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BOYFRIEND
Songs like
BOYFRIEND
by
HARDY
Based on a tempo of (+/- 10%) and a similar genre
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
52% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
52% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Jordan Davis
Whiskey Weak
144 bpm • G min • 02:45 • -6db
56% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
58% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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HARDY
BOYFRIEND
144 bpm • D Maj • 03:39 • -4.69db
51% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
68% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
57% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
52% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
69% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
56% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Morgan Wallen
Not Good At Not
144 bpm • B Maj • 03:05 • -3.24db
62% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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HIXTAPE
One Of Y’all
144 bpm • A Maj • 03:05 • -2.68db
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
47% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Mason Horne
Cheap Shots
144 bpm • G Maj • 03:31 • -4.99db
48% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chase Matthew
Raised in the Holler
144 bpm • D min • 03:09 • -6.14db
58% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
39% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Wallen
Had Me By Halftime
144 bpm • F# Maj • 02:52 • -3db
60% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Jordan Davis
Detours
144 bpm • C Maj • 03:31 • -6.67db
51% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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HIXTAPE
Red Dirt Clouds
144 bpm • A# Maj • 03:16 • -4.92db
42% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
53% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Elvie Shane
Sundress
144 bpm • G Maj • 03:30 • -5.38db
40% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
63% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Sean Stemaly
Georgia
145 bpm • G# Maj • 03:06 • -4.38db
45% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Dylan Scott
Lay Down With You
143 bpm • D# Maj • 03:02 • -5.01db
48% Popularity • 50% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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HARDY
SOLD OUT
145 bpm • A Maj • 03:22 • -5db
64% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Kolby Cooper
Boy From Anderson County
145 bpm • A Maj • 04:04 • -5.63db
41% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
63% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
61% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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HARDY
drink one for me
145 bpm • D Maj • 03:31 • -5.55db
48% Popularity • 47% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
64% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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HIXTAPE
To Hank
142 bpm • A Maj • 03:17 • -3.83db
47% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Drew Green
Little More Be Alright
142 bpm • F# Maj • 03:35 • -6db
39% Popularity • 60% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
62% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Me On Whiskey
142 bpm • B Maj • 03:30 • -5db
65% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
50% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Justin Moore
Someday I Gotta Quit
146 bpm • E Maj • 03:37 • -7.7db
43% Popularity • 61% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
60% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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HARDY
.30-06
142 bpm • D Maj • 02:20 • -3.55db
61% Popularity • 52% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Brian Kelley
Made By The Water
146 bpm • F# Maj • 02:56 • -4.9db
40% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Luke Combs
Without You
142 bpm • F# Maj • 03:44 • -6.02db
60% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
61% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Farr
Only Truck In Town
142 bpm • E min • 03:14 • -3.84db
36% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lainey Wilson
Atta Girl
142 bpm • B Maj • 03:26 • -7.44db
62% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
57% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Riley Green
Break Up More Often
146 bpm • F Maj • 03:23 • -5.85db
46% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Larry Fleet
Best That I Got
146 bpm • G Maj • 03:18 • -5.02db
45% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Scott
Beer Buddies
142 bpm • G Maj • 03:21 • -6db
49% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Lainey Wilson
Weak-End
142 bpm • C Maj • 03:28 • -7.4db
61% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
49% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Riley Green
Hard To Leave
142 bpm • D Maj • 03:35 • -6db
59% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Clay Walker
You Look Good
146 bpm • F# Maj • 02:55 • -6.15db
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
The Other Guy
142 bpm • F# Maj • 03:10 • -4.71db
60% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Chase Matthew
All My Life
147 bpm • C min • 03:20 • -5.31db
48% Popularity • 44% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Rayne Johnson
Front Seat
142 bpm • F# Maj • 03:29 • -7db
48% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
60% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Brantley Gilbert
The Worst Country Song Of All Time
147 bpm • G Maj • 03:19 • -5db
50% Popularity • 51% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Combs
Moon Over Mexico
141 bpm • G Maj • 03:24 • -6db
58% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Chase Matthew
This Side of Town
141 bpm • E min • 03:20 • -5.28db
54% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
44% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
53% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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HARDY
RADIO SONG
148 bpm • D Maj • 03:07 • -4.77db
54% Popularity • 48% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Larry Fleet
Stack of Records
148 bpm • C Maj • 03:38 • -6db
44% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Sam Grow
Better Than Me
148 bpm • G Maj • 03:08 • -4.44db
47% Popularity • 45% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
45% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Trace Adkins
Mind on Fishin'
148 bpm • G# Maj • 03:17 • -4.96db
47% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
69% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
45% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Brantley Gilbert
Man Of Steel
140 bpm • A min • 03:05 • -7db
52% Popularity • 58% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
60% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
47% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Counts
What Do I Know
140 bpm • C Maj • 03:28 • -6db
47% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Old Dominion
All I Know About Girls
140 bpm • E Maj • 02:42 • -8db
47% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Ray Holbrook
Way Back When
148 bpm • G# Maj • 02:43 • -5.05db
48% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan Wallen
Redneck Love Song
140 bpm • F Maj • 03:09 • -4.85db
58% Popularity • 75% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Ryan Hurd
Michigan for the Winter
140 bpm • F# Maj • 03:39 • -7db
40% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
48% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
72% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Restless Road
One Step Ahead
140 bpm • C# Maj • 03:16 • -4.1db
37% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
42% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
47% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Drew Parker
While You're Gone
140 bpm • C# Maj • 03:46 • -5.64db
48% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Nate Smith
Reckless
140 bpm • F Maj • 03:26 • -4.89db
47% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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BOYFRIEND