Songs like Bossa Nova Ova by Thad Jones
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Parker Quartet
Hot Blues
110 bpm • C Maj • 02:22 • -12db
42% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
42% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
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Sonny Criss
How High The Moon
110 bpm • C Maj • 03:06 • -6.56db
35% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
35% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
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Theresa Brewer
St. Louis Blues
110 bpm • G Maj • 03:27 • -10.04db
1% Popularity • 61% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 61% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Thad Jones
Bossa Nova Ova
110 bpm • F min • 03:19 • -16.33db
38% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
38% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
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Donald Byrd
Hello Bright Sunflower - Rudy Van Gelder...
109 bpm • G# Maj • 07:33 • -8.12db
43% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Konitz
Round Midnight
111 bpm • A# min • 05:19 • -21.43db
25% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
25% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
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Red Garland Trio
Stormy Weather
111 bpm • D min • 10:35 • -19db
48% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
48% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Dizzy Reece
I Had The Craziest Dream
109 bpm • A# Maj • 03:05 • -10.94db
36% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
36% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
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Ray Bryant Trio
Erewhon
109 bpm • C Maj • 03:04 • -23.06db
34% Popularity • 66% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 70% Positiveness
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Thad Jones
Wives And Lovers
111 bpm • F min • 04:53 • -17.7db
9% Popularity • 41% Danceability • 37% Energy • 14% Liveness
12% Instrumentalness • 61% Positiveness
9% Popularity • 41% Danceability • 37% Energy • 14% Liveness
12% Instrumentalness • 61% Positiveness
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Tommy Flanagan Trio
Chelsea Bridge
111 bpm • F# Maj • 03:46 • -14.43db
41% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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The Art Farmer Quartet
Embraceable You
111 bpm • C Maj • 07:02 • -23.02db
32% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
32% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Art Tatum
I Cover The Waterfront
109 bpm • G Maj • 02:32 • -22.61db
35% Popularity • 50% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
35% Popularity • 50% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Stan Getz Quartet
Blood Count
109 bpm • D Maj • 03:35 • -13.44db
14% Popularity • 37% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
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Elmo Hope
It's A Lovely Day Today
109 bpm • C Maj • 02:47 • -13db
35% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
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Barry Harris Trio
Bluesy
108 bpm • G min • 04:31 • -13db
26% Popularity • 56% Danceability • 26% Energy • 7% Liveness
88% Instrumentalness • 46% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 7% Liveness
88% Instrumentalness • 46% Positiveness
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Buddy Rich and His Sextet
Br Blues
108 bpm • C# Maj • 03:14 • -10.65db
22% Popularity • 46% Danceability • 63% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
22% Popularity • 46% Danceability • 63% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
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Theresa Brewer
I Ain't Got Nobody
112 bpm • D# Maj • 03:12 • -10.41db
2% Popularity • 59% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 59% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
35% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
35% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Sam "The Man" Taylor
Body and Soul
112 bpm • C# Maj • 03:54 • -18.39db
0% Popularity • 49% Danceability • 17% Energy • 21% Liveness
92% Instrumentalness • 49% Positiveness
0% Popularity • 49% Danceability • 17% Energy • 21% Liveness
92% Instrumentalness • 49% Positiveness
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Thad Jones
Bird Song
112 bpm • B Maj • 08:04 • -9.92db
2% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Art Blakey
Caravan
112 bpm • A# min • 09:47 • -16db
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
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Junko Mine
Here's That Rainy Day
108 bpm • C Maj • 03:25 • -21.53db
4% Popularity • 42% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 42% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Wes Montgomery Trio
Freddie Freeloader
113 bpm • F min • 05:14 • -24.55db
33% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
33% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
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The Marsalis Family
Swinging At The Haven
107 bpm • G# Maj • 06:56 • -13.27db
8% Popularity • 60% Danceability • 46% Energy • 71% Liveness
49% Instrumentalness • 68% Positiveness
8% Popularity • 60% Danceability • 46% Energy • 71% Liveness
49% Instrumentalness • 68% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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Thad Jones
I Can't Get Started
112 bpm • C Maj • 06:06 • -16.87db
0% Popularity • 52% Danceability • 13% Energy • 8% Liveness
13% Instrumentalness • 19% Positiveness
0% Popularity • 52% Danceability • 13% Energy • 8% Liveness
13% Instrumentalness • 19% Positiveness
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Joshua Redman
Body & Soul
113 bpm • A# min • 04:50 • -18.63db
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
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Barry Harris Trio
Ornithology
113 bpm • D Maj • 03:31 • -12db
31% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
31% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
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Wes Montgomery Trio
Too Late Now
113 bpm • C Maj • 04:51 • -25.37db
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
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Thad Jones
Body and Soul - Live in Berlin 1978
108 bpm • C# Maj • 07:44 • -18.97db
1% Popularity • 50% Danceability • 18% Energy • 97% Liveness
72% Instrumentalness • 24% Positiveness
1% Popularity • 50% Danceability • 18% Energy • 97% Liveness
72% Instrumentalness • 24% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Jackie McLean
Blues Function
107 bpm • D# Maj • 07:18 • -13.92db
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Drew
Lion's Den - Rudy Van Gelder Edition/200...
107 bpm • F Maj • 04:53 • -7.8db
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Buddy Rich and His Sextet
Late Date
106 bpm • C# Maj • 05:12 • -16.48db
27% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
27% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Junko Mine
The Man I Love
106 bpm • F min • 04:45 • -18.93db
1% Popularity • 49% Danceability • 9% Energy • 15% Liveness
2% Instrumentalness • 12% Positiveness
1% Popularity • 49% Danceability • 9% Energy • 15% Liveness
2% Instrumentalness • 12% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Ray Bryant Trio
Django
114 bpm • F min • 05:02 • -20db
29% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
29% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Tony Williams
Geo Rose
114 bpm • C Maj • 07:26 • -12.51db
29% Popularity • 65% Danceability • 68% Energy • 16% Liveness
25% Instrumentalness • 75% Positiveness
29% Popularity • 65% Danceability • 68% Energy • 16% Liveness
25% Instrumentalness • 75% Positiveness
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Paul Bley
There Will Never Be Another You
106 bpm • F Maj • 05:48 • -10.95db
15% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 19% Liveness
48% Instrumentalness • 84% Positiveness
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Wynton Kelly
On Green Dolphin Street
106 bpm • C min • 04:44 • -17db
39% Popularity • 59% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
39% Popularity • 59% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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Kenny Barron
Voyage
106 bpm • F min • 05:03 • -16.47db
15% Popularity • 52% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 71% Positiveness
15% Popularity • 52% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 71% Positiveness
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Thad Jones
It Only Happens Every Time - Remixed & R...
112 bpm • C min • 03:04 • -10.76db
26% Popularity • 44% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
26% Popularity • 44% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
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Wes Montgomery Trio
Whisper Not
114 bpm • G min • 04:36 • -26db
36% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Sam "The Man" Taylor
Lester Leaps in
115 bpm • F Maj • 04:12 • -14.17db
0% Popularity • 59% Danceability • 48% Energy • 90% Liveness
89% Instrumentalness • 80% Positiveness
0% Popularity • 59% Danceability • 48% Energy • 90% Liveness
89% Instrumentalness • 80% Positiveness
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Hank Mobley
I Should Care
106 bpm • F min • 07:42 • -12.89db
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
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Wynton Kelly
Someday My Prince Will Come - Take 5
114 bpm • A# Maj • 03:03 • -17.19db
39% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gerry Mulligan Quartet
Bernie's Tune
106 bpm • C min • 02:54 • -9.94db
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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Thad Jones
Us - Remixed & Remastered 1994
107 bpm • D# Maj • 03:34 • -9db
31% Popularity • 59% Danceability • 53% Energy • 28% Liveness
74% Instrumentalness • 38% Positiveness
31% Popularity • 59% Danceability • 53% Energy • 28% Liveness
74% Instrumentalness • 38% Positiveness
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Woody Shaw
There Will Never Be Another You
106 bpm • C min • 06:59 • -14.48db
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
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Horace Silver
Lonely Woman - Remastered 1999/Rudy Van ...
