Songs like Born to Win by Five For Fighting
Based on a tempo of (+/- 10%) and a similar genre
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Scars On 45
Only a Game
142 bpm • F# Maj • 03:23 • -5.28db
9% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Taylor Berrett
Hypnotize Me
142 bpm • C Maj • 03:30 • -4.13db
31% Popularity • 65% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 65% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Five For Fighting
Born to Win
142 bpm • D Maj • 04:13 • -6db
36% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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The Icarus Account
I Love You Always
142 bpm • F# Maj • 03:32 • -8db
21% Popularity • 58% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 58% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Volunteer
Forever I Am Yours
142 bpm • B Maj • 03:43 • -7.27db
31% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 51% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Thriving Ivory
Hey Lady
143 bpm • C# Maj • 03:48 • -4db
34% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Distant Cousins
Something in the Air
144 bpm • E Maj • 02:25 • -3.67db
13% Popularity • 47% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 47% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Korbee
Hey Child
140 bpm • A Maj • 04:01 • -3.89db
30% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Five For Fighting
Two Lights
141 bpm • A Maj • 04:44 • -5.08db
23% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Alternate Routes
One Dance Left
140 bpm • C Maj • 03:32 • -7.32db
17% Popularity • 62% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 62% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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The Rocketboys
Loud and Clear
140 bpm • A Maj • 03:33 • -5.85db
18% Popularity • 45% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 45% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Alistair Griffin
The One
144 bpm • A Maj • 03:24 • -5.7db
19% Popularity • 44% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 44% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Alpha Rev
Sing Loud
140 bpm • G Maj • 04:38 • -8.62db
25% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Distant Cousins
Are You Ready (On Your Own)
140 bpm • C Maj • 03:27 • -5.62db
35% Popularity • 41% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 41% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Five For Fighting
Story Of Your Life
140 bpm • F Maj • 03:29 • -4.9db
37% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Edwin McCain
I'll Be - Acoustic Version
144 bpm • B Maj • 04:37 • -7.88db
50% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thriving Ivory
Where We Belong
140 bpm • B Maj • 03:46 • -4db
36% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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American Young
Love Is War - Radio Mix
140 bpm • A# Maj • 03:04 • -7.71db
23% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sinclair
This Too Shall Pass
140 bpm • E Maj • 03:49 • -9db
25% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Moralez
Love Will Be Enough For Us
145 bpm • C Maj • 04:02 • -8.67db
14% Popularity • 40% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
14% Popularity • 40% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Five For Fighting
She's My Girl
144 bpm • G# Maj • 03:26 • -6db
33% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Scars On 45
Crazy for You
145 bpm • D# Maj • 04:11 • -5.94db
22% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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WILD
Here We Go
145 bpm • C Maj • 03:10 • -6.59db
58% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Owl City
Be Brave
139 bpm • A# Maj • 05:15 • -8.06db
32% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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A Great Big World
Won't Stop Running
146 bpm • A# Maj • 03:46 • -6.97db
29% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin DeGraw
Harder To Believe
146 bpm • A# Maj • 04:04 • -4.95db
25% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Five For Fighting
The Beautiful
145 bpm • D# Maj • 05:49 • -9.69db
17% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Seabird
Golden Skies
146 bpm • C# Maj • 04:12 • -4.6db
23% Popularity • 43% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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WILD
Hold Us Together
145 bpm • C Maj • 03:41 • -5.28db
41% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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MAGIC GIANT
The Dawn - Demo
138 bpm • B Maj • 03:34 • -10db
13% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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A Great Big World
The Future's Right In Front of Me
138 bpm • B Maj • 03:27 • -6.97db
19% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Script
The Energy Never Dies
138 bpm • G Maj • 04:15 • -5.22db
42% Popularity • 55% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 55% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Five For Fighting
The Day I Died
146 bpm • B Maj • 04:16 • -12.42db
16% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Alma Mater
Right Where We Belong
148 bpm • F Maj • 04:04 • -5.57db
12% Popularity • 45% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 45% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Edwin McCain
Shooting Stars
148 bpm • C Maj • 03:37 • -6.26db
38% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Shannon Noll
Won't Let You Go
148 bpm • E Maj • 03:48 • -3.26db
17% Popularity • 41% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 41% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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A Great Big World
Rockstar
138 bpm • G# Maj • 03:56 • -7.77db
31% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Cathy Heller
We Will March On
148 bpm • B Maj • 02:53 • -4.43db
11% Popularity • 49% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 49% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Five For Fighting
Can One Man Save the World?
