Songs like Boreas by Realizer
Based on a tempo of (+/- 10%) and a similar genre
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Tommy Berre
Beneath the Skies
108 bpm • G Maj • 02:05 • -10.15db
22% Popularity • 71% Danceability • 36% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
22% Popularity • 71% Danceability • 36% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Matt Emilien Parker
Ice, Slowly Melting
108 bpm • C# min • 01:58 • -15.4db
16% Popularity • 51% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
16% Popularity • 51% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Realizer
Boreas
108 bpm • C Maj • 02:41 • -13.75db
12% Popularity • 43% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 43% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Victor Howe
A Measure of Peace
108 bpm • G Maj • 02:18 • -16db
36% Popularity • 50% Danceability • 29% Energy • 13% Liveness
94% Instrumentalness • 20% Positiveness
36% Popularity • 50% Danceability • 29% Energy • 13% Liveness
94% Instrumentalness • 20% Positiveness
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Ricardo Octavio
Footprints
108 bpm • A# Maj • 01:37 • -25db
40% Popularity • 42% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
40% Popularity • 42% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Esbjörn Öhrwall
Into The Woods
108 bpm • A Maj • 02:36 • -17.04db
13% Popularity • 64% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
13% Popularity • 64% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Tommy Berre
Emerald
108 bpm • E min • 02:07 • -14.29db
13% Popularity • 83% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
13% Popularity • 83% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Open Palm
Foxglove in A Major
109 bpm • E Maj • 02:27 • -14.7db
24% Popularity • 58% Danceability • 38% Energy • 10% Liveness
75% Instrumentalness • 37% Positiveness
24% Popularity • 58% Danceability • 38% Energy • 10% Liveness
75% Instrumentalness • 37% Positiveness
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Realizer
Hidden Words
107 bpm • D Maj • 02:33 • -24.24db
22% Popularity • 61% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
22% Popularity • 61% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Roberto Dalla Vecchia
Yellow
107 bpm • D Maj • 03:04 • -18.31db
40% Popularity • 50% Danceability • 26% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
40% Popularity • 50% Danceability • 26% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
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Emilio Bonito
Autumn
109 bpm • B min • 02:42 • -13db
39% Popularity • 44% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 36% Positiveness
39% Popularity • 44% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 36% Positiveness
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David and the Bear
Still Summer
109 bpm • D Maj • 02:07 • -16.85db
30% Popularity • 67% Danceability • 18% Energy • 13% Liveness
94% Instrumentalness • 38% Positiveness
30% Popularity • 67% Danceability • 18% Energy • 13% Liveness
94% Instrumentalness • 38% Positiveness
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Jürgen Saalmann
Day 3 - Hvide Sande
107 bpm • D Maj • 01:28 • -17.75db
37% Popularity • 49% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
37% Popularity • 49% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Rick Cyge
Prairie Serenade (A Duet)
107 bpm • A Maj • 02:56 • -13.81db
16% Popularity • 74% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
16% Popularity • 74% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Realizer
Solemn
107 bpm • A Maj • 02:17 • -22.64db
18% Popularity • 66% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
18% Popularity • 66% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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a sound for you
Sky
109 bpm • C Maj • 01:53 • -16.34db
34% Popularity • 69% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
34% Popularity • 69% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Sebastian Winskog
Nights
107 bpm • A Maj • 02:06 • -12.53db
23% Popularity • 60% Danceability • 23% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
23% Popularity • 60% Danceability • 23% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Matthew Everwood
Humble Stream
106 bpm • A Maj • 01:55 • -20.25db
28% Popularity • 72% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
28% Popularity • 72% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
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Wolfgang Vrecun
Feeling Good
110 bpm • G Maj • 02:32 • -20.16db
16% Popularity • 55% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
16% Popularity • 55% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Ricardo Octavio
Studio 2
110 bpm • A min • 02:33 • -27.08db
17% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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The Bare Bones
Before Times
110 bpm • G Maj • 02:35 • -14.49db
31% Popularity • 70% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
31% Popularity • 70% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Between the Dots
Swiss Sensation
106 bpm • F# min • 02:22 • -18.54db
28% Popularity • 47% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
28% Popularity • 47% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Pacific Strings
Wandering
110 bpm • D# Maj • 02:06 • -11.98db
38% Popularity • 85% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
38% Popularity • 85% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Tommy Berre
Quiet Life
110 bpm • A Maj • 02:32 • -13db
24% Popularity • 78% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
24% Popularity • 78% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Ewan O'Connoll
Peaceful Workshop
