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Buicks to the Moon
Songs like
Buicks to the Moon
by
Alan Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Alan Jackson
Tall, Tall Trees
146 bpm • G Maj • 02:27 • -6.19db
59% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
59% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
53% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Clint Black
Back To Back
146 bpm • F Maj • 02:43 • -9.03db
26% Popularity • 61% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Sonny Burgess
Girl Next Door
146 bpm • G Maj • 02:36 • -5.01db
12% Popularity • 67% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Peterson
Sure Feels Real Good
146 bpm • A Maj • 02:52 • -6.16db
15% Popularity • 56% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Alan Jackson
Buicks to the Moon
146 bpm • A Maj • 02:37 • -7.82db
45% Popularity • 67% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Clay Walker
I'd Say That's Right
145 bpm • B Maj • 02:52 • -6.36db
23% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Drake Milligan
Tipping Point
145 bpm • G Maj • 02:14 • -4.65db
40% Popularity • 56% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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David Lee Murphy
Why Can't People Just Get Along
145 bpm • A Maj • 03:54 • -12.27db
29% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Conway Twitty
Goodbye Time
147 bpm • D Maj • 03:27 • -17.39db
47% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Nitty Gritty Dirt Band
Workin' Man (Nowhere to Go)
145 bpm • B Maj • 03:51 • -14db
32% Popularity • 63% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
55% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Jackson
All American Country Boy
145 bpm • E min • 03:18 • -8.67db
27% Popularity • 67% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Dean
18 Wheels And A Dozen Roses
144 bpm • D Maj • 03:14 • -7db
30% Popularity • 62% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Highway 101
Baby, I'm Missing You
148 bpm • G Maj • 02:53 • -8.65db
26% Popularity • 68% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Eddy Raven
Johnny's Got A Pistol
148 bpm • C Maj • 02:47 • -9.9db
27% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Richard Lynch
The Old Feed Store
144 bpm • C Maj • 03:09 • -5.93db
8% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Rodney Atkins
Chasin' Girls
144 bpm • D Maj • 03:29 • -2.41db
35% Popularity • 58% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Jo Dee Messina
Do You Wanna Make Something Of It
148 bpm • F Maj • 02:45 • -6db
29% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Yates
Daddy's Radio
144 bpm • D Maj • 02:53 • -6.29db
19% Popularity • 58% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Clint Black
Walkin' Away
144 bpm • D Maj • 02:48 • -8.97db
44% Popularity • 54% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Alabama
Southern Star
149 bpm • D# Maj • 03:07 • -8.68db
31% Popularity • 59% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Shenandoah
Darned If I Don't (Danged If I Do)
149 bpm • G# Maj • 02:29 • -7db
39% Popularity • 63% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Confederate Railroad
When He Was My Age
143 bpm • C Maj • 03:14 • -16db
14% Popularity • 60% Danceability • 23% Energy • 21% Liveness
2% Instrumentalness • 29% Positiveness
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David Lee Murphy
Can't Turn It Off
149 bpm • G Maj • 03:23 • -10.57db
30% Popularity • 70% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Yates
Too Country and Proud Of It
144 bpm • E Maj • 02:35 • -5.18db
16% Popularity • 68% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Clint Black
Where Are You Now
149 bpm • F Maj • 03:09 • -12db
40% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Holly Dunn
There Goes My Heart Again
149 bpm • C# Maj • 02:37 • -9.43db
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Neal McCoy
If You Can't Be Good, Be Good at It
149 bpm • F Maj • 03:26 • -5.88db
28% Popularity • 63% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Eddy Raven
COWBOYS DON'T CRY
149 bpm • C Maj • 03:12 • -8.7db
29% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
54% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Keith Whitley
Dance With Me Molly
150 bpm • G Maj • 03:49 • -9.34db
35% Popularity • 55% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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David Ball
Too Much Blood in My Alcohol Level
143 bpm • G Maj • 02:50 • -4db
35% Popularity • 65% Danceability • 88% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
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Tanya Tucker
It's A Little Too Late
142 bpm • G# Maj • 02:40 • -11.17db
42% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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David Kersh
Things Your Daddy Wouldn't Want Us To Do
142 bpm • F Maj • 03:30 • -8.79db
12% Popularity • 67% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Alan Jackson
First Love
142 bpm • E Maj • 03:09 • -8.5db
33% Popularity • 66% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Bryan
Harvest Time
142 bpm • G Maj • 03:27 • -4.06db
44% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Keith Whitley
Between an Old Memory and Me
142 bpm • E Maj • 03:19 • -19.69db
40% Popularity • 63% Danceability • 16% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
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Brad Paisley
Wrapped Around
141 bpm • A Maj • 03:22 • -8.43db
46% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Tanya Tucker
If It Don't Come Easy
142 bpm • A# Maj • 03:32 • -13.89db
36% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Doug Supernaw
Daddy Made the Dollars - Mamma Made the ...
