Songs like Blue Train Lines - Nina Kraviz Main Mix by Mount Kimbie
Based on a tempo of (+/- 10%) and a similar genre
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Kai Campos
Zone 3 (City Limits) - Gadea's Sculptura...
135 bpm • A Maj • 03:56 • -7.46db
9% Popularity • 46% Danceability • 94% Energy • 14% Liveness
89% Instrumentalness • 29% Positiveness
9% Popularity • 46% Danceability • 94% Energy • 14% Liveness
89% Instrumentalness • 29% Positiveness
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Floating Points
Problems
136 bpm • A# min • 04:37 • -9db
43% Popularity • 70% Danceability • 87% Energy • 32% Liveness
57% Instrumentalness • 53% Positiveness
43% Popularity • 70% Danceability • 87% Energy • 32% Liveness
57% Instrumentalness • 53% Positiveness
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Andy Stott
Faith in Strangers
137 bpm • G Maj • 06:29 • -10db
43% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
43% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Actress
Leaves Against The Sky
135 bpm • F min • 04:38 • -15db
35% Popularity • 69% Danceability • 75% Energy • 11% Liveness
60% Instrumentalness • 52% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 11% Liveness
60% Instrumentalness • 52% Positiveness
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Nabihah Iqbal
Zone 1 to 6000
135 bpm • D Maj • 03:25 • -6.72db
44% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 54% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Mount Kimbie
Carbonated
135 bpm • E min • 04:18 • -13.52db
44% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
44% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
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Kai Campos
Zone 3 (City Limits) - Gadea's Chasing C...
135 bpm • E min • 05:51 • -9.75db
17% Popularity • 69% Danceability • 68% Energy • 12% Liveness
92% Instrumentalness • 85% Positiveness
17% Popularity • 69% Danceability • 68% Energy • 12% Liveness
92% Instrumentalness • 85% Positiveness
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Floating Points
Last Bloom
135 bpm • C# Maj • 05:53 • -11.71db
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Arthur Russell
That's Us/Wild Combination
138 bpm • C# min • 06:58 • -13.34db
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Darkstar
30
134 bpm • G# min • 03:08 • -14.89db
12% Popularity • 29% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
12% Popularity • 29% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Connan Mockasin
It's Choade My Dear
138 bpm • F# Maj • 04:05 • -11db
21% Popularity • 53% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
21% Popularity • 53% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Mount Kimbie
Industry
137 bpm • G# min • 01:34 • -7.88db
20% Popularity • 63% Danceability • 37% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
20% Popularity • 63% Danceability • 37% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
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LV
Beacon - Mount Kimbie Remix
138 bpm • G# min • 04:03 • -10.84db
9% Popularity • 75% Danceability • 73% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
9% Popularity • 75% Danceability • 73% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
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Floating Points
Vocoder
135 bpm • D Maj • 07:35 • -8.53db
37% Popularity • 78% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
37% Popularity • 78% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Joy Orbison
swag w/ kav
134 bpm • A# Maj • 04:04 • -12.02db
33% Popularity • 80% Danceability • 56% Energy • 12% Liveness
26% Instrumentalness • 33% Positiveness
33% Popularity • 80% Danceability • 56% Energy • 12% Liveness
26% Instrumentalness • 33% Positiveness
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Ross from Friends
XXX Olympiad
134 bpm • B Maj • 05:11 • -11db
38% Popularity • 61% Danceability • 75% Energy • 12% Liveness
85% Instrumentalness • 50% Positiveness
38% Popularity • 61% Danceability • 75% Energy • 12% Liveness
85% Instrumentalness • 50% Positiveness
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James Blake
Asking To Break
138 bpm • E min • 02:52 • -10.44db
55% Popularity • 58% Danceability • 56% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
55% Popularity • 58% Danceability • 56% Energy • 11% Liveness
74% Instrumentalness • 16% Positiveness
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Mount Kimbie
Southgate - DJ-Kicks
134 bpm • A min • 02:44 • -13.66db
34% Popularity • 60% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 42% Positiveness
34% Popularity • 60% Danceability • 66% Energy • 8% Liveness
84% Instrumentalness • 42% Positiveness
