Songs like Break With Me by shy martin
Based on a tempo of (+/- 10%) and a similar genre
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JP Saxe
Dangerous Levels of Introspection
138 bpm • C Maj • 03:54 • -9.08db
37% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Will Callan
Waste of You
138 bpm • D Maj • 03:48 • -7db
34% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Spencer William
Good Graces
137 bpm • D# Maj • 03:08 • -9db
22% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Rishi
Lonely Broken People
139 bpm • C# min • 03:48 • -10db
26% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Annika Wells
Love Sucks
139 bpm • D# min • 02:34 • -9db
25% Popularity • 58% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 58% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Rasmus Hagen
If You’re Hurting
140 bpm • A Maj • 03:07 • -5.94db
14% Popularity • 57% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 57% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Mills
Fight Alone
140 bpm • G Maj • 03:54 • -11.97db
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Maximillian
Crossroads
140 bpm • D Maj • 03:01 • -8.35db
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Thomas
If You're Happy Now
140 bpm • A Maj • 03:33 • -8db
22% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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James TW
Rose Tinted Glasses
140 bpm • G# Maj • 03:44 • -8.44db
23% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Lukas Graham
Happy For You
136 bpm • A# Maj • 03:46 • -4.14db
51% Popularity • 67% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 67% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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yaeow
Stuck Here Without You
140 bpm • G min • 02:07 • -12.55db
26% Popularity • 66% Danceability • 43% Energy • 24% Liveness
31% Instrumentalness • 31% Positiveness
26% Popularity • 66% Danceability • 43% Energy • 24% Liveness
31% Instrumentalness • 31% Positiveness
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Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Malia Civetz
Little Victories (Acoustic)
140 bpm • D# Maj • 03:43 • -5.3db
24% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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SABAI
Million Days - Acoustic
140 bpm • C Maj • 03:34 • -7.33db
46% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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LANY
heart won't let me
136 bpm • C Maj • 03:19 • -8.06db
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Wills
Just Us
140 bpm • F# Maj • 03:25 • -7.91db
24% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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PARRIS MITCHELL
bad place
140 bpm • B Maj • 03:22 • -8.99db
15% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kyden
Make It Up to You
140 bpm • B min • 02:59 • -8.23db
30% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Mac Hunt
Haircut
140 bpm • E Maj • 02:58 • -8.16db
22% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Etham
Marathon Hearts
136 bpm • C Maj • 02:22 • -7.56db
22% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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FLETCHER
Feel
140 bpm • F# Maj • 03:02 • -7.12db
44% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 45% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Conor Matthews
How Many Times Can a Heart Break
140 bpm • C Maj • 03:05 • -7db
29% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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shy martin
don't let me forget you love me
136 bpm • G# Maj • 03:06 • -13db
28% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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JP Cooper
Too Close
140 bpm • B Maj • 03:04 • -5db
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Carlie Hanson
Daze Inn - Acoustic
140 bpm • C Maj • 02:46 • -7.69db
21% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Tate Brusa
Not Me That You're Thinking 'Bout
140 bpm • C# Maj • 04:31 • -11.68db
30% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Maximillian
Love Like This
140 bpm • D# Maj • 02:47 • -8db
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
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Max Embers
Honest Mistake
136 bpm • G min • 04:11 • -10.22db
33% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Amskøld
How to Be Around You
136 bpm • G Maj • 03:16 • -7.86db
20% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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ROSIE
Idk you at all
141 bpm • C Maj • 02:41 • -13db
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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yaeow
Behind the Clouds
135 bpm • D# Maj • 02:40 • -16.13db
43% Popularity • 58% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
43% Popularity • 58% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Cian Ducrot
Not Usually Like This
135 bpm • B Maj • 03:19 • -9.05db
42% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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HAVEN
Different People
134 bpm • D# min • 02:54 • -6.86db
36% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Maximillian
Mirror
142 bpm • C# Maj • 02:57 • -9.11db
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Glades
Through To You
135 bpm • F Maj • 03:26 • -9db
20% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Andrey Azizov
Losing Myself
134 bpm • A# Maj • 03:12 • -8db
30% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fly By Midnight
The Ad Above Your Head
134 bpm • C# min • 02:58 • -11db
30% Popularity • 60% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 60% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Emily Weisband
The Way I Say Goodbye
142 bpm • F Maj • 03:04 • -11.18db
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lorelei Marcell
Your Biggest Fan
143 bpm • C min • 03:57 • -8.84db
29% Popularity • 52% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 52% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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shy martin
Out of My Hands
133 bpm • F min • 03:23 • -6.58db
41% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Rhys
Better Break My Heart - Acoustic version
133 bpm • G Maj • 02:55 • -7.17db
32% Popularity • 72% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 72% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Maximillian
Beautiful Scars (Maximillian x Moira Del...
