Songs like Bottle Rocket by Jimi Somewhere
Based on a tempo of (+/- 10%) and a similar genre
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Jimi Somewhere
Bottle Rocket
115 bpm • C Maj • 03:25 • -6.52db
53% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Delilah Montagu
Without Words
115 bpm • C# Maj • 03:06 • -10.87db
40% Popularity • 77% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
40% Popularity • 77% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
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HARBOUR
Run Me Over
115 bpm • C Maj • 03:03 • -6.35db
42% Popularity • 68% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 68% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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LAUREL
Wild Things
115 bpm • E Maj • 03:36 • -4.01db
40% Popularity • 73% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 73% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Love Spells
Over and Over
115 bpm • G Maj • 03:14 • -7.52db
43% Popularity • 57% Danceability • 55% Energy • 20% Liveness
86% Instrumentalness • 24% Positiveness
43% Popularity • 57% Danceability • 55% Energy • 20% Liveness
86% Instrumentalness • 24% Positiveness
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Ethan Tasch
No One's Home
115 bpm • F Maj • 02:29 • -7.97db
34% Popularity • 73% Danceability • 56% Energy • 15% Liveness
7% Instrumentalness • 68% Positiveness
34% Popularity • 73% Danceability • 56% Energy • 15% Liveness
7% Instrumentalness • 68% Positiveness
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Cat Janice
Luxury
115 bpm • C Maj • 03:24 • -5.8db
30% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Carneyval
Never Gonna Drink Again
115 bpm • G# min • 02:50 • -6.93db
45% Popularity • 59% Danceability • 59% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 59% Danceability • 59% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Peach Tree Rascals
Rendezvous
115 bpm • A# min • 03:12 • -9.05db
44% Popularity • 54% Danceability • 30% Energy • 8% Liveness
40% Instrumentalness • 27% Positiveness
44% Popularity • 54% Danceability • 30% Energy • 8% Liveness
40% Instrumentalness • 27% Positiveness
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Bad Suns
Living Or Dying
115 bpm • G# Maj • 03:39 • -5.11db
38% Popularity • 55% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 55% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Annika Bennett
Power, Sex, Dreams
116 bpm • D# Maj • 02:55 • -7.02db
41% Popularity • 83% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
41% Popularity • 83% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
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remy
autograph
114 bpm • B Maj • 02:29 • -7.86db
22% Popularity • 65% Danceability • 66% Energy • 32% Liveness
1% Instrumentalness • 49% Positiveness
22% Popularity • 65% Danceability • 66% Energy • 32% Liveness
1% Instrumentalness • 49% Positiveness
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Cat Janice
Luxury
115 bpm • D min • 03:24 • -5.49db
31% Popularity • 82% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 82% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Alfie Jukes
Eyes Wide
114 bpm • D# min • 02:27 • -5.73db
57% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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DWLLRS
This Heaven's Tall
114 bpm • E Maj • 03:34 • -5.24db
44% Popularity • 52% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 52% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Beyoncé
LEVII'S JEANS
116 bpm • C# Maj • 04:17 • -7.48db
85% Popularity • 76% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
85% Popularity • 76% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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LOS LEO
The One
114 bpm • D Maj • 03:03 • -4.79db
10% Popularity • 77% Danceability • 73% Energy • 5% Liveness
3% Instrumentalness • 87% Positiveness
10% Popularity • 77% Danceability • 73% Energy • 5% Liveness
3% Instrumentalness • 87% Positiveness
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Leith
Bubble Bath
114 bpm • E Maj • 02:56 • -5.71db
35% Popularity • 72% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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iamnotshane
What Do You Do for a Living? I Do My Bes...
