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Bol suva raam raam
Songs like
Bol suva raam raam
by
Shujaat Khan
Based on a tempo of (+/- 10%) and a similar genre
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Jainam Varia
Mangal Muhurt
140 bpm • A# Maj • 04:50 • -7.78db
11% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Shujaat Khan
Humka Udhave
140 bpm • D Maj • 08:50 • -11.82db
5% Popularity • 66% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 56% Positiveness
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Abhijit Pohankar
Laagi Lagan
140 bpm • G Maj • 04:15 • -10.55db
15% Popularity • 52% Danceability • 52% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness
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Ajay Pohankar
Naina More (Urban Mix)
140 bpm • G min • 06:00 • -14.21db
10% Popularity • 54% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 19% Positiveness
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Indian Ocean
Iss Tan Dhan
140 bpm • C Maj • 10:14 • -7.82db
14% Popularity • 49% Danceability • 65% Energy • 5% Liveness
3% Instrumentalness • 47% Positiveness
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Pamela Jain
Jhuki Aayi Badariya
140 bpm • C# Maj • 05:51 • -7.99db
20% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Shakir Khan
Bairan
140 bpm • C# min • 05:01 • -11.25db
18% Popularity • 59% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Shujaat Khan
Rehna Nahi Is Desh Mein
140 bpm • A# Maj • 07:33 • -14.16db
3% Popularity • 67% Danceability • 32% Energy • 18% Liveness
18% Instrumentalness • 32% Positiveness
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Abhijit Pohankar
Akeli Dar Lage
140 bpm • F# Maj • 04:04 • -8.35db
27% Popularity • 42% Danceability • 55% Energy • 12% Liveness
22% Instrumentalness • 24% Positiveness
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Alex Heffes
Raag Lalit
140 bpm • D Maj • 01:37 • -13.32db
19% Popularity • 30% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 8% Positiveness
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Ajay Pohankar
Naina More
140 bpm • A# Maj • 05:38 • -13.89db
9% Popularity • 52% Danceability • 38% Energy • 12% Liveness
34% Instrumentalness • 23% Positiveness
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Shekhar Ravjiani
Shekhar Ravjiani's Hanuman Chalisa - Zee...
140 bpm • C Maj • 09:01 • -7.39db
45% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Participants Of South India Female Choir
Mahishasuramardini Stotra
140 bpm • A# min • 01:04 • -10.2db
43% Popularity • 69% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Shujaat Khan
Moko Kahan Dhunde Re Bande
140 bpm • G Maj • 13:10 • -13.47db
8% Popularity • 61% Danceability • 33% Energy • 8% Liveness
71% Instrumentalness • 51% Positiveness
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Ajay-Atul
Pranamya Shrirasa Devam
140 bpm • E Maj • 03:51 • -18.24db
24% Popularity • 47% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Susmirata Dawalkar
Bhavani Ashtakam
139 bpm • F# min • 03:59 • -9db
47% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Shubha Joshi
Raag Bhairavi - Dadra - Rab Tohe Bhoole ...
