Songs like Blue by LeAnn Rimes
Based on a tempo of (+/- 10%) and a similar genre
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The Judds
Give A Little Love
91 bpm • C Maj • 03:49 • -11.28db
29% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Diamond Rio
Meet In the Middle
91 bpm • E Maj • 03:18 • -11db
67% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Alabama
High Cotton
91 bpm • F Maj • 03:00 • -9.67db
57% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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LeAnn Rimes
Blue
91 bpm • E Maj • 02:49 • -8.6db
56% Popularity • 55% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 55% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Terri Clark
Now That I Found You
90 bpm • D Maj • 03:37 • -8db
40% Popularity • 59% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 59% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Randy Travis
Forever and Ever, Amen
90 bpm • D Maj • 03:32 • -9db
73% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Tracy Lawrence
I See It Now
92 bpm • F Maj • 03:34 • -9db
48% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Diamond Rio
Norma Jean Riley
91 bpm • G Maj • 03:04 • -12db
51% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Alabama
Feels So Right
90 bpm • A# Maj • 03:35 • -13.36db
44% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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LeAnn Rimes
Faded Love
92 bpm • E Maj • 03:52 • -7.36db
15% Popularity • 45% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 45% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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George Strait
The Chair
90 bpm • A Maj • 02:50 • -17.67db
59% Popularity • 64% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 64% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Randy Travis
He Walked on Water
90 bpm • D Maj • 03:25 • -9.48db
47% Popularity • 61% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 61% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Shenandoah
The Moon Over Georgia
89 bpm • A Maj • 03:12 • -9.92db
46% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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George Jones
The Grand Tour - Single Version
89 bpm • A# Maj • 03:06 • -15.4db
46% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Restless Heart
Why Does It Have to Be (Wrong or Right)
89 bpm • A Maj • 03:00 • -13.61db
43% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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LeAnn Rimes
On The Side Of Angels
92 bpm • G Maj • 03:49 • -5.7db
26% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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John Michael Montgomery
I Can Love You Like That
89 bpm • B Maj • 03:55 • -11.05db
56% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Mark Chesnutt
Too Cold At Home
93 bpm • D Maj • 03:39 • -13.65db
51% Popularity • 63% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 63% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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George Strait
Love Without End, Amen
88 bpm • A Maj • 03:07 • -13db
61% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Kevin Sharp
Nobody Knows
88 bpm • F# Maj • 03:26 • -9.97db
47% Popularity • 66% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 66% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Keith Whitley
I'm No Stranger to the Rain
88 bpm • E Maj • 03:36 • -16db
58% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
58% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
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LeAnn Rimes
Me And Bobby McGee
93 bpm • A Maj • 04:36 • -5.68db
23% Popularity • 62% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 62% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Alabama
Take Me Down
94 bpm • C Maj • 03:43 • -12.67db
43% Popularity • 75% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 75% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Shenandoah
Next To You, Next To Me
94 bpm • G# Maj • 03:25 • -8db
60% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Little Big Town
Boondocks
88 bpm • A Maj • 04:32 • -5.39db
66% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Tim McGraw
Just To See You Smile
94 bpm • F# Maj • 03:35 • -8.53db
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Ann Womack
Never Again, Again
88 bpm • F# Maj • 03:45 • -8.76db
34% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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LeAnn Rimes
The Light In Your Eyes
94 bpm • C# Maj • 03:21 • -7.23db
29% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Clay Walker
Hypnotize the Moon
95 bpm • G Maj • 03:40 • -8.45db
44% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ricky Van Shelton
I'll Leave This World Loving You
87 bpm • F Maj • 03:06 • -11.47db
44% Popularity • 62% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 62% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Reba McEntire
Fancy
95 bpm • B Maj • 04:59 • -11.23db
66% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Carrie Underwood
Wasted
95 bpm • G# Maj • 04:34 • -3db
53% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Terri Gibbs
Somebody's Knockin
95 bpm • B min • 03:01 • -10.91db
38% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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LeAnn Rimes
Leavin' On Your Mind
95 bpm • G# Maj • 02:32 • -6.11db
19% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Linda Ronstadt
Blue Bayou
95 bpm • B Maj • 03:59 • -12.82db
64% Popularity • 73% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
64% Popularity • 73% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Kenny Rogers
Love Will Turn You Around
87 bpm • E Maj • 03:41 • -16db
49% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Alabama
Dixieland Delight - Single Edit
96 bpm • G Maj • 03:56 • -12.54db
57% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Judds
Love Is Alive
86 bpm • E Maj • 03:56 • -11.28db
49% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Dean
Only Here For A Little While
86 bpm • A Maj • 03:34 • -16.1db
51% Popularity • 67% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 67% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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LeAnn Rimes
The Right Kind Of Wrong
95 bpm • D Maj • 03:47 • -6db
45% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Little Big Town
Pontoon
96 bpm • A Maj • 03:32 • -5.72db
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Randy Travis
On the Other Hand
96 bpm • F Maj • 03:06 • -9.92db
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
64% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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The Judds
Mama He's Crazy
96 bpm • G Maj • 03:14 • -7db
51% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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John Michael Montgomery
I Swear
86 bpm • C# Maj • 04:22 • -7.1db
60% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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LeAnn Rimes
Don't Worry
96 bpm • C Maj • 03:30 • -6.2db
17% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Shania Twain
Forever And For Always
86 bpm • F# Maj • 04:43 • -4.81db
56% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Randy Travis
Diggin' Up Bones
86 bpm • C Maj • 02:58 • -8.23db
62% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Kathy Mattea
Where've You Been
85 bpm • G Maj • 03:44 • -14db
37% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sugarland
All I Want To Do
97 bpm • E Maj • 03:33 • -5db
53% Popularity • 71% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 71% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Rich
Behind Closed Doors
85 bpm • D Maj • 02:54 • -11.79db
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
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LeAnn Rimes
I Can’t Be Myself
97 bpm • A Maj • 03:12 • -5.46db
12% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Kid Rock
Picture
98 bpm • G Maj • 04:58 • -7.33db
68% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
68% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
38% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Donna Fargo
The Happiest Girl In The Whole U.S.A.
98 bpm • F# Maj • 02:31 • -11.47db
49% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Kenny Rogers
Buy Me A Rose
98 bpm • D# Maj • 03:47 • -13.73db
50% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Patsy Cline
Your Cheatin' Heart
84 bpm • G Maj • 02:22 • -20.33db
45% Popularity • 41% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 41% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jo Dee Messina
I'm Alright
98 bpm • C Maj • 03:19 • -7.75db
60% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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John Michael Montgomery
The Little Girl
84 bpm • C# Maj • 03:52 • -8.53db
45% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sugarland
Stuck Like Glue
84 bpm • C# Maj • 04:07 • -4.76db
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Faith Hill
Mississippi Girl
84 bpm • A Maj • 03:52 • -4.15db
53% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Tim McGraw
My Next Thirty Years
99 bpm • F Maj • 03:37 • -7.52db
56% Popularity • 60% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 60% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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LeAnn Rimes
Born To Lose
84 bpm • A Maj • 03:21 • -8.07db
12% Popularity • 30% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 30% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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SHeDAISY
Little Good-Byes
84 bpm • C# Maj • 03:20 • -6db
42% Popularity • 56% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 56% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sugarland
Baby Girl - 2nd Version/Remix/Album Vers...
83 bpm • C# Maj • 04:12 • -3.25db
49% Popularity • 46% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 46% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Mark Wills
I Do (Cherish You)
83 bpm • F# Maj • 03:19 • -8.14db
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jo Dee Messina
Stand Beside Me
100 bpm • C Maj • 03:44 • -7.75db
44% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Terri Clark
I Just Wanna Be Mad
100 bpm • A# Maj • 03:26 • -4.48db
43% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
71% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Faith Hill
Just to Hear You Say That You Love Me
83 bpm • C# Maj • 04:28 • -8.52db
39% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Randy Travis
Look Heart, No Hands
100 bpm • C Maj • 03:11 • -11.22db
44% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Evans
Born to Fly
100 bpm • C# Maj • 05:36 • -9.31db
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
48% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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LeAnn Rimes
Wasted Days And Wasted Nights
82 bpm • A Maj • 04:06 • -6.06db
19% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Conway Twitty
I'd Just Love To Lay You Down
82 bpm • D Maj • 03:20 • -8.85db
60% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Faith Hill
The Way You Love Me
102 bpm • D Maj • 03:06 • -7.18db
56% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Sugarland
Something More
102 bpm • E Maj • 03:36 • -4db
52% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 61% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brooks & Dunn
Neon Moon
102 bpm • A Maj • 04:21 • -10.56db
63% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
63% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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LeAnn Rimes
I'll Get Even With You
82 bpm • E Maj • 03:18 • -10.16db
18% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Jo Dee Messina
Lesson In Leavin'
81 bpm • G Maj • 03:40 • -7db
58% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Bonnie Raitt
Something To Talk About
103 bpm • C# Maj • 03:47 • -13.48db
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Brooks & Dunn
Neon Moon
102 bpm • A Maj • 04:23 • -6.51db
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Clint Black
When I Said I Do
103 bpm • A# Maj • 04:28 • -8.27db
34% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Patsy Cline
Walkin' After Midnight
103 bpm • C Maj • 02:01 • -18db
47% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Randy Travis
Whisper My Name
80 bpm • D Maj • 03:08 • -15db
43% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Shania Twain
Honey, I'm Home
80 bpm • E Maj • 03:34 • -5.17db
61% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Milsap
Any Day Now
103 bpm • F Maj • 03:42 • -9.71db
48% Popularity • 70% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 70% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Tim McGraw
Everywhere
103 bpm • G Maj • 04:50 • -8.83db
51% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Clint Black
A Good Run of Bad Luck
80 bpm • A Maj • 02:41 • -10.87db
54% Popularity • 63% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
54% Popularity • 63% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Lee Ann Womack
The Fool
80 bpm • C Maj • 03:32 • -10.6db
42% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Keith Whitley
When You Say Nothing at All
80 bpm • D# Maj • 03:43 • -15.41db
62% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Conway Twitty
That's My Job
104 bpm • A Maj • 04:51 • -6.96db
44% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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LeAnn Rimes
But I Do Love You
80 bpm • C Maj • 03:21 • -7db
40% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
