Songs like Boys Like You by Anna Clendening
Based on a tempo of (+/- 10%) and a similar genre
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Alex Sampson
Stay Here
96 bpm • D Maj • 02:54 • -5db
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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NOTD
Wanted
96 bpm • F Maj • 02:40 • -4.45db
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Jillian Rossi
Hurt Again
96 bpm • A Maj • 02:06 • -5.88db
50% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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JUNG
Let Him Go
97 bpm • F# Maj • 03:35 • -7.86db
39% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Anna Clendening
Drowning
96 bpm • G# Maj • 03:06 • -6.21db
23% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Martin Jensen
Nobody
97 bpm • F# min • 03:31 • -5.3db
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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ZAYN
Good Years
97 bpm • D Maj • 03:00 • -5.98db
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Frawley
Just Like That
97 bpm • F Maj • 03:05 • -7db
53% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bebe Rexha
I'm a Mess
97 bpm • B min • 03:15 • -6.26db
72% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
72% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Bea Miller
S.L.U.T.
95 bpm • F min • 02:59 • -4.38db
64% Popularity • 72% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 72% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Hey Violet
Hoodie
95 bpm • B Maj • 03:39 • -5db
56% Popularity • 69% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 69% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Alessia Cara
Scars To Your Beautiful
97 bpm • C Maj • 03:50 • -5.74db
78% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
78% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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val
Be Here
95 bpm • G min • 03:22 • -6.3db
27% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Eyelar
Daddy’s Girl
97 bpm • D Maj • 03:11 • -6.62db
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Andi
Over
94 bpm • A# min • 02:33 • -6db
42% Popularity • 52% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 52% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 15% Positiveness
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Justin Jesso
Let it Be Me
97 bpm • G# Maj • 03:39 • -5db
34% Popularity • 42% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 42% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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WRENN
Hailey
98 bpm • D Maj • 02:47 • -10.38db
44% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
44% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Anna Clendening
Wrong
98 bpm • D# Maj • 03:14 • -7.7db
23% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ed Sheeran
South of the Border
98 bpm • A min • 03:24 • -6.38db
73% Popularity • 86% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
73% Popularity • 86% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Ava Max
Freaking Me Out
98 bpm • C# min • 03:12 • -4.84db
54% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jonas Brothers
Five More Minutes
94 bpm • E Maj • 02:30 • -7.95db
50% Popularity • 84% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 84% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Clara Mae
Not Sad Anymore
94 bpm • C# Maj • 03:15 • -7.6db
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bailey Bryan
Don’t Call Me
94 bpm • D Maj • 02:52 • -9db
30% Popularity • 66% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 66% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Anna Clendening
Sorry That I Do That
98 bpm • A Maj • 02:29 • -8.76db
31% Popularity • 71% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 71% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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shy martin
Still the Same
98 bpm • E Maj • 02:58 • -7.63db
44% Popularity • 66% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 66% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Spencer Smith
For Granted
99 bpm • C Maj • 03:12 • -3.84db
52% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander Stewart
Best Damn Thing
94 bpm • C# Maj • 03:52 • -3db
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Lost Kings
Too Far Gone - Daniel Allan Remix
99 bpm • G Maj • 03:27 • -8.28db
6% Popularity • 79% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 79% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Anna Clendening
bad again
98 bpm • A Maj • 02:14 • -6db
42% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Alexander Stewart
House of Cards
99 bpm • G# Maj • 03:34 • -6db
56% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Clara Mae
Call Your Girlfriend
99 bpm • F# Maj • 03:14 • -13.44db
43% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ashley Kutcher
Hands to Myself
93 bpm • A Maj • 03:09 • -9.53db
31% Popularity • 61% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 61% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness
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Lost Kings
Too Far Gone - Wild Cards Remix
93 bpm • G Maj • 03:14 • -3.71db
31% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ed Sheeran
Beautiful People
93 bpm • F min • 03:17 • -8.11db
72% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Olivia O'Brien
Trust Issues
93 bpm • G Maj • 03:09 • -10.33db
44% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Anna Clendening
Girls Like You - Casey MQ Remix
93 bpm • E Maj • 04:18 • -3.82db
4% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Justin Jesso
If You're Meant To Come Back
93 bpm • E Maj • 02:59 • -9.85db
38% Popularity • 54% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 54% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Lost Kings
Too Far Gone
93 bpm • G Maj • 03:16 • -4.94db
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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COLE
your sweater
100 bpm • C# Maj • 04:01 • -10.31db
34% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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gnash
i hate u, i love u
