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Broke And Hungry
Songs like
Broke And Hungry
by
William Clarke
Based on a tempo of (+/- 10%) and a similar genre
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Sonny Boy Williamson II
Trying To Get Back On My Feet - Stereo V...
130 bpm • D Maj • 02:08 • -9.97db
32% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
35% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Homesick James
It Seem Like A Dream
130 bpm • C Maj • 02:40 • -6.43db
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Little Charlie & The Nightcats
Slap Happy
130 bpm • E Maj • 03:47 • -4db
9% Popularity • 56% Danceability • 90% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
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Carey Bell
What My Mama Told Me
130 bpm • F min • 03:04 • -15.21db
29% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Katie Webster
It's Mighty Hard
130 bpm • A# Maj • 06:30 • -14.54db
27% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
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William Clarke
Broke And Hungry
130 bpm • D Maj • 03:05 • -5.43db
9% Popularity • 63% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Rod Piazza
The Bounce
129 bpm • A Maj • 03:08 • -10db
19% Popularity • 58% Danceability • 71% Energy • 37% Liveness
86% Instrumentalness • 94% Positiveness
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Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
13% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -12db
35% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
30% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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The Insomniacs
Hoodoo Man Blues
129 bpm • D Maj • 06:14 • -6.99db
8% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
20% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Fabulous Thunderbirds
Wait On Time
129 bpm • E Maj • 03:03 • -5.68db
37% Popularity • 67% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Tony Holiday
Bad Bad Girl
132 bpm • D Maj • 03:24 • -5db
16% Popularity • 63% Danceability • 56% Energy • 79% Liveness
0% Instrumentalness • 81% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11db
27% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Nick Moss Band
Lucky Guy
132 bpm • D Maj • 04:32 • -3db
29% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
35% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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William Clarke
I Feel Like Jumping
129 bpm • F Maj • 03:29 • -10.91db
16% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Fabulous Thunderbirds
Rock With Me
131 bpm • E Maj • 02:38 • -5db
23% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Butterfield's Better Days
Too Many Drivers
132 bpm • D min • 03:21 • -13db
15% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
25% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
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William Clarke
Trying So Hard
129 bpm • A Maj • 03:37 • -11.08db
10% Popularity • 74% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16db
37% Popularity • 61% Danceability • 39% Energy • 8% Liveness
69% Instrumentalness • 83% Positiveness
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Guitar Shorty
Texas Women
128 bpm • F# min • 04:24 • -5db
24% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Slim Harpo
Buzzin'
132 bpm • F Maj • 02:05 • -11.27db
42% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
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Jimmy Reed
I Ain't Got You
132 bpm • A Maj • 02:15 • -10db
30% Popularity • 74% Danceability • 40% Energy • 11% Liveness
62% Instrumentalness • 92% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
26% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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William Clarke
Saturday Night Blues
132 bpm • F Maj • 02:40 • -6.1db
27% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
19% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
26% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Hubert Sumlin
Easy, Hubert, Easy
127 bpm • B Maj • 03:53 • -11.64db
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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Son Seals
Going Home (Where Women Got Meat On Thei...
127 bpm • E min • 03:47 • -6.94db
11% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Luther Johnson
Rock Me Slow and Easy
127 bpm • A Maj • 04:18 • -12.99db
16% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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William Clarke
Bedroom Boogie
132 bpm • C Maj • 03:01 • -6.19db
4% Popularity • 54% Danceability • 83% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
28% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Hound Dog Taylor
Crossroads
126 bpm • C# Maj • 02:22 • -14.04db
30% Popularity • 49% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Boy Arnold
I Ain't Got You
126 bpm • A Maj • 03:15 • -9.25db
23% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 1
134 bpm • C Maj • 04:03 • -9.11db
7% Popularity • 59% Danceability • 58% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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William Clarke
Keep It To Yourself
134 bpm • F# min • 03:26 • -5.84db
1% Popularity • 64% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny B. Moore
Knockin At Your Door
125 bpm • E Maj • 03:12 • -12.51db
8% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Son Seals
Going Home Tomorrow
125 bpm • E min • 03:39 • -11.75db
25% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Boy Arnold
Move On Down The Road
134 bpm • G Maj • 03:00 • -11db
29% Popularity • 56% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 87% Positiveness
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Hubert Sumlin
Pickin'
135 bpm • F Maj • 03:01 • -6db
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
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Johnnie Johnson
Beach Weather
125 bpm • G Maj • 04:15 • -8.05db
8% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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William Clarke
Teenage Girl
126 bpm • G Maj • 04:43 • -8.21db
0% Popularity • 39% Danceability • 64% Energy • 12% Liveness
44% Instrumentalness • 60% Positiveness
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Johnny Copeland
Every Dog's Got His Day
135 bpm • C Maj • 04:54 • -7.89db
14% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
28% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Luther Johnson
Hush Hush
125 bpm • A Maj • 04:20 • -11.38db
18% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Otis Grand
There Was A Time
