Songs like Blush by Gold & Youth
Based on a tempo of (+/- 10%) and a similar genre
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Gold & Youth
City Of Quartz
116 bpm • A min • 04:43 • -9db
8% Popularity • 58% Danceability • 73% Energy • 12% Liveness
11% Instrumentalness • 31% Positiveness
8% Popularity • 58% Danceability • 73% Energy • 12% Liveness
11% Instrumentalness • 31% Positiveness
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Caveman
Helpless
116 bpm • G Maj • 03:57 • -7.23db
18% Popularity • 57% Danceability • 88% Energy • 21% Liveness
33% Instrumentalness • 51% Positiveness
18% Popularity • 57% Danceability • 88% Energy • 21% Liveness
33% Instrumentalness • 51% Positiveness
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Zola Blood
Play Out
116 bpm • G# Maj • 04:33 • -9.13db
35% Popularity • 63% Danceability • 67% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
35% Popularity • 63% Danceability • 67% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
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Art School Girlfriend
In The Middle
116 bpm • E min • 04:00 • -11.1db
25% Popularity • 52% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 52% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Odd Beholder
Hurt
116 bpm • C min • 03:44 • -11.04db
28% Popularity • 68% Danceability • 65% Energy • 17% Liveness
68% Instrumentalness • 14% Positiveness
28% Popularity • 68% Danceability • 65% Energy • 17% Liveness
68% Instrumentalness • 14% Positiveness
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Pixey
Free to Live in Colour
116 bpm • A Maj • 03:14 • -6db
38% Popularity • 55% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 55% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Gold & Youth
Blush
116 bpm • B Maj • 05:44 • -11.43db
13% Popularity • 56% Danceability • 75% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
13% Popularity • 56% Danceability • 75% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
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Arcade Fire
Unconditional II (Race and Religion)
116 bpm • F min • 04:20 • -11.22db
49% Popularity • 69% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 62% Positiveness
49% Popularity • 69% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 62% Positiveness
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KÅRP
Honey Play
117 bpm • D# min • 04:25 • -9.02db
17% Popularity • 46% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 46% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Art School Girlfriend
Is It Light Where You Are
115 bpm • D Maj • 04:57 • -13.11db
35% Popularity • 59% Danceability • 45% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
35% Popularity • 59% Danceability • 45% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Louise Burns
Emeralds Shatter
115 bpm • C Maj • 04:52 • -9.16db
21% Popularity • 51% Danceability • 62% Energy • 10% Liveness
77% Instrumentalness • 18% Positiveness
21% Popularity • 51% Danceability • 62% Energy • 10% Liveness
77% Instrumentalness • 18% Positiveness
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Bessie Turner
It Was Nothing
117 bpm • A min • 03:29 • -8db
23% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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White Lies
As I Try Not To Fall Apart
117 bpm • G min • 04:58 • -6db
41% Popularity • 63% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
41% Popularity • 63% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Get Well Soon
My Home Is My Heart
117 bpm • B min • 05:11 • -5.58db
27% Popularity • 60% Danceability • 90% Energy • 11% Liveness
2% Instrumentalness • 80% Positiveness
27% Popularity • 60% Danceability • 90% Energy • 11% Liveness
2% Instrumentalness • 80% Positiveness
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Jenn Champion
Push
115 bpm • G min • 03:40 • -9.97db
14% Popularity • 87% Danceability • 50% Energy • 9% Liveness
47% Instrumentalness • 66% Positiveness
14% Popularity • 87% Danceability • 50% Energy • 9% Liveness
47% Instrumentalness • 66% Positiveness
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Keep Shelly In Athens
White Rose
117 bpm • E Maj • 03:49 • -8.11db
19% Popularity • 60% Danceability • 52% Energy • 8% Liveness
73% Instrumentalness • 17% Positiveness
19% Popularity • 60% Danceability • 52% Energy • 8% Liveness
73% Instrumentalness • 17% Positiveness
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The Mary Onettes
Mind On Fire
117 bpm • F# Maj • 04:09 • -8.12db
15% Popularity • 68% Danceability • 74% Energy • 23% Liveness
2% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 74% Energy • 23% Liveness
2% Instrumentalness • 82% Positiveness
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HARD FEELINGS
Love Scenes
115 bpm • A min • 05:04 • -8db
25% Popularity • 73% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 46% Positiveness
25% Popularity • 73% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 46% Positiveness
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White Lies
As I Try Not To Fall Apart - Edit
117 bpm • G min • 03:45 • -5.44db
26% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Tempers
Nightwalking
115 bpm • A min • 03:35 • -7.12db
30% Popularity • 48% Danceability • 64% Energy • 32% Liveness
80% Instrumentalness • 30% Positiveness
30% Popularity • 48% Danceability • 64% Energy • 32% Liveness
80% Instrumentalness • 30% Positiveness
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Shout Out Louds
Mixed Up
115 bpm • D Maj • 04:45 • -7.81db
17% Popularity • 66% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
17% Popularity • 66% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
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Keep Shelly In Athens
To the Moon
117 bpm • A min • 03:27 • -5.89db
23% Popularity • 48% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 7% Positiveness
23% Popularity • 48% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 7% Positiveness
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Sorcha Richardson
Shark Eyes
118 bpm • F Maj • 04:30 • -8.13db
30% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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trentemøller
No More Kissing In The Rain
118 bpm • F Maj • 04:19 • -8.47db
35% Popularity • 46% Danceability • 66% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
35% Popularity • 46% Danceability • 66% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
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Dorsal Fins
Sister
118 bpm • G Maj • 04:04 • -4.92db
30% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Small Black
Nobody Loves You (Korine Remix)
118 bpm • B Maj • 03:14 • -7.7db
38% Popularity • 57% Danceability • 73% Energy • 29% Liveness
4% Instrumentalness • 19% Positiveness
38% Popularity • 57% Danceability • 73% Energy • 29% Liveness
4% Instrumentalness • 19% Positiveness
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Desperate Journalist
Everything You Wanted
118 bpm • D Maj • 06:19 • -8.85db
22% Popularity • 60% Danceability • 82% Energy • 32% Liveness
36% Instrumentalness • 48% Positiveness
22% Popularity • 60% Danceability • 82% Energy • 32% Liveness
36% Instrumentalness • 48% Positiveness
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Zola Blood
Blood Tied
118 bpm • G min • 04:40 • -12.1db
24% Popularity • 67% Danceability • 55% Energy • 12% Liveness
57% Instrumentalness • 16% Positiveness
24% Popularity • 67% Danceability • 55% Energy • 12% Liveness
57% Instrumentalness • 16% Positiveness
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Coach Party
Nothing Is Real
114 bpm • C Maj • 04:33 • -4.07db
17% Popularity • 51% Danceability • 74% Energy • 12% Liveness
33% Instrumentalness • 32% Positiveness
17% Popularity • 51% Danceability • 74% Energy • 12% Liveness
33% Instrumentalness • 32% Positiveness
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Lionel Boy
Potions
118 bpm • B Maj • 03:29 • -8.69db
25% Popularity • 77% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
25% Popularity • 77% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Kai Bosch
Be Right Back
118 bpm • B min • 03:33 • -10.97db
32% Popularity • 72% Danceability • 62% Energy • 26% Liveness
20% Instrumentalness • 32% Positiveness
32% Popularity • 72% Danceability • 62% Energy • 26% Liveness
20% Instrumentalness • 32% Positiveness
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Small Black
Postcard
118 bpm • F# Maj • 04:34 • -6db
36% Popularity • 56% Danceability • 84% Energy • 80% Liveness
21% Instrumentalness • 40% Positiveness
36% Popularity • 56% Danceability • 84% Energy • 80% Liveness
21% Instrumentalness • 40% Positiveness
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Deserta
A World Without
114 bpm • D# Maj • 05:05 • -7.3db
14% Popularity • 52% Danceability • 57% Energy • 14% Liveness
53% Instrumentalness • 7% Positiveness
14% Popularity • 52% Danceability • 57% Energy • 14% Liveness
53% Instrumentalness • 7% Positiveness
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Zola Blood
For The Birds
118 bpm • A min • 04:29 • -11db
28% Popularity • 64% Danceability • 66% Energy • 23% Liveness
