Songs like Brother the Cloud by Eddie Vedder
Based on a tempo of (+/- 10%) and a similar genre
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Temple Of The Dog
Hunger Strike - 25th Anniversary Mix
138 bpm • G Maj • 04:06 • -7db
59% Popularity • 38% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
59% Popularity • 38% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Pogues
Love You 'Till the End
138 bpm • B Maj • 04:32 • -13db
52% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Natalie Merchant
Motherland
138 bpm • G# Maj • 04:41 • -14.26db
45% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 64% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jakob Dylan
Will It Grow
138 bpm • C# min • 04:49 • -10.82db
26% Popularity • 70% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Eddie Vedder
Tonight You Belong To Me
139 bpm • G Maj • 01:41 • -11db
45% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Temple Of The Dog
Hunger Strike
138 bpm • G Maj • 04:06 • -10.84db
65% Popularity • 37% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 37% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Adams
La Cienega Just Smiled
137 bpm • D# Maj • 05:01 • -14.23db
39% Popularity • 64% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
39% Popularity • 64% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
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Beck
Say Goodbye
137 bpm • G Maj • 03:29 • -10.59db
43% Popularity • 67% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
43% Popularity • 67% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Neil Young
Out on the Weekend
137 bpm • A Maj • 04:34 • -18.88db
48% Popularity • 67% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
48% Popularity • 67% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
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The Rolling Stones
Wild Horses - 2009 Mix
140 bpm • G Maj • 05:41 • -6.52db
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Madrugada
Vocal
140 bpm • D Maj • 06:28 • -7db
45% Popularity • 46% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
45% Popularity • 46% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
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Paolo Nutini
Iron Sky
140 bpm • C# min • 06:13 • -7.13db
62% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Glen Hansard
Drive All Night
136 bpm • E Maj • 08:36 • -10db
18% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Coldplay
Trouble
140 bpm • B min • 04:33 • -7.5db
72% Popularity • 56% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 56% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Yusuf / Cat Stevens
Father And Son
136 bpm • G Maj • 03:41 • -12.29db
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
76% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Laura Marling
What He Wrote
140 bpm • A min • 04:07 • -16.02db
57% Popularity • 46% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Eddie Vedder
Far Behind
136 bpm • E Maj • 02:15 • -5.38db
50% Popularity • 47% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 47% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Yusuf / Cat Stevens
Trouble
140 bpm • F# Maj • 02:52 • -15.08db
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
52% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
52% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Nick Cave & The Bad Seeds
(Are You) the One That I've Been Waiting...
140 bpm • G# Maj • 04:05 • -17.31db
47% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
47% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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The Frames
Falling Slowly
141 bpm • F Maj • 04:35 • -8.41db
15% Popularity • 35% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 35% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Coldplay
Warning Sign
141 bpm • D# Maj • 05:31 • -9.42db
59% Popularity • 53% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 53% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Red Hot Chili Peppers
I Could Have Lied
141 bpm • G Maj • 04:04 • -13.59db
60% Popularity • 56% Danceability • 21% Energy • 34% Liveness
55% Instrumentalness • 41% Positiveness
60% Popularity • 56% Danceability • 21% Energy • 34% Liveness
55% Instrumentalness • 41% Positiveness
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Pink Floyd
Mother
135 bpm • G Maj • 05:34 • -17.34db
61% Popularity • 58% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
61% Popularity • 58% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Tom Waits
Long Way Home
141 bpm • A# Maj • 03:10 • -16db
46% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tracy Chapman
The Promise
141 bpm • C# Maj • 05:27 • -17db
63% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Neil Young
Old Man
141 bpm • E min • 03:24 • -18.56db
59% Popularity • 70% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 44% Positiveness
59% Popularity • 70% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 44% Positiveness
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Simon Townshend
I'm the Answer
134 bpm • D Maj • 03:45 • -5.64db
21% Popularity • 56% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 56% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Van Morrison
I'll Be Your Lover, Too - 1999 Remaster