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Jacques Greene
Another Girl
134 bpm • C# Maj • 06:43 • -10db
39% Popularity • 40% Danceability • 64% Energy • 33% Liveness
68% Instrumentalness • 71% Positiveness
39% Popularity • 40% Danceability • 64% Energy • 33% Liveness
68% Instrumentalness • 71% Positiveness
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Floating Points
Sais
134 bpm • F min • 08:03 • -13db
37% Popularity • 75% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
37% Popularity • 75% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Actress
AZD SURF
134 bpm • C# Maj • 04:11 • -14.77db
21% Popularity • 58% Danceability • 80% Energy • 13% Liveness
93% Instrumentalness • 84% Positiveness
21% Popularity • 58% Danceability • 80% Energy • 13% Liveness
93% Instrumentalness • 84% Positiveness
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Inwards
At Height
134 bpm • C# Maj • 03:52 • -17db
37% Popularity • 55% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 19% Positiveness
37% Popularity • 55% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 19% Positiveness
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Caribou
Melody Day - Four Tet Remix
138 bpm • C# min • 04:47 • -13.95db
43% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
43% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
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Mount Kimbie
Black Stone
134 bpm • G min • 03:56 • -5.93db
22% Popularity • 72% Danceability • 87% Energy • 46% Liveness
41% Instrumentalness • 74% Positiveness
22% Popularity • 72% Danceability • 87% Energy • 46% Liveness
41% Instrumentalness • 74% Positiveness
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Archy Marshall
The Sea Liner MK 1
134 bpm • G# min • 03:36 • -12db
26% Popularity • 63% Danceability • 64% Energy • 11% Liveness
59% Instrumentalness • 22% Positiveness
26% Popularity • 63% Danceability • 64% Energy • 11% Liveness
59% Instrumentalness • 22% Positiveness
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Joy Orbison
w/ dad & frankie
134 bpm • C min • 02:34 • -14db
27% Popularity • 67% Danceability • 37% Energy • 11% Liveness
35% Instrumentalness • 24% Positiveness
27% Popularity • 67% Danceability • 37% Energy • 11% Liveness
35% Instrumentalness • 24% Positiveness
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Floating Points
Karakul
138 bpm • C Maj • 01:54 • -18.72db
41% Popularity • 43% Danceability • 13% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
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Young Fathers
Romance
133 bpm • B min • 02:23 • -7.82db
35% Popularity • 27% Danceability • 79% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
35% Popularity • 27% Danceability • 79% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Leon Vynehall
Mothra - Edit
133 bpm • F# Maj • 03:54 • -11db
33% Popularity • 76% Danceability • 58% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
33% Popularity • 76% Danceability • 58% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Mount Kimbie
You Look Certain (I’m Not So Sure)
134 bpm • B min • 03:22 • -8.86db
40% Popularity • 67% Danceability • 86% Energy • 49% Liveness
87% Instrumentalness • 97% Positiveness
40% Popularity • 67% Danceability • 86% Energy • 49% Liveness
87% Instrumentalness • 97% Positiveness
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King Krule
Cellular
133 bpm • D Maj • 02:59 • -8.1db
42% Popularity • 64% Danceability • 76% Energy • 6% Liveness
11% Instrumentalness • 32% Positiveness
42% Popularity • 64% Danceability • 76% Energy • 6% Liveness
11% Instrumentalness • 32% Positiveness
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James Blake
CMYK
139 bpm • A min • 03:39 • -8.21db
36% Popularity • 37% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 37% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Floating Points
Anasickmodular
139 bpm • C# Maj • 03:12 • -11.63db
48% Popularity • 67% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
48% Popularity • 67% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Jamie xx
Gosh
139 bpm • A# min • 04:51 • -12.29db
53% Popularity • 75% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness
53% Popularity • 75% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness
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Leon Vynehall
Mothra
133 bpm • F# Maj • 05:39 • -12.85db
31% Popularity • 73% Danceability • 42% Energy • 22% Liveness
72% Instrumentalness • 13% Positiveness
31% Popularity • 73% Danceability • 42% Energy • 22% Liveness
72% Instrumentalness • 13% Positiveness
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Andy Stott
Violence
140 bpm • C# Maj • 06:37 • -13db
36% Popularity • 36% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 36% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Vegyn