133 bpm • D# min • 02:37 • -8.14db
55% Popularity • 78% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 78% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Joel Adams
Sick World
144 bpm • C min • 04:31 • -8.29db
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Beren Olivia
Hurt Again
144 bpm • A min • 03:00 • -7.72db
31% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Boy In Space
On A Prayer
144 bpm • C# Maj • 02:33 • -6db
43% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Haley Joelle
Molly
144 bpm • B Maj • 03:10 • -12db
25% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Chris James
The Fallout
144 bpm • F Maj • 03:11 • -11.63db
19% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Alexander Stewart
24 Hours
144 bpm • A# Maj • 03:18 • -7db
44% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Modslee
Don't Really Wanna Know
132 bpm • C min • 02:41 • -8.41db
19% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -6.75db
32% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Conor Matthews
Wait For Me
132 bpm • A# Maj • 03:05 • -7.15db
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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NOTD
Keep You Mine - Acoustic
132 bpm • A# Maj • 03:03 • -9.31db
46% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Sophie Cates
crowd
144 bpm • D Maj • 02:46 • -6.31db
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Tayler Buono
My Person
144 bpm • D Maj • 03:06 • -7.75db
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -7.21db
40% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Billy Lockett
Call Me In The Morning
132 bpm • G# Maj • 03:38 • -10.14db
38% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Sam DeRosa
The Medicine
132 bpm • C Maj • 02:51 • -7.67db
21% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Munn
in limbo
145 bpm • F Maj • 03:00 • -6.99db
34% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Alec Benjamin
The Way You Felt - Acoustic Version
132 bpm • C Maj • 02:50 • -9db
34% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Tayler Buono
Remember the Bad
145 bpm • G Maj • 02:43 • -6.22db
21% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Twin Tides
Risk It All
145 bpm • B Maj • 04:10 • -11db
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Adam Turley
I See You
145 bpm • D Maj • 03:00 • -8db
34% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mimi Webb
Halfway
145 bpm • C# min • 03:17 • -3.5db
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Zachary Knowles
life sentence
145 bpm • D Maj • 03:58 • -9.35db
22% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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King of Little Sweden
Better Off As Friends
146 bpm • B Maj • 03:25 • -12db
18% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Turley
Rewind - Late Night Version
146 bpm • E Maj • 03:23 • -7db
23% Popularity • 63% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Nina Nesbitt
When You Lose Someone
130 bpm • D# Maj • 03:21 • -6db
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Zara Larsson
I Need Love
130 bpm • G# Maj • 03:06 • -5.22db
33% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Zachary Knowles
blue bird
130 bpm • D# Maj • 03:41 • -8.97db
37% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Munn
Midnight Drives
130 bpm • C# Maj • 03:00 • -13.22db
30% Popularity • 66% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 66% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Lauren Aquilina
Latest Ghost - Piano Version
147 bpm • D# Maj • 02:51 • -11db
27% Popularity • 43% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 43% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Maximillian
Ripples
130 bpm • C Maj • 03:15 • -9db
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
