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Break Down On Me
Songs like
Break Down On Me
by
Brandon Lay
Based on a tempo of (+/- 10%) and a similar genre
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Luke Pell
Ball Caps & Blue Jeans
114 bpm • F# min • 03:19 • -4.68db
25% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
40% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 03:02 • -2.81db
49% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Fulcher
Anything Like You Dance
114 bpm • B Maj • 03:18 • -5.46db
39% Popularity • 69% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Young
Where I Go When I Drink
114 bpm • C Maj • 03:30 • -10.58db
40% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Dillon Carmichael
I Do For You
113 bpm • D Maj • 02:54 • -5.19db
37% Popularity • 66% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
43% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Brandon Lay
Good Good Life
115 bpm • E Maj • 03:16 • -6db
23% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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William Michael Morgan
Gone Enough
113 bpm • F# min • 04:00 • -6.18db
27% Popularity • 61% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Filmore
State I'm In
112 bpm • B min • 02:36 • -4.65db
24% Popularity • 65% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Craig
Reckon
116 bpm • C Maj • 03:29 • -3.81db
26% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Langston
When It Comes To Loving You
112 bpm • G Maj • 03:31 • -6.33db
48% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Austin Burke
Whole Lot in Love
112 bpm • D Maj • 02:46 • -7.45db
46% Popularity • 79% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
51% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Brandon Lay
Other Than That
112 bpm • E Maj • 03:09 • -5.86db
13% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
43% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Walker McGuire
18 Forever
117 bpm • E Maj • 03:21 • -3.89db
24% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Dallas Smith
Sky Stays This Blue
117 bpm • D Maj • 02:52 • -4db
34% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Langston
Right Girl Wrong Time
117 bpm • F# Maj • 03:42 • -6.13db
52% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
35% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
21% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Phelps
Playing With Fire
111 bpm • D Maj • 03:45 • -4.45db
21% Popularity • 62% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Brandon Lay
Backroad Home
111 bpm • F Maj • 03:04 • -5.32db
23% Popularity • 68% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Kameron Marlowe
Take You Up On It
111 bpm • D Maj • 03:32 • -3.14db
46% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Trea Landon
When I Get There
117 bpm • C min • 03:15 • -4.7db
19% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Langston
When You're Lonely
118 bpm • F# Maj • 03:14 • -4.77db
42% Popularity • 56% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Dallas Smith
Side Effects
110 bpm • E Maj • 02:57 • -4db
38% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Brandon Lay
For My Money
118 bpm • F# min • 03:10 • -7.16db
37% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Stephen Paul
Off My Chest
110 bpm • E Maj • 03:30 • -6db
22% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
51% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Owen
In It
110 bpm • D Maj • 03:09 • -7.32db
34% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Levi Hummon
Change My Life
110 bpm • F# Maj • 02:40 • -5.76db
31% Popularity • 73% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Jordan Brooker
You Are
110 bpm • F Maj • 03:33 • -7.1db
19% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Brandon Lay
Walkaway Joe
119 bpm • E Maj • 03:34 • -8.12db
19% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Carlton Anderson
Drop Everything
109 bpm • C Maj • 02:38 • -3db
29% Popularity • 70% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Young
The Ship And The Bottle
110 bpm • D# Maj • 04:29 • -8.78db
35% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Jameson Rodgers
Porch with a View
120 bpm • F# min • 02:43 • -6db
37% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Levi Hummon
Don't Waste the Night
110 bpm • C# min • 02:55 • -5db
26% Popularity • 57% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
53% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Dorr
Ready or Not
109 bpm • G# Maj • 04:14 • -5db
29% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
30% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Jordan Brooker
All She Wants Is the Moon
120 bpm • G min • 03:33 • -7.71db
19% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
58% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Waterloo Revival
What Guy Wouldn't
120 bpm • F# Maj • 02:58 • -6db
36% Popularity • 54% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Muscadine Bloodline
Movin' On
120 bpm • B Maj • 03:42 • -4.53db
42% Popularity • 58% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
29% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Ray Fulcher
Down on My Window
108 bpm • G Maj • 02:52 • -6.24db
24% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Chad Brownlee
Forever's Gotta Start Somewhere
108 bpm • C Maj • 03:09 • -4db
45% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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John King
Heat Wave
108 bpm • G Maj • 03:10 • -5.73db
20% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Cash Campbell
The in Between
121 bpm • B Maj • 03:40 • -4.84db
22% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
46% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Jameson Rodgers