Olbass All Bass 004 (140 BPM)
140 bpm • F min • 02:21 • -16db
47% Popularity • 74% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
47% Popularity • 74% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
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Headache
The Beginning of the End
140 bpm • F min • 04:25 • -10.94db
46% Popularity • 56% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
46% Popularity • 56% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
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Mount Kimbie
Blue Liquid
140 bpm • E min • 02:35 • -8.24db
28% Popularity • 69% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
28% Popularity • 69% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Joy Orbison
flight fm
140 bpm • A Maj • 04:07 • -7.92db
54% Popularity • 80% Danceability • 63% Energy • 9% Liveness
49% Instrumentalness • 8% Positiveness
54% Popularity • 80% Danceability • 63% Energy • 9% Liveness
49% Instrumentalness • 8% Positiveness
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Daphni
Life’s What You Make It
140 bpm • G Maj • 03:51 • -12db
31% Popularity • 66% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
31% Popularity • 66% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
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Youandewan
Be Good To Me Poly
140 bpm • F# Maj • 05:06 • -8.05db
38% Popularity • 54% Danceability • 72% Energy • 7% Liveness
97% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 72% Energy • 7% Liveness
97% Instrumentalness • 64% Positiveness
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Caribou
James' Second Haircut
140 bpm • B min • 04:15 • -8.05db
15% Popularity • 70% Danceability • 72% Energy • 12% Liveness
65% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 72% Energy • 12% Liveness
65% Instrumentalness • 32% Positiveness
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Ross from Friends
Love Divide
132 bpm • G# min • 04:29 • -12.76db
47% Popularity • 74% Danceability • 70% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
47% Popularity • 74% Danceability • 70% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Mount Kimbie
Would Know
140 bpm • E Maj • 03:16 • -8.86db
30% Popularity • 68% Danceability • 65% Energy • 35% Liveness
89% Instrumentalness • 33% Positiveness
30% Popularity • 68% Danceability • 65% Energy • 35% Liveness
89% Instrumentalness • 33% Positiveness
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Actress
R.I.P.
132 bpm • A Maj • 01:16 • -12.69db
39% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
39% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Loraine James
Glitch Bitch
132 bpm • C Maj • 03:12 • -13db
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Daphni
Falling
132 bpm • G# Maj • 01:12 • -16.71db
51% Popularity • 77% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 86% Positiveness
51% Popularity • 77% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 86% Positiveness
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Clark
Medicine
141 bpm • G Maj • 05:11 • -6.12db
43% Popularity • 56% Danceability • 78% Energy • 10% Liveness
21% Instrumentalness • 20% Positiveness
43% Popularity • 56% Danceability • 78% Energy • 10% Liveness
21% Instrumentalness • 20% Positiveness
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Ross from Friends
The Daisy
132 bpm • G# min • 05:38 • -12db
44% Popularity • 70% Danceability • 61% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
44% Popularity • 70% Danceability • 61% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
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Mount Kimbie
Vertical
140 bpm • A min • 04:07 • -9.91db
22% Popularity • 43% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
22% Popularity • 43% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
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Vegyn
So Much Time - So Little Time
131 bpm • G min • 03:15 • -14db
34% Popularity • 51% Danceability • 38% Energy • 33% Liveness
80% Instrumentalness • 7% Positiveness
34% Popularity • 51% Danceability • 38% Energy • 33% Liveness
80% Instrumentalness • 7% Positiveness
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Kai Campos
City Limits - Robert Hood Remix
131 bpm • F# Maj • 06:59 • -10.89db
22% Popularity • 66% Danceability • 72% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 66% Danceability • 72% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Kelly Lee Owens
On
131 bpm • G Maj • 05:57 • -13db
31% Popularity • 69% Danceability • 40% Energy • 7% Liveness
72% Instrumentalness • 38% Positiveness
31% Popularity • 69% Danceability • 40% Energy • 7% Liveness