135 bpm • C Maj • 03:53 • -6db
8% Popularity • 30% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Margolin
Moving South
125 bpm • B min • 03:57 • -8.06db
13% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
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Lil Ed & The Blues Imperials
Old Oak Tree
125 bpm • G Maj • 04:31 • -11.09db
18% Popularity • 56% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 55% Positiveness
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Eddy Clearwater
Blues Hang Out
135 bpm • G Maj • 05:13 • -10.03db
13% Popularity • 69% Danceability • 69% Energy • 36% Liveness
48% Instrumentalness • 84% Positiveness
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Rick Estrin & The Nightcats
The Blues Ain't Going Nowhere
135 bpm • G Maj • 05:08 • -4.85db
16% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
13% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
15% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
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Earl Hooker
Two Bugs and a Roach
135 bpm • A Maj • 04:19 • -13db
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Lil Ed & The Blues Imperials
If You Were Mine
135 bpm • D Maj • 02:44 • -5db
27% Popularity • 47% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Zuzu Bollin
Hey Little Girl
125 bpm • C Maj • 03:38 • -14.35db
13% Popularity • 52% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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William Clarke
Letter From Home
136 bpm • C Maj • 05:05 • -6.39db
3% Popularity • 50% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Elmore James
Madison Blues
136 bpm • D Maj • 02:22 • -8db
35% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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The Paul Butterfield Blues Band
Hate to See You Go
136 bpm • D Maj • 04:34 • -10.05db
20% Popularity • 64% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Pat Ramsey
It's About Time
124 bpm • D Maj • 03:27 • -4.85db
11% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Guitar Shorty
Blues In My Blood
136 bpm • D Maj • 03:12 • -5.62db
35% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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King Solomon Hicks
421 South Main
136 bpm • A Maj • 02:44 • -4.14db
29% Popularity • 46% Danceability • 91% Energy • 32% Liveness
78% Instrumentalness • 78% Positiveness
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William Clarke
The Work Song
124 bpm • D min • 05:08 • -13.44db
10% Popularity • 69% Danceability • 36% Energy • 23% Liveness
1% Instrumentalness • 61% Positiveness
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Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
22% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
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Lil Ed & The Blues Imperials
You Don't Exist Any More
124 bpm • A Maj • 04:03 • -10.96db
22% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
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Hubert Sumlin
It's You, My Baby
124 bpm • A Maj • 02:31 • -9db
17% Popularity • 70% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
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Fenton Robinson
Country Girl - Remastered
136 bpm • C Maj • 04:52 • -6.15db
32% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
28% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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William Clarke
My Mind Is Working Overtime
124 bpm • F Maj • 03:14 • -6.18db
2% Popularity • 61% Danceability • 67% Energy • 26% Liveness
3% Instrumentalness • 78% Positiveness
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The Siegel-Schwall Band
Going Back To Alabama
124 bpm • A# min • 03:39 • -7db
15% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Gary Smith
South Bay Beatdown
137 bpm • A Maj • 02:58 • -9.95db
15% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
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Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
20% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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Fenton Robinson
You Say You're Leaving - Remastered
123 bpm • F# min • 03:16 • -3.67db
37% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Luther "Guitar Junior" Johnson
Back At the Chiken Shack
123 bpm • G Maj • 05:35 • -11db
7% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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William Clarke
So All Alone
136 bpm • D Maj • 03:32 • -6.28db
0% Popularity • 58% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Bill Lupkin
Funny Way To Show You Love Me
123 bpm • C Maj • 04:06 • -3db
11% Popularity • 62% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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The Cash Box Kings
The Wine Talkin'
123 bpm • A Maj • 03:49 • -3db
26% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Son Seals
Look Now, Baby
123 bpm • C Maj • 03:27 • -10.72db
32% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
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Hound Dog Taylor & The HouseRockers
Wild About You, Baby
123 bpm • G# min • 03:39 • -15.93db
36% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Matt "Guitar" Murphy
Big Six
123 bpm • A Maj • 04:52 • -13.34db
19% Popularity • 67% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
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Katie Webster
A Little Meat On The Side
123 bpm • D Maj • 03:07 • -10db
32% Popularity • 62% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Son Seals
Sadie
123 bpm • B min • 06:07 • -9.63db
46% Popularity • 50% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Jimmy Dawkins
Little Angel Child
123 bpm • D Maj • 03:59 • -7.26db
40% Popularity • 50% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 75% Positiveness
► Preview
William Clarke
Chasin' The Gator
138 bpm • C min • 03:17 • -10.84db
11% Popularity • 41% Danceability • 72% Energy • 10% Liveness
85% Instrumentalness • 82% Positiveness
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Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
31% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
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Katie Webster
Hard Lovin' Mama
123 bpm • C Maj • 04:12 • -15db
23% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Lonnie Mack
If You Have To Know
138 bpm • A Maj • 04:34 • -9db
34% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
26% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Nick Moss Band
The High Cost Of Low Living
122 bpm • D Maj • 04:04 • -2db
28% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Broke And Hungry