Songs like Bright like the Sun by False Noise
Based on a tempo of (+/- 10%) and a similar genre
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Sevish
We Can't Be Blamed
129 bpm β’ D Maj β’ 03:58 β’ -13.77db
12% Popularity β’ 68% Danceability β’ 70% Energy β’ 8% Liveness
18% Instrumentalness β’ 25% Positiveness
12% Popularity β’ 68% Danceability β’ 70% Energy β’ 8% Liveness
18% Instrumentalness β’ 25% Positiveness
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Goreshit
O'er the Flood
128 bpm β’ D# Maj β’ 06:22 β’ -4.34db
36% Popularity β’ 33% Danceability β’ 86% Energy β’ 9% Liveness
92% Instrumentalness β’ 4% Positiveness
36% Popularity β’ 33% Danceability β’ 86% Energy β’ 9% Liveness
92% Instrumentalness β’ 4% Positiveness
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ALEPH
POLYMER
130 bpm β’ G# min β’ 04:07 β’ -5.85db
13% Popularity β’ 52% Danceability β’ 80% Energy β’ 44% Liveness
8% Instrumentalness β’ 27% Positiveness
13% Popularity β’ 52% Danceability β’ 80% Energy β’ 44% Liveness
8% Instrumentalness β’ 27% Positiveness
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False Noise
Bright like the Sun
129 bpm β’ D min β’ 05:22 β’ -9.7db
13% Popularity β’ 38% Danceability β’ 26% Energy β’ 26% Liveness
52% Instrumentalness β’ 8% Positiveness
13% Popularity β’ 38% Danceability β’ 26% Energy β’ 26% Liveness
52% Instrumentalness β’ 8% Positiveness
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eightiesheadachetape
i wish that i learned how to draw so i c...
128 bpm β’ F# min β’ 02:45 β’ -4.65db
17% Popularity β’ 63% Danceability β’ 98% Energy β’ 53% Liveness
92% Instrumentalness β’ 22% Positiveness
17% Popularity β’ 63% Danceability β’ 98% Energy β’ 53% Liveness
92% Instrumentalness β’ 22% Positiveness
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voljum
phazon tune
128 bpm β’ C# Maj β’ 04:00 β’ -6.15db
9% Popularity β’ 56% Danceability β’ 63% Energy β’ 9% Liveness
36% Instrumentalness β’ 18% Positiveness
9% Popularity β’ 56% Danceability β’ 63% Energy β’ 9% Liveness
36% Instrumentalness β’ 18% Positiveness
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Sevish
You Tell Me
129 bpm β’ C min β’ 04:48 β’ -12.97db
9% Popularity β’ 73% Danceability β’ 52% Energy β’ 30% Liveness
88% Instrumentalness β’ 46% Positiveness
9% Popularity β’ 73% Danceability β’ 52% Energy β’ 30% Liveness
88% Instrumentalness β’ 46% Positiveness
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Kinoteki
Impact
130 bpm β’ G# min β’ 04:48 β’ -10.15db
13% Popularity β’ 43% Danceability β’ 75% Energy β’ 12% Liveness
26% Instrumentalness β’ 4% Positiveness
13% Popularity β’ 43% Danceability β’ 75% Energy β’ 12% Liveness
26% Instrumentalness β’ 4% Positiveness
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Golemm
Ant Racing
130 bpm β’ C Maj β’ 01:28 β’ -5db
38% Popularity β’ 80% Danceability β’ 99% Energy β’ 11% Liveness
91% Instrumentalness β’ 56% Positiveness
38% Popularity β’ 80% Danceability β’ 99% Energy β’ 11% Liveness
91% Instrumentalness β’ 56% Positiveness
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phonon
emme
130 bpm β’ B Maj β’ 07:00 β’ -5.14db
17% Popularity β’ 52% Danceability β’ 82% Energy β’ 60% Liveness
23% Instrumentalness β’ 34% Positiveness
17% Popularity β’ 52% Danceability β’ 82% Energy β’ 60% Liveness
23% Instrumentalness β’ 34% Positiveness
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bandoum
emerald
128 bpm β’ G Maj β’ 02:30 β’ -3db
18% Popularity β’ 74% Danceability β’ 87% Energy β’ 14% Liveness
79% Instrumentalness β’ 50% Positiveness
18% Popularity β’ 74% Danceability β’ 87% Energy β’ 14% Liveness
79% Instrumentalness β’ 50% Positiveness
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Iglooghost
Soil Bolt
128 bpm β’ C min β’ 03:59 β’ -18db
16% Popularity β’ 30% Danceability β’ 36% Energy β’ 38% Liveness
50% Instrumentalness β’ 13% Positiveness
16% Popularity β’ 30% Danceability β’ 36% Energy β’ 38% Liveness
