Songs like Blue Savannah - Vince Clarke Remix by Erasure
Based on a tempo of (+/- 10%) and a similar genre
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Danny Wilson
Mary's Prayer
135 bpm • C Maj • 03:54 • -13.14db
56% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The B-52's
Roam
135 bpm • A Maj • 04:55 • -5.55db
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Ultravox
Hymn
135 bpm • C Maj • 04:27 • -11.45db
52% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Blondie
Atomic
135 bpm • E min • 04:40 • -4.89db
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
70% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
70% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Talk Talk
Talk Talk - 1997 Remaster
135 bpm • G min • 03:23 • -7.78db
50% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
50% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • F min • 05:02 • -10.62db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Marc Almond
Tears Run Rings
134 bpm • A# Maj • 04:21 • -11.95db
45% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Pointer Sisters
Jump
134 bpm • A# min • 04:22 • -7.91db
64% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
55% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
72% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
72% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
79% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Donna Summer
She Works Hard For The Money
137 bpm • G# min • 05:20 • -13.01db
60% Popularity • 76% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
60% Popularity • 76% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
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Blondie
Atomic
137 bpm • E min • 03:50 • -5db
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Ultravox
Reap the Wild Wind - 2009 Remaster
133 bpm • C# Maj • 03:49 • -9db
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
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Cyndi Lauper
She Bop
137 bpm • A min • 03:49 • -4.57db
54% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Communards
Disenchanted
137 bpm • F min • 04:12 • -5db
35% Popularity • 58% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 58% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
69% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Cher
Believe
133 bpm • F# Maj • 03:59 • -6.72db
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
78% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
60% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Erasure
Lay All Your Love On Me
132 bpm • G min • 04:45 • -5.39db
41% Popularity • 58% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 58% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Bronski Beat
Why ?
138 bpm • F min • 04:03 • -9db
57% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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The Communards
Never Can Say Goodbye
133 bpm • F Maj • 04:25 • -5.04db
40% Popularity • 63% Danceability • 90% Energy • 6% Liveness
2% Instrumentalness • 75% Positiveness
40% Popularity • 63% Danceability • 90% Energy • 6% Liveness
2% Instrumentalness • 75% Positiveness
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Ultravox
Love's Great Adventure
138 bpm • G Maj • 03:08 • -7db
42% Popularity • 29% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 29% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick Hernandez
Born to Be Alive - The Original
131 bpm • D Maj • 03:08 • -5.81db
74% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
74% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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INXS
Original Sin
131 bpm • A Maj • 05:17 • -7.26db
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Roy Orbison
I Drove All Night
139 bpm • F Maj • 03:46 • -11.16db
57% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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The Communards
Never Can Say Goodbye
132 bpm • F Maj • 04:51 • -7.98db
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
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a-ha
Cry Wolf
131 bpm • A min • 04:06 • -7.45db
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
72% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
72% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Berlin
No More Words
131 bpm • F Maj • 03:50 • -4.23db
33% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Communards
Don't Leave Me This Way
132 bpm • D# Maj • 04:31 • -5.6db
68% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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A Flock Of Seagulls
The More You Live, The More You Love
140 bpm • B min • 04:09 • -5.57db
48% Popularity • 61% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 61% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Bronski Beat
I Feel Love
140 bpm • A min • 06:01 • -11.6db
48% Popularity • 62% Danceability • 72% Energy • 57% Liveness
1% Instrumentalness • 86% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 57% Liveness
1% Instrumentalness • 86% Positiveness
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Go West
We Close Our Eyes
131 bpm • B Maj • 03:41 • -6.72db
57% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Cyndi Lauper
The Goonies 'R' Good Enough
139 bpm • C# min • 03:38 • -5.19db
