Songs like BROKE BOY by HARDY
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Braden
Thank Me for That
131 bpm • C Maj • 03:41 • -2.94db
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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HIXTAPE
Beer With My Buddies
131 bpm • C# Maj • 03:09 • -4.51db
49% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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HARDY
BROKE BOY
131 bpm • D Maj • 03:52 • -3.97db
49% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Bryan Martin
Goin For Broke
130 bpm • G# min • 03:22 • -4.58db
64% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Marlowe
You See Mine
130 bpm • C# Maj • 03:04 • -3.69db
44% Popularity • 56% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Kameron Marlowe
Does It Have to Be Over
132 bpm • C# Maj • 03:41 • -5.67db
45% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hayden Coffman
Our Kind
130 bpm • B Maj • 03:06 • -4db
40% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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HIXTAPE
Nothin’ Out Here (HARDY Thomas Rhett)
130 bpm • G Maj • 03:34 • -5db
47% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jameson Rodgers
Like You've Been There Before
132 bpm • D Maj • 03:36 • -4.58db
35% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Pardi
Bar Downtown
132 bpm • D Maj • 03:23 • -4.97db
43% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Cole Swindell
Stereotype
130 bpm • G Maj • 03:42 • -5.42db
47% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Dylan Wheeler
Hey Baby
132 bpm • F Maj • 04:47 • -4.86db
40% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jon Langston
I ain't Country
130 bpm • G Maj • 02:40 • -4.13db
47% Popularity • 62% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 62% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Jameson Rodgers
That's Why the River Runs
130 bpm • F# Maj • 03:41 • -4.72db
36% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sean Stemaly
Country Out The Boy (SeanDeere)
132 bpm • A# min • 03:16 • -3.97db
43% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Ward
Sent Me You
130 bpm • D# Maj • 03:56 • -9.14db
40% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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HIXTAPE
Drink Up
132 bpm • C Maj • 03:05 • -3.26db
38% Popularity • 56% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
55% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Bailey Zimmerman
Forget About You
130 bpm • C Maj • 02:55 • -6.71db
56% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
62% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Koe Wetzel
I'm Done
130 bpm • C Maj • 03:30 • -7.25db
54% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Kody West
For The Last Time
130 bpm • G Maj • 03:14 • -3.37db
43% Popularity • 53% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 53% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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HARDY
TRUCK BED
132 bpm • C Maj • 02:47 • -4.89db
78% Popularity • 66% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
78% Popularity • 66% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Kameron Marlowe
Leavin' to Me
130 bpm • G Maj • 03:28 • -7.14db
53% Popularity • 69% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 69% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Bailey Zimmerman
From The Fall
133 bpm • D Maj • 03:48 • -6.33db
52% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Sam Grow
Over Me By Now
133 bpm • F# Maj • 02:41 • -3.15db
46% Popularity • 48% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 48% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Koe Wetzel
Forever
130 bpm • C Maj • 02:57 • -6.7db
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Rodney Atkins
Thank God For You
129 bpm • D# Maj • 03:35 • -6db
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Trey Lewis
Whole Lotta Nothin
134 bpm • F# Maj • 03:13 • -6.14db
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
Middle of Somewhere
134 bpm • D Maj • 03:20 • -5.59db
55% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Dylan Marlowe
Rich Kids
134 bpm • C# min • 03:23 • -4.12db
39% Popularity • 53% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 53% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Craig Morgan
How You Make A Man
134 bpm • D Maj • 03:51 • -6.39db
40% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Hayden Coffman
Here to Drink
128 bpm • A Maj • 04:02 • -2.97db
32% Popularity • 62% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 62% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
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HARDY
SO CLOSE
128 bpm • C Maj • 03:45 • -4.38db
44% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bailey Zimmerman
Warzone
134 bpm • A min • 03:24 • -6.27db
55% Popularity • 52% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 52% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Koe Wetzel
FGA
128 bpm • A min • 04:20 • -4.65db
51% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Southall
Clean Slate
128 bpm • C# Maj • 04:25 • -6.3db
54% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 61% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Ward
The Devil Don't Scare Me
128 bpm • C Maj • 04:18 • -6.94db
45% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 60% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Rvshvd
Never Change
134 bpm • B Maj • 03:10 • -4.33db
44% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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HARDY
WHERE TO FIND ME
128 bpm • G# Maj • 03:54 • -5.11db
49% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Dylan Wheeler
Save You Now
135 bpm • B Maj • 03:46 • -3.57db
38% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 60% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
49% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Jon Langston
Back Words
127 bpm • G# Maj • 03:19 • -5.11db
38% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Sean Stemaly
Man Down
127 bpm • A# min • 03:01 • -3.71db
39% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ian Munsick
Dig
136 bpm • D# Maj • 03:45 • -4db