105 bpm • F# Maj • 07:02 • -16db
42% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
42% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Hank Mobley
Don't Cry, Just Sigh
115 bpm • F min • 06:54 • -12.41db
29% Popularity • 67% Danceability • 37% Energy • 13% Liveness
10% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 37% Energy • 13% Liveness
10% Instrumentalness • 56% Positiveness
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Curtis Fuller
Oscalypso - Rudy Van Gelder Edition
106 bpm • D min • 05:40 • -9.14db
13% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Rahsaan Roland Kirk
Alfie
105 bpm • C Maj • 02:52 • -19.86db
51% Popularity • 45% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 33% Positiveness
51% Popularity • 45% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 33% Positiveness
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Thad Jones
This Bass was Made For Walking
113 bpm • G min • 04:39 • -16.68db
2% Popularity • 56% Danceability • 21% Energy • 7% Liveness
8% Instrumentalness • 20% Positiveness
2% Popularity • 56% Danceability • 21% Energy • 7% Liveness
8% Instrumentalness • 20% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Phineas Newborn Jr.
Oleo
105 bpm • G# Maj • 03:03 • -18.24db
32% Popularity • 47% Danceability • 37% Energy • 24% Liveness
28% Instrumentalness • 87% Positiveness
32% Popularity • 47% Danceability • 37% Energy • 24% Liveness
28% Instrumentalness • 87% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Wes Montgomery Trio
The End Of A Love Affair
115 bpm • C# Maj • 03:13 • -18db
45% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
45% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Stan Getz Quartet
There Will Never Be Another You
115 bpm • C min • 09:20 • -13.83db
25% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Thad Jones
The Second Race - Live in Berlin 1978
114 bpm • F Maj • 10:32 • -12.65db
0% Popularity • 45% Danceability • 59% Energy • 98% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 45% Danceability • 59% Energy • 98% Liveness
0% Instrumentalness • 59% Positiveness
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Tommy Flanagan Trio
Born To Be Blue
115 bpm • D min • 04:21 • -22db
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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The Art Farmer Quartet
Tonk
105 bpm • C Maj • 04:34 • -23.03db
33% Popularity • 72% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
33% Popularity • 72% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
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The Montgomery Brothers
Groove Yard
115 bpm • A# min • 03:01 • -19.07db
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
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Coleman Hawkins Quintet
After Midnight
115 bpm • A# min • 04:49 • -20.97db
0% Popularity • 55% Danceability • 12% Energy • 25% Liveness
84% Instrumentalness • 44% Positiveness
0% Popularity • 55% Danceability • 12% Energy • 25% Liveness
84% Instrumentalness • 44% Positiveness
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Johnny "Hammond" Smith
Theme From Cleopatra
116 bpm • C min • 02:33 • -15.85db
10% Popularity • 47% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
10% Popularity • 47% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Thad Jones
Let's Play One - Remastered 1997
106 bpm • D# Maj • 08:09 • -12.02db
5% Popularity • 64% Danceability • 23% Energy • 13% Liveness
49% Instrumentalness • 48% Positiveness
5% Popularity • 64% Danceability • 23% Energy • 13% Liveness
49% Instrumentalness • 48% Positiveness
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Mingus Big Band
Mingus Fingers
105 bpm • G# Maj • 07:52 • -13.63db
16% Popularity • 51% Danceability • 56% Energy • 38% Liveness
27% Instrumentalness • 65% Positiveness
16% Popularity • 51% Danceability • 56% Energy • 38% Liveness
27% Instrumentalness • 65% Positiveness
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John Coltrane Quartet
Softly As In A Morning Sunrise - Live At...
105 bpm • C min • 06:37 • -12db
33% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Hank Mobley
Split Feelin's - Remastered 1999/Rudy Va...
116 bpm • G min • 04:55 • -9db
36% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Ray Bryant Trio
Daahoud
105 bpm • G# Maj • 04:01 • -18.15db
30% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
30% Popularity • 55% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
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Bobby Timmons Trio
Samba Triste
116 bpm • G min • 03:19 • -16.82db
44% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
44% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
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Thad Jones
Little Pixie
114 bpm • C# Maj • 10:50 • -16.37db
2% Popularity • 49% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 49% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Cannonball Adderley Quartet
I Guess I'll Hang My Tears Out To Dry
104 bpm • D min • 05:34 • -12.43db
38% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Hank Mobley
Carolyn - Remastered 2000 / Rudy Van Gel...
116 bpm • F min • 05:30 • -13.74db
27% Popularity • 57% Danceability • 12% Energy • 16% Liveness
77% Instrumentalness • 26% Positiveness
27% Popularity • 57% Danceability • 12% Energy • 16% Liveness
77% Instrumentalness • 26% Positiveness
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Lee Konitz
I Remember You
116 bpm • A# min • 04:26 • -14.22db
42% Popularity • 56% Danceability • 30% Energy • 15% Liveness
10% Instrumentalness • 57% Positiveness
42% Popularity • 56% Danceability • 30% Energy • 15% Liveness
10% Instrumentalness • 57% Positiveness
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Oliver Nelson
Blues And The Abstract Truth
116 bpm • G min • 05:12 • -13db
26% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
26% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
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Thad Jones
Willow Tree
114 bpm • F min • 05:36 • -21.77db
1% Popularity • 41% Danceability • 16% Energy • 92% Liveness
24% Instrumentalness • 21% Positiveness
1% Popularity • 41% Danceability • 16% Energy • 92% Liveness
24% Instrumentalness • 21% Positiveness
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Warne Marsh
Lover Man
116 bpm • C Maj • 04:30 • -17.75db
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Wes Montgomery Trio
Geno
116 bpm • D min • 02:55 • -19db
50% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
50% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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John Coltrane Quartet
Nancy (With The Laughing Face)
116 bpm • F Maj • 03:11 • -14db
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
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Pepper Adams Quintet
My One and Only Love
116 bpm • A# min • 03:52 • -17.59db
3% Popularity • 62% Danceability • 7% Energy • 10% Liveness
11% Instrumentalness • 36% Positiveness
3% Popularity • 62% Danceability • 7% Energy • 10% Liveness
11% Instrumentalness • 36% Positiveness
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Jimmy Heath
The Quota
104 bpm • F min • 05:08 • -15db
15% Popularity • 48% Danceability • 29% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
15% Popularity • 48% Danceability • 29% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
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Thad Jones
Elusive
106 bpm • G min • 05:13 • -18.08db
2% Popularity • 61% Danceability • 19% Energy • 23% Liveness
89% Instrumentalness • 65% Positiveness
2% Popularity • 61% Danceability • 19% Energy • 23% Liveness
89% Instrumentalness • 65% Positiveness
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Horace Silver
Opus De Funk - Remastered 1998/Rudy Van ...
104 bpm • A# Maj • 03:29 • -15db
38% Popularity • 50% Danceability • 40% Energy • 16% Liveness
95% Instrumentalness • 76% Positiveness
38% Popularity • 50% Danceability • 40% Energy • 16% Liveness
95% Instrumentalness • 76% Positiveness
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
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Pepper Adams
Serenity
104 bpm • F min • 06:28 • -19db
11% Popularity • 52% Danceability • 21% Energy • 13% Liveness
85% Instrumentalness • 47% Positiveness
11% Popularity • 52% Danceability • 21% Energy • 13% Liveness
85% Instrumentalness • 47% Positiveness
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Curtis Fuller
A Lovely Way To Spend An Evening
117 bpm • F Maj • 06:53 • -16db
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Frank Rosolino
Corcovado
117 bpm • D min • 06:58 • -17.64db
10% Popularity • 51% Danceability • 25% Energy • 33% Liveness
95% Instrumentalness • 64% Positiveness
10% Popularity • 51% Danceability • 25% Energy • 33% Liveness
95% Instrumentalness • 64% Positiveness
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Thad Jones
Billie-Doo - 2007 Digital Remaster/Rudy ...
105 bpm • D# Maj • 07:30 • -10.17db
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Gerry Mulligan Sextet
Makin' Whoopee
103 bpm • G min • 04:04 • -9db
19% Popularity • 56% Danceability • 26% Energy • 14% Liveness
13% Instrumentalness • 42% Positiveness
19% Popularity • 56% Danceability • 26% Energy • 14% Liveness
13% Instrumentalness • 42% Positiveness
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Jimmy Heath
When Sunny Gets Blue
103 bpm • D min • 06:29 • -16db
21% Popularity • 39% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
21% Popularity • 39% Danceability • 16% Energy • 13% Liveness
7% Instrumentalness • 15% Positiveness
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Art Blakey
Pierre Et Béatrice - BOF "Des Femmes Di...
117 bpm • A Maj • 01:03 • -7.5db
38% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Lee Konitz
Two Not One
118 bpm • G# Maj • 05:31 • -10.56db
40% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