48% Instrumentalness • 26% Positiveness
28% Popularity • 64% Danceability • 66% Energy • 23% Liveness
48% Instrumentalness • 26% Positiveness
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Ten Fé
Superrich
114 bpm • C Maj • 05:22 • -7.99db
39% Popularity • 78% Danceability • 52% Energy • 13% Liveness
55% Instrumentalness • 25% Positiveness
39% Popularity • 78% Danceability • 52% Energy • 13% Liveness
55% Instrumentalness • 25% Positiveness
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Sorcha Richardson
Hard to Fake It
114 bpm • G# Maj • 03:11 • -7.01db
22% Popularity • 58% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 58% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Graveyard Club
Spellsong
114 bpm • F Maj • 04:01 • -8.42db
19% Popularity • 59% Danceability • 58% Energy • 10% Liveness
5% Instrumentalness • 22% Positiveness
19% Popularity • 59% Danceability • 58% Energy • 10% Liveness
5% Instrumentalness • 22% Positiveness
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Small Black
Nobody Loves You
118 bpm • G# min • 04:57 • -8.41db
20% Popularity • 57% Danceability • 66% Energy • 30% Liveness
50% Instrumentalness • 16% Positiveness
20% Popularity • 57% Danceability • 66% Energy • 30% Liveness
50% Instrumentalness • 16% Positiveness
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W. H. Lung
Figure with Flowers
119 bpm • F Maj • 03:58 • -7.34db
16% Popularity • 62% Danceability • 69% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
16% Popularity • 62% Danceability • 69% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
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Arcade Fire
Age of Anxiety II (Rabbit Hole)
118 bpm • G# Maj • 06:41 • -8.05db
50% Popularity • 66% Danceability • 93% Energy • 57% Liveness
63% Instrumentalness • 4% Positiveness
50% Popularity • 66% Danceability • 93% Energy • 57% Liveness
63% Instrumentalness • 4% Positiveness
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Juno Francis
Hey You Goodbye Me
113 bpm • F Maj • 04:25 • -8db
16% Popularity • 53% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 53% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Boy & Bear
State of Flight
119 bpm • E Maj • 03:44 • -6.92db
31% Popularity • 63% Danceability • 87% Energy • 18% Liveness
3% Instrumentalness • 67% Positiveness
31% Popularity • 63% Danceability • 87% Energy • 18% Liveness
3% Instrumentalness • 67% Positiveness
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Hayden Thorpe
Parallel Kingdom
113 bpm • G# min • 03:28 • -11db
15% Popularity • 75% Danceability • 40% Energy • 10% Liveness
52% Instrumentalness • 18% Positiveness
15% Popularity • 75% Danceability • 40% Energy • 10% Liveness
52% Instrumentalness • 18% Positiveness
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Low Island
Just Another Dreamer
119 bpm • F Maj • 03:21 • -12.77db
15% Popularity • 56% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 62% Positiveness
15% Popularity • 56% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 62% Positiveness
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Barbarossa
Awakeners Awaken Us
120 bpm • E min • 03:31 • -9.66db
14% Popularity • 63% Danceability • 69% Energy • 49% Liveness
71% Instrumentalness • 60% Positiveness
14% Popularity • 63% Danceability • 69% Energy • 49% Liveness
71% Instrumentalness • 60% Positiveness
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New German Cinema
I Become Heavy
120 bpm • C Maj • 03:19 • -9.41db
16% Popularity • 30% Danceability • 74% Energy • 20% Liveness
24% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 74% Energy • 20% Liveness
24% Instrumentalness • 18% Positiveness
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Hourglvss
Supreme Beings
120 bpm • D Maj • 03:50 • -4.88db
29% Popularity • 47% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 47% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Princess Goes
Eat an Eraser
120 bpm • B Maj • 04:29 • -9.12db
31% Popularity • 55% Danceability • 71% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
31% Popularity • 55% Danceability • 71% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Working Men's Club
Circumference
120 bpm • C Maj • 03:48 • -6.01db
25% Popularity • 47% Danceability • 79% Energy • 32% Liveness
31% Instrumentalness • 17% Positiveness
25% Popularity • 47% Danceability • 79% Energy • 32% Liveness
31% Instrumentalness • 17% Positiveness
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Shearwater
Xenarthran
120 bpm • A# min • 05:36 • -13.33db
24% Popularity • 52% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
