Songs like Broken Heart by Heavy Pettin
Based on a tempo of (+/- 10%) and a similar genre
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Valentine
Once in a Lifetime
137 bpm • A min • 03:42 • -13.07db
13% Popularity • 48% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 48% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Lillian Axe
Ghost Of Winter
137 bpm • C# min • 06:19 • -6.44db
17% Popularity • 37% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 37% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
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Hurricane
Hurricane
137 bpm • G# min • 03:46 • -5.4db
33% Popularity • 37% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 37% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Killer Dwarfs
Lonely Road
137 bpm • G# Maj • 04:23 • -7.86db
28% Popularity • 38% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 38% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Roxx Gang
Scratch My Back
137 bpm • G# Maj • 05:06 • -10.99db
23% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Melidian
Fire up the Heart
137 bpm • A Maj • 04:01 • -6.13db
12% Popularity • 54% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 54% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Heavy Pettin
Broken Heart
137 bpm • G Maj • 04:17 • -4.51db
9% Popularity • 35% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 35% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Heavens Edge
Play Dirty
137 bpm • G Maj • 04:34 • -4.86db
20% Popularity • 60% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 60% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Cold Sweat
Let's Make Love Tonight
137 bpm • D Maj • 04:10 • -2.96db
18% Popularity • 34% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 34% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Waysted
How the West Was Won - 2013 Remaster
137 bpm • A Maj • 04:57 • -8.38db
4% Popularity • 55% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 55% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Trouble Tribe
Tattoo
137 bpm • A# min • 04:08 • -9.71db
18% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Hurricane
Reign Of Love
137 bpm • B Maj • 04:48 • -3.51db
23% Popularity • 51% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 51% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Tobruk
Breakdown
136 bpm • A min • 03:27 • -6.51db
9% Popularity • 43% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 43% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Baton Rouge
Bad Time Comin' Down
136 bpm • F# min • 04:01 • -9.47db
21% Popularity • 53% Danceability • 94% Energy • 7% Liveness
28% Instrumentalness • 63% Positiveness
21% Popularity • 53% Danceability • 94% Energy • 7% Liveness
28% Instrumentalness • 63% Positiveness
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Wildside
Sweet Little Sinner
136 bpm • G# Maj • 03:50 • -7.06db
33% Popularity • 48% Danceability • 99% Energy • 37% Liveness
38% Instrumentalness • 38% Positiveness
33% Popularity • 48% Danceability • 99% Energy • 37% Liveness
38% Instrumentalness • 38% Positiveness
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John Norum
Eternal Flame
138 bpm • A min • 03:11 • -10.12db
23% Popularity • 38% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 38% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Sleeze Beez
House Is on Fire
136 bpm • D Maj • 03:44 • -5.9db
18% Popularity • 51% Danceability • 94% Energy • 28% Liveness
1% Instrumentalness • 37% Positiveness
18% Popularity • 51% Danceability • 94% Energy • 28% Liveness
1% Instrumentalness • 37% Positiveness
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Hurricane
Hot And Heavy
138 bpm • G# min • 03:55 • -5.46db
15% Popularity • 46% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 46% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Aviator
Back on the Street
136 bpm • E Maj • 03:46 • -3.4db
14% Popularity • 48% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 48% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Valentine
Runnin' on Luck Again
138 bpm • A min • 05:54 • -14.6db
22% Popularity • 51% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
22% Popularity • 51% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Hawk
Rules the Night
136 bpm • G# min • 04:05 • -13.57db
13% Popularity • 48% Danceability • 63% Energy • 7% Liveness
44% Instrumentalness • 51% Positiveness
13% Popularity • 48% Danceability • 63% Energy • 7% Liveness
44% Instrumentalness • 51% Positiveness
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Wildside
Hair of the Dog
136 bpm • B Maj • 03:46 • -9.23db
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
64% Instrumentalness • 68% Positiveness
39% Popularity • 51% Danceability • 78% Energy • 19% Liveness
64% Instrumentalness • 68% Positiveness
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Waysted
Sleazy
136 bpm • F min • 04:13 • -2.29db
14% Popularity • 17% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 17% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
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FATE
(I Can't Stand) Losing You - 2004 Remast...