142 bpm • E min • 03:53 • -22db
40% Popularity • 60% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 60% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Counting Crows
Mr. Jones
142 bpm • C Maj • 04:32 • -6.54db
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Vedder
Growin' Up - acoustic at home
134 bpm • C Maj • 03:14 • -8.88db
34% Popularity • 38% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 38% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Johnson
Imagine
142 bpm • F# Maj • 03:39 • -18.25db
61% Popularity • 55% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
61% Popularity • 55% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Beck
Everybody's Gotta Learn Sometime
134 bpm • A# Maj • 05:54 • -14.64db
56% Popularity • 63% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
56% Popularity • 63% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
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Amos Lee
Arms Of A Woman
142 bpm • A Maj • 04:11 • -13.78db
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Cave & The Bad Seeds
The Ship Song
142 bpm • G Maj • 05:14 • -10.36db
48% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 32% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Stone Temple Pilots
Plush - Acoustic
133 bpm • F min • 03:50 • -11.02db
62% Popularity • 64% Danceability • 36% Energy • 66% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 64% Danceability • 36% Energy • 66% Liveness
0% Instrumentalness • 28% Positiveness
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Eddie Vedder
Drive
142 bpm • C Maj • 04:24 • -9db
40% Popularity • 51% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 51% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Colin Hay
Overkill - Acoustic Version
134 bpm • D Maj • 03:47 • -10.96db
54% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Alexi Murdoch
Slow Revolution
133 bpm • C Maj • 05:55 • -15.88db
27% Popularity • 61% Danceability • 22% Energy • 35% Liveness
59% Instrumentalness • 20% Positiveness
27% Popularity • 61% Danceability • 22% Energy • 35% Liveness
59% Instrumentalness • 20% Positiveness
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Dire Straits
Wild West End
133 bpm • D Maj • 04:41 • -12.09db
63% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Nick Cave & The Bad Seeds
Henry Lee
143 bpm • A min • 03:58 • -11.94db
51% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Eddie Vedder
Broken Heart
133 bpm • G Maj • 02:36 • -9.6db
33% Popularity • 46% Danceability • 43% Energy • 13% Liveness
63% Instrumentalness • 38% Positiveness
33% Popularity • 46% Danceability • 43% Energy • 13% Liveness
63% Instrumentalness • 38% Positiveness
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Santana
Put Your Lights On
144 bpm • G Maj • 04:47 • -6.1db
45% Popularity • 61% Danceability • 83% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
45% Popularity • 61% Danceability • 83% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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Tracy Chapman
You're the One
132 bpm • A min • 03:04 • -8.85db
58% Popularity • 80% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 80% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 82% Positiveness
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Yusuf / Cat Stevens
If You Want To Sing Out, Sing Out
132 bpm • C Maj • 02:45 • -13db
62% Popularity • 69% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
62% Popularity • 69% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 85% Positiveness
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Ryan Adams
Oh My Sweet Carolina
132 bpm • D Maj • 04:56 • -14.65db
46% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dire Straits
On Every Street
132 bpm • C Maj • 05:01 • -11.19db
61% Popularity • 32% Danceability • 27% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
61% Popularity • 32% Danceability • 27% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
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Eddie Vedder
Hard Sun
143 bpm • G# Maj • 05:22 • -6.53db
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Mumford & Sons
Ditmas
144 bpm • C Maj • 03:38 • -6db
42% Popularity • 53% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 53% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Neil Young
Rockin' in the Free World
132 bpm • E min • 04:41 • -4.99db
55% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Beirut
Nantes
131 bpm • C# Maj • 03:50 • -9.55db
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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JJ Grey & Mofro
The Sun Is Shining Down
131 bpm • C# Maj • 05:58 • -6.56db
45% Popularity • 43% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
45% Popularity • 43% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 17% Positiveness
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Roger Waters
Oceans Apart
131 bpm • G Maj • 01:07 • -14.37db
46% Popularity • 64% Danceability • 16% Energy • 18% Liveness
90% Instrumentalness • 18% Positiveness
46% Popularity • 64% Danceability • 16% Energy • 18% Liveness
90% Instrumentalness • 18% Positiveness
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Madrugada
Majesty
131 bpm • G min • 04:23 • -11.64db
50% Popularity • 55% Danceability • 42% Energy • 21% Liveness