139 bpm • A Maj • 06:17 • -14.72db
26% Popularity • 30% Danceability • 45% Energy • 10% Liveness
6% Instrumentalness • 43% Positiveness
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Sunanda Sharma
Chaiti - Bairan Re Koyaliya
141 bpm • C# Maj • 10:59 • -6.96db
8% Popularity • 30% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jeetu Bhowmik
Krishna Flute - Flute Version
141 bpm • C Maj • 01:13 • -14.48db
43% Popularity • 44% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 84% Positiveness
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Mahesh Kale
Raagmala - Drut Ektal
139 bpm • G Maj • 09:42 • -8.55db
11% Popularity • 40% Danceability • 85% Energy • 63% Liveness
39% Instrumentalness • 48% Positiveness
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Harshdeep Kaur
Ik Onkar (Mool Mantra)
139 bpm • D Maj • 01:50 • -15.82db
45% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Farida Khanum
Dil Ko Be Bargo Nawa Dekhte Hain
138 bpm • D# min • 04:46 • -4.61db
8% Popularity • 40% Danceability • 41% Energy • 18% Liveness
9% Instrumentalness • 45% Positiveness
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Kishori Amonkar
Raga Yaman
138 bpm • A# Maj • 11:30 • -12.47db
13% Popularity • 29% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ajay Pohankar
Ab Ke Sawan Ghar Aaja
138 bpm • F Maj • 06:12 • -13.9db
22% Popularity • 60% Danceability • 42% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
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Hazir
Be Khayale
138 bpm • C# Maj • 06:56 • -7.43db
9% Popularity • 64% Danceability • 71% Energy • 26% Liveness
10% Instrumentalness • 73% Positiveness
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Tapas Relia
Rut Badle
142 bpm • D# Maj • 06:16 • -10.27db
23% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dholsquad Studios
Ganpati Bapa Moriya (Dhun)
142 bpm • C Maj • 05:47 • -5.8db
14% Popularity • 67% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Kavita Seth
Muddat Hui Hai
138 bpm • D Maj • 03:15 • -8db
23% Popularity • 29% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Bhikhudan Gadhvi
Kalja Kero Katko Maro
138 bpm • D# Maj • 07:06 • -5.68db
10% Popularity • 50% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Shujaat Khan
Sej Vo Sooni
142 bpm • D Maj • 10:44 • -7.58db
6% Popularity • 44% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Kayhan Kalhor
Orange And Bergamto
138 bpm • D# min • 08:02 • -4.23db
3% Popularity • 31% Danceability • 92% Energy • 4% Liveness
11% Instrumentalness • 71% Positiveness
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Kumar Gandharva
Raag Malkauns (Drut Ektala)
143 bpm • E min • 03:51 • -9.22db
12% Popularity • 44% Danceability • 69% Energy • 19% Liveness
14% Instrumentalness • 54% Positiveness
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Veena Sahasrabuddhe
Stotra - Bhawani Shankarau Vande
137 bpm • D# Maj • 01:29 • -7db
29% Popularity • 26% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Prem Prakash Dubey
Shree Sankat Nashan Ganesh Stotram
143 bpm • F Maj • 02:09 • -7.28db
50% Popularity • 62% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Farida Khanum
Sab Qatal Hoke
137 bpm • G min • 03:36 • -8db
21% Popularity • 38% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Vikram Hazra
Vande Bhuvaneshwari
144 bpm • D min • 04:35 • -21.01db
9% Popularity • 46% Danceability • 6% Energy • 9% Liveness
31% Instrumentalness • 26% Positiveness
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Kayhan Kalhor
Snowy Mountains
143 bpm • D min • 08:55 • -6.97db
5% Popularity • 40% Danceability • 66% Energy • 14% Liveness
16% Instrumentalness • 57% Positiveness
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Shahid Parvez
Raga Bhairavi Alap
136 bpm • G# min • 07:44 • -16.66db
13% Popularity • 37% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Veena Sahasrabuddhe
Shri Saraswati Stuti
137 bpm • F# Maj • 03:27 • -12.92db
19% Popularity • 18% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 5% Positiveness
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Hrishikesh Datar
Krishna Murari
136 bpm • F min • 03:45 • -8.28db
22% Popularity • 41% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Amrita Chaturvedi
Mangalam Bhagwan Vishnu-Lord Vishnu Shlo...
136 bpm • G Maj • 02:30 • -9.01db
27% Popularity • 79% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Shujaat Khan
Chunri Mein Pad Gayo
136 bpm • D Maj • 07:05 • -12.5db
4% Popularity • 60% Danceability • 31% Energy • 12% Liveness
12% Instrumentalness • 30% Positiveness
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Kiranjit Kaur Khurana
Aisa Naam
144 bpm • F min • 08:13 • -9db
16% Popularity • 49% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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M. Balamuralikrishna
Gopala Gokula
136 bpm • A Maj • 06:54 • -7.36db
14% Popularity • 52% Danceability • 50% Energy • 19% Liveness
2% Instrumentalness • 39% Positiveness
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Aachman Records
Most Powerful Mantra Of Lord Shiva
136 bpm • A Maj • 05:48 • -29.7db
21% Popularity • 65% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Ashwini Bhide-Deshpande
Radhe
136 bpm • F# Maj • 06:36 • -7.1db
15% Popularity • 52% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Shivkumar Sharma
Silsila Theme, Pt. 2 - Instrumental
136 bpm • B min • 03:40 • -16.82db
22% Popularity • 53% Danceability • 29% Energy • 18% Liveness
60% Instrumentalness • 41% Positiveness
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Shujaat Khan
Kabir Dohe
144 bpm • A Maj • 12:01 • -8.6db
12% Popularity • 44% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
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Shobha Gurtu
Yaad Piya Ki Aaye
136 bpm • A Maj • 06:30 • -9.44db
20% Popularity • 41% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Bazm-E-Khas
Der Lagi Aane Me
145 bpm • G# Maj • 08:39 • -10db
11% Popularity • 38% Danceability • 55% Energy • 30% Liveness
2% Instrumentalness • 28% Positiveness
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Rajan & Sajan Mishra & Shruti Sadolikar
Jai Shiva Shankar, Jai Gangadhar
136 bpm • C# Maj • 08:01 • -14db
22% Popularity • 37% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Parul Mishra
Aaj Khelo Shyam Sang Hori
145 bpm • F Maj • 04:56 • -5.67db
10% Popularity • 36% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Ajay-Atul
Shree Ganapati Atharvashirsha
145 bpm • G Maj • 06:28 • -14.75db
43% Popularity • 63% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Shujaat Khan
Rangi Saari
145 bpm • F# Maj • 08:55 • -11.1db
15% Popularity • 34% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Brijesh Shandilya
Rudrashtakam Superfast
135 bpm • G# Maj • 03:58 • -9.46db
13% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chhannulal Mishra
Thumri in Raga Bihag - Dekho dekho kaise
135 bpm • D# Maj • 03:55 • -13.02db
17% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Meena Mishra
Jug Jiye
146 bpm • C min • 02:06 • -13.98db
14% Popularity • 51% Danceability • 25% Energy • 78% Liveness
0% Instrumentalness • 80% Positiveness
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Ajoy Chakrabarty
Raga Darbari Kanhada - Ektala
135 bpm • D# min • 09:59 • -13.59db
14% Popularity • 24% Danceability • 26% Energy • 6% Liveness
24% Instrumentalness • 6% Positiveness
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ISKCON Bangalore
Narasimha Gayathri Mantra
146 bpm • F Maj • 02:59 • -7.9db
29% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Shujaat Khan
Humka Odhave
135 bpm • D Maj • 12:57 • -8.96db
15% Popularity • 49% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 45% Positiveness
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Pradeep Parul Ji
Sita Ram Hanuman Sita Ram Hanuman
146 bpm • A Maj • 05:54 • -15.3db
10% Popularity • 40% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Religious India
Namami Shamishan
134 bpm • G# Maj • 05:24 • -11.8db
42% Popularity • 83% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Shabda Hari Das
Yadi Prabhupada Na Hoito
134 bpm • C# min • 09:02 • -12.2db
27% Popularity • 60% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Wadali Brothers
Yaad Piya Ki Aaye
134 bpm • D# Maj • 05:14 • -7db
18% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Geeta Rabari
Veer Hanumana Ati Balwana
147 bpm • D# Maj • 03:13 • -14.52db
17% Popularity • 37% Danceability • 54% Energy • 47% Liveness
0% Instrumentalness • 90% Positiveness
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Shujaat Khan
Nayi Ummeed
134 bpm • G Maj • 07:19 • -7.46db
7% Popularity • 40% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Bismillah Khan
Delightful Journey
147 bpm • D Maj • 09:55 • -11.28db
15% Popularity • 40% Danceability • 71% Energy • 13% Liveness
56% Instrumentalness • 45% Positiveness
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Sachin Limaye
Krishnam Vande
133 bpm • C Maj • 06:59 • -12.94db
20% Popularity • 46% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Shahid Parvez
Raga Yaman Drut
147 bpm • C# Maj • 08:56 • -13db
19% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
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Bickram Ghosh
Rasiya
133 bpm • D min • 06:08 • -8.71db
