Songs like Burn Butcher Burn by Joseph Trapanese
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Trapanese
Burn Butcher Burn
78 bpm • C min • 02:39 • -15.19db
56% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Paris Paloma
the fruits
78 bpm • G min • 03:29 • -22db
66% Popularity • 40% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
66% Popularity • 40% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Aviators
Traveler's Song
78 bpm • C# Maj • 05:20 • -4.92db
42% Popularity • 43% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 43% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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MALINDA
Dúlamán
78 bpm • D Maj • 02:17 • -8.63db
45% Popularity • 72% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 72% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Brian D'Oliveira
Monstrum's Lullaby
79 bpm • D min • 01:42 • -19.21db
20% Popularity • 17% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
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Austin Wintory
Jokes Jokes Jokes
77 bpm • A# min • 01:16 • -10.4db
29% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Joseph Trapanese
Grace
77 bpm • D min • 01:09 • -33.65db
3% Popularity • 18% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
3% Popularity • 18% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Geoff Castellucci
I See Fire
77 bpm • A# min • 04:42 • -8.32db
44% Popularity • 26% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 26% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Bergersen
Night Queen
77 bpm • F Maj • 03:44 • -3db
37% Popularity • 31% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 23% Positiveness
37% Popularity • 31% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 23% Positiveness
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MALINDA
Hoist the Colours
79 bpm • C Maj • 04:34 • -13.67db
52% Popularity • 12% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 12% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Borislav Slavov
Raphael's Final Act
79 bpm • G min • 02:35 • -10.46db
59% Popularity • 34% Danceability • 29% Energy • 64% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 34% Danceability • 29% Energy • 64% Liveness
0% Instrumentalness • 10% Positiveness
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Peyton Parrish
Draugr
77 bpm • G Maj • 02:42 • -9.53db
51% Popularity • 56% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 56% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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IMAscore
Tear Down the Bridges
77 bpm • E min • 03:07 • -9db
33% Popularity • 13% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 13% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sea of Thieves
Becalmed: Seafarer's Song - Acapella
79 bpm • E Maj • 02:54 • -14.56db
20% Popularity • 31% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 31% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Joseph Trapanese
Ravka
79 bpm • C# min • 03:45 • -20db
40% Popularity • 27% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 27% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jorge Rivera-Herrans
Survive
77 bpm • F min • 03:15 • -6.41db
62% Popularity • 39% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 39% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Bear McCreary
The Echo and the River
77 bpm • G Maj • 02:21 • -13db
40% Popularity • 18% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 18% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Borislav Slavov
I Want to Live
77 bpm • C Maj • 03:53 • -16.78db
54% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Malia J
Smells Like Teen Spirit
80 bpm • E min • 03:59 • -9.34db
59% Popularity • 19% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 19% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Einar Selvik
Snake Pit Poetry
80 bpm • C Maj • 07:08 • -9.76db
50% Popularity • 23% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Witcher Training
80 bpm • D min • 02:11 • -16db
32% Popularity • 46% Danceability • 36% Energy • 16% Liveness
71% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 36% Energy • 16% Liveness
71% Instrumentalness • 25% Positiveness
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Port Sulphur Band
Devil in the Churchyard
80 bpm • F# min • 03:07 • -13.82db
36% Popularity • 55% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Bear McCreary
God of War Ragnarök
76 bpm • G# Maj • 04:34 • -11db
56% Popularity • 23% Danceability • 35% Energy • 11% Liveness
74% Instrumentalness • 10% Positiveness
56% Popularity • 23% Danceability • 35% Energy • 11% Liveness
74% Instrumentalness • 10% Positiveness
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Lorne Balfe