138 bpm • C# min • 04:50 • -4.27db
27% Popularity • 44% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 44% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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White Sister
Can't Say No
138 bpm • D min • 04:18 • -11.03db
19% Popularity • 45% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 45% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Kane Roberts
Women On The Edge Of Love
136 bpm • D min • 03:09 • -1.55db
25% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Banshee
Missing You
136 bpm • D min • 05:38 • -13.95db
18% Popularity • 43% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 43% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Keel
So Many Girls, So Little Time
139 bpm • D min • 03:15 • -5.55db
14% Popularity • 38% Danceability • 94% Energy • 53% Liveness
3% Instrumentalness • 41% Positiveness
14% Popularity • 38% Danceability • 94% Energy • 53% Liveness
3% Instrumentalness • 41% Positiveness
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Waysted
Heaven Tonight - 2013 Remaster
136 bpm • D Maj • 05:18 • -7.93db
19% Popularity • 51% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 51% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Saints & Sinners
Rip It Up
138 bpm • G# Maj • 04:40 • -7.1db
15% Popularity • 47% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 47% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Schenker Group
On and On - 2009 Remaster
139 bpm • F min • 04:45 • -10db
41% Popularity • 34% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 34% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Kick Axe
On the Road to Rock
139 bpm • F min • 04:19 • -5.03db
23% Popularity • 50% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 50% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Killer Dwarfs
Comin' Through
139 bpm • F# Maj • 03:39 • -7.51db
29% Popularity • 43% Danceability • 93% Energy • 4% Liveness
29% Instrumentalness • 71% Positiveness
29% Popularity • 43% Danceability • 93% Energy • 4% Liveness
29% Instrumentalness • 71% Positiveness
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Wildside
Hang on Lucy*
135 bpm • F# min • 04:37 • -9.57db
36% Popularity • 55% Danceability • 81% Energy • 30% Liveness
65% Instrumentalness • 31% Positiveness
36% Popularity • 55% Danceability • 81% Energy • 30% Liveness
65% Instrumentalness • 31% Positiveness
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Stone Fury
Tease
135 bpm • D min • 04:01 • -5.05db
13% Popularity • 46% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 46% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Saraya
Fire to Burn
139 bpm • G Maj • 04:38 • -9.97db
29% Popularity • 27% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 27% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Lizzy Borden
Me Against the World
135 bpm • C Maj • 05:03 • -9.63db
34% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Talisman
Comin' Home
139 bpm • D# min • 03:39 • -3.09db
19% Popularity • 41% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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King Kobra
Feel The Heat
135 bpm • E Maj • 03:58 • -5.37db
26% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Smashed Gladys
Lick It into Shape
135 bpm • F# min • 03:52 • -7.04db
18% Popularity • 52% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Kingdom Come
The Shuffle
139 bpm • D Maj • 03:40 • -11.84db
32% Popularity • 32% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 32% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Melidian
Hands Off
139 bpm • G# Maj • 03:15 • -5.97db
10% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Tobruk
Wild On The Run
140 bpm • B min • 04:27 • -6.86db
16% Popularity • 39% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 39% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Hericane Alice
Wild Young and Crazy
134 bpm • C# min • 04:16 • -10.26db
21% Popularity • 44% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 44% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
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Jetboy
Stomp It (Down to the Bricks)
134 bpm • F# Maj • 05:12 • -14.24db
25% Popularity • 54% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 34% Positiveness
25% Popularity • 54% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 34% Positiveness
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Michael Schenker Group
I'm Gonna Make You Mine - 2009 Remaster
134 bpm • D Maj • 04:17 • -8.63db
35% Popularity • 57% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 57% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Baton Rouge
Big Trouble
134 bpm • G Maj • 03:22 • -8.53db
16% Popularity • 54% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 54% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Melidian
Overheated
134 bpm • D Maj • 04:15 • -5.76db
9% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Lizzy Borden
Eyes of a Stranger
140 bpm • F Maj • 04:27 • -7.56db
21% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Q5
Ain't No Way to Treat a Lady
134 bpm • D Maj • 02:34 • -6.07db
25% Popularity • 55% Danceability • 90% Energy • 4% Liveness
44% Instrumentalness • 62% Positiveness
25% Popularity • 55% Danceability • 90% Energy • 4% Liveness
44% Instrumentalness • 62% Positiveness
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Rough Cutt
You Wanna Be a Star
140 bpm • C# Maj • 02:44 • -6.61db
11% Popularity • 51% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 51% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Killer Dwarfs
Last Laugh
134 bpm • E Maj • 03:33 • -7db
25% Popularity • 49% Danceability • 77% Energy • 17% Liveness
3% Instrumentalness • 65% Positiveness
25% Popularity • 49% Danceability • 77% Energy • 17% Liveness
3% Instrumentalness • 65% Positiveness
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Fifth Angel
Time Will Tell
134 bpm • C# Maj • 04:23 • -10db
21% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Baton Rouge
Tokyo Time
134 bpm • E min • 03:25 • -8.27db
11% Popularity • 54% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 54% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 84% Positiveness
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TNT
Tonight I'm Falling
134 bpm • G# Maj • 03:54 • -10.88db
32% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kane Roberts
Outlaw
140 bpm • G Maj • 03:07 • -2.74db
17% Popularity • 52% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 52% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Rough Cutt
Take Her
140 bpm • G# Maj • 03:38 • -6.95db
18% Popularity • 40% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 40% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Killer Dwarfs
Dirty Weapons
140 bpm • E Maj • 03:38 • -6.41db
35% Popularity • 40% Danceability • 92% Energy • 5% Liveness
11% Instrumentalness • 66% Positiveness
35% Popularity • 40% Danceability • 92% Energy • 5% Liveness
11% Instrumentalness • 66% Positiveness
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Aviator
Front Line
140 bpm • G min • 03:13 • -3.59db
28% Popularity • 48% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 48% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Stone Fury
Break Down The Wall
134 bpm • A min • 04:10 • -6db
36% Popularity • 41% Danceability • 94% Energy • 8% Liveness
21% Instrumentalness • 60% Positiveness
36% Popularity • 41% Danceability • 94% Energy • 8% Liveness
21% Instrumentalness • 60% Positiveness
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Steeler
Born to Rock
134 bpm • C min • 03:06 • -12db
14% Popularity • 47% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Eyes
Wired 4 Love
141 bpm • A Maj • 05:05 • -7.17db
11% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Shark Island
Paris Calling
141 bpm • E min • 04:51 • -11db
31% Popularity • 52% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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LIONSHEART
Can't Believe
133 bpm • F# Maj • 03:50 • -6db
16% Popularity • 42% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
16% Popularity • 42% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Kingdom Come
Shout It Out
141 bpm • A min • 03:37 • -11.75db
36% Popularity • 50% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 50% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Heavy Pettin
Love Times Love
141 bpm • G Maj • 04:03 • -3.03db
10% Popularity • 38% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 38% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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MASI
God Promised a Paradise
141 bpm • A# Maj • 03:18 • -10.82db
10% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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FATE
You're the Best (Money Can Buy)
141 bpm • B min • 03:16 • -7.21db
16% Popularity • 54% Danceability • 91% Energy • 50% Liveness
25% Instrumentalness • 51% Positiveness
16% Popularity • 54% Danceability • 91% Energy • 50% Liveness
25% Instrumentalness • 51% Positiveness
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Waysted
Night of the Wolf
141 bpm • F min • 05:01 • -3.59db
11% Popularity • 14% Danceability • 95% Energy • 33% Liveness
2% Instrumentalness • 9% Positiveness
11% Popularity • 14% Danceability • 95% Energy • 33% Liveness
2% Instrumentalness • 9% Positiveness
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Keel
Back To The City
141 bpm • F# min • 03:47 • -4.73db
20% Popularity • 36% Danceability • 99% Energy • 62% Liveness
1% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 99% Energy • 62% Liveness
1% Instrumentalness • 9% Positiveness
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Dirty Looks
Can't Take My Eyes off of You
133 bpm • D# min • 03:21 • -14.35db
29% Popularity • 52% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 72% Positiveness
29% Popularity • 52% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 72% Positiveness
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Heavy Pettin
Angel
133 bpm • F Maj • 04:07 • -4.33db
6% Popularity • 47% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 47% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kane Roberts
Too Much (For Anyone To Touch)
133 bpm • B min • 03:55 • -3.15db
17% Popularity • 54% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 54% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Q5
