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Broken People
Songs like
Broken People
by
The Chamber Orchestra Of London
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
Baby Blue
59 bpm • C Maj • 04:51 • -20.86db
28% Popularity • 13% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Emma Woodhouse
59 bpm • C Maj • 01:48 • -12.75db
36% Popularity • 41% Danceability • 32% Energy • 36% Liveness
1% Instrumentalness • 13% Positiveness
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Carter Burwell
River Crossing
58 bpm • G Maj • 01:22 • -14.46db
37% Popularity • 22% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Playing Beltik
60 bpm • C Maj • 03:10 • -26.62db
41% Popularity • 35% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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John Lunn
Damaged
60 bpm • F# min • 03:41 • -17.62db
32% Popularity • 7% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
Time to Go Home
61 bpm • G Maj • 02:46 • -16.63db
33% Popularity • 17% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Guy Farley
Wake of Death - Reunited
61 bpm • C min • 02:34 • -17db
46% Popularity • 14% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
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Howard Shore
The Grey Havens
58 bpm • D Maj • 05:59 • -27.65db
46% Popularity • 6% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Bear McCreary
Tales of Brianna
56 bpm • F Maj • 03:34 • -20.78db
27% Popularity • 23% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Rob Lane
Farewell to Sarah & Emily
56 bpm • G Maj • 01:19 • -28.33db
17% Popularity • 21% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Ari Posner
A Nature Symphony
56 bpm • F Maj • 01:10 • -14.67db
34% Popularity • 38% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Kris Bowers
When You Are Alone
55 bpm • F# min • 02:46 • -18.89db
50% Popularity • 15% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 11% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Kerry Muzzey
The Sting of Loss
63 bpm • E min • 04:57 • -21.09db
8% Popularity • 21% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Vladimir Martynov
Come In!: IV. Movement
63 bpm • A Maj • 05:34 • -17.22db
18% Popularity • 9% Danceability • 23% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
52% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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John Lunn
End Of An Era
64 bpm • A min • 00:52 • -13db
37% Popularity • 12% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
50% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Enrica Sciandrone
Intrigue
64 bpm • D Maj • 02:01 • -20.72db
2% Popularity • 22% Danceability • 16% Energy • 34% Liveness
95% Instrumentalness • 5% Positiveness
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Jocelyn Pook
Unbandaging Tin
64 bpm • F# min • 01:43 • -14.39db
5% Popularity • 31% Danceability • 13% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Howard Shore
London 1998
65 bpm • D min • 01:41 • -25.88db
44% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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John Debney
Mia's Decision - Score
54 bpm • A Maj • 02:18 • -20.72db
42% Popularity • 22% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Rael Jones
Green Shoots
54 bpm • E min • 01:26 • -28.79db
33% Popularity • 31% Danceability • 5% Energy • 33% Liveness
3% Instrumentalness • 8% Positiveness
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Samuel Sim
A Ball
65 bpm • E min • 01:02 • -25.79db
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
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Aaron Zigman
Diana
65 bpm • G min • 02:32 • -34.84db
30% Popularity • 30% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Zbigniew Preisner
Awakening Of Spring
65 bpm • G Maj • 01:49 • -19.3db
35% Popularity • 20% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Howard Shore
Many Meetings
65 bpm • C Maj • 03:05 • -20.61db
55% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Take It, It's Yours
53 bpm • B min • 02:07 • -13.74db
45% Popularity • 24% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Jocelyn Pook
Story Of A Leg
66 bpm • G min • 01:24 • -16.26db
6% Popularity • 32% Danceability • 8% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Samuel Sim
The World Has Left Us Behind
66 bpm • G Maj • 01:41 • -28.38db
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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BBC Scottish Symphony Orchestra
Scotland
67 bpm • A min • 02:12 • -15db
52% Popularity • 12% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
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Howard Shore
Samwise the Brave
66 bpm • G Maj • 03:46 • -20.11db
50% Popularity • 6% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Kerry Muzzey
The Sting of Loss
52 bpm • G Maj • 04:57 • -21.27db
28% Popularity • 8% Danceability • 7% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
40% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
61% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Lullaby Variation
67 bpm • A# min • 01:41 • -22.17db
35% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Enrica Sciandrone
The Sacrifice
67 bpm • A Maj • 02:58 • -18.27db
1% Popularity • 6% Danceability • 18% Energy • 14% Liveness
72% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Chess - Finding Neverland/Soundtrack...