50% Instrumentalness β’ 13% Positiveness
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nuphory
Volcast
128 bpm β’ A# min β’ 03:22 β’ -6.28db
13% Popularity β’ 62% Danceability β’ 92% Energy β’ 8% Liveness
88% Instrumentalness β’ 88% Positiveness
13% Popularity β’ 62% Danceability β’ 92% Energy β’ 8% Liveness
88% Instrumentalness β’ 88% Positiveness
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Hyleo
Galaxy Cutter
128 bpm β’ F min β’ 05:35 β’ -8db
19% Popularity β’ 42% Danceability β’ 75% Energy β’ 11% Liveness
55% Instrumentalness β’ 20% Positiveness
19% Popularity β’ 42% Danceability β’ 75% Energy β’ 11% Liveness
55% Instrumentalness β’ 20% Positiveness
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Golemm
Bionic Golem
130 bpm β’ F# min β’ 03:13 β’ -8db
29% Popularity β’ 64% Danceability β’ 90% Energy β’ 42% Liveness
93% Instrumentalness β’ 72% Positiveness
29% Popularity β’ 64% Danceability β’ 90% Energy β’ 42% Liveness
93% Instrumentalness β’ 72% Positiveness
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Android52
SPLIT
128 bpm β’ A Maj β’ 03:24 β’ -6.43db
11% Popularity β’ 76% Danceability β’ 93% Energy β’ 36% Liveness
23% Instrumentalness β’ 9% Positiveness
11% Popularity β’ 76% Danceability β’ 93% Energy β’ 36% Liveness
23% Instrumentalness β’ 9% Positiveness
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Acetantina
Hopelessful
130 bpm β’ F# Maj β’ 01:51 β’ -12.67db
20% Popularity β’ 70% Danceability β’ 58% Energy β’ 12% Liveness
44% Instrumentalness β’ 25% Positiveness
20% Popularity β’ 70% Danceability β’ 58% Energy β’ 12% Liveness
44% Instrumentalness β’ 25% Positiveness
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633397
life changer
130 bpm β’ A Maj β’ 06:25 β’ -5.96db
14% Popularity β’ 32% Danceability β’ 90% Energy β’ 14% Liveness
93% Instrumentalness β’ 4% Positiveness
14% Popularity β’ 32% Danceability β’ 90% Energy β’ 14% Liveness
93% Instrumentalness β’ 4% Positiveness
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voljum
half-overcast
130 bpm β’ D min β’ 05:36 β’ -9db
10% Popularity β’ 56% Danceability β’ 56% Energy β’ 12% Liveness
4% Instrumentalness β’ 12% Positiveness
10% Popularity β’ 56% Danceability β’ 56% Energy β’ 12% Liveness
4% Instrumentalness β’ 12% Positiveness
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Clown Core
Keyboard
130 bpm β’ C# Maj β’ 01:41 β’ -2.76db
31% Popularity β’ 72% Danceability β’ 100% Energy β’ 27% Liveness
69% Instrumentalness β’ 14% Positiveness
31% Popularity β’ 72% Danceability β’ 100% Energy β’ 27% Liveness
69% Instrumentalness β’ 14% Positiveness
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RefraQ
RUK
130 bpm β’ C# Maj β’ 03:14 β’ -14db
23% Popularity β’ 64% Danceability β’ 76% Energy β’ 17% Liveness
88% Instrumentalness β’ 11% Positiveness
23% Popularity β’ 64% Danceability β’ 76% Energy β’ 17% Liveness
88% Instrumentalness β’ 11% Positiveness
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lalanoi
empty
130 bpm β’ G# Maj β’ 03:23 β’ -7.41db
7% Popularity β’ 69% Danceability β’ 80% Energy β’ 13% Liveness
66% Instrumentalness β’ 56% Positiveness
7% Popularity β’ 69% Danceability β’ 80% Energy β’ 13% Liveness
66% Instrumentalness β’ 56% Positiveness
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Frequent
Shrewbie Tuesday
130 bpm β’ C min β’ 04:29 β’ -4.69db
11% Popularity β’ 56% Danceability β’ 88% Energy β’ 10% Liveness
2% Instrumentalness β’ 14% Positiveness
11% Popularity β’ 56% Danceability β’ 88% Energy β’ 10% Liveness
2% Instrumentalness β’ 14% Positiveness
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eightiesheadachetape
fifty thousand ones and zeroes
127 bpm β’ B Maj β’ 02:15 β’ -2.28db
26% Popularity β’ 58% Danceability β’ 100% Energy β’ 20% Liveness
90% Instrumentalness β’ 83% Positiveness
26% Popularity β’ 58% Danceability β’ 100% Energy β’ 20% Liveness
90% Instrumentalness β’ 83% Positiveness