146 bpm • C Maj • 03:52 • -7.29db
20% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Scott
My Hurricane
136 bpm • C Maj • 04:12 • -6.29db
17% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Graham Colton
Always in Love
136 bpm • B min • 04:03 • -3.87db
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Icarus Account
Settled
135 bpm • A Maj • 04:09 • -8.47db
15% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kyler England
Battle Cry
136 bpm • C# Maj • 03:57 • -7.54db
20% Popularity • 58% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 58% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Owl City
The 5th of July
149 bpm • F# Maj • 04:11 • -8.94db
32% Popularity • 64% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
32% Popularity • 64% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
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Five For Fighting
What If (Live)
147 bpm • C Maj • 03:25 • -6.26db
10% Popularity • 36% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 36% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 40% Positiveness
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Volunteer
The World Will Begin Again
149 bpm • C Maj • 03:48 • -5.68db
15% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Truslow
Lover
135 bpm • C Maj • 03:56 • -5.07db
30% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Wrabel
It's You
135 bpm • D Maj • 03:20 • -4db
30% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Cassio Monroe
Under The Lights
135 bpm • C Maj • 03:13 • -5db
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Five For Fighting
Disneyland
148 bpm • F Maj • 03:51 • -7db
17% Popularity • 57% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 57% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Clark Richard
Red Robin
149 bpm • A# Maj • 03:57 • -10.31db
20% Popularity • 36% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 36% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Graham Colton
You Find a Way
135 bpm • B min • 04:09 • -3.33db
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Gabe Dixon
The One Thing
135 bpm • B min • 04:52 • -9db
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Gavin DeGraw
Kite Like Girl
135 bpm • E Maj • 03:20 • -4.64db
26% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Echosmith
Dear World
150 bpm • C Maj • 02:59 • -7db
24% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Five For Fighting
Rebel
148 bpm • C Maj • 03:09 • -6.57db
15% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Scars On 45
Tasted Every Tear
150 bpm • B Maj • 04:09 • -5.26db
8% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Grizfolk
Bounty On My Head
150 bpm • D# Maj • 03:36 • -3.96db
37% Popularity • 50% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 50% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Hilton
Indian Summer
150 bpm • G Maj • 03:47 • -8db
20% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Alma Mater
Feel the Love
150 bpm • G# Maj • 03:15 • -8.25db
11% Popularity • 32% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 32% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Edwin McCain
I Want It All
150 bpm • C Maj • 04:07 • -4.32db
25% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Five For Fighting
Your Man
136 bpm • G# Maj • 03:28 • -6db
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Teddy Geiger
Ordinary Man
134 bpm • D Maj • 04:21 • -8.21db
10% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kyle Reynolds
Hold You Tighter
134 bpm • E Maj • 03:41 • -8db
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Christian Burghardt
Safe Place to Land
134 bpm • A# Maj • 03:56 • -4.23db
24% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Plain White T's
The Giving Tree
151 bpm • G# Maj • 03:06 • -10.81db
51% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 57% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Five For Fighting
What If
150 bpm • C Maj • 03:27 • -5.35db
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Vertical Horizon
Broken over You
134 bpm • D# Maj • 04:51 • -5.55db
31% Popularity • 52% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
31% Popularity • 52% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Oh Honey
Sugar, You
133 bpm • A Maj • 03:32 • -7db
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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The Icarus Account
Cherry Street
133 bpm • C# Maj • 02:58 • -7db
38% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Reeves
More in Love With You
152 bpm • C# Maj • 04:41 • -12.62db
24% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Light The Heat
Falling for You
152 bpm • B Maj • 03:26 • -10.73db
28% Popularity • 45% Danceability • 72% Energy • 20% Liveness
11% Instrumentalness • 30% Positiveness
28% Popularity • 45% Danceability • 72% Energy • 20% Liveness
11% Instrumentalness • 30% Positiveness
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Five For Fighting
Maybe I
152 bpm • C Maj • 04:29 • -6.84db
23% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Edwin McCain
Letter to My Mother
152 bpm • D Maj • 03:29 • -5.9db
25% Popularity • 51% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 51% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Burghardt
Whiskey and Wine
132 bpm • D Maj • 03:14 • -7db
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Rachel Platten
1,000 Ships
132 bpm • C Maj • 03:23 • -5db
43% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Harbor & Home
Follow Your Heart
132 bpm • B Maj • 03:58 • -6.23db
8% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bronze Radio Return
Build a Stage
131 bpm • E Maj • 04:15 • -5.95db
28% Popularity • 59% Danceability • 74% Energy • 26% Liveness
2% Instrumentalness • 5% Positiveness
28% Popularity • 59% Danceability • 74% Energy • 26% Liveness
2% Instrumentalness • 5% Positiveness
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Five For Fighting
The Riddle (Live)
131 bpm • A# Maj • 03:45 • -6.87db
15% Popularity • 45% Danceability • 53% Energy • 86% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 45% Danceability • 53% Energy • 86% Liveness
0% Instrumentalness • 33% Positiveness
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O.A.R.
Two Hands Up
153 bpm • B Maj • 03:09 • -3.54db
36% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Brennan
I Don't Want to Know
155 bpm • C# Maj • 03:08 • -7.48db
9% Popularity • 44% Danceability • 66% Energy • 9% Liveness
5% Instrumentalness • 80% Positiveness
9% Popularity • 44% Danceability • 66% Energy • 9% Liveness
5% Instrumentalness • 80% Positiveness
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Zerbin
New Earth
130 bpm • G# Maj • 03:26 • -5.57db
19% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Harbor & Home
Won't Let Go
130 bpm • E Maj • 04:16 • -9.16db
28% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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The Script
Hail Rain or Sunshine
130 bpm • A Maj • 03:27 • -7db
45% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Five For Fighting
Freedom Never Cries
131 bpm • C Maj • 04:21 • -7.63db
22% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Riley Whisler
Running Out of Places to Go
130 bpm • A Maj • 04:25 • -9.29db
28% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 71% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Newton Faulkner
Gone In The Morning - Single Version
130 bpm • C# Maj • 02:32 • -4.7db
17% Popularity • 66% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 66% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Nick Fradiani
I'll Wait for You
130 bpm • C# Maj • 03:52 • -5.09db
13% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Keywest
Soldier on (Alternate Version)
130 bpm • G# Maj • 03:43 • -4.97db
17% Popularity • 52% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 52% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Volunteer
Good Good Day
156 bpm • G Maj • 03:41 • -11db
29% Popularity • 44% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 44% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Five For Fighting
The Devil in the Wishing Well
131 bpm • F# min • 03:31 • -7.52db
23% Popularity • 48% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 48% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Clark Beckham
Champion
156 bpm • D Maj • 03:40 • -6db
10% Popularity • 45% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 45% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Graham Colton
Love Comes Back Around
156 bpm • F# Maj • 02:59 • -11.23db
29% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Michael McEachern
Easier As Us
156 bpm • F# Maj • 03:09 • -4db
16% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Greg Holden
Hold on Tight
129 bpm • G# Maj • 03:11 • -8db
33% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Volunteer
The World Is Ours
129 bpm • C# Maj • 04:05 • -4.56db
25% Popularity • 51% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 51% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
