Songs like Boulder by Evan Crommett
Based on a tempo of (+/- 10%) and a similar genre
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Rhineland
Halifax
146 bpm • D Maj • 02:46 • -12db
32% Popularity • 60% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 32% Positiveness
32% Popularity • 60% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 32% Positiveness
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Evan Crommett
Boulder
146 bpm • D# Maj • 03:33 • -13.42db
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cole Scheifele
Thinking of Me
145 bpm • D Maj • 03:08 • -10db
31% Popularity • 47% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 47% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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brodyn
More
145 bpm • A min • 03:17 • -11.88db
8% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Freight Train Foxes
Oh My Girl
145 bpm • A min • 02:48 • -7db
31% Popularity • 67% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 67% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Jesse Taylor
By The Shore
145 bpm • C# Maj • 03:37 • -9.13db
9% Popularity • 58% Danceability • 51% Energy • 14% Liveness
57% Instrumentalness • 18% Positiveness
9% Popularity • 58% Danceability • 51% Energy • 14% Liveness
57% Instrumentalness • 18% Positiveness
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Christian Sparacio
Suburban Movie Song
145 bpm • B Maj • 03:25 • -11.33db
28% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Prince of Eden
Always
145 bpm • D Maj • 03:10 • -12.33db
16% Popularity • 46% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 58% Positiveness
16% Popularity • 46% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 58% Positiveness
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Cole Scheifele
She's The Pretty One
145 bpm • E Maj • 03:57 • -12.3db
17% Popularity • 37% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 37% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas LaVine
Saltwater Lover
145 bpm • C Maj • 03:14 • -12.16db
23% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Collin Bartley
Track & Field
145 bpm • A Maj • 03:30 • -13.03db
8% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lex Loa
twenty-five
147 bpm • B Maj • 03:48 • -11db
6% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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All Faces
Rose Fields
144 bpm • D# Maj • 02:29 • -15.44db
11% Popularity • 26% Danceability • 19% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 19% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Gracie & the Valley
Rainbows
148 bpm • F Maj • 02:43 • -12.04db
9% Popularity • 41% Danceability • 32% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
9% Popularity • 41% Danceability • 32% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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Yolando Miura
The sound of memories
148 bpm • D# Maj • 02:55 • -20.33db
11% Popularity • 65% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
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This New Light
Surround Me
144 bpm • C Maj • 03:23 • -10.08db
18% Popularity • 49% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
18% Popularity • 49% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Early On
Sleeping In
144 bpm • F Maj • 03:57 • -9.68db
6% Popularity • 71% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 71% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Nolen Durham
Maybelline Skies
144 bpm • F# Maj • 04:30 • -7.74db
11% Popularity • 60% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
11% Popularity • 60% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Jackson Wooten
Flower
144 bpm • C Maj • 04:26 • -11.53db
22% Popularity • 51% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
22% Popularity • 51% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Evan Crommett
Queen Anne's Lace
144 bpm • D# Maj • 03:26 • -13.36db
9% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Zach Wood
Rare as Gold
144 bpm • C Maj • 04:45 • -11.68db
11% Popularity • 53% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 53% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Davis Regan
Pine Canyon #5
144 bpm • F# Maj • 04:55 • -14.02db
7% Popularity • 40% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 40% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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HAPPY LANDING
God Loves You Forever
148 bpm • D# Maj • 02:08 • -16db
14% Popularity • 63% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 63% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mellusi
Sunset in the West
144 bpm • A Maj • 04:02 • -8.78db
21% Popularity • 56% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 56% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Cole Scheifele
Poems
143 bpm • B Maj • 03:41 • -13.16db
18% Popularity • 35% Danceability • 21% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 21% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
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Twin Tacoma
(Your Love Keeps Lifting Me) Higher and ...