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Sakuraburst
Glass River
126 bpm β’ E min β’ 03:29 β’ -6.57db
9% Popularity β’ 75% Danceability β’ 75% Energy β’ 21% Liveness
1% Instrumentalness β’ 26% Positiveness
9% Popularity β’ 75% Danceability β’ 75% Energy β’ 21% Liveness
1% Instrumentalness β’ 26% Positiveness
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Vorso
SFX
126 bpm β’ C Maj β’ 02:13 β’ -3.69db
8% Popularity β’ 85% Danceability β’ 92% Energy β’ 63% Liveness
55% Instrumentalness β’ 53% Positiveness
8% Popularity β’ 85% Danceability β’ 92% Energy β’ 63% Liveness
55% Instrumentalness β’ 53% Positiveness
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ALEPH
Inbetween
126 bpm β’ G# min β’ 04:36 β’ -5.35db
17% Popularity β’ 70% Danceability β’ 86% Energy β’ 53% Liveness
7% Instrumentalness β’ 7% Positiveness
17% Popularity β’ 70% Danceability β’ 86% Energy β’ 53% Liveness
7% Instrumentalness β’ 7% Positiveness
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Little Snake
Fallen Angels
126 bpm β’ C min β’ 04:29 β’ -14.32db
11% Popularity β’ 26% Danceability β’ 41% Energy β’ 13% Liveness
12% Instrumentalness β’ 14% Positiveness
11% Popularity β’ 26% Danceability β’ 41% Energy β’ 13% Liveness
12% Instrumentalness β’ 14% Positiveness
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Ampzer
Lotus
126 bpm β’ G Maj β’ 02:49 β’ -2.93db
11% Popularity β’ 62% Danceability β’ 96% Energy β’ 42% Liveness
1% Instrumentalness β’ 6% Positiveness
11% Popularity β’ 62% Danceability β’ 96% Energy β’ 42% Liveness
1% Instrumentalness β’ 6% Positiveness
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Ekcle
To Give Credence
133 bpm β’ G# min β’ 05:50 β’ -11.5db
9% Popularity β’ 39% Danceability β’ 74% Energy β’ 38% Liveness
65% Instrumentalness β’ 5% Positiveness
9% Popularity β’ 39% Danceability β’ 74% Energy β’ 38% Liveness
65% Instrumentalness β’ 5% Positiveness
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Posy
Hitch Slam
125 bpm β’ D Maj β’ 04:07 β’ -11db
19% Popularity β’ 66% Danceability β’ 80% Energy β’ 19% Liveness
87% Instrumentalness β’ 17% Positiveness
19% Popularity β’ 66% Danceability β’ 80% Energy β’ 19% Liveness
87% Instrumentalness β’ 17% Positiveness
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Sleepnet
Hindsight
133 bpm β’ D Maj β’ 03:24 β’ -9.12db
20% Popularity β’ 58% Danceability β’ 51% Energy β’ 15% Liveness
12% Instrumentalness β’ 9% Positiveness
20% Popularity β’ 58% Danceability β’ 51% Energy β’ 15% Liveness
12% Instrumentalness β’ 9% Positiveness
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ALEPH
NOISE FLOOR
125 bpm β’ C# Maj β’ 06:01 β’ -8.04db
8% Popularity β’ 68% Danceability β’ 78% Energy β’ 84% Liveness
59% Instrumentalness β’ 9% Positiveness
8% Popularity β’ 68% Danceability β’ 78% Energy β’ 84% Liveness
59% Instrumentalness β’ 9% Positiveness
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Aaron Spectre
Create the Future
133 bpm β’ A# min β’ 03:31 β’ -5.19db
18% Popularity β’ 52% Danceability β’ 88% Energy β’ 6% Liveness
57% Instrumentalness β’ 75% Positiveness
18% Popularity β’ 52% Danceability β’ 88% Energy β’ 6% Liveness
57% Instrumentalness β’ 75% Positiveness
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voljum
nature by numbers
125 bpm β’ C# Maj β’ 05:16 β’ -7.25db
11% Popularity β’ 48% Danceability β’ 70% Energy β’ 16% Liveness
8% Instrumentalness β’ 26% Positiveness
11% Popularity β’ 48% Danceability β’ 70% Energy β’ 16% Liveness
8% Instrumentalness β’ 26% Positiveness
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Ekcle
Moonstone
133 bpm β’ A min β’ 04:41 β’ -10.49db
19% Popularity β’ 62% Danceability β’ 49% Energy β’ 18% Liveness
1% Instrumentalness β’ 24% Positiveness
19% Popularity β’ 62% Danceability β’ 49% Energy β’ 18% Liveness
1% Instrumentalness β’ 24% Positiveness
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Sevish
What Year Is This?