110 bpm • F Maj • 02:06 • -19.45db
39% Popularity • 59% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 32% Positiveness
39% Popularity • 59% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 32% Positiveness
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Marco Pisani
Particular Sunrise
110 bpm • C Maj • 02:45 • -16.91db
19% Popularity • 67% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 28% Positiveness
19% Popularity • 67% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 28% Positiveness
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The Bare Bones
The Waves Within Us
110 bpm • G Maj • 02:19 • -16db
33% Popularity • 72% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
33% Popularity • 72% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Between the Dots
Tu Alma
106 bpm • A Maj • 01:21 • -14.49db
26% Popularity • 60% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 60% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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R.J. Smith
Romeo
110 bpm • E Maj • 03:15 • -19.31db
36% Popularity • 65% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
36% Popularity • 65% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Alan Shoesmith
Trail to Somewhere
106 bpm • G Maj • 02:37 • -14.15db
35% Popularity • 76% Danceability • 11% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
35% Popularity • 76% Danceability • 11% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
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Muniesa
La Fuente
106 bpm • G Maj • 02:42 • -20.4db
28% Popularity • 55% Danceability • 18% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 55% Danceability • 18% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
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William Bilford
Dreamy Hill
106 bpm • E Maj • 01:55 • -17.46db
16% Popularity • 64% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
16% Popularity • 64% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Joseph Sullinger
Solitude
110 bpm • A Maj • 02:47 • -18.72db
35% Popularity • 47% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
35% Popularity • 47% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Randal L Meek
Londonderry Air (Danny Boy)
110 bpm • A Maj • 01:32 • -16.25db
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Mell Levy
Figments Of My Story
105 bpm • G# Maj • 02:30 • -18.24db
40% Popularity • 58% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
40% Popularity • 58% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Ricardo Octavio
Studio 3
111 bpm • A min • 02:38 • -22.75db
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
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Chris Embers
Epilogue
111 bpm • E min • 03:10 • -18db
32% Popularity • 39% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
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A.B. Chediski
Bells
105 bpm • C# min • 02:06 • -15.05db
27% Popularity • 67% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 20% Positiveness
27% Popularity • 67% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 20% Positiveness
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Charlie Laffer
Nautilus Chorus
105 bpm • E Maj • 03:30 • -23.97db
24% Popularity • 66% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
24% Popularity • 66% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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Randal L Meek
Maui No Ka Oi (Guitar Version)
111 bpm • A# Maj • 03:20 • -15.02db
15% Popularity • 48% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 48% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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The Cabin Tapes
The Journey With You
105 bpm • E Maj • 02:22 • -11.16db
30% Popularity • 89% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
30% Popularity • 89% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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William Bilford
The Lone Wolf's Meadow
111 bpm • C Maj • 02:07 • -19.51db
15% Popularity • 78% Danceability • 5% Energy • 12% Liveness
64% Instrumentalness • 46% Positiveness
15% Popularity • 78% Danceability • 5% Energy • 12% Liveness
64% Instrumentalness • 46% Positiveness
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Ryohei Shimoyama
Danny Boy
111 bpm • C# Maj • 03:20 • -13.87db
29% Popularity • 53% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
29% Popularity • 53% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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Paolo Sereno
Serenata Genovese
105 bpm • D Maj • 03:29 • -20.12db
18% Popularity • 45% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
18% Popularity • 45% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
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Roberto Dalla Vecchia
Grateful
105 bpm • A# Maj • 04:13 • -15.25db
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Randal L Meek
Liliko'i
105 bpm • B Maj • 02:10 • -17.64db
27% Popularity • 45% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
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Auguste Henrique
Lullaby Of The Birds
112 bpm • A Maj • 02:00 • -19.38db
8% Popularity • 77% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
8% Popularity • 77% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
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Scott Reece
Light In The Dark
104 bpm • G min • 02:09 • -14.81db
15% Popularity • 68% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
15% Popularity • 68% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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Collin Hill
Miles Down the Road
104 bpm • G Maj • 03:22 • -11.94db
20% Popularity • 35% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