50% Popularity • 71% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 71% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Tiffany
I Think We're Alone Now
131 bpm • G Maj • 03:48 • -12.13db
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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New Order
Blue Monday '88
130 bpm • G Maj • 04:04 • -8.49db
67% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
67% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
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Deacon Blue
Real Gone Kid
130 bpm • C Maj • 04:03 • -11db
39% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Bronski Beat
Hit That Perfect Beat
140 bpm • C Maj • 03:39 • -12.97db
50% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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A Flock Of Seagulls
Space Age Love Song
140 bpm • D Maj • 03:46 • -4.61db
58% Popularity • 45% Danceability • 74% Energy • 21% Liveness
11% Instrumentalness • 55% Positiveness
58% Popularity • 45% Danceability • 74% Energy • 21% Liveness
11% Instrumentalness • 55% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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New Order
Blue Monday
130 bpm • C Maj • 07:29 • -13.34db
73% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
73% Popularity • 76% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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Frankie Goes To Hollywood
Two Tribes
130 bpm • G Maj • 03:28 • -13.17db
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
81% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
81% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Depeche Mode
Personal Jesus - Single Version
130 bpm • B Maj • 03:44 • -3.53db
69% Popularity • 67% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 79% Positiveness
69% Popularity • 67% Danceability • 90% Energy • 5% Liveness
2% Instrumentalness • 79% Positiveness
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Queen
A Kind Of Magic - Remastered 2011
130 bpm • A Maj • 04:24 • -5.87db
73% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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New Order
Regret - 2015 Remaster
130 bpm • F Maj • 04:08 • -5.64db
57% Popularity • 51% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 86% Positiveness
57% Popularity • 51% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 86% Positiveness
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Kylie Minogue
The Loco-Motion
129 bpm • D# Maj • 03:14 • -11.27db
44% Popularity • 76% Danceability • 82% Energy • 2% Liveness
17% Instrumentalness • 80% Positiveness
44% Popularity • 76% Danceability • 82% Energy • 2% Liveness
17% Instrumentalness • 80% Positiveness
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INXS
Mystify
129 bpm • A min • 03:17 • -5.66db
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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a-ha
Love Is Reason
129 bpm • C Maj • 03:07 • -13.68db
41% Popularity • 68% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Wang Chung
Everybody Have Fun Tonight
129 bpm • A Maj • 04:47 • -12.27db
56% Popularity • 73% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 73% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Dead Or Alive
You Spin Me Round (Like a Record) - Rip ...
129 bpm • F# min • 04:27 • -10db
47% Popularity • 68% Danceability • 78% Energy • 38% Liveness
1% Instrumentalness • 94% Positiveness
47% Popularity • 68% Danceability • 78% Energy • 38% Liveness
1% Instrumentalness • 94% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
71% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
71% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Fire Inc.
Tonight Is What It Means To Be Young
142 bpm • C Maj • 06:54 • -12.85db
48% Popularity • 50% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 50% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Fine Young Cannibals
Ever Fallen in Love
128 bpm • A Maj • 03:53 • -11db
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Information Society
Lay All Your Love On Me
128 bpm • G min • 03:41 • -12.29db
38% Popularity • 72% Danceability • 63% Energy • 7% Liveness
29% Instrumentalness • 78% Positiveness
38% Popularity • 72% Danceability • 63% Energy • 7% Liveness
29% Instrumentalness • 78% Positiveness
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Morrissey
Suedehead - 2011 Remaster
142 bpm • D Maj • 03:55 • -4.5db
62% Popularity • 53% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 53% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Dead Or Alive
You Spin Me Round (Like a Record) - Perf...
128 bpm • F# min • 07:25 • -9db
35% Popularity • 69% Danceability • 88% Energy • 39% Liveness
5% Instrumentalness • 94% Positiveness
35% Popularity • 69% Danceability • 88% Energy • 39% Liveness
5% Instrumentalness • 94% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
74% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
74% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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Spandau Ballet
To Cut a Long Story Short - 2010 Remaste...
142 bpm • D Maj • 03:19 • -5.11db
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
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Kon Kan
I Beg Your Pardon (I Never Promised You ...