134 bpm β’ C# min β’ 03:28 β’ -9.7db
14% Popularity β’ 57% Danceability β’ 77% Energy β’ 33% Liveness
76% Instrumentalness β’ 7% Positiveness
14% Popularity β’ 57% Danceability β’ 77% Energy β’ 33% Liveness
76% Instrumentalness β’ 7% Positiveness
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Vayre
Wavefront
124 bpm β’ D min β’ 05:25 β’ -7.13db
9% Popularity β’ 43% Danceability β’ 91% Energy β’ 32% Liveness
68% Instrumentalness β’ 12% Positiveness
9% Popularity β’ 43% Danceability β’ 91% Energy β’ 32% Liveness
68% Instrumentalness β’ 12% Positiveness
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Vorso
Facets
124 bpm β’ D min β’ 02:21 β’ -9.11db
15% Popularity β’ 84% Danceability β’ 53% Energy β’ 12% Liveness
90% Instrumentalness β’ 28% Positiveness
15% Popularity β’ 84% Danceability β’ 53% Energy β’ 12% Liveness
90% Instrumentalness β’ 28% Positiveness
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Deathbrain
Innerscream
134 bpm β’ F min β’ 06:24 β’ -6.08db
19% Popularity β’ 27% Danceability β’ 91% Energy β’ 10% Liveness
90% Instrumentalness β’ 4% Positiveness
19% Popularity β’ 27% Danceability β’ 91% Energy β’ 10% Liveness
90% Instrumentalness β’ 4% Positiveness
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Hudson Lee
Blank Walls - Echo Map Remix
124 bpm β’ C# Maj β’ 04:19 β’ -8.33db
11% Popularity β’ 73% Danceability β’ 56% Energy β’ 12% Liveness
79% Instrumentalness β’ 17% Positiveness
11% Popularity β’ 73% Danceability β’ 56% Energy β’ 12% Liveness
79% Instrumentalness β’ 17% Positiveness
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G Jones
A2C2I2D
124 bpm β’ B Maj β’ 03:21 β’ -5.46db
18% Popularity β’ 73% Danceability β’ 88% Energy β’ 6% Liveness
59% Instrumentalness β’ 24% Positiveness
18% Popularity β’ 73% Danceability β’ 88% Energy β’ 6% Liveness
59% Instrumentalness β’ 24% Positiveness
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Dev/Null
Shards of Rhythm
124 bpm β’ A# min β’ 06:20 β’ -2.96db
13% Popularity β’ 46% Danceability β’ 86% Energy β’ 12% Liveness
84% Instrumentalness β’ 61% Positiveness
13% Popularity β’ 46% Danceability β’ 86% Energy β’ 12% Liveness
84% Instrumentalness β’ 61% Positiveness
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eightiesheadachetape
drift
124 bpm β’ C# Maj β’ 02:08 β’ -5.72db
29% Popularity β’ 75% Danceability β’ 91% Energy β’ 35% Liveness
93% Instrumentalness β’ 7% Positiveness
29% Popularity β’ 75% Danceability β’ 91% Energy β’ 35% Liveness
93% Instrumentalness β’ 7% Positiveness
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False Noise
Northern Pattern
124 bpm β’ C# min β’ 04:23 β’ -8db
22% Popularity β’ 56% Danceability β’ 66% Energy β’ 21% Liveness
84% Instrumentalness β’ 7% Positiveness
22% Popularity β’ 56% Danceability β’ 66% Energy β’ 21% Liveness
84% Instrumentalness β’ 7% Positiveness
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Underbelly
Matches
135 bpm β’ C# Maj β’ 03:15 β’ -7db
15% Popularity β’ 68% Danceability β’ 56% Energy β’ 7% Liveness
93% Instrumentalness β’ 45% Positiveness
15% Popularity β’ 68% Danceability β’ 56% Energy β’ 7% Liveness
93% Instrumentalness β’ 45% Positiveness
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Sewerslvt
MAKE-ME-SAD
135 bpm β’ F min β’ 06:15 β’ -4.37db
41% Popularity β’ 47% Danceability β’ 98% Energy β’ 91% Liveness
84% Instrumentalness β’ 28% Positiveness
41% Popularity β’ 47% Danceability β’ 98% Energy β’ 91% Liveness
84% Instrumentalness β’ 28% Positiveness
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Goreshit
take you
135 bpm β’ B min β’ 03:58 β’ -9.14db
14% Popularity β’ 57% Danceability β’ 97% Energy β’ 10% Liveness
86% Instrumentalness β’ 53% Positiveness
14% Popularity β’ 57% Danceability β’ 97% Energy β’ 10% Liveness
86% Instrumentalness β’ 53% Positiveness
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Dorian Concept
Booth Thrust
135 bpm β’ F# min β’ 03:17 β’ -8.07db