20% Popularity • 35% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Realizer
Deeper
112 bpm • C# min • 01:36 • -17db
2% Popularity • 54% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
2% Popularity • 54% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Alan Shoesmith
Searching In Solitude
112 bpm • A Maj • 01:52 • -21.8db
38% Popularity • 56% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
38% Popularity • 56% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Randal L Meek
Liliko'i
111 bpm • C Maj • 02:45 • -17.08db
25% Popularity • 47% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 59% Positiveness
25% Popularity • 47% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 59% Positiveness
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Mike Hense
As Long As You Are By My Side
112 bpm • C Maj • 02:22 • -11.22db
28% Popularity • 59% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 62% Positiveness
28% Popularity • 59% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 62% Positiveness
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Mike Howe
Gone
112 bpm • A# min • 03:21 • -16.31db
33% Popularity • 46% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 33% Positiveness
33% Popularity • 46% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 33% Positiveness
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Ken Bonfield
Wiseman's View
104 bpm • D Maj • 02:59 • -19.05db
30% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
30% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
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Auguste Henrique
Fortevik
112 bpm • D Maj • 02:24 • -15.92db
24% Popularity • 86% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
24% Popularity • 86% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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LIBSTOK
En La Noche
112 bpm • G Maj • 02:08 • -13.84db
21% Popularity • 75% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 63% Positiveness
21% Popularity • 75% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 63% Positiveness
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Collin Hill
Autumn Afternoon
104 bpm • D Maj • 02:49 • -13.4db
29% Popularity • 43% Danceability • 29% Energy • 11% Liveness
52% Instrumentalness • 25% Positiveness
29% Popularity • 43% Danceability • 29% Energy • 11% Liveness
52% Instrumentalness • 25% Positiveness
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Adrianne Mercier
Memoires
104 bpm • D# Maj • 02:51 • -17.9db
14% Popularity • 67% Danceability • 29% Energy • 13% Liveness
42% Instrumentalness • 13% Positiveness
14% Popularity • 67% Danceability • 29% Energy • 13% Liveness
42% Instrumentalness • 13% Positiveness
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Whalebone
Mellow
104 bpm • G Maj • 02:23 • -18.38db
38% Popularity • 59% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
38% Popularity • 59% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Alan Shoesmith
We'll Rest Here
112 bpm • A Maj • 02:37 • -20.42db
20% Popularity • 61% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
20% Popularity • 61% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Realizer
Azalea
112 bpm • G Maj • 02:26 • -16.26db
22% Popularity • 40% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
22% Popularity • 40% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
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Juan MartÃnez Pérez
Antropy
103 bpm • C# min • 02:20 • -14.48db
33% Popularity • 64% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
33% Popularity • 64% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Dylan Ryche
Life
113 bpm • D Maj • 02:07 • -17db
16% Popularity • 60% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
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Jürgen Saalmann
Fade Away
113 bpm • G Maj • 04:02 • -21.2db
18% Popularity • 55% Danceability • 1% Energy • 7% Liveness
76% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 1% Energy • 7% Liveness
76% Instrumentalness • 54% Positiveness
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Ryohei Shimoyama
Raglan Road
103 bpm • D Maj • 03:02 • -13.3db
28% Popularity • 47% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 21% Positiveness
28% Popularity • 47% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 21% Positiveness
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Alan Shoesmith
Luminous Sunrise
104 bpm • A Maj • 02:06 • -23.14db
39% Popularity • 63% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
39% Popularity • 63% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Realizer
New Leaves
113 bpm • A Maj • 01:59 • -15.56db
17% Popularity • 60% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 60% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Isabella Mariscal
Transcendent
103 bpm • E Maj • 02:24 • -17.6db
4% Popularity • 35% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
4% Popularity • 35% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Emilio Bonito
Tenderly
113 bpm • G# min • 03:14 • -11.85db
32% Popularity • 48% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
32% Popularity • 48% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Tommy Berre
Rest
114 bpm • D Maj • 02:35 • -15db
24% Popularity • 82% Danceability • 14% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
24% Popularity • 82% Danceability • 14% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
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Fredrik Johansson
Would I Bother
114 bpm • E Maj • 02:40 • -14.4db
36% Popularity • 69% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 69% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Paul Turner
Starlight
114 bpm • E min • 01:14 • -19.86db