72% Instrumentalness • 38% Positiveness
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Against All Logic
Penny
141 bpm • D Maj • 06:40 • -7.95db
24% Popularity • 68% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
24% Popularity • 68% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Caribou
Bees
131 bpm • A Maj • 05:23 • -12.81db
46% Popularity • 72% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
46% Popularity • 72% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Mount Kimbie
Fifty Mile View
140 bpm • C Maj • 03:28 • -12.11db
23% Popularity • 50% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 15% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 15% Positiveness
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Vegyn
100 Leagues V2 (142 BPM)
142 bpm • F Maj • 00:59 • -16.86db
40% Popularity • 53% Danceability • 20% Energy • 13% Liveness
5% Instrumentalness • 30% Positiveness
40% Popularity • 53% Danceability • 20% Energy • 13% Liveness
5% Instrumentalness • 30% Positiveness
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Dimlite
Can't Get Used To Those (Kosi Edit) | Oh...
130 bpm • F min • 02:40 • -10.39db
36% Popularity • 43% Danceability • 59% Energy • 40% Liveness
72% Instrumentalness • 58% Positiveness
36% Popularity • 43% Danceability • 59% Energy • 40% Liveness
72% Instrumentalness • 58% Positiveness
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Tirzah
Gladly
130 bpm • B min • 03:41 • -13db
39% Popularity • 76% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 76% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Floating Points
LesAlpx
130 bpm • C Maj • 04:41 • -12db
39% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
39% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Nosaj Thing
We Are (우리는)
130 bpm • F min • 03:46 • -13.23db
29% Popularity • 69% Danceability • 51% Energy • 17% Liveness
87% Instrumentalness • 34% Positiveness
29% Popularity • 69% Danceability • 51% Energy • 17% Liveness
87% Instrumentalness • 34% Positiveness
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Mount Kimbie
Field
140 bpm • F# Maj • 03:04 • -10.93db
27% Popularity • 65% Danceability • 74% Energy • 40% Liveness
93% Instrumentalness • 58% Positiveness
27% Popularity • 65% Danceability • 74% Energy • 40% Liveness
93% Instrumentalness • 58% Positiveness
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Nabihah Iqbal
Sky River
130 bpm • E min • 03:42 • -6db
35% Popularity • 53% Danceability • 90% Energy • 14% Liveness
84% Instrumentalness • 39% Positiveness
35% Popularity • 53% Danceability • 90% Energy • 14% Liveness
84% Instrumentalness • 39% Positiveness
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Grace Ives
Mirror
130 bpm • C# Maj • 01:55 • -7.7db
50% Popularity • 84% Danceability • 68% Energy • 11% Liveness
14% Instrumentalness • 94% Positiveness
50% Popularity • 84% Danceability • 68% Energy • 11% Liveness
14% Instrumentalness • 94% Positiveness
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Kelly Lee Owens
Corner Of My Sky
130 bpm • A Maj • 07:27 • -15.27db
29% Popularity • 66% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
29% Popularity • 66% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Oneohtrix Point Never
I Don't Love Me Anymore
130 bpm • D# min • 02:54 • -6db
44% Popularity • 60% Danceability • 84% Energy • 13% Liveness
60% Instrumentalness • 46% Positiveness
44% Popularity • 60% Danceability • 84% Energy • 13% Liveness
60% Instrumentalness • 46% Positiveness
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Jamie xx
It's So Good
130 bpm • F min • 04:38 • -9.81db
63% Popularity • 83% Danceability • 76% Energy • 37% Liveness
61% Instrumentalness • 42% Positiveness
63% Popularity • 83% Danceability • 76% Energy • 37% Liveness
61% Instrumentalness • 42% Positiveness
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Mount Kimbie
Ruby
140 bpm • F Maj • 04:03 • -12.21db
25% Popularity • 43% Danceability • 43% Energy • 7% Liveness
77% Instrumentalness • 52% Positiveness
25% Popularity • 43% Danceability • 43% Energy • 7% Liveness
77% Instrumentalness • 52% Positiveness
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Vegyn
Fire in My Soul
130 bpm • C Maj • 03:03 • -13db
22% Popularity • 77% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 77% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Nosaj Thing
Too Close
130 bpm • C# Maj • 03:44 • -12.74db
43% Popularity • 67% Danceability • 64% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
43% Popularity • 67% Danceability • 64% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Kelly Lee Owens
Jeanette
130 bpm • G# min • 06:14 • -14.65db
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Kai Campos
Satellite - Q Zone - Octo Octa's Dream O...