23% Popularity β’ 77% Danceability β’ 96% Energy β’ 9% Liveness
87% Instrumentalness β’ 38% Positiveness
23% Popularity β’ 77% Danceability β’ 96% Energy β’ 9% Liveness
87% Instrumentalness β’ 38% Positiveness
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Azaleh
Orka
135 bpm β’ C min β’ 04:12 β’ -8.85db
11% Popularity β’ 59% Danceability β’ 80% Energy β’ 8% Liveness
74% Instrumentalness β’ 24% Positiveness
11% Popularity β’ 59% Danceability β’ 80% Energy β’ 8% Liveness
74% Instrumentalness β’ 24% Positiveness
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Alon Mor
Prosperity of All Humankind
135 bpm β’ A Maj β’ 02:37 β’ -20.82db
13% Popularity β’ 24% Danceability β’ 8% Energy β’ 12% Liveness
98% Instrumentalness β’ 3% Positiveness
13% Popularity β’ 24% Danceability β’ 8% Energy β’ 12% Liveness
98% Instrumentalness β’ 3% Positiveness
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Echo Map
Eden Falls
123 bpm β’ C Maj β’ 04:40 β’ -8.42db
15% Popularity β’ 73% Danceability β’ 71% Energy β’ 11% Liveness
82% Instrumentalness β’ 8% Positiveness
15% Popularity β’ 73% Danceability β’ 71% Energy β’ 11% Liveness
82% Instrumentalness β’ 8% Positiveness
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Sewerslvt
Luciferians
135 bpm β’ A# min β’ 04:48 β’ -4.03db
36% Popularity β’ 48% Danceability β’ 99% Energy β’ 17% Liveness
86% Instrumentalness β’ 42% Positiveness
36% Popularity β’ 48% Danceability β’ 99% Energy β’ 17% Liveness
86% Instrumentalness β’ 42% Positiveness
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Hudson Lee
Reflex Angle - KOAN Sound Remix
123 bpm β’ A Maj β’ 04:09 β’ -6.29db
17% Popularity β’ 69% Danceability β’ 95% Energy β’ 10% Liveness
78% Instrumentalness β’ 13% Positiveness
17% Popularity β’ 69% Danceability β’ 95% Energy β’ 10% Liveness
78% Instrumentalness β’ 13% Positiveness
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Taishi
Distant Relatives
123 bpm β’ A# min β’ 09:47 β’ -5.9db
13% Popularity β’ 26% Danceability β’ 74% Energy β’ 13% Liveness
63% Instrumentalness β’ 6% Positiveness
13% Popularity β’ 26% Danceability β’ 74% Energy β’ 13% Liveness
63% Instrumentalness β’ 6% Positiveness
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DJ CAMGIRL
Problems
135 bpm β’ B min β’ 01:55 β’ -5.24db
21% Popularity β’ 39% Danceability β’ 97% Energy β’ 56% Liveness
52% Instrumentalness β’ 56% Positiveness
21% Popularity β’ 39% Danceability β’ 97% Energy β’ 56% Liveness
52% Instrumentalness β’ 56% Positiveness
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Frequent
Grass Rat
123 bpm β’ C# Maj β’ 05:56 β’ -4db
11% Popularity β’ 67% Danceability β’ 93% Energy β’ 39% Liveness
32% Instrumentalness β’ 14% Positiveness
11% Popularity β’ 67% Danceability β’ 93% Energy β’ 39% Liveness
32% Instrumentalness β’ 14% Positiveness
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Ekcle
Crafted in Ice
135 bpm β’ B min β’ 04:59 β’ -8.25db
21% Popularity β’ 46% Danceability β’ 83% Energy β’ 10% Liveness
86% Instrumentalness β’ 16% Positiveness
21% Popularity β’ 46% Danceability β’ 83% Energy β’ 10% Liveness
86% Instrumentalness β’ 16% Positiveness
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comfort._
violet water
136 bpm β’ B Maj β’ 04:33 β’ -9.79db
24% Popularity β’ 27% Danceability β’ 83% Energy β’ 43% Liveness
70% Instrumentalness β’ 35% Positiveness
24% Popularity β’ 27% Danceability β’ 83% Energy β’ 43% Liveness
70% Instrumentalness β’ 35% Positiveness
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Pizza Hotline
Low Poly Romance - Japan Novelty's Cheap...
136 bpm β’ C min β’ 05:10 β’ -4.98db
19% Popularity β’ 76% Danceability β’ 77% Energy β’ 12% Liveness
70% Instrumentalness β’ 20% Positiveness
19% Popularity β’ 76% Danceability β’ 77% Energy β’ 12% Liveness
70% Instrumentalness β’ 20% Positiveness
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Qebrus
βΆβββ¬βββ·ΰΌβΰΌβ·ββοΏ½...
