River
98 bpm • D Maj • 02:40 • -14db
22% Popularity • 64% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 64% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Joni James
How Important Can It Be?
87 bpm • C# Maj • 02:33 • -15db
18% Popularity • 42% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 42% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The Four Preps
All I Have To Do Is Dream
86 bpm • C# min • 02:44 • -20db
9% Popularity • 38% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 38% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Julie Rogers
Hawaiian Wedding Song
86 bpm • G# Maj • 02:28 • -4.24db
24% Popularity • 23% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 23% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Paul & Paula
Pledging My Love
98 bpm • D Maj • 02:06 • -12db
23% Popularity • 65% Danceability • 26% Energy • 40% Liveness
39% Instrumentalness • 78% Positiveness
23% Popularity • 65% Danceability • 26% Energy • 40% Liveness
39% Instrumentalness • 78% Positiveness
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Richard Chamberlain
All I Have To Do Is Dream
99 bpm • C# Maj • 02:31 • -17.03db
17% Popularity • 48% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Ames Brothers
You, You, You
98 bpm • E Maj • 02:55 • -19.04db
18% Popularity • 35% Danceability • 10% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 10% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
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Joni James
Your Cheatin' Heart
86 bpm • G# Maj • 02:51 • -10db
23% Popularity • 32% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Sue Thompson
My Hero (That's What You Are)
86 bpm • B Maj • 02:16 • -11db
31% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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The Fontane Sisters
Chanson D'amour
99 bpm • G min • 02:14 • -12db
20% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Vic Dana
Shangri-La
86 bpm • G# Maj • 02:06 • -9.9db
23% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Debbie Reynolds
Summer Romance
99 bpm • F# Maj • 02:13 • -12.51db
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Tommy Edwards
I Really Don't Want To Know
99 bpm • A# Maj • 02:18 • -11.2db
24% Popularity • 25% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 25% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Chamberlain
All I Have to Do Is Dream - Remastered
99 bpm • C# Maj • 02:27 • -9.82db
1% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Ruby Murray
Heartbeat
85 bpm • B Maj • 02:09 • -13.45db
25% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Ronnie Hilton
I Still Believe
85 bpm • D# min • 02:33 • -12.11db
14% Popularity • 41% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 41% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Crawford
Living in the Past
99 bpm • A# Maj • 02:41 • -13db
11% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Ames Brothers
It Only Hurts for a Little While
85 bpm • A Maj • 02:42 • -11.53db
18% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
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Vince Hill
Look Around (And You'll Find Me There)
85 bpm • C# Maj • 03:26 • -8.74db
28% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 30% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Des O'Connor
Careless Hands
85 bpm • F# Maj • 02:42 • -9db
22% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ronnie Hilton
Who Are We
85 bpm • F Maj • 02:59 • -10.72db
9% Popularity • 26% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Frank Ifield
A Fool Such as I
100 bpm • C Maj • 02:42 • -12.88db
16% Popularity • 51% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 51% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Petula Clark
Kiss Me Goodbye
100 bpm • G Maj • 03:54 • -10.34db
30% Popularity • 36% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 36% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Anita Bryant
My Cup Runneth Over
100 bpm • G Maj • 02:33 • -17db
15% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Shelley Fabares
Looking for a Star
100 bpm • G Maj • 02:27 • -13.23db
28% Popularity • 67% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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The Ames Brothers
Melodie d'Amour
84 bpm • G Maj • 02:39 • -19db
26% Popularity • 58% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
26% Popularity • 58% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
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Ronnie Hilton
A Hundred Miles from Everywhere
85 bpm • G Maj • 02:44 • -17db
9% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Chamberlain
Hi-Lili, Hi-Lo
84 bpm • C Maj • 02:41 • -19.21db
12% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Frank Ifield
Angry at the Big Oak Tree
100 bpm • D Maj • 02:47 • -8.73db
19% Popularity • 52% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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Sue Thompson
Mama, don't cry at my wedding
84 bpm • D Maj • 02:17 • -12.03db
27% Popularity • 34% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 34% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Anthony Newley
Why?
100 bpm • G min • 02:26 • -9.38db
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness