Songs like Bluebird by Alexis Ffrench
Based on a tempo of (+/- 10%) and a similar genre
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The Gagliano Strings
A Waltz For Spring
75 bpm • F min • 02:57 • -18.16db
21% Popularity • 35% Danceability • 23% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
21% Popularity • 35% Danceability • 23% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne No. 1 In B Flat Minor, Op. 9 No...
75 bpm • C# Maj • 04:46 • -27.53db
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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James Quinn
A Gentle Sunlight
75 bpm • G# Maj • 01:57 • -31db
63% Popularity • 32% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
63% Popularity • 32% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Yehezkel Raz
Ballerina
76 bpm • D# Maj • 01:11 • -35.71db
75% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
75% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
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Chad Lawson
Prelude in D Major
74 bpm • A Maj • 02:53 • -21.42db
42% Popularity • 24% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Martin Bloch
Debussy - Claire De Lune
74 bpm • C# Maj • 05:30 • -26db
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
53% Popularity • 31% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Yiruma
River Flows in You - Orchestra Version
74 bpm • E min • 04:45 • -14db
54% Popularity • 9% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
54% Popularity • 9% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Gavin Luke
The Gift
76 bpm • C# Maj • 02:38 • -21db
41% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
41% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Maurice Ravel
Miroirs: III. Une barque sur l'océan
76 bpm • D Maj • 07:08 • -27.02db
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Max Richter
Departure (Home)
76 bpm • D# Maj • 01:54 • -30.76db
49% Popularity • 32% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
49% Popularity • 32% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Sigimund
The Watchtower
76 bpm • G min • 03:25 • -29db
32% Popularity • 32% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
76 bpm • G Maj • 03:30 • -32.78db
45% Popularity • 47% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
45% Popularity • 47% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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André Rieu
Love Theme
76 bpm • G min • 03:44 • -13.58db
56% Popularity • 24% Danceability • 22% Energy • 23% Liveness
84% Instrumentalness • 8% Positiveness
56% Popularity • 24% Danceability • 22% Energy • 23% Liveness
84% Instrumentalness • 8% Positiveness
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Nils Frahm
Some
76 bpm • F Maj • 04:14 • -33.5db
50% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
50% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Waltz in A Minor, Op. Posth., B. 150
74 bpm • A min • 02:28 • -28.4db
52% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
52% Popularity • 46% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 12% Positiveness
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Hans Zimmer
Tennessee
76 bpm • C Maj • 03:39 • -17.33db
59% Popularity • 8% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
59% Popularity • 8% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Erik Satie
Première Gymnopédie
76 bpm • G Maj • 03:24 • -35.42db
54% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
54% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Oskar Schuster
Maribel
77 bpm • C Maj • 02:44 • -20.4db
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
73 bpm • G Maj • 02:32 • -18.75db
70% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
70% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
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The Gagliano Strings
The Feather
77 bpm • C# min • 02:21 • -19.51db
20% Popularity • 33% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Alexis Ffrench
Forever Song - Solo Piano Version
77 bpm • D Maj • 03:26 • -22.57db
28% Popularity • 28% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
28% Popularity • 28% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Glass
Opening
77 bpm • C min • 05:53 • -30.94db
52% Popularity • 18% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 18% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Thomas Newman
American Beauty
77 bpm • G min • 03:06 • -31.96db
61% Popularity • 21% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
61% Popularity • 21% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Alexandre Desplat
Lily's Theme
73 bpm • F# Maj • 02:28 • -28.66db
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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The Gagliano Strings
Hope
77 bpm • F min • 03:43 • -17.01db
16% Popularity • 35% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 35% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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James Horner
The Ludlows
73 bpm • G Maj • 05:40 • -28db
53% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
53% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Erik Satie
Gymnopédie No. 1
73 bpm • G Maj • 03:25 • -36.86db
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Emile Pandolfi
Once Upon a December
73 bpm • B min • 04:12 • -19.35db
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
53% Popularity • 24% Danceability • 17% Energy • 16% Liveness
93% Instrumentalness • 13% Positiveness
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Alexis Ffrench
Wishing
73 bpm • D# Maj • 02:08 • -22.96db
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Samuel Barber
Barber: Adagio for Strings
73 bpm • A# min • 08:57 • -24db
48% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
48% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Waltz in C-sharp minor, Op. 64 No. 2
73 bpm • C# min • 03:19 • -36.25db
53% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
53% Popularity • 19% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Lang Lang
6 Pieces for Piano, Vol. 2: No. 4, La va...
73 bpm • C Maj • 02:50 • -20.13db
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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The Gagliano Strings
Stolen Lullabies
72 bpm • E Maj • 02:18 • -17.64db
23% Popularity • 22% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
23% Popularity • 22% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Thomas Newman
Any Other Name
78 bpm • G min • 04:06 • -33.19db
56% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Alexis Ffrench
Forever Song
78 bpm • D Maj • 03:28 • -16.37db
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Gavin Luke
Delicate Transitions
72 bpm • E Maj • 02:28 • -16db
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Nocturne in C-sharp minor, B. 49
72 bpm • F# min • 03:59 • -31.6db
57% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
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Fabrizio Paterlini
My Piano, The Clouds
72 bpm • E Maj • 02:46 • -25db
47% Popularity • 40% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
47% Popularity • 40% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Alexandra Streliski
Changing Winds
72 bpm • C Maj • 03:13 • -25.74db
47% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
47% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-sharp minor, Op...
78 bpm • C# min • 05:13 • -43.85db
46% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
46% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Olga Scheps
Armellodie
72 bpm • D Maj • 04:40 • -26.76db
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Alena Cherny
Gnossienne No. 1
72 bpm • F min • 04:56 • -31.62db
49% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Chad Lawson
I Wrote You A Song
72 bpm • D# Maj • 03:03 • -27.99db
42% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
42% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Austin Farwell
New Home
72 bpm • F Maj • 02:06 • -22.79db
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Joe Hisaishi
Merry-Go-Round of Life - from 'Howl's Mo...
72 bpm • G min • 05:11 • -12.57db
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Joep Beving
Every Ending Is a New Beginning
71 bpm • C# Maj • 04:26 • -28.17db
42% Popularity • 31% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
42% Popularity • 31% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Vivaldi Variation (Arr. for Piano from C...
79 bpm • G min • 01:52 • -16.97db
68% Popularity • 43% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
68% Popularity • 43% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Craig Armstrong
Glasgow Love Theme
79 bpm • A Maj • 02:05 • -15.62db
48% Popularity • 31% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
48% Popularity • 31% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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![Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) cover art](https://i.scdn.co/image/ab67616d00001e02369f6761d1cccba9a34f05cf)
Johann Sebastian Bach
Organ Sonata No. 4, BWV 528: II. Andante...
71 bpm • B min • 05:26 • -23.02db
51% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
51% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
79 bpm • D# Maj • 04:33 • -32.45db
65% Popularity • 44% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
65% Popularity • 44% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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The Gagliano Strings
Elixir
79 bpm • D min • 02:05 • -14.95db
19% Popularity • 34% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
19% Popularity • 34% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
46% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
46% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Joe Hisaishi
One Summer Day
79 bpm • C Maj • 03:09 • -15.96db
65% Popularity • 41% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
65% Popularity • 41% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Alexis Ffrench
At Last
80 bpm • C# Maj • 02:50 • -18.94db
36% Popularity • 29% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
36% Popularity • 29% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Joep Beving
Beving: Ala
79 bpm • G min • 02:00 • -22.84db
66% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
66% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Kris Bowers
Strange
70 bpm • D Maj • 03:18 • -15.08db
58% Popularity • 25% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
58% Popularity • 25% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
70 bpm • D# Maj • 03:54 • -18.17db
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Fantaisie-Impromptu in C-Sharp Minor, Op...
70 bpm • C# Maj • 05:36 • -25.09db
52% Popularity • 16% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
52% Popularity • 16% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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The Gagliano Strings
Harvest Song
80 bpm • D min • 01:55 • -13.42db
22% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 25 in G Minor, K. 183: I. A...
80 bpm • G min • 07:40 • -13.76db
58% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
58% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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James Horner
Boys Playing Airplanes
80 bpm • D Maj • 04:35 • -19.15db
20% Popularity • 38% Danceability • 16% Energy • 22% Liveness
91% Instrumentalness • 10% Positiveness
20% Popularity • 38% Danceability • 16% Energy • 22% Liveness
91% Instrumentalness • 10% Positiveness
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Alexis Ffrench
The Last Post (Evolution)
80 bpm • A# Maj • 03:32 • -15.29db
30% Popularity • 32% Danceability • 16% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Austin Farwell
New Home (Slowed)
70 bpm • B Maj • 02:54 • -27.72db
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Waltz No. 19 in A minor, Op. posth.
69 bpm • A min • 02:12 • -37.24db
55% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
55% Popularity • 31% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 15% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
45% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
45% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Samuel Barber
Adagio for Strings
69 bpm • A# min • 07:57 • -13.27db
47% Popularity • 7% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 7% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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RIOPY
Bee
82 bpm • C Maj • 02:12 • -17db
50% Popularity • 26% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 26% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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James Newton Howard
A Hidden Life
82 bpm • F min • 02:50 • -27.16db
49% Popularity • 10% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
49% Popularity • 10% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Jef Martens
And So the Story Began
69 bpm • F# min • 01:01 • -26.94db
57% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
57% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Chad Lawson
Stay
69 bpm • D# Maj • 03:21 • -24db
44% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
44% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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The Gagliano Strings
A Time Remembered
82 bpm • B min • 02:41 • -16.74db
19% Popularity • 33% Danceability • 24% Energy • 16% Liveness
85% Instrumentalness • 29% Positiveness
19% Popularity • 33% Danceability • 24% Energy • 16% Liveness
85% Instrumentalness • 29% Positiveness
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Nicholas Britell
Agape
69 bpm • A# Maj • 02:55 • -19.61db
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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James Horner
For The Love Of A Princess
69 bpm • A min • 04:07 • -25.77db
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
51% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
51% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
58% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
58% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Austin Farwell
City Lights
69 bpm • D# Maj • 02:01 • -25.96db
60% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
60% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Joep Beving
Sleeping Lotus
69 bpm • G min • 02:32 • -26.54db
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