Lonely Lady
132 bpm • E min • 04:03 • -6.79db
23% Popularity • 50% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 50% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tigertailz
Star Attraction
142 bpm • C# Maj • 02:50 • -9db
16% Popularity • 41% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 41% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Keel
Cherry Lane
132 bpm • A Maj • 03:25 • -13.66db
19% Popularity • 53% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 53% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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King Kobra
Second Time Around
132 bpm • D Maj • 04:08 • -5.83db
26% Popularity • 51% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 51% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
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Alien
Go Easy
142 bpm • B min • 03:37 • -12.85db
30% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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XYZ
Don't Say No
142 bpm • C# Maj • 04:31 • -8.42db
33% Popularity • 50% Danceability • 94% Energy • 4% Liveness
1% Instrumentalness • 41% Positiveness
33% Popularity • 50% Danceability • 94% Energy • 4% Liveness
1% Instrumentalness • 41% Positiveness
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Q5
In the Night
142 bpm • C Maj • 04:37 • -6.62db
14% Popularity • 50% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
14% Popularity • 50% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Madison
Oh Rendez Vous
142 bpm • B min • 05:29 • -5.28db
8% Popularity • 45% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 45% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tigertailz
Sick Sex
142 bpm • A Maj • 04:26 • -13db
17% Popularity • 46% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Keel
United Nations
132 bpm • A Maj • 04:05 • -12.28db
27% Popularity • 48% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 48% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Vinnie Vincent Invasion
Naughty Naughty - Remastered
142 bpm • A Maj • 03:31 • -5.68db
17% Popularity • 50% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 50% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 44% Positiveness
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XYZ
When The Night Comes Down
132 bpm • F# min • 04:57 • -8.39db
26% Popularity • 53% Danceability • 92% Energy • 5% Liveness
18% Instrumentalness • 40% Positiveness
26% Popularity • 53% Danceability • 92% Energy • 5% Liveness
18% Instrumentalness • 40% Positiveness
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Lizzy Borden
Shock
142 bpm • D Maj • 04:35 • -8.58db
14% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Alien
Feel My Love
132 bpm • D min • 03:45 • -12.01db
17% Popularity • 48% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 48% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Tygers Of Pan Tang
Paris By Air
131 bpm • B min • 02:56 • -5.08db
23% Popularity • 60% Danceability • 89% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 60% Danceability • 89% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
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Heavens Edge
Find Another Way
132 bpm • F# min • 05:06 • -5.13db
23% Popularity • 63% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 63% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Madam X
Reserve the Right to Rock
143 bpm • G# Maj • 03:24 • -10.73db
28% Popularity • 59% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 59% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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XYZ
Nice Day To Die
132 bpm • B Maj • 05:06 • -12.46db
17% Popularity • 48% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 48% Danceability • 85% Energy • 31% Liveness
1% Instrumentalness • 28% Positiveness
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Malice
License to Kill
131 bpm • A# min • 03:57 • -9.85db
22% Popularity • 52% Danceability • 90% Energy • 6% Liveness
49% Instrumentalness • 42% Positiveness
22% Popularity • 52% Danceability • 90% Energy • 6% Liveness
49% Instrumentalness • 42% Positiveness
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Sleeze Beez
When the Brains Go Down to the Balls
143 bpm • A Maj • 03:43 • -5db
22% Popularity • 41% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 41% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Aviator
Can't Stop
143 bpm • F# Maj • 03:45 • -3.76db
22% Popularity • 43% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 43% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Judas Priest
Parental Guidance - Remastered
131 bpm • A Maj • 03:26 • -6.24db
35% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Keel
The Right To Rock
131 bpm • D Maj • 03:34 • -5.12db
29% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Tangier
Good Lovin'
143 bpm • F Maj • 03:34 • -6.86db
18% Popularity • 56% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 56% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Kick Axe
Comin' After You
131 bpm • B min • 04:55 • -5.14db
10% Popularity • 35% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 35% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness