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Breaking Up Is Hard to Do
Songs like
Breaking Up Is Hard to Do
by
Alton Ellis
Based on a tempo of (+/- 10%) and a similar genre
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Alton Ellis
Break Up
78 bpm • C# min • 02:54 • -7.09db
24% Popularity • 73% Danceability • 54% Energy • 68% Liveness
0% Instrumentalness • 60% Positiveness
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The Gaylads
It's Hard To Confess
78 bpm • G# Maj • 02:26 • -7.79db
31% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
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Sister Nancy
Transport Connection
78 bpm • A min • 03:45 • -6.81db
41% Popularity • 59% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Prince Jazzbo
Crabwalking
78 bpm • A min • 03:15 • -6db
28% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Dennis Alcapone
It Must Come
78 bpm • E min • 02:35 • -4.44db
19% Popularity • 79% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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The Clarendonians
I'm Sorry
78 bpm • C# Maj • 02:59 • -11db
17% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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The Sharks
How Could I Live
78 bpm • A min • 03:11 • -8.19db
27% Popularity • 76% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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The Ethiopians
Engine 54
77 bpm • A# Maj • 02:39 • -10.91db
45% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Sister Nancy
Ain't No Stopping Nancy
78 bpm • G# Maj • 03:19 • -8.02db
37% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Slim Smith
Ain't Too Proud To Beg
79 bpm • D Maj • 02:40 • -14db
18% Popularity • 70% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Frightnrs
Gotta Find a Way
77 bpm • F Maj • 03:49 • -8db
47% Popularity • 78% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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Yellowman
Natty Sat Upon The Rock
77 bpm • B Maj • 03:25 • -7.41db
38% Popularity • 85% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Kingstonians
Mother Miserable
79 bpm • C Maj • 03:00 • -7db
13% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Carlton & The Shoes
This Feeling
79 bpm • C Maj • 03:36 • -12db
16% Popularity • 53% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Ken Parker
True True True
79 bpm • G Maj • 02:15 • -10db
37% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
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Slim Smith
Gypsy Woman
79 bpm • C Maj • 03:10 • -11.84db
27% Popularity • 59% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Gaylads
ABC Rocksteady
79 bpm • A# Maj • 02:08 • -9.71db
30% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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King Tubby
Roots Of Dub
77 bpm • G# Maj • 03:18 • -10db
35% Popularity • 69% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 47% Positiveness
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Ini Kamoze
Call a Taxi
77 bpm • G# Maj • 04:07 • -11.91db
39% Popularity • 75% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Sister Nancy
Bang Belly
79 bpm • C# Maj • 03:03 • -6.71db
32% Popularity • 87% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Don Carlos
I'm Not Crazy
79 bpm • A# min • 03:21 • -9.12db
42% Popularity • 78% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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The Aggrovators
So Jah Sey Dub
77 bpm • A Maj • 04:20 • -11.13db
39% Popularity • 73% Danceability • 42% Energy • 8% Liveness
6% Instrumentalness • 57% Positiveness
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The Ethiopians
Come On Now
79 bpm • C Maj • 03:15 • -11.84db
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
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Jimmy London
Moving On
77 bpm • C min • 03:00 • -14.2db
30% Popularity • 82% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Yellowman
Yellowman Getting Married
79 bpm • G# Maj • 03:35 • -7.05db
28% Popularity • 79% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Alton Ellis
Breaking Up (Is Hard to Do)
77 bpm • B Maj • 03:00 • -6.2db
26% Popularity • 67% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Althea And Donna
No More Fighting - Remastered 2001
80 bpm • G Maj • 03:37 • -9.18db
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Glen Adams
She's so Fine
79 bpm • C Maj • 03:48 • -13.12db
18% Popularity • 76% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Hopeton Lewis
I Can't Stand It
80 bpm • C# Maj • 02:42 • -10.49db
11% Popularity • 84% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Sister Nancy
Only Woman D.J. With Degree
76 bpm • F min • 03:29 • -9db
37% Popularity • 75% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Israel Vibration
Cool and Calm
76 bpm • C Maj • 04:25 • -10.47db
57% Popularity • 80% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Gladiators
Bellyfull - 1990 Digital Remaster
80 bpm • G# min • 02:19 • -13.91db
47% Popularity • 84% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Duke Reid
Botheration
76 bpm • G Maj • 02:12 • -9.52db
30% Popularity • 78% Danceability • 43% Energy • 8% Liveness
46% Instrumentalness • 97% Positiveness
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The Clarendonians