130 bpm • E min • 10:08 • -8.67db
16% Popularity • 79% Danceability • 87% Energy • 8% Liveness
86% Instrumentalness • 46% Positiveness
16% Popularity • 79% Danceability • 87% Energy • 8% Liveness
86% Instrumentalness • 46% Positiveness
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µ-Ziq
Goodbye, Goodbye
130 bpm • G Maj • 04:07 • -10.09db
38% Popularity • 54% Danceability • 44% Energy • 17% Liveness
89% Instrumentalness • 12% Positiveness
38% Popularity • 54% Danceability • 44% Energy • 17% Liveness
89% Instrumentalness • 12% Positiveness
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Mount Kimbie
You Look Certain (I’m Not So Sure) - W...
142 bpm • B min • 05:34 • -8.81db
35% Popularity • 45% Danceability • 66% Energy • 41% Liveness
48% Instrumentalness • 58% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 41% Liveness
48% Instrumentalness • 58% Positiveness
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Floating Points
Falaise
143 bpm • B min • 03:54 • -14.48db
51% Popularity • 36% Danceability • 40% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
51% Popularity • 36% Danceability • 40% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
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Leon Vynehall
Birds On The Tarmac (Footnote III)
143 bpm • D# Maj • 01:17 • -16.03db
49% Popularity • 24% Danceability • 49% Energy • 30% Liveness
90% Instrumentalness • 44% Positiveness
49% Popularity • 24% Danceability • 49% Energy • 30% Liveness
90% Instrumentalness • 44% Positiveness
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Locust
No-One in the World
143 bpm • A Maj • 06:41 • -11.94db
43% Popularity • 64% Danceability • 56% Energy • 51% Liveness
97% Instrumentalness • 64% Positiveness
43% Popularity • 64% Danceability • 56% Energy • 51% Liveness
97% Instrumentalness • 64% Positiveness
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Kai Campos
Zone 3 (City Limits) - Ploy Remix
143 bpm • F# Maj • 03:37 • -18.43db
15% Popularity • 64% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
15% Popularity • 64% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
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The Field
A Paw In My Face
129 bpm • C Maj • 05:24 • -13db
32% Popularity • 61% Danceability • 70% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
32% Popularity • 61% Danceability • 70% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Mount Kimbie
f1 racer
144 bpm • A# Maj • 02:26 • -14.99db
43% Popularity • 66% Danceability • 20% Energy • 16% Liveness
77% Instrumentalness • 42% Positiveness
43% Popularity • 66% Danceability • 20% Energy • 16% Liveness
77% Instrumentalness • 42% Positiveness
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Connan Mockasin
I'm the Man, That Will Find You
144 bpm • G min • 05:01 • -9.87db
30% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Teebs
Verbena Tea
128 bpm • B Maj • 04:24 • -9.4db
33% Popularity • 32% Danceability • 44% Energy • 23% Liveness
47% Instrumentalness • 8% Positiveness
33% Popularity • 32% Danceability • 44% Energy • 23% Liveness
47% Instrumentalness • 8% Positiveness
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Caribou
Can't Do Without You
128 bpm • C Maj • 03:56 • -9.03db
45% Popularity • 69% Danceability • 41% Energy • 80% Liveness
82% Instrumentalness • 52% Positiveness
45% Popularity • 69% Danceability • 41% Energy • 80% Liveness
82% Instrumentalness • 52% Positiveness
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Daphni
Cloudy
128 bpm • C# Maj • 06:51 • -9db
34% Popularity • 86% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
34% Popularity • 86% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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Vegyn
Mushroom Abolitionist