116 bpm • A Maj • 03:21 • -6.62db
43% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Declan McKenna
Sympathy
114 bpm • F Maj • 03:05 • -6.03db
52% Popularity • 67% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 67% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Addi
I Will Break My Heart
116 bpm • C Maj • 03:43 • -8.86db
29% Popularity • 67% Danceability • 58% Energy • 11% Liveness
19% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 58% Energy • 11% Liveness
19% Instrumentalness • 56% Positiveness
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Ethansroom
It's Like I Know When Imma See U
114 bpm • A Maj • 03:09 • -7.26db
33% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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flor
Same Color as the Sun
114 bpm • G Maj • 03:17 • -6.98db
43% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Henry Patterson
The Joke
114 bpm • A Maj • 03:43 • -5.44db
24% Popularity • 60% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 60% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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RIZ LA VIE
Lace
116 bpm • C# min • 03:16 • -7.13db
43% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Bennett Coast
On My Side
114 bpm • D Maj • 02:10 • -9.98db
41% Popularity • 33% Danceability • 42% Energy • 50% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 33% Danceability • 42% Energy • 50% Liveness
0% Instrumentalness • 27% Positiveness
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Greyson Chance
My Dying Spirit - slenderbodies Reimagin...
113 bpm • C# Maj • 02:30 • -9.92db
34% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Fitz and The Tantrums
Steppin’ On Me
117 bpm • D Maj • 02:48 • -4.93db
36% Popularity • 76% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 76% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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born young.
Lost in the Smoke
117 bpm • A# Maj • 01:15 • -4.69db
36% Popularity • 55% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 55% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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boy pablo
Never Cared
117 bpm • B min • 03:24 • -10.81db
40% Popularity • 61% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 61% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Neon Valley
One Night
117 bpm • F# min • 03:22 • -7.77db
29% Popularity • 82% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 82% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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VICTORS
Nothing Seems To Matter Now
113 bpm • B min • 04:00 • -7.39db
31% Popularity • 70% Danceability • 69% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
31% Popularity • 70% Danceability • 69% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
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Presley Regier
NEVERMIND - Bonus Track
113 bpm • A# min • 02:49 • -7.55db
52% Popularity • 81% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 81% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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The Greeting Committee
popmoneyhits
113 bpm • B Maj • 03:11 • -8.9db
37% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Chaz Cardigan
Are We Gonna Do This
117 bpm • A Maj • 03:25 • -4.38db
30% Popularity • 66% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 66% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Troy Ogletree
champagne season
113 bpm • D Maj • 02:55 • -6.6db
44% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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FRENSHIP
Love Like It's Religion with Drew Sycamo...
113 bpm • F Maj • 03:29 • -7.89db
27% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Hungry Kids of Hungary
The Vacationer
117 bpm • A Maj • 03:39 • -6.36db
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hauskey
Bad Juju (Baby)
118 bpm • A Maj • 03:06 • -7.42db
34% Popularity • 72% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 72% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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The Ivy
Street Dog
118 bpm • A Maj • 03:59 • -3.88db
28% Popularity • 62% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 62% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Goth Babe
Mexico
118 bpm • F# Maj • 02:56 • -6.57db
66% Popularity • 76% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 76% Danceability • 65% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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Flora Rose
The Brown Eyed Driver
112 bpm • C# Maj • 04:39 • -8.71db
44% Popularity • 58% Danceability • 64% Energy • 10% Liveness
49% Instrumentalness • 47% Positiveness
44% Popularity • 58% Danceability • 64% Energy • 10% Liveness
49% Instrumentalness • 47% Positiveness
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Ben Kai
disco girl
118 bpm • G# Maj • 02:37 • -6.72db
28% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Tommy Newport
Sweet Dream
112 bpm • E Maj • 02:40 • -4.61db
46% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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FRENSHIP
Lover or an Enemy
112 bpm • F Maj • 03:19 • -6.88db
26% Popularity • 73% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 73% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Jimi Somewhere
Headlights
112 bpm • C Maj • 03:06 • -7.82db
13% Popularity • 69% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 69% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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BEL
Carry Me to Bed
112 bpm • C# Maj • 03:30 • -6.14db
