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Brass and Bongos
Songs like
Brass and Bongos
by
Syd Dale
Based on a tempo of (+/- 10%) and a similar genre
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Syd Dale
Brass and Bongos
155 bpm • F min • 03:56 • -6.09db
11% Popularity • 73% Danceability • 80% Energy • 36% Liveness
79% Instrumentalness • 81% Positiveness
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The Easy Access Orchestra
The Pepper
155 bpm • F min • 05:16 • -7.28db
7% Popularity • 67% Danceability • 70% Energy • 46% Liveness
91% Instrumentalness • 75% Positiveness
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Alessandro Rizzo
For The Crowd
154 bpm • D Maj • 02:34 • -7.33db
0% Popularity • 47% Danceability • 62% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
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Italian Secret Service
Smell like ten spirit
156 bpm • C# Maj • 04:41 • -9.48db
25% Popularity • 61% Danceability • 66% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
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Chris Joss
Danger Buds
154 bpm • A# min • 02:59 • -6.6db
33% Popularity • 72% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
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John Buzon Trio
Mr. Ghost Goes To Town - Remastered
156 bpm • A# min • 02:20 • -14db
28% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
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Syd Dale
The Hell Raisers
153 bpm • A# min • 02:17 • -6.74db
2% Popularity • 54% Danceability • 86% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
36% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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André Charlier
Direction Saint Tropez
158 bpm • F min • 01:38 • -10db
32% Popularity • 69% Danceability • 70% Energy • 33% Liveness
52% Instrumentalness • 85% Positiveness
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Alessandro Rizzo
Beat The Horizon
160 bpm • E min • 02:32 • -7.11db
0% Popularity • 55% Danceability • 74% Energy • 24% Liveness
30% Instrumentalness • 52% Positiveness
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Chris Joss
Glam Boogie
158 bpm • G Maj • 03:31 • -5.26db
10% Popularity • 65% Danceability • 73% Energy • 11% Liveness
88% Instrumentalness • 97% Positiveness
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Tape Five
Soulsalicious - Remastered
150 bpm • G min • 03:53 • -6.97db
24% Popularity • 72% Danceability • 86% Energy • 17% Liveness
37% Instrumentalness • 78% Positiveness
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Syd Dale
The Hell Raisers
153 bpm • A# min • 02:21 • -5.69db
19% Popularity • 54% Danceability • 91% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
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Vanessa Contenay-Quinones
Odyssèe
150 bpm • E min • 04:13 • -10.21db
1% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Cookin' On 3 Burners
Tokyo Saucer
150 bpm • C# Maj • 02:47 • -3.1db
12% Popularity • 57% Danceability • 97% Energy • 6% Liveness
58% Instrumentalness • 94% Positiveness
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The Bas Lexter Ensample
The Champions
150 bpm • G Maj • 03:32 • -10.21db
22% Popularity • 75% Danceability • 69% Energy • 35% Liveness
81% Instrumentalness • 91% Positiveness
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Riot Jazz Brass Band
Corn On the Cob
150 bpm • G# Maj • 04:35 • -5.02db
15% Popularity • 45% Danceability • 93% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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The Karminsky Experience Inc.