151 bpm • E Maj • 03:30 • -7.73db
13% Popularity • 50% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Clay Walker
The Chain of Love
141 bpm • D Maj • 05:04 • -14db
42% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ronnie Milsap
Pure Love
151 bpm • D Maj • 02:21 • -8db
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Keith Whitley
Brother Jukebox
141 bpm • C Maj • 02:46 • -16.07db
39% Popularity • 67% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
43% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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John Michael Montgomery
Cowboy Love
152 bpm • D Maj • 03:12 • -6db
30% Popularity • 64% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Confederate Railroad
Queen of Memphis - Remastered Version
151 bpm • G Maj • 03:19 • -7db
48% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Clint Black
Muddy Water
140 bpm • F Maj • 02:30 • -10db
31% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Alan Jackson
Big Green Eyes
152 bpm • B Maj • 03:29 • -7.75db
35% Popularity • 64% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Reba McEntire
Little Rock
140 bpm • D Maj • 03:07 • -15db
51% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sawyer Brown
Like A John Deere
140 bpm • G Maj • 02:53 • -10.11db
18% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Buddy Jewell
Glad I'm Gone
153 bpm • D# Maj • 03:33 • -6.68db
17% Popularity • 62% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Doug Supernaw
Mesquite Cowboy Mind
139 bpm • D Maj • 03:37 • -10.76db
12% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Alan Jackson
Love's Got a Hold On You
153 bpm • E Maj • 02:53 • -12db
47% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Highway 101
The Bed You Made for Me
138 bpm • G# Maj • 03:29 • -12.59db
40% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Josh Ward
Somewhere Between Right & Wrong
154 bpm • D Maj • 03:04 • -6db
40% Popularity • 55% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
51% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Jackson
Dallas
155 bpm • A Maj • 02:43 • -13.02db
49% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Sawyer Brown
Hard To Say
154 bpm • D Maj • 03:26 • -10.15db
34% Popularity • 61% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Tippin
How's the Radio Know
155 bpm • E Maj • 03:08 • -7.08db
22% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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John Michael Montgomery
Weekend Superstar
155 bpm • E Maj • 02:31 • -5.61db
16% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Doug Supernaw
Reno
155 bpm • F Maj • 03:32 • -13.07db
39% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tim Culpepper
Too Good of a Day (To Say Goodbye)
155 bpm • A Maj • 02:50 • -4.22db
16% Popularity • 56% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Jon Wolfe
A Country Boy's Life Well Lived
155 bpm • F Maj • 03:02 • -3db
27% Popularity • 58% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Keith Whitley
Nobody In His Right Mind Would've Left H...
137 bpm • E Maj • 02:26 • -16.84db
47% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
47% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Clay Walker
Money Can't Buy (The Love We Had)
137 bpm • G Maj • 03:01 • -11.55db
17% Popularity • 68% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Doug Supernaw
Honky Tonkin' Fool
137 bpm • E Maj • 03:14 • -13.33db
24% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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John Michael Montgomery
Friday at Five
137 bpm • A Maj • 03:04 • -8.36db
19% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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David Lee Murphy
Just Once
156 bpm • D Maj • 02:59 • -10db
37% Popularity • 60% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Gretchen Wilson
Trucker Man
156 bpm • G Maj • 03:00 • -5db
27% Popularity • 48% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Worthington
How Do You Honky Tonk
156 bpm • D Maj • 03:04 • -5.07db
32% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Timothy Baker
Country Kid
156 bpm • A Maj • 03:00 • -1.51db
16% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Confederate Railroad
Jesus and Mama - Remastered Version
137 bpm • B Maj • 03:21 • -8.34db
39% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Collin Raye
I Want You Bad (And That Ain't Good)
156 bpm • B Maj • 03:47 • -7.96db
5% Popularity • 57% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Clint Black
Longnecks & Rednecks
157 bpm • E Maj • 03:02 • -8.12db
25% Popularity • 55% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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David Lee Murphy
Genuine Rednecks
136 bpm • D Maj • 04:14 • -10.97db
29% Popularity • 68% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Clay Walker
The Melrose Avenue Cinema Two
156 bpm • A# Maj • 03:03 • -8.12db
20% Popularity • 65% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Sawyer Brown
Time And Love
136 bpm • E Maj • 03:20 • -10.76db
19% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Alan Jackson
That's Where I Belong
136 bpm • E Maj • 03:49 • -7.43db
32% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
60% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Brad Paisley
Catch All the Fish
136 bpm • E Maj • 04:08 • -4.86db
33% Popularity • 31% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Gene Watson
Got No Reason Now For Goin' Home
157 bpm • G Maj • 02:44 • -12.94db
36% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
40% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Alabama
Close Enough to Perfect
135 bpm • G Maj • 03:32 • -9.71db
41% Popularity • 59% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Western Underground
One Hand in the Riggin'
135 bpm • E Maj • 02:50 • -3.95db
24% Popularity • 61% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Brad Paisley
One Beer Can
158 bpm • D Maj • 03:46 • -5.1db
32% Popularity • 50% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Alan Jackson
Listen To Your Senses
158 bpm • G Maj • 03:09 • -14.57db
31% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
57% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Rodney Atkins
It’s America
134 bpm • E Maj • 03:33 • -13.86db
48% Popularity • 60% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Clint Black
When My Ship Comes In
134 bpm • B Maj • 03:33 • -12.04db
44% Popularity • 69% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Doug Stone
I'd Be Better Off (In A Pine Box)
134 bpm • A# Maj • 03:20 • -9db
48% Popularity • 50% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Buicks to the Moon