Songs like Brain Dead by William Finn
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Warlow
Alive
122 bpm • F Maj • 04:36 • -8.76db
42% Popularity • 42% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 42% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Brandon Uranowitz
Everyone Hates His Parents
122 bpm • C# Maj • 04:32 • -7.82db
36% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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James Snyder
I'm Infected
122 bpm • E min • 03:28 • -6.51db
22% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Gregg Edelman
You're Nothing Without Me
122 bpm • C Maj • 03:22 • -13.12db
40% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jonathan Groff
I Know Him
122 bpm • C Maj • 01:37 • -8.64db
62% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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William Finn
Brain Dead
122 bpm • F Maj • 03:29 • -5.96db
28% Popularity • 48% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 48% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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James Barry
Rock Star
122 bpm • B min • 02:26 • -3.69db
20% Popularity • 60% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 60% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
122 bpm • F Maj • 02:55 • -11db
33% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Alison Fraser
Happy Families
123 bpm • C Maj • 03:34 • -9.63db
6% Popularity • 69% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 69% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Crazy Ex-Girlfriend Cast
Horny Angry Tango
123 bpm • A Maj • 01:49 • -6.44db
38% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sherie Rene Scott
Lovesick
121 bpm • F# Maj • 03:16 • -6.85db
28% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Betsy Wolfe
Mama, Let Me In
121 bpm • C# Maj • 02:52 • -13.35db
21% Popularity • 31% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 31% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Anthony Crivello
My Dead Gay Son
121 bpm • C# Maj • 03:42 • -6.42db
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Ashley Park
What's Wrong With Me?
123 bpm • C Maj • 02:04 • -10.43db
50% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Patti Murin
Daphne Dreams
121 bpm • C Maj • 03:03 • -6.74db
15% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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William Finn
Don't Give In
120 bpm • E Maj • 03:40 • -14.09db
8% Popularity • 59% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 59% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Nathan Amzi
My Dead Gay Son
120 bpm • F min • 03:48 • -5.99db
39% Popularity • 68% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 68% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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George Salazar
Michael in the Bathroom
120 bpm • E Maj • 05:07 • -6.9db
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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'Come From Away' Company
Blankets And Bedding
124 bpm • E min • 02:51 • -6.8db
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Tanisha Moore
It's Just so Great to Be Alive (Reprise)
124 bpm • G min • 01:52 • -9.17db
4% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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William Finn
I'd Rather Be Sailing (Reprise)
120 bpm • A# Maj • 01:33 • -9.94db
14% Popularity • 25% Danceability • 35% Energy • 13% Liveness
15% Instrumentalness • 23% Positiveness
14% Popularity • 25% Danceability • 35% Energy • 13% Liveness
15% Instrumentalness • 23% Positiveness
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T'Shan Williams
Never Shut Up Again
124 bpm • A# min • 03:16 • -4.36db
50% Popularity • 74% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 74% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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StarKid Productions
Tickle-Me Wiggly Jingle
124 bpm • G# Maj • 02:46 • -8db
32% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Michael R. Jackson
Let's Party
120 bpm • F Maj • 02:32 • -4.22db
17% Popularity • 79% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 79% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Lesli Margherita
New Crown in Town
120 bpm • E Maj • 05:27 • -8.03db
3% Popularity • 77% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 77% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Oompa-Loompas
Vidiots
124 bpm • F# Maj • 02:42 • -7.39db
30% Popularity • 88% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 88% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Eric William Morris
Clifford Griffin
124 bpm • A Maj • 03:20 • -6.16db
0% Popularity • 61% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 61% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 77% Positiveness
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Lindsay Mendez
The Ballad of Sara Berry
120 bpm • G# min • 04:49 • -7.98db
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Lea Michele
The Word Of Your Body - Original Broadwa...
124 bpm • E min • 02:58 • -11.06db
37% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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George Salazar
Song of the Brown Buffalo
124 bpm • D Maj • 03:26 • -9db
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Original Cast of Starship
Kick It Up A Notch
120 bpm • B min • 06:57 • -10db
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Crazy Ex-Girlfriend Cast
Who's the New Guy?
125 bpm • G min • 01:25 • -9.3db
25% Popularity • 94% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 94% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Anthony Warlow
His Work and Nothing More
125 bpm • G min • 04:22 • -14.41db
32% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jonathan B. Wright
The Word Of Your Body (Reprise) - Origin...
120 bpm • F# min • 03:10 • -14.62db
33% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
33% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Original StarKid Cast of Twisted
No One Remembers Achmed
125 bpm • F Maj • 03:39 • -8db
36% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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William Finn
Prologue: Prologue: Frogs Have So Much S...
126 bpm • E Maj • 01:16 • -18.13db
12% Popularity • 71% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 71% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony Rosenthal
My Father's a Homo / Everyone Tells Jaso...
118 bpm • C Maj • 04:23 • -7.89db
41% Popularity • 61% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Christian Borle
It Must Be Believed To Be Seen
126 bpm • F min • 04:22 • -6db
24% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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John Gallagher Jr.
The Bitch Of Living - Original Broadway ...
119 bpm • F Maj • 02:52 • -6.12db
46% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Original StarKid Cast of Twisted
Take off Your Clothes
126 bpm • B min • 02:50 • -9.11db
30% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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George Salazar
Norman
126 bpm • F Maj • 04:09 • -12.3db
13% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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William Finn
Ein neuer Morgen
118 bpm • B min • 01:33 • -13.57db
0% Popularity • 58% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 58% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Carrie Compere
D.O.A.