Summer Song
150 bpm • G Maj • 04:21 • -11db
24% Popularity • 71% Danceability • 64% Energy • 24% Liveness
20% Instrumentalness • 90% Positiveness
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Syd Dale
Bill Sykes
158 bpm • D min • 02:23 • -5.11db
9% Popularity • 31% Danceability • 83% Energy • 21% Liveness
97% Instrumentalness • 79% Positiveness
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Alessandro Rizzo
Velvet Voice
150 bpm • E min • 03:10 • -7.91db
1% Popularity • 75% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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John Shakespeare
Against the Clock
162 bpm • A min • 01:30 • -6db
10% Popularity • 47% Danceability • 96% Energy • 9% Liveness
96% Instrumentalness • 55% Positiveness
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A Man Called Adam
Yachts
162 bpm • D# min • 05:43 • -12.23db
36% Popularity • 58% Danceability • 81% Energy • 12% Liveness
83% Instrumentalness • 97% Positiveness
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Milt Buckner
The Beast
148 bpm • F Maj • 02:30 • -11db
35% Popularity • 71% Danceability • 60% Energy • 7% Liveness
85% Instrumentalness • 85% Positiveness
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James Taylor Quartet
Austin's Theme
148 bpm • F Maj • 03:39 • -8.87db
21% Popularity • 47% Danceability • 84% Energy • 13% Liveness
85% Instrumentalness • 72% Positiveness
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Syd Dale
More Mexicana
152 bpm • C Maj • 01:52 • -8.84db
2% Popularity • 70% Danceability • 72% Energy • 9% Liveness
27% Instrumentalness • 80% Positiveness
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Speedometer
Happy
147 bpm • A# Maj • 03:36 • -10db
34% Popularity • 59% Danceability • 59% Energy • 27% Liveness
36% Instrumentalness • 89% Positiveness
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Chris Joss
Early Morning Wanderings
164 bpm • E min • 04:11 • -3.03db
10% Popularity • 76% Danceability • 95% Energy • 8% Liveness
78% Instrumentalness • 96% Positiveness
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Alessandro Rizzo
Until The Next Day
165 bpm • D# min • 02:12 • -8.14db
2% Popularity • 67% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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David Lindup
Enfant Terrible
164 bpm • E min • 00:47 • -13.35db
18% Popularity • 32% Danceability • 56% Energy • 21% Liveness
95% Instrumentalness • 73% Positiveness
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Keith Mansfield
Teenage Chase
145 bpm • C Maj • 02:26 • -13db
22% Popularity • 73% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Syd Dale
Two Time
160 bpm • G# Maj • 02:09 • -8.98db
7% Popularity • 66% Danceability • 61% Energy • 5% Liveness
18% Instrumentalness • 69% Positiveness
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Montefiori Cocktail
Gne Gne
145 bpm • F min • 04:19 • -4.36db
13% Popularity • 74% Danceability • 88% Energy • 5% Liveness
82% Instrumentalness • 91% Positiveness
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Chris Joss
The Man with a Suitcase
165 bpm • C# Maj • 03:56 • -5.84db
10% Popularity • 57% Danceability • 90% Energy • 6% Liveness
77% Instrumentalness • 94% Positiveness
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6ix Toys
Voodoo People
145 bpm • C# min • 05:11 • -5.3db
20% Popularity • 77% Danceability • 79% Energy • 3% Liveness
65% Instrumentalness • 96% Positiveness
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Ursula 1000
Mondo Beyondo
145 bpm • G# Maj • 03:42 • -5db
12% Popularity • 58% Danceability • 98% Energy • 31% Liveness
87% Instrumentalness • 86% Positiveness
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Combustible Edison
Summer Samba
145 bpm • G min • 03:25 • -14.36db
10% Popularity • 59% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 39% Positiveness
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Syd Dale
Walrus and the Carpenter
149 bpm • C Maj • 02:49 • -4.37db
9% Popularity • 37% Danceability • 79% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
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Pedigree Cuts
Superhero
144 bpm • D min • 02:59 • -7.64db
2% Popularity • 60% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Skeewiff
Break Beat Bubble Bath
166 bpm • C Maj • 03:20 • -7.64db
2% Popularity • 57% Danceability • 76% Energy • 11% Liveness
96% Instrumentalness • 65% Positiveness
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Neil Richardson
Firebird
143 bpm • F min • 02:18 • -5.68db
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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Boogaloo Joe Jones
Brown Bag
143 bpm • C min • 05:06 • -13.83db
32% Popularity • 55% Danceability • 73% Energy • 10% Liveness
82% Instrumentalness • 93% Positiveness
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Keith Mansfield
Wild Waters
168 bpm • G# Maj • 03:28 • -5.54db
9% Popularity • 63% Danceability • 92% Energy • 32% Liveness
85% Instrumentalness • 79% Positiveness
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Syd Dale
Mexican Highway
146 bpm • C min • 02:39 • -11.81db
19% Popularity • 78% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Frank Popp Ensemble
The Rural Assiduity
143 bpm • F# min • 04:35 • -5.46db
12% Popularity • 71% Danceability • 70% Energy • 11% Liveness
78% Instrumentalness • 75% Positiveness
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Skeewiff
Supermarket Hustle
168 bpm • C Maj • 03:45 • -5.22db
1% Popularity • 66% Danceability • 91% Energy • 27% Liveness
70% Instrumentalness • 68% Positiveness
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John Shakespeare
Sandals in the Sand
143 bpm • C Maj • 03:00 • -16.96db
17% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Cookin' On 3 Burners
Enter Sandman
142 bpm • B min • 03:20 • -4db
24% Popularity • 54% Danceability • 82% Energy • 5% Liveness
84% Instrumentalness • 79% Positiveness
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James Clarke
Blow Up A-Go-Go!
142 bpm • B min • 02:32 • -9.52db
17% Popularity • 69% Danceability • 84% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
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Syd Dale
Rescue Squad
146 bpm • G Maj • 01:39 • -10.3db
4% Popularity • 49% Danceability • 84% Energy • 62% Liveness
0% Instrumentalness • 71% Positiveness
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Keith Mansfield
Crazy Crazy
170 bpm • F min • 03:23 • -5.72db
4% Popularity • 58% Danceability • 92% Energy • 35% Liveness
40% Instrumentalness • 75% Positiveness
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Skeewiff
Bond Step
142 bpm • C Maj • 03:24 • -8.8db
1% Popularity • 44% Danceability • 67% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
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Cal Tjader
Soul Sauce - Fila Brazilia Remix
141 bpm • F Maj • 04:16 • -6db
24% Popularity • 88% Danceability • 75% Energy • 11% Liveness
58% Instrumentalness • 97% Positiveness
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Richard "Groove" Holmes
Six Million Dollar Man Theme
140 bpm • C# Maj • 06:05 • -13.77db
11% Popularity • 31% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 89% Positiveness
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Seckin
Calm Horse
140 bpm • A Maj • 03:14 • -12.67db
8% Popularity • 94% Danceability • 49% Energy • 10% Liveness
91% Instrumentalness • 97% Positiveness
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Syd Dale
The Sample Syndicate
143 bpm • D Maj • 03:03 • -5.17db
11% Popularity • 66% Danceability • 99% Energy • 39% Liveness
92% Instrumentalness • 87% Positiveness
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Keith Mansfield
The Mexican D.J.