36% Popularity • 59% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
36% Popularity • 59% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
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Realizer
Waver
114 bpm • F Maj • 02:39 • -16.53db
11% Popularity • 40% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
11% Popularity • 40% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Michael Reiss
Siena Dreamin'
114 bpm • G Maj • 04:09 • -24.05db
10% Popularity • 64% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
10% Popularity • 64% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Kim Aspen
Forever And A Day
102 bpm • D# Maj • 03:01 • -12.23db
22% Popularity • 43% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
22% Popularity • 43% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
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Alan Shoesmith
Far Down Stream
102 bpm • A min • 02:44 • -19.75db
41% Popularity • 73% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
41% Popularity • 73% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
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Matt Emilien Parker
A Moment To Arise
102 bpm • B Maj • 02:30 • -10.09db
13% Popularity • 72% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
13% Popularity • 72% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Larry Pattis
Homeland Suite
114 bpm • D Maj • 04:44 • -17db
22% Popularity • 42% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
22% Popularity • 42% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Realizer
Courier
114 bpm • D# Maj • 01:24 • -16.18db
6% Popularity • 73% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
6% Popularity • 73% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Maneli Jamal
Long for Winter
115 bpm • A Maj • 02:24 • -15db
17% Popularity • 70% Danceability • 17% Energy • 12% Liveness
75% Instrumentalness • 34% Positiveness
17% Popularity • 70% Danceability • 17% Energy • 12% Liveness
75% Instrumentalness • 34% Positiveness
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Pierluigi Colangelo
Larsen Tema - Guitar Solo
115 bpm • D Maj • 01:24 • -15db
22% Popularity • 89% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
22% Popularity • 89% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Tommy Berre
Momentary
115 bpm • D Maj • 02:02 • -11.42db
17% Popularity • 62% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
17% Popularity • 62% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Jürgen Saalmann
Wiegenlied
115 bpm • G Maj • 02:22 • -22db
29% Popularity • 55% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 55% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Michael Reiss
Winter Dreamin'
115 bpm • G min • 03:39 • -22.94db
55% Popularity • 54% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
55% Popularity • 54% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Realizer
Spring Again
114 bpm • G Maj • 02:22 • -14.6db
21% Popularity • 53% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
21% Popularity • 53% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Emilio Bonito
You’re Not Alone
115 bpm • D Maj • 02:22 • -12db
37% Popularity • 42% Danceability • 36% Energy • 16% Liveness
49% Instrumentalness • 44% Positiveness
37% Popularity • 42% Danceability • 36% Energy • 16% Liveness
49% Instrumentalness • 44% Positiveness
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Barracuda Sound
Quiet Desperation
115 bpm • A min • 02:16 • -19.48db
27% Popularity • 60% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
27% Popularity • 60% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Ken Smith
Valletta
115 bpm • A min • 03:55 • -17db
16% Popularity • 45% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 30% Positiveness
16% Popularity • 45% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 30% Positiveness
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Antonio Garcia Isaac
El Emigrante
101 bpm • D min • 02:38 • -12.16db
21% Popularity • 68% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
21% Popularity • 68% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Allan Soderbergh
Above the Water
116 bpm • E Maj • 02:15 • -18.11db
15% Popularity • 78% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
15% Popularity • 78% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Realizer
Kingfisher
115 bpm • E Maj • 02:38 • -15.42db
17% Popularity • 72% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 72% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Emilio Bonito
Lobster
101 bpm • D Maj • 04:23 • -9.45db
22% Popularity • 53% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
22% Popularity • 53% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Lennie Rhoads
Back And Forth
116 bpm • G Maj • 02:17 • -19.46db
32% Popularity • 61% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
32% Popularity • 61% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Nathaniel Graham
Somewhere Else
116 bpm • D Maj • 02:09 • -13.61db
5% Popularity • 70% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
5% Popularity • 70% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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Anthony Visby
Again & Again
116 bpm • A Maj • 01:49 • -18db
12% Popularity • 55% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 55% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Hugh Blake
The World Evolves With You
116 bpm • G Maj • 02:44 • -20.13db
26% Popularity • 87% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
26% Popularity • 87% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Tom Ellenhag
Make It Work
116 bpm • D Maj • 03:04 • -12.52db
14% Popularity • 77% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
14% Popularity • 77% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