Missing One
107 bpm • D Maj • 03:22 • -5db
37% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Shawn Austin
You Belong
107 bpm • C min • 03:05 • -7db
30% Popularity • 57% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
58% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Brandon Lay
Let It
107 bpm • F# Maj • 02:28 • -5.67db
39% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Austin Burke
Sleepin' Around
107 bpm • E Maj • 02:55 • -9.95db
28% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Kinder
Still Believe in Crazy Love
106 bpm • G# Maj • 03:56 • -6.6db
36% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
42% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Gallagher
How Bout You
106 bpm • D Maj • 03:23 • -7.67db
20% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Trea Landon
There's That Smile
106 bpm • B Maj • 02:43 • -4.1db
23% Popularity • 64% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Brandon Lay
Speed of Light
106 bpm • G# Maj • 03:18 • -5.96db
11% Popularity • 75% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
53% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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James Barker Band
Just Sayin'
106 bpm • F# Maj • 03:07 • -5db
38% Popularity • 65% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Devin Dawson
Asking For A Friend
123 bpm • E Maj • 03:59 • -8db
47% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Rhett
Learned It From The Radio
123 bpm • G Maj • 03:41 • -6.55db
39% Popularity • 66% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Kane Brown
My Where I Come From
105 bpm • G# Maj • 03:02 • -5.73db
40% Popularity • 57% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Brandon Lay
Dixie Highway Nights
123 bpm • D Maj • 02:32 • -6.19db
14% Popularity • 82% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jordan Davis
Tough To Tie Down
105 bpm • B Maj • 03:10 • -5db
46% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Brett Young
Used To Missin’ You
105 bpm • F# Maj • 03:50 • -6.27db
39% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Chase Bryant
Wayfarer Weather
124 bpm • A Maj • 03:09 • -4.38db
31% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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RaeLynn
Say
124 bpm • G# Maj • 02:58 • -4.49db
44% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
39% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Brandon Lay
Waste It
105 bpm • B min • 03:08 • -5.11db
13% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Walker Montgomery
Saving For A Rainy Night
125 bpm • G min • 03:54 • -4.68db
26% Popularity • 58% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Seth Ennis
Look At You
104 bpm • C# min • 03:15 • -7db
46% Popularity • 69% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Adairs Run
Your Place or Mine
104 bpm • F# Maj • 03:08 • -3.92db
14% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Bandi
Dirt On Me
125 bpm • D Maj • 03:37 • -3.6db
20% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Bad Lovers
125 bpm • B Maj • 03:36 • -4.24db
37% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Brandon Lay
Take You Home
104 bpm • E min • 03:16 • -5.01db
32% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Phelps
Hope It Starts Raining
125 bpm • F Maj • 03:01 • -5.2db
27% Popularity • 61% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Justin Lee
Every Little Bit of That
125 bpm • A# Maj • 02:59 • -4.73db
20% Popularity • 63% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
34% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Walker McGuire
Growin' Up
126 bpm • C Maj • 03:25 • -4.42db
37% Popularity • 62% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
45% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Brandon Lay
Wilder Horses
103 bpm • B Maj • 02:52 • -8.13db
29% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Chuck Wicks
Whole Damn Thing
126 bpm • A Maj • 04:01 • -7.06db
38% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jameson Rodgers
Rehab
102 bpm • C# Maj • 02:50 • -5.09db
33% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brett Young
Memory Won't Let Me
102 bpm • F# Maj • 03:31 • -5.87db
39% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Payton Smith
Like I Knew You Would
102 bpm • D Maj • 03:02 • -5db
33% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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LOCASH
God Thing
102 bpm • D Maj • 02:55 • -6.42db
29% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brandon Lay
Sailing Around the World
102 bpm • G Maj • 02:46 • -6.65db
29% Popularity • 71% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Hunter Phelps
All Coming Back
128 bpm • F Maj • 03:04 • -3.85db
21% Popularity • 54% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Scotty McCreery
Boys from Back Home
102 bpm • E Maj • 04:05 • -5.87db
33% Popularity • 57% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Justin Moore
On The Rocks
101 bpm • F# Maj • 03:30 • -5.78db
36% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Rhett
Dream You Never Had
129 bpm • G Maj • 03:22 • -5.53db
36% Popularity • 47% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Rodney Atkins
Thank God For You
129 bpm • D# Maj • 03:35 • -6db
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Mirenda
He Said She Said
130 bpm • A# min • 02:55 • -5.89db
24% Popularity • 60% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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The Roads Below
Bonfire
100 bpm • G# Maj • 03:15 • -4.92db
26% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ty March.
What I'd Say to You
130 bpm • G# Maj • 03:13 • -6.61db
21% Popularity • 56% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Break Down On Me