136 bpm β’ C# Maj β’ 06:24 β’ -12.55db
10% Popularity β’ 34% Danceability β’ 70% Energy β’ 17% Liveness
54% Instrumentalness β’ 8% Positiveness
10% Popularity β’ 34% Danceability β’ 70% Energy β’ 17% Liveness
54% Instrumentalness β’ 8% Positiveness
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AgonyOST
Walk To The Closed Bodega
136 bpm β’ G# Maj β’ 02:49 β’ -6.22db
24% Popularity β’ 41% Danceability β’ 78% Energy β’ 11% Liveness
94% Instrumentalness β’ 20% Positiveness
24% Popularity β’ 41% Danceability β’ 78% Energy β’ 11% Liveness
94% Instrumentalness β’ 20% Positiveness
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Knoir
Wet Alvin
137 bpm β’ B Maj β’ 05:39 β’ -6.6db
9% Popularity β’ 52% Danceability β’ 70% Energy β’ 10% Liveness
2% Instrumentalness β’ 34% Positiveness
9% Popularity β’ 52% Danceability β’ 70% Energy β’ 10% Liveness
2% Instrumentalness β’ 34% Positiveness
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Marcioz
Devil$ Pie / One Dollar a Day
136 bpm β’ A# Maj β’ 02:05 β’ -5.43db
12% Popularity β’ 50% Danceability β’ 70% Energy β’ 10% Liveness
58% Instrumentalness β’ 32% Positiveness
12% Popularity β’ 50% Danceability β’ 70% Energy β’ 10% Liveness
58% Instrumentalness β’ 32% Positiveness
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Sewerslvt
Purple Hearts In Her Eyes
137 bpm β’ G# Maj β’ 06:34 β’ -4.05db
40% Popularity β’ 51% Danceability β’ 98% Energy β’ 58% Liveness
95% Instrumentalness β’ 61% Positiveness
40% Popularity β’ 51% Danceability β’ 98% Energy β’ 58% Liveness
95% Instrumentalness β’ 61% Positiveness
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Mr. Bill
Too Complicated
137 bpm β’ A# min β’ 04:13 β’ -7.09db
25% Popularity β’ 64% Danceability β’ 90% Energy β’ 11% Liveness
70% Instrumentalness β’ 46% Positiveness
25% Popularity β’ 64% Danceability β’ 90% Energy β’ 11% Liveness
70% Instrumentalness β’ 46% Positiveness
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Alexander Panos
Equinox (Prelude)
137 bpm β’ D Maj β’ 02:23 β’ -17.11db
13% Popularity β’ 34% Danceability β’ 28% Energy β’ 46% Liveness
0% Instrumentalness β’ 21% Positiveness
13% Popularity β’ 34% Danceability β’ 28% Energy β’ 46% Liveness
0% Instrumentalness β’ 21% Positiveness
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AgonyOST
Dark & Wet
137 bpm β’ F min β’ 04:19 β’ -6.76db
23% Popularity β’ 40% Danceability β’ 95% Energy β’ 12% Liveness
94% Instrumentalness β’ 15% Positiveness
23% Popularity β’ 40% Danceability β’ 95% Energy β’ 12% Liveness
94% Instrumentalness β’ 15% Positiveness
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Clown Core
Three
137 bpm β’ D# Maj β’ 05:26 β’ -12.44db
31% Popularity β’ 19% Danceability β’ 41% Energy β’ 11% Liveness
49% Instrumentalness β’ 6% Positiveness
31% Popularity β’ 19% Danceability β’ 41% Energy β’ 11% Liveness
49% Instrumentalness β’ 6% Positiveness
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II-L
VANGUARD-1
137 bpm β’ C# Maj β’ 01:57 β’ -3db
17% Popularity β’ 50% Danceability β’ 97% Energy β’ 7% Liveness
63% Instrumentalness β’ 57% Positiveness
17% Popularity β’ 50% Danceability β’ 97% Energy β’ 7% Liveness
63% Instrumentalness β’ 57% Positiveness
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ALEPH
GRADIENT
138 bpm β’ C min β’ 03:50 β’ -9.42db
17% Popularity β’ 64% Danceability β’ 72% Energy β’ 30% Liveness
3% Instrumentalness β’ 5% Positiveness
17% Popularity β’ 64% Danceability β’ 72% Energy β’ 30% Liveness
3% Instrumentalness β’ 5% Positiveness
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Machine Girl
Houston2
120 bpm β’ G Maj β’ 04:43 β’ -7.51db
18% Popularity β’ 51% Danceability β’ 92% Energy β’ 25% Liveness
81% Instrumentalness β’ 41% Positiveness
18% Popularity β’ 51% Danceability β’ 92% Energy β’ 25% Liveness
81% Instrumentalness β’ 41% Positiveness
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Alexander Panos
36523_red/blue
120 bpm β’ F# Maj β’ 03:51 β’ -15.83db
19% Popularity β’ 45% Danceability β’ 28% Energy β’ 22% Liveness
0% Instrumentalness β’ 11% Positiveness