141 bpm • C Maj • 02:15 • -6.97db
12% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
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Skeewiff
The Happy Whomp
171 bpm • C# Maj • 03:51 • -8.52db
2% Popularity • 62% Danceability • 71% Energy • 11% Liveness
20% Instrumentalness • 66% Positiveness
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Elliot Ireland
Take My Hand
140 bpm • E min • 04:05 • -12.53db
0% Popularity • 41% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Incredible Bongo Band
Apache - Warrior One Remix
140 bpm • A Maj • 04:24 • -6.85db
11% Popularity • 73% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 71% Positiveness
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Piero Piccioni
Playgirl '70 - Party Music 5
140 bpm • F Maj • 03:29 • -13db
21% Popularity • 59% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 74% Positiveness
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Syd Dale
Off Centre
141 bpm • C Maj • 01:31 • -7.13db
2% Popularity • 56% Danceability • 69% Energy • 26% Liveness
45% Instrumentalness • 96% Positiveness
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Keith Mansfield
Funky Flight
140 bpm • C# Maj • 01:38 • -13.6db
20% Popularity • 50% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 54% Positiveness
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Pucho and His Latin Soul Brothers
Chitterlings Con Carne
140 bpm • C Maj • 04:43 • -14db
14% Popularity • 64% Danceability • 42% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
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Alessandro Rizzo
Frontline
172 bpm • D Maj • 02:13 • -7.36db
0% Popularity • 33% Danceability • 84% Energy • 11% Liveness
80% Instrumentalness • 60% Positiveness
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Mint Royale
From Rusholme with Love
139 bpm • G# Maj • 05:06 • -7db
38% Popularity • 64% Danceability • 87% Energy • 22% Liveness
88% Instrumentalness • 61% Positiveness
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Jack McDuff
Hunk O' Funk
173 bpm • C min • 06:02 • -15.48db
22% Popularity • 47% Danceability • 44% Energy • 10% Liveness
84% Instrumentalness • 80% Positiveness
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Syd Dale
Two Left Feet
140 bpm • F min • 02:11 • -11.32db
4% Popularity • 67% Danceability • 76% Energy • 8% Liveness
52% Instrumentalness • 75% Positiveness
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Keith Mansfield
Skydive
173 bpm • F min • 02:56 • -5.41db
7% Popularity • 46% Danceability • 92% Energy • 36% Liveness
74% Instrumentalness • 64% Positiveness
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Les Hommes
Queen Fez
174 bpm • F Maj • 03:18 • -9.66db
11% Popularity • 51% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 65% Positiveness
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Alessandro Rizzo
Mob Rule
139 bpm • C Maj • 03:15 • -5.79db
0% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Mikis Theodorakis
On The Streets
138 bpm • G min • 04:30 • -13.09db
9% Popularity • 56% Danceability • 71% Energy • 10% Liveness
69% Instrumentalness • 89% Positiveness
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Mo' Horizons
Fever 99°
138 bpm • C Maj • 06:04 • -8.46db
24% Popularity • 81% Danceability • 80% Energy • 21% Liveness
89% Instrumentalness • 69% Positiveness
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Syd Dale
Man Friday
139 bpm • C Maj • 02:37 • -5.39db
18% Popularity • 35% Danceability • 90% Energy • 39% Liveness
25% Instrumentalness • 62% Positiveness
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Piero Umiliani
Topless Party
138 bpm • B min • 03:04 • -9.66db
34% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
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The Karminsky Experience Inc.
The Think Drink
138 bpm • G min • 01:59 • -6.18db
14% Popularity • 48% Danceability • 71% Energy • 35% Liveness
7% Instrumentalness • 44% Positiveness
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Vanessa Contenay-Quinones
Thème Du Matin
175 bpm • C min • 02:59 • -11.24db
0% Popularity • 30% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Cookin' On 3 Burners
Cars
137 bpm • G Maj • 03:33 • -4db
16% Popularity • 62% Danceability • 91% Energy • 2% Liveness
91% Instrumentalness • 95% Positiveness
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Mo' Horizons
Mambuloo
137 bpm • C Maj • 04:52 • -8db
26% Popularity • 90% Danceability • 90% Energy • 4% Liveness
78% Instrumentalness • 93% Positiveness
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James Clarke
Second Cut
136 bpm • B Maj • 01:54 • -10db
9% Popularity • 76% Danceability • 67% Energy • 10% Liveness
62% Instrumentalness • 72% Positiveness
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Syd Dale
Not so Private Eye
137 bpm • G Maj • 01:22 • -8.31db
6% Popularity • 56% Danceability • 71% Energy • 19% Liveness
64% Instrumentalness • 71% Positiveness
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Mark Peters
Oar - Ulrich Schnauss Remix
136 bpm • F Maj • 06:17 • -5.9db
1% Popularity • 39% Danceability • 78% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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Savages
Rollin' - Scratches by DJ Globe
177 bpm • C# Maj • 03:48 • -6.85db
12% Popularity • 61% Danceability • 77% Energy • 60% Liveness
65% Instrumentalness • 94% Positiveness
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Henry Mancini
The Streets of San Francisco
135 bpm • A min • 02:48 • -11.22db
23% Popularity • 43% Danceability • 58% Energy • 26% Liveness
35% Instrumentalness • 92% Positiveness
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Terry Snyder
Oye Negra - Remastered
134 bpm • C# Maj • 02:38 • -12db
21% Popularity • 60% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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James Clarke
Second Cut (re-edit)
136 bpm • B Maj • 02:27 • -10.97db
22% Popularity • 76% Danceability • 63% Energy • 12% Liveness
86% Instrumentalness • 74% Positiveness
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Syd Dale
Penthouse Suite
135 bpm • C Maj • 01:57 • -11.1db
16% Popularity • 44% Danceability • 70% Energy • 35% Liveness
10% Instrumentalness • 75% Positiveness
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Jackie Davis
Love Is Just Around The Corner - Remaste...