Caisen'shar (Old Blood)
80 bpm • E min • 03:34 • -13.15db
20% Popularity • 38% Danceability • 54% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 54% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Darren Korb
Good Riddance
76 bpm • C min • 02:58 • -12.34db
45% Popularity • 50% Danceability • 21% Energy • 18% Liveness
4% Instrumentalness • 17% Positiveness
45% Popularity • 50% Danceability • 21% Energy • 18% Liveness
4% Instrumentalness • 17% Positiveness
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Audiomachine
Warrior's Song
80 bpm • C# min • 02:10 • -8.59db
39% Popularity • 42% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 42% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Raney Shockne
Enchanters
80 bpm • A min • 03:23 • -5.8db
40% Popularity • 72% Danceability • 46% Energy • 11% Liveness
9% Instrumentalness • 50% Positiveness
40% Popularity • 72% Danceability • 46% Energy • 11% Liveness
9% Instrumentalness • 50% Positiveness
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Port Sulphur Band
It's Dark in New Orleans
80 bpm • G# min • 04:12 • -11.15db
39% Popularity • 61% Danceability • 60% Energy • 7% Liveness
68% Instrumentalness • 43% Positiveness
39% Popularity • 61% Danceability • 60% Energy • 7% Liveness
68% Instrumentalness • 43% Positiveness
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Saint Mesa
Throne
80 bpm • D min • 04:48 • -10db
44% Popularity • 53% Danceability • 67% Energy • 35% Liveness
2% Instrumentalness • 35% Positiveness
44% Popularity • 53% Danceability • 67% Energy • 35% Liveness
2% Instrumentalness • 35% Positiveness
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Miracle Of Sound
Valhalla Calling
76 bpm • B min • 03:42 • -10.67db
60% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Darren Korb
Good Riddance (Eurydice Solo)
76 bpm • C min • 02:57 • -12.07db
45% Popularity • 49% Danceability • 20% Energy • 21% Liveness
5% Instrumentalness • 28% Positiveness
45% Popularity • 49% Danceability • 20% Energy • 21% Liveness
5% Instrumentalness • 28% Positiveness
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Keith Power
Sleeping in the Cold Below
76 bpm • G min • 03:31 • -5.68db
52% Popularity • 72% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 72% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Sonya Belousova
I'm Helping the Idiot
80 bpm • D min • 02:44 • -11db
35% Popularity • 52% Danceability • 55% Energy • 23% Liveness
39% Instrumentalness • 35% Positiveness
35% Popularity • 52% Danceability • 55% Energy • 23% Liveness
39% Instrumentalness • 35% Positiveness
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Madalen Duke
How Villains Are Made
80 bpm • E min • 03:26 • -11db
58% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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John Powell
For the Dancing and the Dreaming
76 bpm • C Maj • 03:06 • -19.58db
50% Popularity • 33% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 33% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Miracle Of Sound
Valhalla Calling - Trio Version
76 bpm • B min • 02:32 • -9db
60% Popularity • 65% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
60% Popularity • 65% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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MALINDA
Edge of Night [Pippin's Song] (Bonus Tra...
81 bpm • G# min • 01:03 • -12.76db
53% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
53% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Her Name Is Alina Starkov
75 bpm • D Maj • 02:57 • -21db
28% Popularity • 12% Danceability • 9% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Sonya Belousova
Geralt of Rivia
81 bpm • G Maj • 01:52 • -7.09db
48% Popularity • 23% Danceability • 87% Energy • 11% Liveness
17% Instrumentalness • 18% Positiveness
48% Popularity • 23% Danceability • 87% Energy • 11% Liveness
17% Instrumentalness • 18% Positiveness
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Einar Selvik
When Horns Resound
81 bpm • B min • 02:36 • -10.81db
45% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sea of Thieves
Stitcher's Sorrow - Original Game Soundt...
81 bpm • C# min • 02:55 • -17db
32% Popularity • 9% Danceability • 6% Energy • 24% Liveness
14% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 6% Energy • 24% Liveness
14% Instrumentalness • 4% Positiveness
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Bear McCreary
Gaeta's Lament
75 bpm • G Maj • 04:47 • -16.76db
23% Popularity • 16% Danceability • 14% Energy • 21% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 14% Energy • 21% Liveness
1% Instrumentalness • 4% Positiveness
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The Amazing Devil
The Old Witch Sleep and the Good Man Gra...
81 bpm • G min • 08:51 • -9.7db
43% Popularity • 29% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 29% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Joseph Trapanese
Hi John
81 bpm • D min • 01:34 • -40.87db
0% Popularity • 11% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Sonya Belousova
It's an Ultimatum
75 bpm • A Maj • 03:54 • -10.93db
33% Popularity • 26% Danceability • 55% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
33% Popularity • 26% Danceability • 55% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Joey Batey
Extraordinary Things
81 bpm • D min • 03:19 • -19.71db
38% Popularity • 43% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 43% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Delta Rae
Bottom of the River
75 bpm • B min • 03:22 • -5.75db
54% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Howard Shore
Misty Mountain
75 bpm • D min • 03:28 • -18.66db
37% Popularity • 24% Danceability • 23% Energy • 14% Liveness
72% Instrumentalness • 16% Positiveness
37% Popularity • 24% Danceability • 23% Energy • 14% Liveness
72% Instrumentalness • 16% Positiveness
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Blackmore's Night
Ghost of a Rose
82 bpm • E min • 05:45 • -5db
15% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Tinnesz
Man or a Monster
82 bpm • D min • 03:25 • -6.04db
50% Popularity • 50% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 50% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Beth Crowley
Empire
82 bpm • A# min • 03:43 • -6.51db
47% Popularity • 51% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 51% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Freya Allan
A Little Sacrifice
82 bpm • B min • 02:52 • -15.89db
40% Popularity • 47% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 47% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Alpine Universe
United States of a Miracle - Acoustic
82 bpm • F min • 01:21 • -7.07db
51% Popularity • 53% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 53% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Joseph Trapanese
Done Dealing in Debts
74 bpm • G Maj • 04:50 • -22db
23% Popularity • 9% Danceability • 22% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
23% Popularity • 9% Danceability • 22% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
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The Hit House
Hunt You Down
82 bpm • C min • 03:44 • -7.19db
36% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Royal Deluxe
Bad
83 bpm • G# min • 03:13 • -7.44db
55% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Anthony Warlow
Confrontation
82 bpm • E Maj • 04:26 • -10.1db
51% Popularity • 29% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
51% Popularity • 29% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Perly I Lotry
Each Must Die Someday (A Cappella Viking...
83 bpm • E min • 01:13 • -9db
42% Popularity • 38% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 38% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Bear McCreary
Two Standing Stones
83 bpm • A# Maj • 02:50 • -16.12db
30% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Joseph Trapanese
Military Occupation
82 bpm • D Maj • 00:55 • -28.19db
2% Popularity • 48% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 23% Positiveness
2% Popularity • 48% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 23% Positiveness
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Joey Batey
Enchanted Flowers
83 bpm • E min • 03:01 • -24.23db
32% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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izzy reign
This Is Halloween
84 bpm • G# Maj • 03:13 • -5.31db
45% Popularity • 52% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 52% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Sonya Belousova
Tomorrow I'll Leave Blaviken For Good
73 bpm • D min • 01:33 • -17.06db
42% Popularity • 29% Danceability • 13% Energy • 7% Liveness
20% Instrumentalness • 10% Positiveness
42% Popularity • 29% Danceability • 13% Energy • 7% Liveness
20% Instrumentalness • 10% Positiveness
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Eurielle
Lady In Waiting
84 bpm • C# min • 04:33 • -12db
18% Popularity • 15% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Armitage
Misty Mountains
84 bpm • G min • 01:43 • -32db
70% Popularity • 20% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
70% Popularity • 20% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Joseph Trapanese
Just Ask
83 bpm • G Maj • 05:32 • -20.07db
23% Popularity • 31% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
23% Popularity • 31% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Ramin Djawadi
The Rains of Castamere
84 bpm • C min • 03:44 • -12.31db
56% Popularity • 28% Danceability • 15% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
56% Popularity • 28% Danceability • 15% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
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Tommee Profitt
Soldier
84 bpm • A min • 03:45 • -9.76db
58% Popularity • 61% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
58% Popularity • 61% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Alpine Universe
The Top of the Mountain - Acoustic
84 bpm • F# Maj • 01:45 • -5db
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Miracle Of Sound
Skal
84 bpm • G Maj • 02:48 • -8.7db
62% Popularity • 62% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 62% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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The Amazing Devil
Battle Cries
72 bpm • C Maj • 05:51 • -9.17db
45% Popularity • 33% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 33% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Joseph Trapanese
Who Did This to You?
