Songs like Bradshaw Boogie by Tiny Bradshaw
Based on a tempo of (+/- 10%) and a similar genre
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Calvin Boze and His All Stars
Safronia B
167 bpm • G# Maj • 02:23 • -11db
8% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
8% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
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Clarence "Frogman" Henry
Loving Cajun Style
167 bpm • F Maj • 01:58 • -10.74db
29% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -12.97db
0% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
18% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
18% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
31% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Milton
You Got Me Reeling and Rocking - Remaste...
168 bpm • F Maj • 02:05 • -7.99db
21% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
10% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -6db
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ella Mae Morse
Razzle Dazzle
166 bpm • G# Maj • 02:45 • -8.1db
12% Popularity • 54% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 54% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Blue Harlem
Reelin' & Rockin'
165 bpm • G Maj • 03:04 • -3.96db
17% Popularity • 38% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 38% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Ike Turner
Rocket 88
165 bpm • A# Maj • 02:49 • -8.06db
38% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
38% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Humphrey Lyttelton
Mr. Five By Five
165 bpm • F Maj • 01:56 • -10.61db
18% Popularity • 47% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 47% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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The Clovers
Hey, Miss Fannie
165 bpm • C# Maj • 02:26 • -12.2db
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
169 bpm • G Maj • 02:28 • -16.26db
0% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 70% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Big Maceo
Chicago Breakdown
165 bpm • G Maj • 03:01 • -19db
18% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
18% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
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Wild Bill Moore
We're Gonna Rock. We're Gonna Roll
169 bpm • C Maj • 02:37 • -10db
23% Popularity • 48% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
23% Popularity • 48% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
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Janis Martin
My Boy Elvis
169 bpm • F Maj • 02:11 • -4db
22% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Daddy Cleanhead
Something's Going On In My Room
165 bpm • F min • 02:13 • -13db
8% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 61% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Eight To The Bar
Beat Me Rocking
165 bpm • C Maj • 03:59 • -8.7db
11% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Wynonie Harris
Wasn't That Good
165 bpm • D min • 02:26 • -6db
17% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Vincent
Crazy Legs
170 bpm • D Maj • 02:11 • -8db
19% Popularity • 47% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 47% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Wild Bill Moore
We're Gonna Rock, We're Gonna Roll
169 bpm • C Maj • 02:38 • -13db
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 33% Energy • 20% Liveness
87% Instrumentalness • 67% Positiveness
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Bull Moose Jackson
Big Fat Mamas Are Back In Style Again
170 bpm • C Maj • 02:23 • -10db
11% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Sil Austin
Walkin' And Talkin'
170 bpm • D# Maj • 02:35 • -4db
10% Popularity • 43% Danceability • 85% Energy • 19% Liveness
8% Instrumentalness • 89% Positiveness
10% Popularity • 43% Danceability • 85% Energy • 19% Liveness
8% Instrumentalness • 89% Positiveness
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Jimmy Liggins and His Drops Of Joy
Drunk
164 bpm • C min • 02:30 • -14.28db
22% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Milton
Hop Skip & Jump
170 bpm • G# Maj • 02:35 • -11db
9% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Huelyn Duvall
Pucker Paint
170 bpm • G Maj • 02:10 • -5.83db
29% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Five Keys
She's the Most
170 bpm • G# Maj • 02:12 • -9.92db
15% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
33% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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The Clovers
Love Bug
170 bpm • A# min • 02:41 • -11.42db
10% Popularity • 56% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Fluffy Hunter
The Walkin' Blues
164 bpm • F Maj • 02:55 • -7.13db
12% Popularity • 70% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 70% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Sil Austin
Wildwood
163 bpm • A# Maj • 02:34 • -6.87db
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
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Jackie Wilson
Etcetera
163 bpm • F Maj • 02:27 • -6.85db
19% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Moon Mullican
Seven Nights To Rock
171 bpm • F min • 02:27 • -10db
19% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Wynonie Harris
Lollipop Mama
163 bpm • A# Maj • 02:51 • -1.03db
7% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Clovers
Love Love Love
171 bpm • F# Maj • 02:05 • -14.94db
20% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Sweet Emma And The Mood Swingers
Chicago Boogie
171 bpm • A min • 03:07 • -5db
10% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Gene
Bom Bom Lulu
163 bpm • G min • 02:36 • -6.2db
13% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
30% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
30% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Champion Jack Dupree
Shake Baby Shake
172 bpm • C# Maj • 02:25 • -11db
20% Popularity • 53% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
20% Popularity • 53% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 85% Positiveness
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Bobby Short
Heebie Jeebies
162 bpm • A min • 02:43 • -8.56db
32% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Gayten
You Better Believe It
162 bpm • G Maj • 02:21 • -8.76db
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Flamingos
Vooit Vooit (Jump Children)
162 bpm • G# Maj • 02:34 • -4.79db
7% Popularity • 55% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 55% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Dorothy Ellis
Drill, Daddy, Drill
172 bpm • C# Maj • 02:56 • -4.69db
7% Popularity • 53% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 53% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Wynona Carr
Boppity Bop (Boogity Boog)
162 bpm • G Maj • 02:27 • -8.65db
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Searchers
Wow Wow Baby
172 bpm • C Maj • 02:33 • -7db
15% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
28% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Tiny Bradshaw
One, Two, Three, Kick Blues (02-08-50)
172 bpm • F min • 02:49 • -9.73db