24% Popularity • 52% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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LEATHERS
Runaway
120 bpm • E Maj • 03:56 • -10.99db
21% Popularity • 62% Danceability • 59% Energy • 15% Liveness
67% Instrumentalness • 80% Positiveness
21% Popularity • 62% Danceability • 59% Energy • 15% Liveness
67% Instrumentalness • 80% Positiveness
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Young Prisms
Self Love
120 bpm • F# min • 03:04 • -7.68db
24% Popularity • 46% Danceability • 88% Energy • 40% Liveness
18% Instrumentalness • 53% Positiveness
24% Popularity • 46% Danceability • 88% Energy • 40% Liveness
18% Instrumentalness • 53% Positiveness
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Nation of Language
The Motorist
120 bpm • G Maj • 05:11 • -6.75db
31% Popularity • 68% Danceability • 87% Energy • 14% Liveness
42% Instrumentalness • 72% Positiveness
31% Popularity • 68% Danceability • 87% Energy • 14% Liveness
42% Instrumentalness • 72% Positiveness
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Delta Spirit
One is One
120 bpm • A# min • 03:30 • -8.2db
31% Popularity • 71% Danceability • 69% Energy • 13% Liveness
62% Instrumentalness • 58% Positiveness
31% Popularity • 71% Danceability • 69% Energy • 13% Liveness
62% Instrumentalness • 58% Positiveness
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Priestgate
Eyes Closed For The Winter
112 bpm • C Maj • 03:06 • -5db
0% Popularity • 45% Danceability • 81% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
0% Popularity • 45% Danceability • 81% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Kraków Loves Adana
Open The Door
120 bpm • G Maj • 03:13 • -9.67db
10% Popularity • 60% Danceability • 65% Energy • 13% Liveness
55% Instrumentalness • 20% Positiveness
10% Popularity • 60% Danceability • 65% Energy • 13% Liveness
55% Instrumentalness • 20% Positiveness
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LEATHERS
Day for Night
120 bpm • D Maj • 03:28 • -12.73db
30% Popularity • 53% Danceability • 40% Energy • 11% Liveness
45% Instrumentalness • 12% Positiveness
30% Popularity • 53% Danceability • 40% Energy • 11% Liveness
45% Instrumentalness • 12% Positiveness
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KÅRP
It Looks Bad
120 bpm • G min • 04:24 • -7.72db
25% Popularity • 49% Danceability • 83% Energy • 41% Liveness
9% Instrumentalness • 32% Positiveness
25% Popularity • 49% Danceability • 83% Energy • 41% Liveness
9% Instrumentalness • 32% Positiveness
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Cold Beat
Year Without A Shadow
120 bpm • A Maj • 04:05 • -11.94db
10% Popularity • 55% Danceability • 65% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
10% Popularity • 55% Danceability • 65% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
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Graveyard Club
Broken Wide Open
120 bpm • C Maj • 05:06 • -8.5db
14% Popularity • 52% Danceability • 65% Energy • 34% Liveness
76% Instrumentalness • 26% Positiveness
14% Popularity • 52% Danceability • 65% Energy • 34% Liveness
76% Instrumentalness • 26% Positiveness
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The Big Pink
Rage
120 bpm • D# Maj • 04:36 • -5.33db
9% Popularity • 64% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 64% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Kraków Loves Adana
Follow The Voice
120 bpm • C Maj • 03:51 • -7.54db
19% Popularity • 68% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
19% Popularity • 68% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
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Dawn to Dawn
Stereo
120 bpm • F# min • 04:42 • -13.19db
16% Popularity • 62% Danceability • 52% Energy • 9% Liveness
79% Instrumentalness • 64% Positiveness
16% Popularity • 62% Danceability • 52% Energy • 9% Liveness
79% Instrumentalness • 64% Positiveness
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FRANKIIE
Dream Reader
120 bpm • F min • 04:14 • -4.7db
18% Popularity • 57% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
18% Popularity • 57% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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Annie Hamilton
Exist
120 bpm • F# Maj • 03:09 • -5.35db
26% Popularity • 61% Danceability • 73% Energy • 17% Liveness
2% Instrumentalness • 65% Positiveness
26% Popularity • 61% Danceability • 73% Energy • 17% Liveness
2% Instrumentalness • 65% Positiveness
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San Fermin
You Live My Dream