42% Popularity • 61% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 61% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Jacob Steele
Go Get It
112 bpm • G# Maj • 02:10 • -3db
33% Popularity • 73% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 73% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ray Bull
The New Thing Dies
112 bpm • F# Maj • 03:48 • -6.04db
60% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
60% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Dawes
Want Me
119 bpm • D Maj • 02:43 • -4.26db
62% Popularity • 64% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 64% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Bryce Vine
SATURDAY NIGHT
119 bpm • E Maj • 02:32 • -7.23db
57% Popularity • 74% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 74% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Jimi Somewhere
Tears '06
119 bpm • C# min • 04:38 • -7.81db
9% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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The MarÃas
Run Your Mouth
111 bpm • G Maj • 02:40 • -6.79db
73% Popularity • 78% Danceability • 65% Energy • 21% Liveness
4% Instrumentalness • 93% Positiveness
73% Popularity • 78% Danceability • 65% Energy • 21% Liveness
4% Instrumentalness • 93% Positiveness
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almost monday
sweet feelings
119 bpm • B Maj • 02:35 • -5.87db
41% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Harrison Brome
Close To Me
111 bpm • B min • 02:47 • -7.01db
41% Popularity • 87% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 87% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Mae Mae
Ultramarine
120 bpm • E Maj • 02:22 • -6.63db
32% Popularity • 74% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 74% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Griff
Miss Me Too
120 bpm • A# Maj • 03:02 • -4.48db
71% Popularity • 60% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
71% Popularity • 60% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jimi Somewhere
Blue Skies
111 bpm • D# Maj • 05:04 • -8.93db
18% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ryann
Andrew
120 bpm • E Maj • 03:09 • -8db
35% Popularity • 69% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 69% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Kane
Swimming Pool
120 bpm • G# Maj • 03:09 • -8.27db
36% Popularity • 69% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 69% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Courtney Farren
I'm Not Alone (I'm Lonely)
120 bpm • B Maj • 03:40 • -11.22db
35% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Strike
The Getaway
120 bpm • C# Maj • 04:34 • -5db
50% Popularity • 42% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 42% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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beaux
Edge of St James's
120 bpm • B Maj • 03:27 • -7.53db
36% Popularity • 53% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 53% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
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Jimi Somewhere
Sailor's Theme
120 bpm • G Maj • 04:14 • -11.48db
5% Popularity • 52% Danceability • 63% Energy • 20% Liveness
82% Instrumentalness • 21% Positiveness
5% Popularity • 52% Danceability • 63% Energy • 20% Liveness
82% Instrumentalness • 21% Positiveness
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Pasha
You and I
120 bpm • G Maj • 02:51 • -5.21db
3% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Del Water Gap
Doll House
120 bpm • A Maj • 03:11 • -8.05db
52% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Chan Fuze
Emotional Love
120 bpm • A Maj • 01:57 • -6.09db
35% Popularity • 64% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 64% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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High Tropics
DINNER FOR TWO
120 bpm • G# min • 01:23 • -10.65db
28% Popularity • 90% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 90% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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milk.
I've Got A Friend.
120 bpm • E Maj • 03:39 • -10.51db
31% Popularity • 58% Danceability • 54% Energy • 10% Liveness
26% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 54% Energy • 10% Liveness
26% Instrumentalness • 35% Positiveness
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Jimi Somewhere
Selfish
120 bpm • E Maj • 04:18 • -10.36db
5% Popularity • 44% Danceability • 32% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
5% Popularity • 44% Danceability • 32% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
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The American Indie
it
120 bpm • B Maj • 03:04 • -6.01db
16% Popularity • 69% Danceability • 79% Energy • 25% Liveness
3% Instrumentalness • 55% Positiveness
16% Popularity • 69% Danceability • 79% Energy • 25% Liveness
3% Instrumentalness • 55% Positiveness
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Brent de la Cruz
Soft Words
120 bpm • B Maj • 03:18 • -7.63db
29% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Saro
waste of space
120 bpm • G# Maj • 03:26 • -8.27db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
85% Instrumentalness • 37% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
85% Instrumentalness • 37% Positiveness
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Alex Amor
Take It To The Grave
120 bpm • A# Maj • 02:51 • -6.4db
25% Popularity • 69% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 69% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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milk.
London.
120 bpm • F# Maj • 03:37 • -8.42db
35% Popularity • 65% Danceability • 58% Energy • 32% Liveness
14% Instrumentalness • 58% Positiveness
35% Popularity • 65% Danceability • 58% Energy • 32% Liveness
14% Instrumentalness • 58% Positiveness
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Jimi Somewhere
Backseat
120 bpm • B Maj • 03:03 • -7.38db
12% Popularity • 71% Danceability • 54% Energy • 74% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 71% Danceability • 54% Energy • 74% Liveness
0% Instrumentalness • 41% Positiveness
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Safario
Pressure Love
120 bpm • D Maj • 03:28 • -5.65db
33% Popularity • 70% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 70% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Del Water Gap
Quilt of Steam
120 bpm • F# Maj • 03:31 • -10.6db
43% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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BLOWSOM
HOPE YOU'LL FIND OUT
120 bpm • A Maj • 03:46 • -6.9db
31% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Maddie Regent
Buy her a drink
120 bpm • F min • 03:19 • -9.13db
38% Popularity • 59% Danceability • 70% Energy • 13% Liveness
49% Instrumentalness • 35% Positiveness
38% Popularity • 59% Danceability • 70% Energy • 13% Liveness
49% Instrumentalness • 35% Positiveness
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MORE&MORE
YEAH! WOO! - Radio Edit
120 bpm • B min • 02:12 • -9.26db
42% Popularity • 86% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 86% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Chesle
charlie!
120 bpm • G# min • 02:36 • -8.76db
46% Popularity • 59% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 59% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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Will Swinton
Harmless
120 bpm • F# min • 02:25 • -7.57db
35% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jimi Somewhere
The World
120 bpm • G# Maj • 04:09 • -10.3db
11% Popularity • 48% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 48% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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almost monday
coast to coast
120 bpm • C min • 02:29 • -4.6db
42% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Winona Oak
Inside Out
110 bpm • C Maj • 02:58 • -9db
53% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Atlas Genius
Nobody Loves Like You
110 bpm • B min • 03:20 • -5.02db
39% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Johan Lenox
All My Fault
120 bpm • F Maj • 03:11 • -4.95db
22% Popularity • 33% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 33% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Del Water Gap
Glitter & Honey
110 bpm • A Maj • 03:07 • -7.19db
53% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Jimi Somewhere
Floors
120 bpm • D min • 03:07 • -8.18db
1% Popularity • 20% Danceability • 57% Energy • 9% Liveness
7% Instrumentalness • 9% Positiveness
1% Popularity • 20% Danceability • 57% Energy • 9% Liveness
7% Instrumentalness • 9% Positiveness
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Swim
Start of Something
110 bpm • B min • 03:09 • -5.59db
27% Popularity • 66% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Raffaella
Maps
110 bpm • G Maj • 03:30 • -7.07db
42% Popularity • 59% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
42% Popularity • 59% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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sweetbaby
Ready
110 bpm • C Maj • 02:50 • -5.71db
30% Popularity • 58% Danceability • 82% Energy • 58% Liveness
2% Instrumentalness • 85% Positiveness
30% Popularity • 58% Danceability • 82% Energy • 58% Liveness
2% Instrumentalness • 85% Positiveness
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SKIO
You Don't Ignore - AJ Remix
110 bpm • G# Maj • 03:11 • -5.5db
23% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Delilah Montagu
Coffee
110 bpm • G Maj • 02:43 • -11.55db
32% Popularity • 71% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
32% Popularity • 71% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Jimi Somewhere
Dusk
110 bpm • F# Maj • 03:34 • -6.53db
9% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Selfish Sons
edge of emptiness
110 bpm • F# min • 03:30 • -7.53db
35% Popularity • 62% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 62% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Kai Bosch
Tulips
110 bpm • F# Maj • 03:18 • -9.07db
33% Popularity • 55% Danceability • 58% Energy • 15% Liveness
23% Instrumentalness • 33% Positiveness
33% Popularity • 55% Danceability • 58% Energy • 15% Liveness
23% Instrumentalness • 33% Positiveness