Lonely Heartaches
80 bpm • C# Maj • 02:05 • -9.45db
18% Popularity • 72% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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The Aggrovators
Chance Gimme
80 bpm • D Maj • 02:48 • -5.92db
33% Popularity • 86% Danceability • 49% Energy • 12% Liveness
27% Instrumentalness • 70% Positiveness
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The Gaylads
Over The Rainbow's End
76 bpm • C Maj • 02:49 • -6.51db
27% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Carlton & The Shoes
I've Got Soul
80 bpm • B min • 02:58 • -15.29db
17% Popularity • 58% Danceability • 30% Energy • 28% Liveness
13% Instrumentalness • 85% Positiveness
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The Ethiopians
Pirate
76 bpm • A Maj • 02:32 • -6.33db
34% Popularity • 85% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Hortense Ellis
Sincerely
76 bpm • G Maj • 03:14 • -7db
12% Popularity • 69% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Ken Parker
A Change Gonna Come
80 bpm • C Maj • 02:54 • -15.23db
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
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Junior Byles
Mystic Revelation
80 bpm • D# Maj • 03:11 • -13.3db
35% Popularity • 81% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Alton Ellis
I Can't Stop Now
80 bpm • G Maj • 03:22 • -10.75db
22% Popularity • 85% Danceability • 30% Energy • 8% Liveness
8% Instrumentalness • 62% Positiveness
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Niney The Observer
I Need Your Loving
76 bpm • D Maj • 02:34 • -17db
32% Popularity • 67% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Desmond Dekker & The Aces
Beautiful and Dangerous
80 bpm • G# min • 02:49 • -11.6db
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Frightnrs
Dispute
80 bpm • G# Maj • 03:13 • -9db
44% Popularity • 72% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Slim Smith
Everybody Needs Love
76 bpm • C# Maj • 02:21 • -9db
31% Popularity • 75% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lacksley Castell
Morning Glory
81 bpm • F min • 03:08 • -11db
36% Popularity • 83% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Alton Ellis
Baby I Love You
81 bpm • E Maj • 02:12 • -13.97db
26% Popularity • 75% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Jackie Mittoo
Summer Breeze
75 bpm • A min • 03:44 • -12.55db
28% Popularity • 73% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
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Al Campbell
Take a Ride
81 bpm • C# min • 02:51 • -10.27db
28% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Joya Landis
Moonlight Lover
81 bpm • F Maj • 02:23 • -11db
34% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Dandy Livingstone
I'm Your Puppet
75 bpm • C min • 03:13 • -10.47db
25% Popularity • 73% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 91% Positiveness
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Prince Jazzbo
School
81 bpm • B min • 02:38 • -10.18db
32% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Bunny Wailer
Mellow Mood
81 bpm • C Maj • 03:51 • -13db
54% Popularity • 73% Danceability • 56% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
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Yellowman
Jamaica A Little Miami
75 bpm • F Maj • 03:03 • -7db
31% Popularity • 78% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Ethiopians
Give Me Your Love
81 bpm • E min • 02:23 • -9.99db
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Tennors
Cleopatra
81 bpm • G Maj • 02:12 • -11.3db
32% Popularity • 80% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Desmond Dekker & The Aces
It Mek
75 bpm • G# Maj • 02:32 • -7.79db
45% Popularity • 60% Danceability • 56% Energy • 23% Liveness
69% Instrumentalness • 66% Positiveness
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Hugh Mundell
Africa Must Be Free By 1983
75 bpm • G# Maj • 02:28 • -11.01db
38% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Hortense Ellis
People Make The World Go Round
81 bpm • C# Maj • 03:16 • -9.58db
28% Popularity • 86% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Derrick Morgan
Conquering Ruler
75 bpm • A# Maj • 02:50 • -6.91db
32% Popularity • 84% Danceability • 45% Energy • 25% Liveness
68% Instrumentalness • 80% Positiveness
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The Melodians
Swing and Dine
75 bpm • G Maj • 03:09 • -13.83db
26% Popularity • 77% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Wilburn Cole
Crying Every Night (These Eyes)
81 bpm • G Maj • 02:31 • -7.9db
40% Popularity • 87% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
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Hopeton Lewis
Rock A Shacka
81 bpm • C min • 02:30 • -8.59db
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Lloyd Charmers
One Woman
81 bpm • F# Maj • 03:14 • -14.77db
28% Popularity • 76% Danceability • 39% Energy • 14% Liveness
8% Instrumentalness • 46% Positiveness
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Jackie Mittoo
Reggae Rock
81 bpm • F min • 01:57 • -10db
28% Popularity • 75% Danceability • 44% Energy • 12% Liveness
32% Instrumentalness • 83% Positiveness
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Barry Brown
Ketch a Fire
75 bpm • G# min • 05:37 • -10.94db