48% Popularity • 51% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 51% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Pardi
Can't Turn You Down
136 bpm • G# Maj • 03:23 • -3.72db
55% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mike Ryan
The Rewrite
136 bpm • G Maj • 03:25 • -4.71db
50% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Marlowe
Why'd We Break Up Again
136 bpm • C Maj • 02:49 • -3.46db
41% Popularity • 49% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 49% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Matthew
Born for This
136 bpm • A Maj • 03:44 • -8.62db
45% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Randall King
Another Bullet
136 bpm • D# Maj • 04:07 • -7.69db
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Travis Denning
Goodyears
136 bpm • F# Maj • 03:34 • -5.06db
37% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Grow
Staying Over
136 bpm • E min • 03:32 • -3.89db
45% Popularity • 50% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 50% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Frank Ray
Country’d Look Good On You
136 bpm • E min • 03:21 • -5.13db
45% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Ward
Together
136 bpm • D# Maj • 04:06 • -6.91db
46% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Booth
Already Got One
136 bpm • G# Maj • 02:55 • -5db
41% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Dalton Dover
You Got a Small Town
136 bpm • G# Maj • 02:59 • -4.26db
46% Popularity • 43% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 43% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Jameson Rodgers
Grew Up in the Country
136 bpm • A# Maj • 03:17 • -6db
34% Popularity • 51% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 51% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
50% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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HARDY
i in country
136 bpm • D Maj • 03:48 • -5.19db
48% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tom O'Connor
Deserve
126 bpm • F# min • 03:44 • -2.33db
42% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Travis Denning
Strawberry Wine And A Cheap Six Pack
126 bpm • G# Maj • 03:32 • -4db
45% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Rvshvd
Home To Me
137 bpm • D Maj • 03:39 • -5.36db
34% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chase Rice
Key West & Colorado
137 bpm • D Maj • 03:26 • -4.77db
46% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Koe Wetzel
Front Seat Show
125 bpm • E min • 03:42 • -5.9db
45% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Braden
Love Is a Dead End Road
138 bpm • E Maj • 03:15 • -6db
37% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
53% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wallen
Country A$$ Shit
138 bpm • A# Maj • 03:06 • -3.77db
62% Popularity • 62% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 62% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Drew Green
Cold Beer and Copenhagen
138 bpm • E Maj • 03:12 • -4.64db
31% Popularity • 62% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Bailey Zimmerman
Trainwreck
138 bpm • G Maj • 03:30 • -6db
56% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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HARDY
I'LL QUIT LOVIN' YOU
136 bpm • G# Maj • 03:27 • -4.92db
52% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jackson Dean
Red Light
138 bpm • G# Maj • 03:06 • -7.03db
45% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Muscadine Bloodline
Evinrudin'
124 bpm • C# Maj • 03:26 • -6db
48% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Chase Rice
Bad Day To Be A Cold Beer
124 bpm • E Maj • 03:03 • -4.28db
44% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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HARDY
JACK
125 bpm • G Maj • 02:48 • -6db
64% Popularity • 55% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 55% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Kameron Marlowe
Fool Me Again
123 bpm • G Maj • 03:32 • -6.67db
44% Popularity • 55% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 55% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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HIXTAPE
Life Had Plans For Me
140 bpm • C# Maj • 03:45 • -4.83db
53% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Marlowe
Grew Up Country
140 bpm • F# Maj • 03:16 • -4.78db
43% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Hubbard
35’s
140 bpm • A# Maj • 02:54 • -6db
54% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Cole Swindell
Down to the Bar
140 bpm • G# Maj • 03:15 • -3.28db
46% Popularity • 42% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 42% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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HARDY
THROWBACK
124 bpm • C Maj • 03:23 • -6.37db
51% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 62% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Heath Sanders
Raised On Red
140 bpm • B Maj • 03:06 • -5db
44% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bryan Martin
If It Was Easy
140 bpm • B Maj • 03:37 • -6.41db
55% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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HIXTAPE
No Place Like Hometown (HARDY Keith Urba...
140 bpm • F Maj • 04:01 • -5db
44% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
Red Eye Flight
140 bpm • A Maj • 03:20 • -4.82db
43% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Wallen
If I Ever Get You Back
140 bpm • C Maj • 02:53 • -3.34db
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 67% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Randall King
Keep Her on the Line
140 bpm • E Maj • 03:22 • -7.21db
45% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
45% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Sam Grow
This Town
140 bpm • E Maj • 02:49 • -4.42db
40% Popularity • 54% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 54% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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HIXTAPE
Hometown Boys
140 bpm • C Maj • 03:44 • -3.78db
40% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Conner Smith
Orange And White
140 bpm • E Maj • 03:29 • -3.24db
48% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness