Songs like Blue - West Coast Massive Remix by Caroline Pennell
Based on a tempo of (+/- 10%) and a similar genre
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Hannah Miller
Beauty And Pain
170 bpm • F Maj • 02:46 • -20.54db
24% Popularity • 45% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
24% Popularity • 45% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Aron Wright
You're the Last Thing on My Mind
170 bpm • G Maj • 03:27 • -14db
38% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Girl Blue
Fire Under Water
170 bpm • B Maj • 03:56 • -10.68db
25% Popularity • 64% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
25% Popularity • 64% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Holley Maher
Adventurers
170 bpm • C# Maj • 02:30 • -7db
32% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Caroline Pennell
Blue - West Coast Massive Remix
170 bpm • A min • 02:52 • -7.02db
27% Popularity • 59% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 59% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Handsome Ghost
Brand New Colony
170 bpm • D# Maj • 03:04 • -7.88db
23% Popularity • 45% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 45% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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TRACE
Honey
169 bpm • C# Maj • 04:08 • -16db
36% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Koni
Mad About You - Acoustic
172 bpm • D Maj • 04:22 • -9.25db
9% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Daniel
Scars To Your Beautiful
168 bpm • D min • 03:57 • -9.44db
47% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Sweeplings
Drop by Drop
172 bpm • C Maj • 04:07 • -10.37db
21% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline Pennell
Lovesick - Acoustic
172 bpm • A min • 03:32 • -12.25db
10% Popularity • 46% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 46% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Jake Houlsby
Circus Child
174 bpm • G# Maj • 03:15 • -10.5db
20% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Clementine Duo
Most Girls - Acoustic
174 bpm • B Maj • 03:57 • -8.26db
38% Popularity • 60% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 60% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Mysha Didi
Bloom
167 bpm • G Maj • 03:03 • -11.65db
25% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Imperial Mammoth
Dance Hall Days
166 bpm • C Maj • 03:27 • -10db
31% Popularity • 34% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 34% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Mogli
Spirits
174 bpm • G Maj • 02:58 • -11.29db
34% Popularity • 68% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
34% Popularity • 68% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 54% Positiveness
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Caroline Pennell
Yellow
172 bpm • D Maj • 03:52 • -17db
43% Popularity • 57% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
43% Popularity • 57% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Tom Leeb
Are We Too Late
166 bpm • C min • 04:51 • -9db
28% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Henry Jamison
Sunlit Juice
174 bpm • G Maj • 02:52 • -7.4db
28% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Au/Ra
Concrete Jungle - Acoustic
166 bpm • F# Maj • 02:40 • -8db
42% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Ria Mae
Thoughts on Fire - Stripped Down
166 bpm • D Maj • 03:28 • -8.1db
16% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Montbleau
Fast Car
174 bpm • A Maj • 04:32 • -13db
59% Popularity • 58% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 58% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Lisa Mitchell
Stop
165 bpm • B Maj • 03:45 • -14db
26% Popularity • 40% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 40% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Frances
Sublime
176 bpm • F Maj • 04:11 • -10.05db
11% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Aron Wright
Heartbeats
176 bpm • G Maj • 03:28 • -12.18db
37% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Speight
Medicine - Recorded at RAK Studios, Lond...
163 bpm • D# min • 02:51 • -12.72db
25% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Corey Kilgannon
Whale Song
179 bpm • F Maj • 02:38 • -11.5db
39% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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David Benjamin
Lay Low (Acoustic)
165 bpm • D Maj • 03:25 • -12.99db
28% Popularity • 39% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 39% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Freedom Fry
Brave
180 bpm • B min • 03:16 • -6.98db
29% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Caroline Pennell
Tell Myself
180 bpm • G# min • 03:22 • -8.88db
5% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
5% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Wind and The Wave
Time After Time
180 bpm • D Maj • 04:39 • -10.26db
32% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Perrin Lamb
There Is No Me Without You
160 bpm • C Maj • 03:41 • -9.12db
40% Popularity • 56% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 56% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Xavier Dunn
One That I Want
160 bpm • C Maj • 03:20 • -12.17db
18% Popularity • 41% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
18% Popularity • 41% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Jazz Morley
Bad Love
160 bpm • C Maj • 03:03 • -12.48db
26% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Craig Cardiff
Dirty Old Town
160 bpm • C Maj • 04:06 • -13db
54% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Rosemary & Garlic
I’m Here
160 bpm • D# Maj • 03:08 • -11.57db
31% Popularity • 51% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
31% Popularity • 51% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Ella Vos
You Don't Know About Me
159 bpm • C# Maj • 03:08 • -8db
33% Popularity • 57% Danceability • 41% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
33% Popularity • 57% Danceability • 41% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
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The Sweeplings
Cotton Eye Joe
158 bpm • B min • 02:39 • -7.91db
37% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Andrea von Kampen
Trainsong
159 bpm • E Maj • 02:38 • -10.36db
30% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Well Pennies
Sightings
158 bpm • F# Maj • 05:37 • -13.9db
20% Popularity • 21% Danceability • 29% Energy • 13% Liveness
27% Instrumentalness • 13% Positiveness
20% Popularity • 21% Danceability • 29% Energy • 13% Liveness
27% Instrumentalness • 13% Positiveness
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Bassjackers
These Heights - Crossnaders Remix
157 bpm • F min • 03:08 • -3.96db
5% Popularity • 69% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 69% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Lennon & Maisy
Boom Clap
157 bpm • E Maj • 02:55 • -7.45db
46% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Conner Youngblood
Everyday - Edit
185 bpm • C Maj • 03:33 • -10.17db
30% Popularity • 47% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
30% Popularity • 47% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:38 • -8.81db
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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The Jepettos
Inside
156 bpm • C min • 03:44 • -9.1db
22% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 45% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Us The Duo
Shake It Off
155 bpm • G Maj • 03:09 • -6db
40% Popularity • 48% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 48% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
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Armon Jay
Shine a Light
155 bpm • D Maj • 03:46 • -11.92db
11% Popularity • 45% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
11% Popularity • 45% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
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The Wind and The Wave
My Mind Is An Endless Sea
187 bpm • C Maj • 03:36 • -7.62db
23% Popularity • 27% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 27% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Jamison
The Last Time I Saw Adrianne
153 bpm • G Maj • 03:36 • -9db
26% Popularity • 38% Danceability • 25% Energy • 32% Liveness
4% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 25% Energy • 32% Liveness
4% Instrumentalness • 29% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
51% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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The Sweeplings
The Wanderers - Acoustic
188 bpm • F# min • 02:49 • -6.07db
28% Popularity • 42% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 42% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Shallou
Friends - Recorded at Spotify Studios NY...
152 bpm • G# Maj • 03:00 • -8.96db
34% Popularity • 43% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 30% Positiveness
34% Popularity • 43% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 30% Positiveness
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Daniel Ahearn & The Jones
Sirens
152 bpm • B Maj • 03:14 • -11db
21% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Kate York
Bound Together
152 bpm • B min • 03:33 • -12.83db
22% Popularity • 53% Danceability • 46% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
22% Popularity • 53% Danceability • 46% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
36% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Light The Heat
Thousand Love Songs
192 bpm • C Maj • 04:54 • -10.92db
22% Popularity • 30% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
22% Popularity • 30% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Handsome Ghost
Fool
150 bpm • A min • 03:18 • -8db
23% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Dagny
Landslide
150 bpm • A# Maj • 02:59 • -7.59db
44% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Tyrone Wells
You Make My Dreams Come True
150 bpm • B Maj • 04:01 • -16.2db
22% Popularity • 54% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
22% Popularity • 54% Danceability • 30% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Caroline Pennell
Drive Me Home
150 bpm • C Maj • 03:17 • -6.91db
28% Popularity • 51% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 51% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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David Benjamin
Can't Get My Head Around Loving You
150 bpm • C Maj • 03:21 • -10db
33% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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CLOVES
Everybody's Son
150 bpm • G Maj • 03:26 • -7db
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Hartman
From The Other Side Of The World
150 bpm • B min • 04:35 • -9.42db
14% Popularity • 65% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 65% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
38% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
38% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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The Sweeplings
Across the Sea
148 bpm • C Maj • 03:23 • -12db
37% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Caroline Pennell
Drive Me Home - Acoustic
150 bpm • C Maj • 03:19 • -10.3db
11% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Francis
Upon These Stones
149 bpm • C min • 04:18 • -14db
33% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
33% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
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BANNERS
Holy Ground
147 bpm • B min • 04:18 • -5.69db
38% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Grace Mitchell
Maneater
146 bpm • B min • 03:54 • -10.03db
42% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bruno Merz
Into the Air
146 bpm • A min • 04:10 • -17.14db
13% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Xavier Dunn
Fancy
146 bpm • B min • 04:02 • -11.52db
30% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Layla
Oh My Love
145 bpm • G# Maj • 03:23 • -11.95db
27% Popularity • 43% Danceability • 28% Energy • 13% Liveness
4% Instrumentalness • 16% Positiveness
27% Popularity • 43% Danceability • 28% Energy • 13% Liveness
4% Instrumentalness • 16% Positiveness
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Ella Vos
00000 Million - Recorded at Spotify Stud...
146 bpm • C Maj • 02:50 • -13.07db
34% Popularity • 59% Danceability • 28% Energy • 39% Liveness
1% Instrumentalness • 11% Positiveness
34% Popularity • 59% Danceability • 28% Energy • 39% Liveness
1% Instrumentalness • 11% Positiveness
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Ingrid Michaelson
Whole Lot of Heart
144 bpm • G min • 03:45 • -10.49db
23% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Charlie Brennan
Let Me Be
200 bpm • F# Maj • 03:46 • -8.67db
15% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
