Songs like Break-Thru by Dirty Projectors
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Dear
Bad Ones
104 bpm • B Maj • 04:32 • -9.12db
39% Popularity • 76% Danceability • 49% Energy • 23% Liveness
22% Instrumentalness • 5% Positiveness
39% Popularity • 76% Danceability • 49% Energy • 23% Liveness
22% Instrumentalness • 5% Positiveness
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U.S. Girls
Rosebud
104 bpm • B min • 03:09 • -6db
35% Popularity • 75% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 83% Positiveness
35% Popularity • 75% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 83% Positiveness
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Nick Monaco
Lovers Do
104 bpm • C min • 03:53 • -8.44db
12% Popularity • 88% Danceability • 45% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
12% Popularity • 88% Danceability • 45% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
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Vampire Weekend
How Long?
104 bpm • B min • 03:32 • -7db
45% Popularity • 86% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 86% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Dirty Projectors
Break-Thru
104 bpm • D Maj • 03:47 • -6db
34% Popularity • 80% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 82% Positiveness
34% Popularity • 80% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 82% Positiveness
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Daniele Luppi
Flush
104 bpm • F# Maj • 04:26 • -7.03db
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 20% Liveness
1% Instrumentalness • 80% Positiveness
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Foxygen
Face the Facts
105 bpm • A min • 03:20 • -8.08db
19% Popularity • 76% Danceability • 60% Energy • 55% Liveness
6% Instrumentalness • 90% Positiveness
19% Popularity • 76% Danceability • 60% Energy • 55% Liveness
6% Instrumentalness • 90% Positiveness
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Hotel Eden
Golden Sun
103 bpm • D Maj • 03:53 • -4db
31% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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St. Vincent
Digital Witness
105 bpm • F Maj • 03:22 • -7db
39% Popularity • 78% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
39% Popularity • 78% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Destroyer
It's Gonna Take an Airplane
103 bpm • B min • 03:41 • -13db
35% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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LCD Soundsystem
change yr mind
105 bpm • A# min • 04:57 • -8.47db
26% Popularity • 76% Danceability • 85% Energy • 9% Liveness
51% Instrumentalness • 76% Positiveness
26% Popularity • 76% Danceability • 85% Energy • 9% Liveness
51% Instrumentalness • 76% Positiveness
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Phosphorescent
New Birth in New England
103 bpm • F# Maj • 04:59 • -5db
42% Popularity • 56% Danceability • 96% Energy • 53% Liveness
63% Instrumentalness • 60% Positiveness
42% Popularity • 56% Danceability • 96% Energy • 53% Liveness
63% Instrumentalness • 60% Positiveness
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Spoon
Can I Sit Next to You
103 bpm • B min • 03:54 • -6db
41% Popularity • 76% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 76% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Arcade Fire
Electric Blue
103 bpm • C Maj • 04:02 • -5.16db
47% Popularity • 66% Danceability • 77% Energy • 46% Liveness
11% Instrumentalness • 68% Positiveness
47% Popularity • 66% Danceability • 77% Energy • 46% Liveness
11% Instrumentalness • 68% Positiveness
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Karl Blau
Slow Children
105 bpm • A Maj • 04:21 • -11.02db
8% Popularity • 69% Danceability • 41% Energy • 19% Liveness
1% Instrumentalness • 71% Positiveness
8% Popularity • 69% Danceability • 41% Energy • 19% Liveness
1% Instrumentalness • 71% Positiveness
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Knox Fortune
24 Hours
105 bpm • A Maj • 03:21 • -5.02db
15% Popularity • 80% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 80% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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YACHT
Psychic City - Radio Edit
105 bpm • B min • 05:04 • -7.8db
23% Popularity • 85% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 85% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Shacks
Follow Me
105 bpm • F min • 03:19 • -5.71db
35% Popularity • 59% Danceability • 75% Energy • 11% Liveness
29% Instrumentalness • 57% Positiveness
35% Popularity • 59% Danceability • 75% Energy • 11% Liveness
29% Instrumentalness • 57% Positiveness
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Dirty Projectors
Self Design
106 bpm • B Maj • 03:06 • -6db
17% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Whitney
No Matter Where We Go
106 bpm • C min • 02:41 • -4db
40% Popularity • 62% Danceability • 93% Energy • 15% Liveness
47% Instrumentalness • 62% Positiveness
40% Popularity • 62% Danceability • 93% Energy • 15% Liveness
47% Instrumentalness • 62% Positiveness
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LCD Soundsystem
how do you sleep?