0% Popularity • 43% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 43% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Ruth Brown
Lucky Lips
161 bpm • A# Maj • 02:09 • -12.04db
33% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Julia Lee And Her Boyfriends
Last Call (For Alcohol)
173 bpm • F Maj • 02:36 • -10db
18% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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The Hollywood Flames
Buzz, Buzz, Buzz
173 bpm • C Maj • 02:16 • -10db
34% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Nappy Brown
Love Locks
173 bpm • G# Maj • 02:46 • -9.35db
16% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Wynonie Harris
My Playful Baby's Gone
174 bpm • G# Maj • 02:28 • -8.01db
15% Popularity • 51% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 51% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Tiny Bradshaw
I'm A Hi-Ballin' Daddy
160 bpm • D min • 02:39 • -4.56db
0% Popularity • 56% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 56% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Billy Lee Riley
Red Hot - Remastered 2022
174 bpm • C Maj • 02:29 • -9.34db
41% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Big Maybelle
Rockhouse
160 bpm • G Maj • 02:18 • -8db
10% Popularity • 42% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 42% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Earl Hines
Mama Don't Allow No Twistin'
160 bpm • F Maj • 02:17 • -11.92db
13% Popularity • 59% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 59% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Wynonie Harris
Drinkin’ Wine Spo-Dee-O-Dee
174 bpm • A# min • 02:27 • -15db
17% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
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Clyde McPhatter
Deep Sea Ball
175 bpm • G min • 02:21 • -8.99db
14% Popularity • 58% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 58% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Rosco Gordon
Sally Jo
175 bpm • A Maj • 02:06 • -11.04db
14% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Jackson Sloan
Kickin' Up the Dust
159 bpm • A Maj • 02:59 • -6.46db
19% Popularity • 79% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 79% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Big Maybelle
That's A Pretty Good Love
175 bpm • C# Maj • 02:35 • -9db
35% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Ruth Brown
I Want to Do More
175 bpm • C Maj • 02:52 • -8db
19% Popularity • 78% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 78% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Roy Hall
Three Alley Cats
175 bpm • F min • 02:28 • -4db
26% Popularity • 65% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 65% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Stick McGhee & His Buddies
Drinkin' Wine Spo-Dee-O-Dee
176 bpm • C min • 03:15 • -13db
18% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Videos
Trickle, Trickle - Alternate Take
176 bpm • A# Maj • 02:00 • -8.86db
23% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Smiley Lewis
Mama Don't Like It
159 bpm • G# Maj • 02:35 • -7db
12% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Tiny Bradshaw
Build Like a Railroad Track (04-27-51)
159 bpm • C Maj • 03:08 • -4.19db
0% Popularity • 48% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
0% Popularity • 48% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Anisteen Allen
Bongo Boogie
159 bpm • G min • 02:40 • -9.22db
15% Popularity • 54% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 54% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Lucky Millinder
Adam, Come and Get Your Rib
176 bpm • G# Maj • 02:23 • -4db
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
42% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Janis Martin
Little Bit
176 bpm • A# Maj • 02:13 • -3.68db
18% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Tiny Bradshaw
Cat Fruit
176 bpm • F Maj • 02:18 • -9.14db
1% Popularity • 54% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
1% Popularity • 54% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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Ruth Brown
Mama, He Treats Your Daughter Mean
177 bpm • C Maj • 02:16 • -9.52db
16% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Gaddy
I Love My Baby
157 bpm • G Maj • 02:30 • -12db
19% Popularity • 55% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 55% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Oscar McLollie
Hey Boy Hey Girl
157 bpm • C Maj • 02:41 • -10.95db
16% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 62% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Janis Martin
Barefoot Baby
177 bpm • C Maj • 02:14 • -3.7db
24% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Jump4joy
Viscious, Viscious Vodka
178 bpm • E Maj • 02:56 • -4.96db
10% Popularity • 48% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 48% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Tiny Bradshaw
Breaking Up The House
177 bpm • C min • 02:37 • -9.21db
0% Popularity • 62% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 62% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Roy Hall
Diggin' the Boogie
178 bpm • F min • 02:36 • -3.91db
15% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Campi
How Low Do You Feel?
178 bpm • G Maj • 03:01 • -6db
23% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Liggins
Going Back To New Orleans
178 bpm • A min • 02:50 • -13db
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
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Bobby Charles
See You Later Alligator
156 bpm • F Maj • 02:53 • -5db
20% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Tiny Bradshaw
Choice
157 bpm • D min • 02:28 • -9.52db
0% Popularity • 51% Danceability • 50% Energy • 8% Liveness
44% Instrumentalness • 82% Positiveness
0% Popularity • 51% Danceability • 50% Energy • 8% Liveness
44% Instrumentalness • 82% Positiveness
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Nappy Brown
Little By Little
179 bpm • F Maj • 02:34 • -9.81db
27% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Du Droppers
Boot 'Em Up
178 bpm • F min • 02:40 • -8.42db
7% Popularity • 56% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 56% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 81% Positiveness
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The Treniers
Rock-A-Beatin' Boogie - 78rpm Version
156 bpm • C# Maj • 02:15 • -8.54db
8% Popularity • 53% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 53% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Young Jessie
Don't Happen No More
156 bpm • D Maj • 02:27 • -8db
12% Popularity • 56% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Charles
Later Alligator (See You Later, Alligato...
156 bpm • C Maj • 03:45 • -11.84db
25% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Lowell Fulson
Don't Leave Me Baby
155 bpm • F Maj • 03:02 • -9db
16% Popularity • 60% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 60% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Tiny Bradshaw
Breaking Up The House
177 bpm • G# Maj • 02:41 • -13.95db
10% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