67 bpm • A min • 01:07 • -16.29db
36% Popularity • 18% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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William Ross
Rivers
68 bpm • G Maj • 01:13 • -29.99db
38% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Debbie Wiseman
The Promise
68 bpm • D min • 03:18 • -23.38db
25% Popularity • 19% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 5% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Alex Heffes
Trunk Greeting
51 bpm • D# Maj • 01:19 • -25.99db
36% Popularity • 28% Danceability • 3% Energy • 16% Liveness
86% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
40% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Paolo Buonvino
Afterthought
50 bpm • D min • 02:22 • -19.93db
23% Popularity • 20% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Charlie Mole
L'addition
69 bpm • C min • 02:00 • -20.65db
15% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Nico Cartosio
Adagio For Strings And Storm
69 bpm • E min • 03:51 • -15.55db
27% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
34% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Jocelyn Pook
Baptising The Baby
70 bpm • C Maj • 03:02 • -18.04db
5% Popularity • 10% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Hungarian Rhapsody No. 2
70 bpm • F Maj • 03:26 • -20.75db
5% Popularity • 29% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 19% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
59% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Bear McCreary
John Grey
70 bpm • E min • 04:04 • -19.1db
27% Popularity • 16% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Jocelyn Pook
Blood Stain
70 bpm • D Maj • 01:36 • -14.21db
6% Popularity • 19% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Stephen Rennicks
In the World
71 bpm • G# Maj • 01:51 • -14.72db
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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The Chamber Orchestra Of London
Titanic
71 bpm • G# min • 02:09 • -14.58db
32% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
30% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
29% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
72 bpm • C min • 02:56 • -12.34db
29% Popularity • 26% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 19% Positiveness
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Jocelyn Pook
Crucifixes In Suitcase
72 bpm • D Maj • 00:59 • -16.14db
6% Popularity • 17% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 2% Positiveness
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Emile Pandolfi
Aquarium
73 bpm • A min • 02:09 • -21.69db
25% Popularity • 28% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Alan Silvestri
"All That Is or Ever Was or Ever Will Be...
73 bpm • C Maj • 01:35 • -16db
32% Popularity • 23% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 3% Positiveness
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John Debney
The Princess Diaries Medley - Score
73 bpm • F Maj • 03:23 • -20db
38% Popularity • 20% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Charlie Mole
Mardle and Grove in the Bath
73 bpm • F# min • 03:35 • -19.98db
3% Popularity • 10% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
45% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Randy Edelman
Love Theme
74 bpm • G Maj • 01:46 • -19db
43% Popularity • 10% Danceability • 12% Energy • 23% Liveness
93% Instrumentalness • 8% Positiveness
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Andrew Lockington
Morning
74 bpm • A min • 01:22 • -22db
25% Popularity • 19% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
35% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
46% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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David Hirschfelder
The Dressmaker Closing Credits
74 bpm • D min • 05:17 • -18db
27% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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The Newton Brothers
Beginning of the End Movement V
74 bpm • C Maj • 03:47 • -22db
46% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Britell
Rondo in F Minor for Piano and Orchestra...
74 bpm • C# Maj • 01:27 • -15db
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Howard Shore
Twilight and Shadow
74 bpm • E min • 03:30 • -22db
50% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Tristan Seewer
À Bout de Souffle
74 bpm • A# min • 02:24 • -18db
43% Popularity • 14% Danceability • 17% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
50% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
48% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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The Newton Brothers
The Great, Good Place
75 bpm • G min • 01:35 • -18.57db
30% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Charlie Mole
Ellen Love's Entrance
75 bpm • F Maj • 01:28 • -11.8db
5% Popularity • 31% Danceability • 21% Energy • 12% Liveness
72% Instrumentalness • 14% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
45% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 5, A Crock of ...
75 bpm • E min • 01:21 • -22.6db
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Daniel Pemberton
Fields Of London
75 bpm • C Maj • 01:10 • -11.03db
33% Popularity • 16% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
50% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Ari Posner
You Can Ride In Back
76 bpm • G min • 01:58 • -22db
34% Popularity • 14% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Symphony No. 9, from the New World, IV. ...
76 bpm • E min • 04:55 • -15.44db
4% Popularity • 32% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Broken People