106 bpm • C Maj • 09:12 • -9.06db
30% Popularity • 64% Danceability • 57% Energy • 15% Liveness
10% Instrumentalness • 41% Positiveness
30% Popularity • 64% Danceability • 57% Energy • 15% Liveness
10% Instrumentalness • 41% Positiveness
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U.S. Girls
Poem
106 bpm • A Maj • 03:30 • -8db
29% Popularity • 66% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
29% Popularity • 66% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
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Generationals
It May Get Bad When You're Lonely and Co...
102 bpm • C Maj • 03:11 • -3db
24% Popularity • 75% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 75% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Maps & Atlases
Fall Apart
102 bpm • C# Maj • 03:53 • -6.22db
17% Popularity • 70% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 89% Positiveness
17% Popularity • 70% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 89% Positiveness
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Wye Oak
The Louder I Call, the Faster It Runs
102 bpm • G Maj • 04:23 • -8.24db
23% Popularity • 58% Danceability • 86% Energy • 55% Liveness
1% Instrumentalness • 51% Positiveness
23% Popularity • 58% Danceability • 86% Energy • 55% Liveness
1% Instrumentalness • 51% Positiveness
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Sylvan Esso
Die Young
102 bpm • G# Maj • 03:30 • -6.42db
56% Popularity • 70% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 70% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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King Tuff
Psycho Star
102 bpm • A min • 04:41 • -7.09db
34% Popularity • 45% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 45% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Mark Ronson
True Blue
102 bpm • F# Maj • 05:48 • -7.58db
40% Popularity • 56% Danceability • 78% Energy • 55% Liveness
2% Instrumentalness • 51% Positiveness
40% Popularity • 56% Danceability • 78% Energy • 55% Liveness
2% Instrumentalness • 51% Positiveness
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Animal Collective
Golden Gal
102 bpm • C Maj • 04:41 • -6.28db
30% Popularity • 70% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 70% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Little Scream
Love as a Weapon
107 bpm • B min • 04:52 • -8.93db
26% Popularity • 68% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
26% Popularity • 68% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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Clap Your Hands Say Yeah
The Pilot
107 bpm • E Maj • 03:11 • -7.78db
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
24% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
24% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Dirty Projectors
Gun Has No Trigger
101 bpm • A min • 03:24 • -5.89db
20% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Twin Shadow
Only for the Broken-Hearted
107 bpm • E Maj • 03:03 • -9.52db
23% Popularity • 89% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
23% Popularity • 89% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Elohim
Hallucinating
107 bpm • A Maj • 03:38 • -6.28db
42% Popularity • 77% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
42% Popularity • 77% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Knox Fortune
Keep You Close
101 bpm • G# Maj • 03:33 • -5.25db
17% Popularity • 68% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
17% Popularity • 68% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
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Sylvan Esso
Rewind
108 bpm • F# min • 04:39 • -7.57db
35% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Hart
O Sangeeta
108 bpm • C Maj • 03:45 • -4.82db
19% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Dirty Projectors
Swing Lo Magellan
101 bpm • F min • 02:37 • -10db
37% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Rostam
Gwan
100 bpm • A Maj • 04:45 • -10.48db
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Pickwick
In Time
100 bpm • A min • 02:56 • -6.25db
13% Popularity • 66% Danceability • 85% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
13% Popularity • 66% Danceability • 85% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
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Jonathan Something
Outlandish Poetica
100 bpm • C# min • 05:05 • -6db
21% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Wye Oak
Symmetry
100 bpm • F Maj • 04:06 • -6.12db
15% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Vampire Weekend
Sunflower
100 bpm • G# Maj • 02:17 • -5.69db
57% Popularity • 86% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
57% Popularity • 86% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
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Jealous of the Birds
Plastic Skeletons
100 bpm • A Maj • 03:12 • -6.08db
22% Popularity • 62% Danceability • 90% Energy • 30% Liveness
4% Instrumentalness • 74% Positiveness
22% Popularity • 62% Danceability • 90% Energy • 30% Liveness
4% Instrumentalness • 74% Positiveness
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Thao
Give Me Peace
100 bpm • F Maj • 02:59 • -9.48db
17% Popularity • 83% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 83% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Tennis
Ladies Don't Play Guitar