24% Popularity • 73% Danceability • 55% Energy • 9% Liveness
9% Instrumentalness • 24% Positiveness
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Shujaat Khan
Don't
147 bpm • C Maj • 10:47 • -9.54db
0% Popularity • 30% Danceability • 42% Energy • 6% Liveness
6% Instrumentalness • 25% Positiveness
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Sahil Dr
Dekhlo Toke - Nagpuri
132 bpm • A Maj • 05:13 • -10.58db
10% Popularity • 74% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Kaushiki Chakraborty
Rangi Saari Gulabi Chunariya
132 bpm • D# Maj • 06:40 • -10.43db
21% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Aditya G Nair
Jhoom Ke Nache Bajrang Bali
132 bpm • A# Maj • 04:43 • -7.88db
29% Popularity • 71% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Farida Khanum
Woh Ishq Jo Ham Se
132 bpm • A min • 05:57 • -15db
12% Popularity • 61% Danceability • 36% Energy • 62% Liveness
45% Instrumentalness • 61% Positiveness
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Sohrab Pournazeri
Afsaneh Sho (Be Fable)
149 bpm • G min • 06:15 • -8.57db
2% Popularity • 42% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Shujaat Khan
Ye Barsaat Ki Raat
148 bpm • G Maj • 06:35 • -12.83db
1% Popularity • 42% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Niladri Kumar
If
132 bpm • G min • 03:34 • -7.55db
17% Popularity • 27% Danceability • 30% Energy • 18% Liveness
32% Instrumentalness • 24% Positiveness
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Bismillah Khan
Shankara
131 bpm • D Maj • 04:26 • -15.07db
12% Popularity • 45% Danceability • 34% Energy • 5% Liveness
6% Instrumentalness • 17% Positiveness
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Kevin Hays
Sweet Caroline
131 bpm • D Maj • 04:52 • -13.88db
1% Popularity • 41% Danceability • 30% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Madhavas Rock Band
A Soul Calling Krishna
150 bpm • D Maj • 09:33 • -8.03db
11% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Amitabh Bachchan
Jai Hanuman
131 bpm • G# Maj • 03:19 • -16db
24% Popularity • 72% Danceability • 62% Energy • 65% Liveness
23% Instrumentalness • 34% Positiveness
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Shujaat Khan
Rehna Nahi Is Des
149 bpm • G Maj • 10:49 • -7.72db
11% Popularity • 41% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 61% Positiveness
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Niladri Kumar
Raghupati
149 bpm • A# min • 05:04 • -9.58db
29% Popularity • 30% Danceability • 59% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
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Arati Ankalikar Tikekar
Ghire Ghir Aayi Badariyaa
130 bpm • A# min • 03:22 • -9db
10% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Kavita Seth
Mehfil barkhaast hui
130 bpm • G Maj • 03:00 • -8db
34% Popularity • 31% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Pratibha Singh Baghel
Lakhon Ke Bol
130 bpm • E min • 06:11 • -11.85db
17% Popularity • 55% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Uma Mohan
Vishnu Sthuthi
130 bpm • D Maj • 05:59 • -9db
32% Popularity • 74% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Shujaat Khan
Hai Tujh Mein Sab
150 bpm • D Maj • 08:34 • -10.63db
8% Popularity • 65% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Bickram Ghosh
Leela
130 bpm • D Maj • 05:05 • -8.48db
18% Popularity • 72% Danceability • 62% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Bombay Jayashri
Aigiri Nandini
130 bpm • A# min • 07:14 • -8.11db
43% Popularity • 78% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Rajshree Agarwal
Om Namah Shivaaye - Reprised
130 bpm • D min • 02:32 • -15.82db
16% Popularity • 46% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Birju Maharaj
Kanha Main Tose Haari
151 bpm • C# min • 05:46 • -11.01db
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
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Kishori Amonkar
Ek Hi Sang Hute
151 bpm • C# Maj • 04:53 • -17db
19% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
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Sameer Rahat
Shaam Hoti Hai Toh
130 bpm • G Maj • 05:55 • -9.27db
8% Popularity • 27% Danceability • 58% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Bickram Ghosh
Bhavaani
130 bpm • A# Maj • 06:28 • -8.72db
13% Popularity • 68% Danceability • 60% Energy • 9% Liveness
45% Instrumentalness • 21% Positiveness
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Susmirata Dawalkar
Ghorkashtodharan Stotram
129 bpm • F min • 02:53 • -13db
42% Popularity • 66% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Bombay Jayashri
Sada Bala (Slokam)
129 bpm • E Maj • 01:42 • -13.18db
19% Popularity • 27% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Chirag Katti
Lat Ulajhi - Instrumental
152 bpm • A# Maj • 03:48 • -8.02db
19% Popularity • 59% Danceability • 61% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
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Bol suva raam raam