134 bpm • G# Maj • 02:47 • -16db
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
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Peppino De Luca
Rito a Los Angeles
134 bpm • D min • 01:38 • -12.52db
17% Popularity • 34% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 23% Positiveness
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Ludovic Bource
Chicks at the Pool
134 bpm • C Maj • 01:21 • -4.15db
10% Popularity • 61% Danceability • 85% Energy • 19% Liveness
81% Instrumentalness • 92% Positiveness
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The Boyz From Brazil
Hi-Fi trumpet (Boyz from Brazil mix)
179 bpm • F# min • 06:12 • -7.37db
17% Popularity • 72% Danceability • 85% Energy • 37% Liveness
90% Instrumentalness • 64% Positiveness
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Chris Joss
Discotheque Dancing
134 bpm • C# min • 03:40 • -2db
17% Popularity • 61% Danceability • 92% Energy • 17% Liveness
76% Instrumentalness • 78% Positiveness
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Syd Dale
Romantic Nights
134 bpm • A Maj • 02:54 • -11.39db
3% Popularity • 61% Danceability • 51% Energy • 43% Liveness
92% Instrumentalness • 57% Positiveness
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Sammy Burdson
News Background (A)
179 bpm • A min • 02:30 • -12db
11% Popularity • 47% Danceability • 73% Energy • 14% Liveness
13% Instrumentalness • 48% Positiveness
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Big Boss Man
Party 7
134 bpm • F Maj • 03:37 • -6.28db
18% Popularity • 62% Danceability • 87% Energy • 12% Liveness
12% Instrumentalness • 90% Positiveness
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Elliot Ireland
The Dawn Song
180 bpm • C Maj • 04:03 • -10.91db
5% Popularity • 30% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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David Lindup
Cha Cha Del Sol
134 bpm • C Maj • 02:46 • -4.61db
6% Popularity • 69% Danceability • 89% Energy • 6% Liveness
27% Instrumentalness • 92% Positiveness
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Funky Destination
Uh Yeah
133 bpm • D Maj • 04:01 • -7.56db
8% Popularity • 40% Danceability • 98% Energy • 4% Liveness
89% Instrumentalness • 85% Positiveness
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Keith Mansfield
Grandstand
133 bpm • D Maj • 01:14 • -10.79db
27% Popularity • 60% Danceability • 54% Energy • 6% Liveness
83% Instrumentalness • 82% Positiveness
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Hugo Montenegro & His Orchestra
Secret Agent Man
133 bpm • D min • 02:36 • -5.02db
10% Popularity • 69% Danceability • 79% Energy • 26% Liveness
51% Instrumentalness • 92% Positiveness
► Preview
Chris Joss
You've Been Spiked
133 bpm • F# Maj • 04:39 • -2db
32% Popularity • 80% Danceability • 92% Energy • 20% Liveness
76% Instrumentalness • 96% Positiveness
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Brass and Bongos