149 bpm • G Maj • 03:02 • -17.34db
37% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Beling
Carry
143 bpm • D Maj • 03:07 • -13.08db
14% Popularity • 45% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 45% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Chase McBride
Laws of Attraction
143 bpm • G Maj • 03:31 • -10.54db
11% Popularity • 67% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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LastNovember
eu·troph·i·ca·tion
143 bpm • G min • 02:57 • -19.01db
17% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Native Culture
Paris to Pamplona
149 bpm • G Maj • 04:45 • -9.54db
9% Popularity • 26% Danceability • 31% Energy • 10% Liveness
14% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 31% Energy • 10% Liveness
14% Instrumentalness • 19% Positiveness
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Matt Hartke
American Dreams
150 bpm • F Maj • 03:39 • -8.65db
16% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas LaVine
To Never Be Known
150 bpm • D# Maj • 03:43 • -11db
14% Popularity • 39% Danceability • 36% Energy • 21% Liveness
3% Instrumentalness • 21% Positiveness
14% Popularity • 39% Danceability • 36% Energy • 21% Liveness
3% Instrumentalness • 21% Positiveness
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Titus Haug
Child
150 bpm • B Maj • 04:17 • -10.64db
10% Popularity • 42% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
10% Popularity • 42% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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War Is Over
The Wire
142 bpm • G Maj • 02:47 • -7.92db
13% Popularity • 55% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 55% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Evan Crommett
Overnight Select Me Please
150 bpm • B min • 02:16 • -9.52db
5% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
27% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Bisama
Denial
142 bpm • F min • 02:49 • -10.64db
9% Popularity • 56% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 16% Positiveness
9% Popularity • 56% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 16% Positiveness
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Thomas LaVine
Crumble
150 bpm • C# Maj • 03:58 • -10.33db
27% Popularity • 47% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
27% Popularity • 47% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Corey Kilgannon
California Skin
142 bpm • G Maj • 02:45 • -16db
29% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Barrow & the Tourists
All I'll See Is You
141 bpm • D# Maj • 04:14 • -8.53db
23% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Vintz Desert
River of Gold
151 bpm • D Maj • 03:15 • -14.77db
25% Popularity • 44% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 44% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Viané
7/20
141 bpm • F# Maj • 04:50 • -11.59db
15% Popularity • 29% Danceability • 30% Energy • 25% Liveness
5% Instrumentalness • 11% Positiveness
15% Popularity • 29% Danceability • 30% Energy • 25% Liveness
5% Instrumentalness • 11% Positiveness
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Wylder
Olive
141 bpm • D Maj • 02:43 • -12.26db
22% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ed Whicher
Someday
141 bpm • D Maj • 03:12 • -9.72db
17% Popularity • 75% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
17% Popularity • 75% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Daniel Nunnelee
Fireworks (The Last Time)
152 bpm • F Maj • 03:22 • -11.22db
21% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Tiz McNamara
Nothing's Easy
152 bpm • G Maj • 03:06 • -10.75db
26% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Will McCartt
the space we're in
152 bpm • D Maj • 03:04 • -13.94db
9% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Evan Crommett
Crackedpaint
152 bpm • D Maj • 02:56 • -10.24db
5% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Freight Train Foxes
Thank You
152 bpm • D# Maj • 03:24 • -10db
9% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Holden Miller
These Shadows
140 bpm • F Maj • 03:09 • -9.73db
13% Popularity • 61% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 61% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Handsome Ghost
The Mint
152 bpm • E Maj • 03:40 • -9.21db
10% Popularity • 55% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 55% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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CHPTRS
Stay with Me - Reset
140 bpm • E Maj • 05:09 • -13.17db
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 28% Positiveness
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 28% Positiveness
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Prince of Eden
Shadesandcolors
140 bpm • F# Maj • 03:51 • -11.32db
20% Popularity • 52% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 27% Positiveness
20% Popularity • 52% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 27% Positiveness
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Evan Crommett
Thin Mints
140 bpm • C min • 02:41 • -9db
42% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Titus Haug
There Is Time
140 bpm • A Maj • 04:19 • -9.4db
13% Popularity • 69% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 69% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Oscar Blue
99 Ice Cream
140 bpm • A Maj • 03:30 • -7.55db
21% Popularity • 48% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 48% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Cole Shway
Wait for You
140 bpm • G# Maj • 03:45 • -18.03db
9% Popularity • 59% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 14% Positiveness
9% Popularity • 59% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 14% Positiveness
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Swimmingly
I've Got A Bad Bad Feeling
140 bpm • F# Maj • 02:54 • -14.18db
15% Popularity • 66% Danceability • 28% Energy • 14% Liveness
5% Instrumentalness • 39% Positiveness
15% Popularity • 66% Danceability • 28% Energy • 14% Liveness
5% Instrumentalness • 39% Positiveness
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Hayden Everett
By the End
140 bpm • E Maj • 03:32 • -12.12db
17% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Evan Crommett
Nostalgic
140 bpm • D min • 03:39 • -9.47db
3% Popularity • 63% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 63% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 45% Positiveness
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Chapman Whitted
Lookout Mtn. Love
153 bpm • D Maj • 03:29 • -14db
27% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Children of Indigo
Daisies
139 bpm • C# Maj • 03:10 • -15db
20% Popularity • 67% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 67% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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N. Kerbin