128 bpm • B Maj • 05:12 • -10.79db
18% Popularity • 64% Danceability • 75% Energy • 22% Liveness
56% Instrumentalness • 87% Positiveness
18% Popularity • 64% Danceability • 75% Energy • 22% Liveness
56% Instrumentalness • 87% Positiveness
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The Cure
Inbetween Days
143 bpm • A Maj • 02:57 • -6.32db
70% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
70% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
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George Michael
Praying for Time - Remastered
128 bpm • A# Maj • 04:40 • -14.37db
53% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Dead Or Alive
You Spin Me Round (Like a Record)
128 bpm • F# min • 03:15 • -3.76db
75% Popularity • 55% Danceability • 96% Energy • 43% Liveness
7% Instrumentalness • 92% Positiveness
75% Popularity • 55% Danceability • 96% Energy • 43% Liveness
7% Instrumentalness • 92% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
77% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
77% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Diana Ross
Chain Reaction
128 bpm • B Maj • 03:50 • -12.99db
58% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
62% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Men Without Hats
I Like
143 bpm • G# min • 04:12 • -7.15db
27% Popularity • 67% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 67% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Spandau Ballet
Gold - 2003 Remaster
143 bpm • A# min • 04:50 • -6.12db
62% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Jane Wiedlin
Rush Hour
143 bpm • E Maj • 04:04 • -11.52db
46% Popularity • 54% Danceability • 80% Energy • 29% Liveness
9% Instrumentalness • 86% Positiveness
46% Popularity • 54% Danceability • 80% Energy • 29% Liveness
9% Instrumentalness • 86% Positiveness
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Bryan Ferry
Don't Stop The Dance
127 bpm • A min • 04:19 • -5.93db
61% Popularity • 72% Danceability • 77% Energy • 16% Liveness
78% Instrumentalness • 98% Positiveness
61% Popularity • 72% Danceability • 77% Energy • 16% Liveness
78% Instrumentalness • 98% Positiveness
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No Mercy
Where Do You Go
127 bpm • A# min • 04:32 • -11.02db
67% Popularity • 73% Danceability • 83% Energy • 7% Liveness
12% Instrumentalness • 96% Positiveness
67% Popularity • 73% Danceability • 83% Energy • 7% Liveness
12% Instrumentalness • 96% Positiveness
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Cyndi Lauper
When You Were Mine
127 bpm • A Maj • 05:06 • -7.15db
47% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Take That
Could It Be Magic - Rapino Radio Mix
127 bpm • C Maj • 03:30 • -9db
47% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Midge Ure
If I Was - 2010 Remaster
127 bpm • C Maj • 05:21 • -6.05db
50% Popularity • 52% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 52% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Erasure
Voulez Vous
127 bpm • A# Maj • 05:31 • -5.47db
36% Popularity • 52% Danceability • 98% Energy • 20% Liveness
6% Instrumentalness • 76% Positiveness
36% Popularity • 52% Danceability • 98% Energy • 20% Liveness
6% Instrumentalness • 76% Positiveness
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Ultravox
Dancing with Tears in My Eyes - 2009 Rem...
144 bpm • A Maj • 04:40 • -9.46db
43% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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a-ha
The Sun Always Shines on T.V.
126 bpm • A min • 05:02 • -8.79db
65% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
65% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
71% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
71% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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ABC
When Smokey Sings
126 bpm • F Maj • 04:19 • -8.75db
50% Popularity • 73% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 88% Positiveness
50% Popularity • 73% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 88% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Ultravox
Dancing with Tears in My Eyes
144 bpm • A Maj • 04:04 • -8.12db
66% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
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Pet Shop Boys
Suburbia
126 bpm • C Maj • 04:04 • -10.57db
56% Popularity • 53% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 53% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Communards
T.M.T. Love T.B.M.G.
126 bpm • A# Maj • 04:35 • -7db
23% Popularity • 66% Danceability • 88% Energy • 50% Liveness
8% Instrumentalness • 85% Positiveness
23% Popularity • 66% Danceability • 88% Energy • 50% Liveness
8% Instrumentalness • 85% Positiveness
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Talk Talk
It's My Life - Extended Mix; 2003 Remast...
126 bpm • A# min • 06:19 • -9db
45% Popularity • 73% Danceability • 66% Energy • 18% Liveness
69% Instrumentalness • 96% Positiveness
45% Popularity • 73% Danceability • 66% Energy • 18% Liveness
69% Instrumentalness • 96% Positiveness
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Real McCoy
Another Night
126 bpm • G Maj • 03:56 • -7.58db
62% Popularity • 81% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 81% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
