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Boyish
Songs like
Boyish
by
Japanese Breakfast
Based on a tempo of (+/- 10%) and a similar genre
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Her's
Marcel
107 bpm • A Maj • 03:07 • -5.96db
65% Popularity • 62% Danceability • 64% Energy • 35% Liveness
8% Instrumentalness • 68% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Lowertown
The Gaping Mouth
107 bpm • F Maj • 04:38 • -9.71db
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Car Seat Headrest
High to Death
106 bpm • C Maj • 07:39 • -11db
52% Popularity • 50% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Mazzy Star
Halah
106 bpm • C Maj • 03:16 • -10.71db
65% Popularity • 62% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Cornelia Murr
Different This Time
106 bpm • F min • 03:53 • -12db
51% Popularity • 39% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tanukichan
This Time
108 bpm • F# Maj • 02:55 • -7.92db
43% Popularity • 48% Danceability • 44% Energy • 11% Liveness
35% Instrumentalness • 11% Positiveness
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Alice Phoebe Lou
Only When I
106 bpm • G Maj • 03:51 • -8.76db
52% Popularity • 70% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Bollinger
Yards / Gardens
108 bpm • A# Maj • 02:21 • -7.52db
59% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
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Lala Lala
Water Over Sex
106 bpm • C Maj • 02:50 • -8.46db
25% Popularity • 67% Danceability • 62% Energy • 8% Liveness
51% Instrumentalness • 69% Positiveness
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The Greeting Committee
Is This It?
108 bpm • C Maj • 02:47 • -8db
42% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Free Cake For Every Creature
All You Gotta Be When You're 23 Is Yours...
108 bpm • A Maj • 02:26 • -12.57db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
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Japanese Breakfast
Be Sweet - Recorded At Electric Lady Stu...
106 bpm • F Maj • 03:14 • -10.42db
27% Popularity • 53% Danceability • 23% Energy • 10% Liveness
15% Instrumentalness • 44% Positiveness
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Lunko
Posing in Bondage
108 bpm • A# min • 02:07 • -8.73db
43% Popularity • 79% Danceability • 64% Energy • 8% Liveness
82% Instrumentalness • 65% Positiveness
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Fazerdaze
Jennifer
105 bpm • E Maj • 04:00 • -10.93db
31% Popularity • 67% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Sarah Kinsley
The King
109 bpm • F# Maj • 03:26 • -6db
58% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Car Seat Headrest
Maud Gone
105 bpm • F Maj • 05:58 • -7.08db
45% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
40% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Japanese Breakfast
Posing In Bondage
105 bpm • C# Maj • 04:04 • -7.53db
45% Popularity • 58% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 20% Positiveness
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Lucy Dacus
Nonbeliever
109 bpm • D Maj • 03:40 • -6.79db
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Cera
Best I Can
109 bpm • B min • 03:19 • -7.17db
33% Popularity • 58% Danceability • 77% Energy • 72% Liveness
19% Instrumentalness • 30% Positiveness
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The Strokes
Call It Fate, Call It Karma
109 bpm • E min • 03:24 • -14.78db
70% Popularity • 54% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
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Loving
Only She Knows
109 bpm • D min • 02:58 • -8.08db
50% Popularity • 39% Danceability • 44% Energy • 11% Liveness
85% Instrumentalness • 44% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
43% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Japanese Breakfast
Moon on the Bath
104 bpm • G Maj • 01:29 • -17.87db
25% Popularity • 21% Danceability • 20% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Her's
Blue Lips
110 bpm • D Maj • 03:42 • -7.09db
52% Popularity • 36% Danceability • 73% Energy • 11% Liveness
81% Instrumentalness • 70% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Fiona Apple
Valentine
110 bpm • D Maj • 03:32 • -15.67db
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hand Habits
yr heart
104 bpm • G# Maj • 04:48 • -11db
24% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Japanese Breakfast
The Woman That Loves You
110 bpm • F# min • 02:24 • -6db
39% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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Dreamgirl
Stranger Feelings
110 bpm • A min • 02:58 • -8.54db
36% Popularity • 68% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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No Vacation
Lovefool
104 bpm • D min • 02:10 • -5.97db
60% Popularity • 82% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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BUMPER
Red Brick
104 bpm • C Maj • 03:05 • -7.19db
25% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Samia
Triptych
111 bpm • B Maj • 03:06 • -9db
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ethel Cain
Sun Bleached Flies
103 bpm • E Maj • 07:36 • -10db
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Japanese Breakfast
Be Sweet - Spotify Singles
110 bpm • A# Maj • 03:14 • -8db
24% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Mitski
Pink in the Night
103 bpm • D Maj • 02:16 • -9.64db
65% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Kinsley
The Giver
111 bpm • D Maj • 03:47 • -10.99db
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Florist
White Light Doorway
112 bpm • A# Maj • 02:00 • -11db
50% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
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The Clientele
Reflections After Jane
103 bpm • A# Maj • 03:21 • -16db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
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Mojave 3
My Life in Art
103 bpm • G Maj • 07:21 • -15db
48% Popularity • 48% Danceability • 24% Energy • 11% Liveness
62% Instrumentalness • 12% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Tanukichan
Lazy Love
102 bpm • C# Maj • 03:02 • -5.53db
36% Popularity • 45% Danceability • 46% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
37% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Phoebe Bridgers