128 bpm • C# Maj • 04:44 • -16.6db
38% Popularity • 55% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
38% Popularity • 55% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
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Kai Campos
Quartz - Kush Jones Remix
145 bpm • F Maj • 03:32 • -9.19db
11% Popularity • 75% Danceability • 100% Energy • 10% Liveness
86% Instrumentalness • 42% Positiveness
11% Popularity • 75% Danceability • 100% Energy • 10% Liveness
86% Instrumentalness • 42% Positiveness
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Joy Orbison
runnersz
145 bpm • A min • 02:20 • -14.47db
37% Popularity • 75% Danceability • 39% Energy • 9% Liveness
36% Instrumentalness • 46% Positiveness
37% Popularity • 75% Danceability • 39% Energy • 9% Liveness
36% Instrumentalness • 46% Positiveness
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Teebs
You've Changed
144 bpm • C min • 02:11 • -6db
41% Popularity • 36% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 36% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Caribou
Sun
128 bpm • C# Maj • 05:44 • -7.37db
42% Popularity • 69% Danceability • 82% Energy • 17% Liveness
79% Instrumentalness • 45% Positiveness
42% Popularity • 69% Danceability • 82% Energy • 17% Liveness
79% Instrumentalness • 45% Positiveness
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Nosaj Thing
Blue Hour
145 bpm • A Maj • 03:31 • -13.42db
46% Popularity • 59% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 43% Positiveness
46% Popularity • 59% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 43% Positiveness
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Mount Kimbie
Zone 3 (City Limits)
127 bpm • D# min • 01:32 • -14db
31% Popularity • 54% Danceability • 50% Energy • 14% Liveness
94% Instrumentalness • 68% Positiveness
31% Popularity • 54% Danceability • 50% Energy • 14% Liveness
94% Instrumentalness • 68% Positiveness
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Connan Mockasin
You Can Do Anything
127 bpm • G# min • 01:47 • -16.91db
37% Popularity • 80% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
37% Popularity • 80% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
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Kai Campos
Zone 3 (City Limits) - Beatrice Dillon R...
127 bpm • B min • 01:39 • -26.01db
43% Popularity • 63% Danceability • 50% Energy • 11% Liveness
97% Instrumentalness • 99% Positiveness
43% Popularity • 63% Danceability • 50% Energy • 11% Liveness
97% Instrumentalness • 99% Positiveness
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Inwards
Welcome to the Gang
127 bpm • F# Maj • 05:00 • -11.1db
15% Popularity • 66% Danceability • 64% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
15% Popularity • 66% Danceability • 64% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
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Kim Gordon
Paprika Pony
127 bpm • A min • 04:08 • -9.83db
36% Popularity • 98% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 76% Positiveness
36% Popularity • 98% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 76% Positiveness
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Against All Logic
Some Kind of Game
127 bpm • G# min • 06:47 • -5db
37% Popularity • 81% Danceability • 66% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
37% Popularity • 81% Danceability • 66% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
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Mount Kimbie
Dumb Guitar
127 bpm • F Maj • 05:10 • -9.02db
45% Popularity • 54% Danceability • 57% Energy • 13% Liveness
82% Instrumentalness • 11% Positiveness
45% Popularity • 54% Danceability • 57% Energy • 13% Liveness
82% Instrumentalness • 11% Positiveness