8% Instrumentalness • 41% Positiveness
50% Popularity • 55% Danceability • 42% Energy • 21% Liveness
8% Instrumentalness • 41% Positiveness
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Yusuf / Cat Stevens
Moonshadow - Remastered 2021
131 bpm • D Maj • 02:48 • -9db
66% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Brett Dennen
Ain't No Reason
146 bpm • F Maj • 03:40 • -9.69db
51% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Stereophonics
Fly Like an Eagle
146 bpm • C Maj • 04:32 • -8.03db
41% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Tracy Chapman
All That You Have Is Your Soul
146 bpm • A Maj • 05:18 • -16db
50% Popularity • 57% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 57% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Dire Straits
Once Upon A Time In The West
147 bpm • A min • 05:24 • -11.86db
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Johnson
Traffic In The Sky
130 bpm • D Maj • 02:50 • -7.6db
60% Popularity • 78% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 78% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Crosby, Stills & Nash
Helplessly Hoping - 2005 Remaster
147 bpm • G Maj • 02:37 • -14db
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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Coldplay
Green Eyes
130 bpm • A Maj • 03:43 • -8.61db
64% Popularity • 61% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 61% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Vedder
My Father's Daughter
129 bpm • A# Maj • 02:50 • -11.25db
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Roger Waters
Déjà Vu
129 bpm • G Maj • 04:27 • -11.37db
45% Popularity • 55% Danceability • 33% Energy • 12% Liveness
43% Instrumentalness • 18% Positiveness
45% Popularity • 55% Danceability • 33% Energy • 12% Liveness
43% Instrumentalness • 18% Positiveness
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The Rolling Stones
Wild Horses - Acoustic Version
148 bpm • G Maj • 05:47 • -7.87db
48% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Paolo Nutini
Better Man
148 bpm • G Maj • 05:29 • -9.55db
54% Popularity • 56% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
54% Popularity • 56% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Tom Petty
It's Good To Be King
148 bpm • D Maj • 05:10 • -7db
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Amos Lee
Colors
129 bpm • G Maj • 02:40 • -13.4db
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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RodrÃguez
Cause
149 bpm • E Maj • 05:30 • -4db
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Blind Melon
No Rain
148 bpm • A Maj • 03:37 • -9.34db
76% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
76% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Auerbach
When The Night Comes
128 bpm • D# Maj • 04:11 • -14.28db
35% Popularity • 42% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
35% Popularity • 42% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Roger Waters
Wait for Her
128 bpm • G Maj • 04:56 • -13db
39% Popularity • 58% Danceability • 26% Energy • 10% Liveness
52% Instrumentalness • 6% Positiveness
39% Popularity • 58% Danceability • 26% Energy • 10% Liveness
52% Instrumentalness • 6% Positiveness
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Band of Horses
The Funeral - Live Acoustic
128 bpm • C min • 05:07 • -12db
47% Popularity • 46% Danceability • 32% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 46% Danceability • 32% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
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Sean Rowe
To Leave Something Behind
149 bpm • A Maj • 04:56 • -7db
49% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Vedder
Light Today
127 bpm • F Maj • 02:41 • -11.03db
33% Popularity • 57% Danceability • 54% Energy • 95% Liveness
56% Instrumentalness • 33% Positiveness
33% Popularity • 57% Danceability • 54% Energy • 95% Liveness
56% Instrumentalness • 33% Positiveness
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Counting Crows
Mr. Jones - Live At Chelsea Studios, New...
149 bpm • C Maj • 05:17 • -8db
47% Popularity • 47% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 47% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Waits
Hold On
150 bpm • D Maj • 05:33 • -13.8db
49% Popularity • 45% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 45% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Neil Young
My My, Hey Hey (Out of the Blue) - 2016 ...
127 bpm • G min • 03:47 • -13.7db
56% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Band of Horses
No One's Gonna Love You
149 bpm • C# Maj • 03:37 • -3.58db
63% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Pink Floyd
Comfortably Numb
127 bpm • B min • 06:22 • -12.6db
73% Popularity • 47% Danceability • 37% Energy • 8% Liveness
31% Instrumentalness • 17% Positiveness
73% Popularity • 47% Danceability • 37% Energy • 8% Liveness
31% Instrumentalness • 17% Positiveness
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Jack Johnson
Home
150 bpm • D Maj • 03:02 • -8.71db
61% Popularity • 62% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 62% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Bear's Den
Agape
150 bpm • E Maj • 04:17 • -8.01db
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