120 bpm • A Maj • 03:06 • -8.52db
12% Popularity • 68% Danceability • 74% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
12% Popularity • 68% Danceability • 74% Energy • 7% Liveness
89% Instrumentalness • 34% Positiveness
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Gold & Youth
Bohemian Grove - Digital Only
120 bpm • F Maj • 06:13 • -10.22db
5% Popularity • 48% Danceability • 88% Energy • 30% Liveness
51% Instrumentalness • 60% Positiveness
5% Popularity • 48% Danceability • 88% Energy • 30% Liveness
51% Instrumentalness • 60% Positiveness
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Plastic Estate
Divinely Impaired
120 bpm • B min • 03:44 • -6.81db
17% Popularity • 63% Danceability • 71% Energy • 18% Liveness
20% Instrumentalness • 74% Positiveness
17% Popularity • 63% Danceability • 71% Energy • 18% Liveness
20% Instrumentalness • 74% Positiveness
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Kraków Loves Adana
When The Storm Comes
120 bpm • C Maj • 04:23 • -10.53db
13% Popularity • 67% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 71% Positiveness
13% Popularity • 67% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 71% Positiveness
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Lea Porcelain
100 Years
120 bpm • C min • 05:01 • -8.71db
21% Popularity • 51% Danceability • 70% Energy • 38% Liveness
90% Instrumentalness • 36% Positiveness
21% Popularity • 51% Danceability • 70% Energy • 38% Liveness
90% Instrumentalness • 36% Positiveness
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Sam Himself
Never Let Me Go
120 bpm • G# Maj • 03:40 • -7.51db
16% Popularity • 53% Danceability • 57% Energy • 15% Liveness
46% Instrumentalness • 21% Positiveness
16% Popularity • 53% Danceability • 57% Energy • 15% Liveness
46% Instrumentalness • 21% Positiveness
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Ada Lea
can't stop me from dying
120 bpm • A Maj • 03:09 • -8.93db
29% Popularity • 82% Danceability • 43% Energy • 10% Liveness
42% Instrumentalness • 51% Positiveness
29% Popularity • 82% Danceability • 43% Energy • 10% Liveness
42% Instrumentalness • 51% Positiveness
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Barrie
Concrete
120 bpm • D min • 04:02 • -8.78db
32% Popularity • 50% Danceability • 46% Energy • 26% Liveness
43% Instrumentalness • 6% Positiveness
32% Popularity • 50% Danceability • 46% Energy • 26% Liveness
43% Instrumentalness • 6% Positiveness
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Blancmange
Take Me
120 bpm • C Maj • 04:19 • -8.3db
10% Popularity • 80% Danceability • 64% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
10% Popularity • 80% Danceability • 64% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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Fleur Electra
Get to My Head
120 bpm • A# min • 02:34 • -8.42db
15% Popularity • 55% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 62% Positiveness
15% Popularity • 55% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 62% Positiveness
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Nation of Language
September Again
120 bpm • D# Maj • 03:53 • -5.26db
46% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The New Division
Circles
112 bpm • G min • 05:01 • -6.9db
20% Popularity • 57% Danceability • 83% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
20% Popularity • 57% Danceability • 83% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Pixey
Electric Dream
120 bpm • E Maj • 03:28 • -5.27db
24% Popularity • 45% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 45% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Shearwater
Empty Orchestra
112 bpm • C Maj • 05:06 • -8.12db
22% Popularity • 54% Danceability • 80% Energy • 69% Liveness
37% Instrumentalness • 33% Positiveness
22% Popularity • 54% Danceability • 80% Energy • 69% Liveness
37% Instrumentalness • 33% Positiveness
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Ellur
Migraine
112 bpm • D min • 03:41 • -6.2db
24% Popularity • 61% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 61% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bleach Lab
Talk It Out
112 bpm • A# Maj • 04:04 • -6db
19% Popularity • 55% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
19% Popularity • 55% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Sharon Van Etten
Porta
120 bpm • G Maj • 03:26 • -8db
30% Popularity • 56% Danceability • 59% Energy • 8% Liveness
17% Instrumentalness • 37% Positiveness
30% Popularity • 56% Danceability • 59% Energy • 8% Liveness
17% Instrumentalness • 37% Positiveness