Everything Hurts
140 bpm • F Maj • 03:44 • -18.97db
11% Popularity • 47% Danceability • 20% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
11% Popularity • 47% Danceability • 20% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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The Ateliers
Eyes Up
139 bpm • D Maj • 05:09 • -15.65db
15% Popularity • 50% Danceability • 22% Energy • 11% Liveness
51% Instrumentalness • 14% Positiveness
15% Popularity • 50% Danceability • 22% Energy • 11% Liveness
51% Instrumentalness • 14% Positiveness
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Elenowen
Peace and Quiet
139 bpm • D Maj • 03:24 • -13.99db
24% Popularity • 38% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 38% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Mike Edel
Go With You - Acoustic
139 bpm • E Maj • 03:42 • -9.12db
11% Popularity • 58% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 58% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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summersets
never love another
154 bpm • D Maj • 04:09 • -13.29db
13% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Jillian Lake
Bleed Baby Bleed
154 bpm • B Maj • 03:19 • -11.91db
13% Popularity • 45% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
13% Popularity • 45% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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Freight Train Foxes
Where The Monsters Live
138 bpm • G# Maj • 03:42 • -12.87db
17% Popularity • 60% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 60% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew Frederick
Hay-on-Wye
138 bpm • B Maj • 03:18 • -16db
10% Popularity • 68% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
10% Popularity • 68% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Jennifer Kamikazi
You & I
155 bpm • C# Maj • 03:19 • -16.63db
9% Popularity • 37% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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Cujo Moon
Diamonds in the Rough
138 bpm • F# Maj • 03:36 • -13.79db
18% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas LaVine
Hand and String
155 bpm • C# Maj • 03:54 • -12.69db
18% Popularity • 43% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
18% Popularity • 43% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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John-Robert
Adeline - For String Quartet and Vocal
137 bpm • D Maj • 03:27 • -11.57db
10% Popularity • 30% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 30% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Son of Cloud
Sleeping in My Arms
155 bpm • E Maj • 03:20 • -11.61db
14% Popularity • 45% Danceability • 40% Energy • 12% Liveness
44% Instrumentalness • 38% Positiveness
14% Popularity • 45% Danceability • 40% Energy • 12% Liveness
44% Instrumentalness • 38% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
30% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Memorial
Latchkey
156 bpm • F# Maj • 02:51 • -12.92db
33% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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James Spaite
Killowen
136 bpm • E Maj • 03:47 • -12.11db
19% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Arther Blue
Lost in Time
156 bpm • F Maj • 02:40 • -17db
14% Popularity • 39% Danceability • 16% Energy • 11% Liveness
28% Instrumentalness • 32% Positiveness
14% Popularity • 39% Danceability • 16% Energy • 11% Liveness
28% Instrumentalness • 32% Positiveness
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This New Light
Reverie
136 bpm • B Maj • 04:32 • -13.87db
27% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Mills
The Marais
157 bpm • A# Maj • 03:21 • -14.9db
12% Popularity • 36% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
12% Popularity • 36% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
► Preview
Sidney Bird
secret
136 bpm • B Maj • 03:18 • -12.23db
18% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Reliable Child
Little Conversations
135 bpm • A Maj • 03:06 • -10.93db
11% Popularity • 70% Danceability • 63% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
11% Popularity • 70% Danceability • 63% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
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Zach Wood
Water
135 bpm • B Maj • 04:52 • -14.48db
8% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Callan Brown
Sunday Morning
135 bpm • F# Maj • 05:09 • -6.93db
10% Popularity • 41% Danceability • 48% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
10% Popularity • 41% Danceability • 48% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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This New Light
Awakening
135 bpm • D Maj • 04:23 • -8.04db
21% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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J.B. Boone
Vestvågøy
135 bpm • E Maj • 03:14 • -14.12db
25% Popularity • 50% Danceability • 39% Energy • 39% Liveness
7% Instrumentalness • 7% Positiveness
25% Popularity • 50% Danceability • 39% Energy • 39% Liveness
7% Instrumentalness • 7% Positiveness
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Jackson Wooten
A New Child
134 bpm • G Maj • 04:54 • -9.6db
8% Popularity • 54% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 54% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Josh Lee Hamilton
With the Wind
134 bpm • C# Maj • 04:04 • -10.82db
10% Popularity • 68% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 68% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Bookie Baker
Autumn Wind
134 bpm • D Maj • 03:48 • -12.28db
17% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Evan McHugh
Into Your Sun
134 bpm • B Maj • 03:25 • -9.3db
8% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Birdtalker
Just This (OurVinyl Sessions)
134 bpm • G# Maj • 04:22 • -10.81db
8% Popularity • 63% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 63% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Chance Emerson
Never Been in Love
134 bpm • E Maj • 03:29 • -10.59db
7% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Victoria Bigelow
Sweet Thing
134 bpm • C# Maj • 02:29 • -13.34db
10% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Prism Dream
Serenade of the Starlit Sky
134 bpm • C Maj • 03:35 • -18.37db
20% Popularity • 77% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 77% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Freight Train Foxes
Annabelle
134 bpm • B Maj • 02:40 • -8.52db
13% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Brook St
Slow Down
134 bpm • A Maj • 04:37 • -12.26db
19% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bailey Hamrick
You're So Pretty
159 bpm • D# Maj • 01:40 • -13.77db
7% Popularity • 41% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
7% Popularity • 41% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