I Know The End
112 bpm • C# Maj • 05:44 • -10.27db
72% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
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Crumb
Recently Played
112 bpm • F min • 02:00 • -11.05db
49% Popularity • 57% Danceability • 33% Energy • 23% Liveness
23% Instrumentalness • 12% Positiveness
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Slowdive
Alison
102 bpm • E Maj • 03:50 • -11.43db
63% Popularity • 28% Danceability • 45% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
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Japanese Breakfast
Be Sweet
110 bpm • D min • 03:15 • -5.82db
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Girlpool
Pretty
101 bpm • C Maj • 03:25 • -7.32db
32% Popularity • 42% Danceability • 62% Energy • 6% Liveness
3% Instrumentalness • 38% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Weyes Blood
Everyday
113 bpm • D Maj • 05:07 • -7db
47% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Japanese Breakfast
Jane Cum
110 bpm • G Maj • 03:31 • -5.63db
27% Popularity • 16% Danceability • 46% Energy • 22% Liveness
15% Instrumentalness • 4% Positiveness
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Melody's Echo Chamber
Shirim
101 bpm • C Maj • 04:46 • -10.99db
48% Popularity • 65% Danceability • 71% Energy • 25% Liveness
44% Instrumentalness • 53% Positiveness
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Girlpool
Cherry Picking
101 bpm • G Maj • 03:35 • -11.38db
24% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Men I Trust
Sugar
114 bpm • A min • 02:56 • -12.75db
66% Popularity • 82% Danceability • 46% Energy • 14% Liveness
31% Instrumentalness • 80% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Japanese Breakfast
Triple 7 - Audiotree Live Version
102 bpm • G Maj • 04:51 • -14.97db
12% Popularity • 28% Danceability • 9% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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Sidney Gish
Not but for You, Bunny
100 bpm • C min • 04:02 • -12db
38% Popularity • 80% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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Girlpool
Before the World Was Big
100 bpm • E min • 02:21 • -8.72db
31% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ethel Cain
Thoroughfare
100 bpm • A Maj • 09:27 • -11db
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Blood Orange
I Wanna C U
100 bpm • C min • 01:14 • -12db
60% Popularity • 79% Danceability • 30% Energy • 11% Liveness
18% Instrumentalness • 72% Positiveness
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Japanese Breakfast
The Woman That Loves You - Audiotree Liv...
112 bpm • A Maj • 02:14 • -10.09db
16% Popularity • 52% Danceability • 63% Energy • 25% Liveness
21% Instrumentalness • 39% Positiveness
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Sidney Gish
Presumably Dead Arm (617 Sessions)
114 bpm • A# Maj • 03:34 • -9.46db
48% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Margo Guryan
Why Do I Cry
100 bpm • A min • 02:15 • -13.12db
61% Popularity • 58% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Florist
If Blue Could Be Happiness
115 bpm • C Maj • 05:07 • -14db
43% Popularity • 52% Danceability • 29% Energy • 14% Liveness
76% Instrumentalness • 32% Positiveness
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Car Seat Headrest
My Boy - Twin Fantasy
115 bpm • A Maj • 02:52 • -10db
53% Popularity • 57% Danceability • 31% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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Japanese Breakfast
Sit
100 bpm • D Maj • 03:07 • -7.25db
40% Popularity • 32% Danceability • 83% Energy • 15% Liveness
20% Instrumentalness • 32% Positiveness
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Alex G
Hope
99 bpm • F# Maj • 02:36 • -5.43db
55% Popularity • 55% Danceability • 60% Energy • 12% Liveness
47% Instrumentalness • 41% Positiveness
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Lomelda
Nervous Driver
116 bpm • A# Maj • 02:24 • -20db
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hand Habits
Flower Glass
99 bpm • C Maj • 03:42 • -13db
24% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Billie Marten
Vanilla Baby
116 bpm • E min • 04:15 • -20.19db
56% Popularity • 43% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Japanese Breakfast
12 Steps
115 bpm • G Maj • 02:36 • -4.4db
37% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Oddnesse
Somewhere Somehow
116 bpm • E Maj • 02:44 • -6db
41% Popularity • 52% Danceability • 81% Energy • 17% Liveness
76% Instrumentalness • 60% Positiveness
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Jealous of the Birds
Tonight I Feel Like Kafka
116 bpm • A# min • 03:09 • -13.67db
43% Popularity • 71% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Crumb
Locket
98 bpm • C# Maj • 05:18 • -10.46db
61% Popularity • 39% Danceability • 48% Energy • 9% Liveness
72% Instrumentalness • 8% Positiveness
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FKA twigs
cellophane
98 bpm • D Maj • 03:24 • -11.86db
57% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Alex G
Southern Sky
98 bpm • G Maj • 03:12 • -5.62db
48% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Japanese Breakfast
Psychopomp
100 bpm • C# Maj • 01:15 • -15.29db
29% Popularity • 51% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Alice Phoebe Lou
Velvet Mood
98 bpm • C Maj • 02:02 • -11.28db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
66% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Free Cake For Every Creature
In Your Car
98 bpm • D Maj • 02:03 • -9db
48% Popularity • 61% Danceability • 48% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
47% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
55% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Japanese Breakfast
Kokomo, IN - Recorded At Electric Lady S...
100 bpm • A Maj • 03:20 • -12.05db
25% Popularity • 54% Danceability • 24% Energy • 22% Liveness
1% Instrumentalness • 18% Positiveness
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Alice Phoebe Lou
Touch
98 bpm • G# Maj • 03:28 • -9.47db
44% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Sundays
You're Not The Only One I Know
98 bpm • C Maj • 03:51 • -12.23db
55% Popularity • 56% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Boyish