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Woolfy
Shooting Stars
112 bpm • A Maj • 04:38 • -7.8db
22% Popularity • 58% Danceability • 68% Energy • 8% Liveness
4% Instrumentalness • 47% Positiveness
22% Popularity • 58% Danceability • 68% Energy • 8% Liveness
4% Instrumentalness • 47% Positiveness
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Laura-Mary Carter
Town Called Nothing
121 bpm • G Maj • 02:37 • -6.72db
10% Popularity • 45% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 45% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Zola Blood
The Way It's Gone
121 bpm • G# min • 04:11 • -11.26db
27% Popularity • 68% Danceability • 53% Energy • 11% Liveness
54% Instrumentalness • 33% Positiveness
27% Popularity • 68% Danceability • 53% Energy • 11% Liveness
54% Instrumentalness • 33% Positiveness
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Lo Moon
Eyes on the Prize
121 bpm • G Maj • 03:55 • -9.19db
19% Popularity • 67% Danceability • 49% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
19% Popularity • 67% Danceability • 49% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
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Loma
Going Out
121 bpm • G# Maj • 04:07 • -9.54db
26% Popularity • 57% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
26% Popularity • 57% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
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White Lies
Staring At The Sun - Bonus Track
121 bpm • B Maj • 04:55 • -5.19db
31% Popularity • 55% Danceability • 94% Energy • 6% Liveness
1% Instrumentalness • 36% Positiveness
31% Popularity • 55% Danceability • 94% Energy • 6% Liveness
1% Instrumentalness • 36% Positiveness
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Jonathan Bree
You Are The Man
121 bpm • F# Maj • 03:22 • -9.25db
26% Popularity • 51% Danceability • 57% Energy • 15% Liveness
16% Instrumentalness • 62% Positiveness
26% Popularity • 51% Danceability • 57% Energy • 15% Liveness
16% Instrumentalness • 62% Positiveness
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Johnny Dynamite and the Bloodsuckers
Bats in the Woods
122 bpm • F min • 04:36 • -5.62db
37% Popularity • 68% Danceability • 79% Energy • 20% Liveness
64% Instrumentalness • 62% Positiveness
37% Popularity • 68% Danceability • 79% Energy • 20% Liveness
64% Instrumentalness • 62% Positiveness
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Shout Out Louds
High As A Kite
122 bpm • E Maj • 04:45 • -8.13db
17% Popularity • 71% Danceability • 72% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
17% Popularity • 71% Danceability • 72% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
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DC Gore
Sisyphus - Single Version
110 bpm • G# Maj • 03:59 • -5.33db
16% Popularity • 57% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 57% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Zola Blood
Black Blossom
111 bpm • E min • 04:28 • -10.95db
20% Popularity • 45% Danceability • 59% Energy • 8% Liveness
81% Instrumentalness • 32% Positiveness
20% Popularity • 45% Danceability • 59% Energy • 8% Liveness
81% Instrumentalness • 32% Positiveness
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Deserta
Goodbye Vista
122 bpm • G min • 04:21 • -4.78db
17% Popularity • 42% Danceability • 60% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
17% Popularity • 42% Danceability • 60% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
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ViVii
It's Probably Me
122 bpm • D Maj • 03:52 • -6.4db
21% Popularity • 49% Danceability • 73% Energy • 33% Liveness
4% Instrumentalness • 57% Positiveness
21% Popularity • 49% Danceability • 73% Energy • 33% Liveness
4% Instrumentalness • 57% Positiveness
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Hembree
House on a Hill
122 bpm • G Maj • 04:17 • -8db
15% Popularity • 82% Danceability • 73% Energy • 12% Liveness
77% Instrumentalness • 78% Positiveness
15% Popularity • 82% Danceability • 73% Energy • 12% Liveness
77% Instrumentalness • 78% Positiveness
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Shout Out Louds
Multiply
122 bpm • C Maj • 04:26 • -8.16db
13% Popularity • 67% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 67% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Gold & Youth
Quarters
122 bpm • E min • 04:14 • -7.65db
4% Popularity • 61% Danceability • 75% Energy • 41% Liveness
8% Instrumentalness • 57% Positiveness
4% Popularity • 61% Danceability • 75% Energy • 41% Liveness
8% Instrumentalness • 57% Positiveness