19% Popularity β’ 45% Danceability β’ 28% Energy β’ 22% Liveness
0% Instrumentalness β’ 11% Positiveness
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False Noise
Greys
120 bpm β’ G min β’ 06:53 β’ -5.15db
15% Popularity β’ 62% Danceability β’ 83% Energy β’ 11% Liveness
73% Instrumentalness β’ 10% Positiveness
15% Popularity β’ 62% Danceability β’ 83% Energy β’ 11% Liveness
73% Instrumentalness β’ 10% Positiveness
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Echo Map
Sunrise
120 bpm β’ B min β’ 04:40 β’ -7.37db
7% Popularity β’ 79% Danceability β’ 75% Energy β’ 10% Liveness
66% Instrumentalness β’ 4% Positiveness
7% Popularity β’ 79% Danceability β’ 75% Energy β’ 10% Liveness
66% Instrumentalness β’ 4% Positiveness
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Sewerslvt
Euphoric Filth (Cheru's Theme)
120 bpm β’ A# min β’ 04:06 β’ -4.91db
35% Popularity β’ 54% Danceability β’ 88% Energy β’ 10% Liveness
83% Instrumentalness β’ 30% Positiveness
35% Popularity β’ 54% Danceability β’ 88% Energy β’ 10% Liveness
83% Instrumentalness β’ 30% Positiveness
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Mr. Bill
Option Paralysis
120 bpm β’ F min β’ 03:32 β’ -10.26db
14% Popularity β’ 70% Danceability β’ 57% Energy β’ 10% Liveness
74% Instrumentalness β’ 18% Positiveness
14% Popularity β’ 70% Danceability β’ 57% Energy β’ 10% Liveness
74% Instrumentalness β’ 18% Positiveness
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Eprom
Solina
120 bpm β’ A min β’ 03:00 β’ -16.73db
14% Popularity β’ 39% Danceability β’ 13% Energy β’ 7% Liveness
97% Instrumentalness β’ 45% Positiveness
14% Popularity β’ 39% Danceability β’ 13% Energy β’ 7% Liveness
97% Instrumentalness β’ 45% Positiveness
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Alon Mor
Encore
120 bpm β’ E min β’ 02:25 β’ -14.87db
15% Popularity β’ 52% Danceability β’ 38% Energy β’ 7% Liveness
76% Instrumentalness β’ 16% Positiveness
15% Popularity β’ 52% Danceability β’ 38% Energy β’ 7% Liveness
76% Instrumentalness β’ 16% Positiveness
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FLOOR BABA
ELECTRIC MOSS ZONE
120 bpm β’ G# min β’ 03:28 β’ -8.29db
10% Popularity β’ 38% Danceability β’ 72% Energy β’ 10% Liveness
37% Instrumentalness β’ 16% Positiveness
10% Popularity β’ 38% Danceability β’ 72% Energy β’ 10% Liveness
37% Instrumentalness β’ 16% Positiveness
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eksau
grabbing some fallen twigs
120 bpm β’ E min β’ 03:59 β’ -6.35db
12% Popularity β’ 70% Danceability β’ 91% Energy β’ 11% Liveness
88% Instrumentalness β’ 10% Positiveness
12% Popularity β’ 70% Danceability β’ 91% Energy β’ 11% Liveness
88% Instrumentalness β’ 10% Positiveness
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Harmful Logic
Submersed
120 bpm β’ G# Maj β’ 04:32 β’ -7.89db
14% Popularity β’ 70% Danceability β’ 55% Energy β’ 15% Liveness
95% Instrumentalness β’ 28% Positiveness
14% Popularity β’ 70% Danceability β’ 55% Energy β’ 15% Liveness
95% Instrumentalness β’ 28% Positiveness
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Mr. Bill
Sad Pro
120 bpm β’ B min β’ 02:25 β’ -11db
25% Popularity β’ 30% Danceability β’ 28% Energy β’ 10% Liveness
96% Instrumentalness β’ 12% Positiveness
25% Popularity β’ 30% Danceability β’ 28% Energy β’ 10% Liveness
96% Instrumentalness β’ 12% Positiveness
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Stasys
Reverse
120 bpm β’ B min β’ 03:43 β’ -6db
11% Popularity β’ 70% Danceability β’ 84% Energy β’ 16% Liveness
70% Instrumentalness β’ 21% Positiveness
11% Popularity β’ 70% Danceability β’ 84% Energy β’ 16% Liveness
70% Instrumentalness β’ 21% Positiveness
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Frums
Vigor Lines Yoked
120 bpm β’ G min β’ 04:03 β’ -7.7db
17% Popularity β’ 28% Danceability β’ 92% Energy β’ 8% Liveness
89% Instrumentalness β’ 4% Positiveness
17% Popularity β’ 28% Danceability β’ 92% Energy β’ 8% Liveness
89% Instrumentalness β’ 4% Positiveness
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Koraii
Crystal River
120 bpm β’ E min β’ 03:17 β’ -5.24db