100 bpm • G min • 03:44 • -5.51db
37% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Hamilton Leithauser
Sick as a Dog
100 bpm • C Maj • 04:33 • -7.85db
35% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Unknown Mortal Orchestra
Not in Love We’re Just High
100 bpm • F Maj • 03:37 • -6db
37% Popularity • 87% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 87% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Generationals
In Green
100 bpm • B min • 02:53 • -6.92db
49% Popularity • 72% Danceability • 86% Energy • 12% Liveness
14% Instrumentalness • 91% Positiveness
49% Popularity • 72% Danceability • 86% Energy • 12% Liveness
14% Instrumentalness • 91% Positiveness
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Dirty Projectors
Offspring Are Blank
100 bpm • D# Maj • 04:00 • -6.7db
14% Popularity • 34% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 34% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Thao
Hand to God
100 bpm • B Maj • 03:52 • -7.84db
21% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Belle and Sebastian
Poor Boy
100 bpm • C# Maj • 04:28 • -7.76db
22% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Rostam
Sumer
109 bpm • B Maj • 03:35 • -8db
21% Popularity • 44% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 44% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Unknown Mortal Orchestra
American Guilt
100 bpm • C# Maj • 04:33 • -4db
34% Popularity • 48% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 48% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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St. Vincent
Los Ageless - DJDS Version
100 bpm • F min • 02:12 • -8.15db
18% Popularity • 77% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 77% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Spoon
Hot Thoughts
109 bpm • G# Maj • 03:48 • -5.77db
45% Popularity • 67% Danceability • 86% Energy • 64% Liveness
20% Instrumentalness • 46% Positiveness
45% Popularity • 67% Danceability • 86% Energy • 64% Liveness
20% Instrumentalness • 46% Positiveness
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Arcade Fire
Good God Damn
99 bpm • B min • 03:34 • -8.3db
44% Popularity • 80% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 80% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Belle and Sebastian
Poor Boy - Radio Edit
100 bpm • C# Maj • 03:25 • -5db
27% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Thao
Bag of Hammers
99 bpm • D Maj • 02:49 • -7.88db
34% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Strange Names
Luxury Child
99 bpm • D Maj • 03:13 • -1db
22% Popularity • 71% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 71% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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St. Vincent
Los Ageless
99 bpm • F min • 04:41 • -6.03db
54% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Dirty Projectors
Little Bubble
99 bpm • G# Maj • 05:05 • -10.38db
17% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kishi Bashi
Say Yeah
110 bpm • E min • 04:34 • -7.82db
30% Popularity • 70% Danceability • 56% Energy • 39% Liveness
1% Instrumentalness • 72% Positiveness
30% Popularity • 70% Danceability • 56% Energy • 39% Liveness
1% Instrumentalness • 72% Positiveness
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Beirut
Gibraltar
110 bpm • C# min • 03:41 • -9db
45% Popularity • 75% Danceability • 29% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
45% Popularity • 75% Danceability • 29% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
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This Is The Kit
Moonshine Freeze
98 bpm • F# min • 03:41 • -9db
38% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Grizzly Bear
Three Rings
109 bpm • B min • 04:48 • -6.16db
35% Popularity • 51% Danceability • 88% Energy • 8% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 51% Danceability • 88% Energy • 8% Liveness
63% Instrumentalness • 15% Positiveness
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The Shins
Heartworms - Flipped
110 bpm • E Maj • 03:09 • -7.11db
27% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Animal Collective
Man Of Oil
110 bpm • B Maj • 05:25 • -11.13db
41% Popularity • 63% Danceability • 56% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
41% Popularity • 63% Danceability • 56% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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YACHT
Strawberry Moon
110 bpm • B min • 03:53 • -9.69db
11% Popularity • 88% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 88% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Superorganism
It’s All Good
110 bpm • C# min • 03:23 • -6.27db
32% Popularity • 72% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 72% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Beck
Up All Night
110 bpm • C# min • 03:10 • -4.8db
52% Popularity • 64% Danceability • 91% Energy • 24% Liveness
9% Instrumentalness • 64% Positiveness
52% Popularity • 64% Danceability • 91% Energy • 24% Liveness
9% Instrumentalness • 64% Positiveness
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Devendra Banhart
Fancy Man
110 bpm • F# min • 02:59 • -7.34db
35% Popularity • 90% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 81% Positiveness
35% Popularity • 90% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 81% Positiveness