93 bpm • F# min • 04:11 • -13.4db
76% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
76% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia O'Brien
Love Myself
100 bpm • D Maj • 03:33 • -5.7db
51% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Lukas Graham
Scars
100 bpm • E min • 02:51 • -6.39db
37% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Anna Clendening
Bend & Break
100 bpm • A# min • 02:38 • -9db
24% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Hailee Steinfeld
Starving
100 bpm • E Maj • 03:01 • -4.24db
74% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
74% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Marshmello
Here With Me
100 bpm • F min • 02:36 • -3.93db
73% Popularity • 79% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 79% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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James TW
Butterflies
100 bpm • C min • 03:17 • -7.3db
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Olivia O'Brien
Just A Boy
100 bpm • D Maj • 03:38 • -6db
41% Popularity • 77% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 77% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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MKTO
Shoulda Known Better
100 bpm • C# min • 03:26 • -5.31db
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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PRETTYMUCH
Summer on You
100 bpm • E Maj • 03:25 • -6.55db
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Anna Clendening
Dead End
100 bpm • A# min • 02:32 • -8.96db
38% Popularity • 62% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 62% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Ava Max
My Way
100 bpm • A min • 02:21 • -4.88db
55% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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HAVEN
RN
100 bpm • G min • 02:39 • -5.59db
29% Popularity • 74% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 74% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Chelsea Cutler
Lucky
92 bpm • D Maj • 02:28 • -9.61db
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 77% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Jess Glynne
I'll Be There
100 bpm • G Maj • 03:14 • -3.12db
70% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
70% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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NIKI DEMAR
Alone in My Car
92 bpm • C Maj • 03:13 • -7db
38% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Charlotte Lawrence
Just the Same
92 bpm • G Maj • 03:31 • -5db
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Halsey
Graveyard
92 bpm • B min • 03:01 • -5.13db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Camila Cabello
First Man
100 bpm • G Maj • 03:48 • -7.62db
58% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Anna Clendening
Love Song - John K
92 bpm • C Maj • 03:31 • -7.86db
24% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Loote
tomorrow tonight
91 bpm • D# Maj • 03:22 • -7.98db
54% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Patrik Jean
Lean on Me
91 bpm • A Maj • 02:37 • -8db
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Mimi Webb
24/5
91 bpm • C Maj • 02:38 • -4.16db
49% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Drew Ryn
Orchestra
91 bpm • F min • 03:20 • -5db
28% Popularity • 65% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 65% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Brynn Cartelli
If I Could
91 bpm • C# Maj • 03:18 • -6.64db
41% Popularity • 69% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 69% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Clendening
Love Song
91 bpm • C Maj • 02:35 • -10.85db
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Daya
Sit Still, Look Pretty
91 bpm • D Maj • 03:27 • -3.6db
74% Popularity • 85% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 85% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Andi
Life's Not Like The Movies
91 bpm • G Maj • 02:41 • -5.21db
34% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ashley Kutcher
Favorite What If
91 bpm • F Maj • 02:52 • -7.31db
41% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Pia Mia
Bitter Love
102 bpm • G Maj • 03:37 • -2.67db
48% Popularity • 36% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 36% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lost Kings
Anti-Everything
102 bpm • C Maj • 03:03 • -7.29db
48% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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James Arthur
Naked
102 bpm • F# Maj • 03:53 • -6.79db
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Charlotte Lawrence
Sleep Talking
102 bpm • D min • 03:44 • -4.31db
48% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Clendening
Boys Like You - Sunrise Mix
102 bpm • D Maj • 03:31 • -5.17db
20% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 58% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Halsey
Still Learning
102 bpm • C min • 03:31 • -6.54db
51% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
73% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Alessia Cara
River Of Tears
90 bpm • F# Maj • 04:14 • -5.72db
58% Popularity • 39% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 39% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Sampson
All That We Could Have Been
90 bpm • A# Maj • 03:10 • -5.75db
47% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Dan + Shay
10,000 Hours
90 bpm • A# Maj • 02:47 • -4.64db
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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benny blanco
Eastside
90 bpm • F# min • 02:50 • -7.67db
80% Popularity • 63% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
80% Popularity • 63% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Bebe Rexha
Not 20 Anymore
90 bpm • B min • 03:03 • -4.81db
43% Popularity • 66% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 66% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Brynn Cartelli
Last Night's Mascara
102 bpm • E Maj • 03:17 • -6db
41% Popularity • 78% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 78% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