24% Popularity β’ 35% Danceability β’ 88% Energy β’ 34% Liveness
81% Instrumentalness β’ 31% Positiveness
24% Popularity β’ 35% Danceability β’ 88% Energy β’ 34% Liveness
81% Instrumentalness β’ 31% Positiveness
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Aaron Spectre
Sheknows
120 bpm β’ F# min β’ 08:44 β’ -13db
10% Popularity β’ 53% Danceability β’ 84% Energy β’ 13% Liveness
72% Instrumentalness β’ 66% Positiveness
10% Popularity β’ 53% Danceability β’ 84% Energy β’ 13% Liveness
72% Instrumentalness β’ 66% Positiveness
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Hudson Lee
Axon
120 bpm β’ D# min β’ 05:59 β’ -8.88db
14% Popularity β’ 54% Danceability β’ 60% Energy β’ 21% Liveness
64% Instrumentalness β’ 4% Positiveness
14% Popularity β’ 54% Danceability β’ 60% Energy β’ 21% Liveness
64% Instrumentalness β’ 4% Positiveness
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Sevish
Same Old
139 bpm β’ A Maj β’ 03:59 β’ -13.65db
14% Popularity β’ 64% Danceability β’ 60% Energy β’ 66% Liveness
66% Instrumentalness β’ 28% Positiveness
14% Popularity β’ 64% Danceability β’ 60% Energy β’ 66% Liveness
66% Instrumentalness β’ 28% Positiveness
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ALEPH
MOTION IN DESCENT
140 bpm β’ G min β’ 03:13 β’ -20.55db
14% Popularity β’ 23% Danceability β’ 24% Energy β’ 10% Liveness
95% Instrumentalness β’ 3% Positiveness
14% Popularity β’ 23% Danceability β’ 24% Energy β’ 10% Liveness
95% Instrumentalness β’ 3% Positiveness
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Frums
sleepwalk station
120 bpm β’ A# min β’ 03:36 β’ -16.2db
16% Popularity β’ 66% Danceability β’ 55% Energy β’ 11% Liveness
90% Instrumentalness β’ 29% Positiveness
16% Popularity β’ 66% Danceability β’ 55% Energy β’ 11% Liveness
90% Instrumentalness β’ 29% Positiveness
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COPYCATT
FLIGHT
140 bpm β’ A# min β’ 02:32 β’ -5.74db
17% Popularity β’ 60% Danceability β’ 73% Energy β’ 15% Liveness
3% Instrumentalness β’ 74% Positiveness
17% Popularity β’ 60% Danceability β’ 73% Energy β’ 15% Liveness
3% Instrumentalness β’ 74% Positiveness
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Iglooghost
Black Light Ultra
140 bpm β’ A# Maj β’ 04:34 β’ -9.63db
18% Popularity β’ 37% Danceability β’ 87% Energy β’ 22% Liveness
79% Instrumentalness β’ 25% Positiveness
18% Popularity β’ 37% Danceability β’ 87% Energy β’ 22% Liveness
79% Instrumentalness β’ 25% Positiveness
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AgonyOST
Being Sick
140 bpm β’ E Maj β’ 04:13 β’ -4.75db
21% Popularity β’ 41% Danceability β’ 97% Energy β’ 20% Liveness
79% Instrumentalness β’ 17% Positiveness
21% Popularity β’ 41% Danceability β’ 97% Energy β’ 20% Liveness
79% Instrumentalness β’ 17% Positiveness
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Daisuke Tanabe
Hard Off Haul
119 bpm β’ B min β’ 03:53 β’ -7.22db
14% Popularity β’ 60% Danceability β’ 72% Energy β’ 36% Liveness
75% Instrumentalness β’ 49% Positiveness
14% Popularity β’ 60% Danceability β’ 72% Energy β’ 36% Liveness
75% Instrumentalness β’ 49% Positiveness
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Reso
Spectres
140 bpm β’ B min β’ 04:06 β’ -6.23db
35% Popularity β’ 54% Danceability β’ 92% Energy β’ 15% Liveness
69% Instrumentalness β’ 18% Positiveness
35% Popularity β’ 54% Danceability β’ 92% Energy β’ 15% Liveness
69% Instrumentalness β’ 18% Positiveness
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Azaleh
Slide
140 bpm β’ A min β’ 05:29 β’ -6.82db
12% Popularity β’ 55% Danceability β’ 91% Energy β’ 38% Liveness
65% Instrumentalness β’ 6% Positiveness
12% Popularity β’ 55% Danceability β’ 91% Energy β’ 38% Liveness
65% Instrumentalness β’ 6% Positiveness
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Sewerslvt
light at the end of the tunnel
140 bpm β’ G# Maj β’ 05:56 β’ -3db
39% Popularity β’ 39% Danceability β’ 99% Energy β’ 78% Liveness
94% Instrumentalness β’ 26% Positiveness
39% Popularity β’ 39% Danceability β’ 99% Energy β’ 78% Liveness
94% Instrumentalness β’ 26% Positiveness