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Thao
The Evening
110 bpm • D Maj • 03:24 • -6.23db
28% Popularity • 77% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 77% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Har Mar Superstar
Haircut
110 bpm • E min • 02:32 • -8.4db
19% Popularity • 73% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
19% Popularity • 73% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
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Whitney
The Falls
110 bpm • A# Maj • 02:20 • -5.7db
38% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
38% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
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Born Ruffians
Foxes Mate For Life
110 bpm • G Maj • 04:30 • -5.77db
35% Popularity • 62% Danceability • 57% Energy • 6% Liveness
5% Instrumentalness • 58% Positiveness
35% Popularity • 62% Danceability • 57% Energy • 6% Liveness
5% Instrumentalness • 58% Positiveness
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of Montreal
Oslo in the Summertime
98 bpm • F# min • 03:21 • -7.48db
39% Popularity • 75% Danceability • 86% Energy • 14% Liveness
30% Instrumentalness • 86% Positiveness
39% Popularity • 75% Danceability • 86% Energy • 14% Liveness
30% Instrumentalness • 86% Positiveness
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Generationals
Catahoula Man
98 bpm • D Maj • 04:06 • -5.27db
33% Popularity • 69% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 69% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
26% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Cass McCombs
Switch
98 bpm • G min • 04:14 • -9.3db
32% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Parquet Courts
Tenderness
98 bpm • G Maj • 03:06 • -4.27db
50% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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San Fermin
Oceanica
98 bpm • G Maj • 03:35 • -7db
24% Popularity • 65% Danceability • 66% Energy • 11% Liveness
56% Instrumentalness • 44% Positiveness
24% Popularity • 65% Danceability • 66% Energy • 11% Liveness
56% Instrumentalness • 44% Positiveness
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Devendra Banhart
Fig in Leather
98 bpm • A min • 03:13 • -8db
42% Popularity • 80% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 80% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Buzzy Lee
Coolhand
111 bpm • D min • 03:38 • -8.47db
35% Popularity • 75% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 75% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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of Montreal
Lysergic Bliss
111 bpm • F# min • 04:04 • -6db
42% Popularity • 48% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 86% Positiveness
42% Popularity • 48% Danceability • 75% Energy • 10% Liveness
4% Instrumentalness • 86% Positiveness
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The Books
Tokyo
97 bpm • G# Maj • 03:43 • -7.64db
31% Popularity • 62% Danceability • 57% Energy • 51% Liveness
82% Instrumentalness • 54% Positiveness
31% Popularity • 62% Danceability • 57% Energy • 51% Liveness
82% Instrumentalness • 54% Positiveness
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Dirty Projectors
Useful Chamber
97 bpm • G Maj • 06:28 • -7.36db
23% Popularity • 34% Danceability • 51% Energy • 24% Liveness
2% Instrumentalness • 36% Positiveness
23% Popularity • 34% Danceability • 51% Energy • 24% Liveness
2% Instrumentalness • 36% Positiveness
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Foxygen
Work
112 bpm • F min • 03:15 • -7.3db
20% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Beirut
Landslide
112 bpm • A# Maj • 03:30 • -6.53db
29% Popularity • 54% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 76% Positiveness
29% Popularity • 54% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 76% Positiveness
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Unknown Mortal Orchestra
Shakedown Street
112 bpm • C Maj • 03:28 • -5.28db
32% Popularity • 80% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 80% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Nilüfer Yanya
Thanks 4 Nothing
112 bpm • C Maj • 04:47 • -8db
31% Popularity • 86% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 86% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dent May
Across The Multiverse
112 bpm • F# min • 03:04 • -4.64db
24% Popularity • 68% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 68% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Dirty Projectors
Little Bubble - edit
112 bpm • G# Maj • 03:28 • -10.28db
9% Popularity • 33% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
9% Popularity • 33% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Your Smith
The Spot
112 bpm • E Maj • 02:51 • -6.96db
47% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jonti
Sleeping and Falling
112 bpm • D Maj • 05:53 • -7.44db
11% Popularity • 60% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
11% Popularity • 60% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Kurt Vile
Loading Zones
112 bpm • E min • 03:23 • -4.64db
48% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Unknown Mortal Orchestra
Necessary Evil
96 bpm • A Maj • 05:17 • -7.22db
51% Popularity • 83% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
51% Popularity • 83% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