118 bpm • G# Maj • 03:13 • -4.72db
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Jennifer Damiano
Perfect for You
126 bpm • D Maj • 02:03 • -12.95db
33% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lea Michele
My Junk - Original Broadway Cast Recordi...
118 bpm • D Maj • 02:25 • -6.64db
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Dominic Andersen
Big Fun
118 bpm • C# Maj • 03:42 • -5.5db
42% Popularity • 85% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 85% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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36 Questions
We Both
118 bpm • G Maj • 05:10 • -7.9db
32% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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George Salazar
I Love Play Rehearsal
118 bpm • B Maj • 03:29 • -15.92db
15% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
26% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I'm Not That Smart
117 bpm • A Maj • 02:39 • -10db
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Brandon Uranowitz
Please Come to Our House / Jason's Thera...
117 bpm • F Maj • 06:14 • -7.01db
38% Popularity • 60% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 60% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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William Finn
Eating Myself Up Alive
117 bpm • F min • 02:17 • -6.45db
9% Popularity • 55% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 55% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Patrick Page
Hey, Little Songbird
127 bpm • C min • 03:32 • -12.85db
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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George Salazar
The Answer
117 bpm • D Maj • 04:54 • -16db
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Frankenstein World Premiere Cast
These Hands
117 bpm • F min • 01:56 • -5.18db
27% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Gerard Canonico
The Squip Song
127 bpm • E Maj • 03:20 • -5.82db
27% Popularity • 40% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 40% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Kelsey Grammer
Play - Original Broadway Cast Recording
128 bpm • D Maj • 04:33 • -7.24db
29% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Anthony Warlow
It's a Dangerous Game
116 bpm • E min • 04:16 • -9.62db
33% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Ethan Slater
(I Guess I) Miss You
116 bpm • A# Maj • 03:41 • -9.57db
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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John Gallagher Jr.
And Then There Were None - Original Broa...
116 bpm • E min • 04:16 • -7.53db
37% Popularity • 78% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 78% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Stephanie J. Block
Trina's Song / March of the Falsettos / ...
128 bpm • B Maj • 06:44 • -9.28db
38% Popularity • 52% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 52% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Michael R. Jackson
Modest Is Hottest
129 bpm • A# min • 03:37 • -8.28db
18% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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William Finn
In the Middle of the Room (Part II)
129 bpm • D Maj • 01:26 • -8.09db
12% Popularity • 37% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 37% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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John Cariani
To Thine Own Self
129 bpm • G min • 03:58 • -7.8db
35% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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StarKid Productions
Our Doors Are Open
115 bpm • A Maj • 03:27 • -10.63db
35% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Lilli Cooper
The Dark I Know Well - Original Broadway...
116 bpm • A min • 03:05 • -8.29db
39% Popularity • 71% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 71% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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36 Questions
Listen Back
129 bpm • C Maj • 04:27 • -13db
29% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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William Finn
An Invitation to Sleep in My Arms
129 bpm • A# Maj • 04:29 • -12db
12% Popularity • 49% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 49% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Denée Benton
Natasha & Bolkonskys
115 bpm • B min • 03:28 • -11.2db
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Kerry Butler
What's Wrong With Me? (Reprise)
129 bpm • C Maj • 01:50 • -8.37db
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
42% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cast of Galavant
I Love You (As Much As Someone Like Me C...
129 bpm • A min • 01:54 • -5db
29% Popularity • 52% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 52% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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The Guy Who Didn't Like Musicals Cast
La Dee Dah Dah Day
115 bpm • D Maj • 03:17 • -6.23db
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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William Finn
Everyone Hates His Parents
129 bpm • C Maj • 02:33 • -15.35db
14% Popularity • 65% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 65% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Denée Benton
Natasha & Anatole
115 bpm • E min • 04:30 • -10.56db
35% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Jacob Richmond
Every Story's Got A Lesson
130 bpm • B Maj • 01:03 • -17.79db
45% Popularity • 69% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 69% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jonathan Groff
What Comes Next?
115 bpm • G Maj • 01:39 • -10.88db
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • A# Maj • 05:54 • -8.71db
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Lesli Margherita
Firewall Ball
130 bpm • C# min • 04:16 • -7.09db
4% Popularity • 79% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 79% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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William Finn
Throw It Out
115 bpm • G Maj • 04:01 • -4.9db
12% Popularity • 50% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
37% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Original StarKid Cast of Nightmare Time 2
Virginity Rocks
130 bpm • G min • 02:09 • -7.53db
32% Popularity • 48% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 48% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Brightman
Invisible (Reprise) / On the Roof
114 bpm • F Maj • 01:48 • -10db
47% Popularity • 48% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 48% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Anthony Warlow
Transformation
131 bpm • A min • 04:47 • -13.81db
35% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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William Finn
Don't Give In
130 bpm • E Maj • 03:27 • -6.7db
17% Popularity • 53% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 53% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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StarKid Productions
Feast or Famine
131 bpm • C min • 02:50 • -9db
42% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Christian Borle
Marvin Hits Trina
114 bpm • A Maj • 01:52 • -6.53db
39% Popularity • 56% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 56% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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William Finn
Mother's Gonna Make Things Fine
114 bpm • B min • 02:47 • -3.21db
19% Popularity • 48% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 48% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