21% Popularity • 72% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Melodians
Last Train to Expo 67
81 bpm • D Maj • 02:54 • -11.04db
24% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
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Junior Byles
Fade Away
82 bpm • A# min • 03:01 • -6db
41% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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The Abyssinians
Satta - Amassa - Gana
75 bpm • C# min • 03:41 • -4db
38% Popularity • 56% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Alton Ellis
I'm Just a Guy
82 bpm • G Maj • 03:03 • -9.77db
22% Popularity • 69% Danceability • 52% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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Anthony Rocky Ellis
I'm the Ruler
82 bpm • A# Maj • 02:19 • -9.84db
27% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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King Tubby
Dub Waltz
82 bpm • A Maj • 03:14 • -4.63db
37% Popularity • 70% Danceability • 67% Energy • 3% Liveness
84% Instrumentalness • 74% Positiveness
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The Melodians
Little Nut Tree
75 bpm • C# Maj • 02:27 • -11.94db
30% Popularity • 84% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Ethiopians
No Baptism
74 bpm • G# Maj • 02:43 • -7.61db
43% Popularity • 79% Danceability • 47% Energy • 19% Liveness
86% Instrumentalness • 69% Positiveness
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Ini Kamoze
Hail mi idrin
74 bpm • A# Maj • 04:36 • -7.85db
45% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Alton Ellis
Oowee Baby (Baby I Love You)
75 bpm • A# Maj • 02:30 • -8.5db
20% Popularity • 82% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ken Parker
I Can't Hide
82 bpm • C Maj • 02:25 • -10.84db
43% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
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The Frightnrs
Gonna Make Time
74 bpm • C Maj • 03:34 • -10db
50% Popularity • 72% Danceability • 49% Energy • 6% Liveness
51% Instrumentalness • 93% Positiveness
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The Melodians
Come On Little Girl
82 bpm • G Maj • 02:26 • -13.28db
30% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Delroy Wilson
Better Must Come
74 bpm • A Maj • 02:43 • -7.54db
51% Popularity • 72% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Don Drummond
Heavenless
74 bpm • F Maj • 06:12 • -10db
27% Popularity • 75% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
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The Clarendonians
Darling Forever
74 bpm • C Maj • 02:55 • -14.85db
11% Popularity • 65% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Ken Parker
I Wanna Be Loved
82 bpm • C# Maj • 02:51 • -9.69db
16% Popularity • 77% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Carlton & The Shoes
Just Me
82 bpm • A Maj • 03:25 • -12db
20% Popularity • 74% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Big Youth
Cool Breeze
82 bpm • F Maj • 03:30 • -15.11db
36% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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The Kingstonians
Winey Winey
82 bpm • C# Maj • 02:52 • -10.66db
25% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Keith & Tex
Hypnotizing Eyes
82 bpm • D min • 02:54 • -7.77db
20% Popularity • 85% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Niney The Observer
Jah Fire
74 bpm • G Maj • 02:37 • -9db
38% Popularity • 85% Danceability • 53% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
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The Gaylads
Are You Not the Guy
82 bpm • A# min • 02:03 • -11.44db
17% Popularity • 82% Danceability • 32% Energy • 11% Liveness
78% Instrumentalness • 74% Positiveness
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Desmond Dekker & The Aces
Intensified '68
82 bpm • A# Maj • 02:45 • -6.73db
34% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Larry Marshall
Can't You Understand
74 bpm • D Maj • 02:57 • -14db
29% Popularity • 78% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Melodians
Come on Little Girl
82 bpm • G Maj • 02:15 • -7.56db
24% Popularity • 88% Danceability • 35% Energy • 9% Liveness
61% Instrumentalness • 82% Positiveness
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Johnny Clarke
Declaration Of Rights - Remastered 2000
74 bpm • E min • 03:26 • -10.96db
41% Popularity • 77% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Yellowman
Morning Ride
74 bpm • F# min • 03:28 • -9db
41% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Viceroys
They Can't Stop Us Now
74 bpm • C min • 02:58 • -9.74db
38% Popularity • 83% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Alton Ellis
True Born African
82 bpm • B min • 03:06 • -9.14db
16% Popularity • 77% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Bunny Wailer
Fighting Against Conviction
74 bpm • C# min • 05:10 • -15db
49% Popularity • 70% Danceability • 34% Energy • 4% Liveness
3% Instrumentalness • 71% Positiveness
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Althea And Donna
Uptown Top Ranking - Remastered 2001
82 bpm • G Maj • 03:49 • -8db
64% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Joya Landis
Moonlight Lover
82 bpm • F Maj • 02:20 • -11.01db
25% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Breaking Up Is Hard to Do