72 bpm • E min • 01:46 • -24.87db
27% Popularity • 8% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Kristen Anderson-Lopez
Agatha All Along
72 bpm • F Maj • 01:02 • -3.88db
43% Popularity • 43% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 43% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Sam Lee
The Devil & The Huntsman
85 bpm • C Maj • 04:18 • -9.39db
50% Popularity • 26% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 26% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Neal Acree
Warbringers: Jaina
84 bpm • C# Maj • 04:08 • -13.97db
46% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 28% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Alpine Universe
The Empire of Winds
85 bpm • C# Maj • 03:04 • -6.65db
51% Popularity • 61% Danceability • 76% Energy • 32% Liveness
18% Instrumentalness • 43% Positiveness
51% Popularity • 61% Danceability • 76% Energy • 32% Liveness
18% Instrumentalness • 43% Positiveness
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Eurielle
Lúthien's Lament
72 bpm • F# min • 04:08 • -12.43db
40% Popularity • 12% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 12% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Joseph Trapanese
Some Wounds Can't Be Healed
86 bpm • A Maj • 01:31 • -33db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Murray Gold
I Am The Doctor
85 bpm • D min • 04:04 • -11.31db
47% Popularity • 55% Danceability • 39% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
47% Popularity • 55% Danceability • 39% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Saint Mesa
Lion
86 bpm • F# min • 02:50 • -9.12db
56% Popularity • 25% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 32% Positiveness
56% Popularity • 25% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 32% Positiveness
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The Score
Revolution
86 bpm • G# min • 03:51 • -6.24db
65% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Perly I Lotry
Ronja's Lullaby a Cappella
86 bpm • G min • 02:30 • -10.89db
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bear McCreary
Where the Shadows Lie
86 bpm • B Maj • 03:48 • -12.5db
37% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Joseph Trapanese
The Key to the Future
86 bpm • D min • 01:44 • -21.57db
25% Popularity • 28% Danceability • 25% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
25% Popularity • 28% Danceability • 25% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Zayde Wølf
Heroes
87 bpm • F min • 03:42 • -4.53db
56% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Leslie Odom Jr.
Wait for It
87 bpm • F# Maj • 03:13 • -9.64db
69% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sean Dagher
Roll, Boys, Roll!
69 bpm • D min • 01:55 • -6.65db
44% Popularity • 77% Danceability • 31% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 77% Danceability • 31% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Miracle Of Sound
To Be Better
87 bpm • C# Maj • 03:29 • -7.79db
53% Popularity • 54% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 54% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Geoff Castellucci
The Rains of Castamere
88 bpm • D min • 02:58 • -14.69db
38% Popularity • 30% Danceability • 36% Energy • 11% Liveness
41% Instrumentalness • 23% Positiveness
38% Popularity • 30% Danceability • 36% Energy • 11% Liveness
41% Instrumentalness • 23% Positiveness
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Joseph Trapanese
Waiting
70 bpm • G min • 01:27 • -32.55db
1% Popularity • 19% Danceability • 1% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 1% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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Marianas Trench
The Killing Kind
88 bpm • D Maj • 06:46 • -6.29db
47% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Madds Buckley
Brother
88 bpm • C# Maj • 03:46 • -10.7db
53% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Birdy
Learn Me Right
69 bpm • D Maj • 03:45 • -9.46db
52% Popularity • 21% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 21% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Copilot Music + Sound
The Drunken Whaler (Full Version)
90 bpm • G# Maj • 04:06 • -8.87db
40% Popularity • 34% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 34% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Spiritual Machines
Don't Fear the Reaper
90 bpm • A min • 04:12 • -9.3db
36% Popularity • 34% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Joseph Trapanese
Quarantine Lifted
87 bpm • G Maj • 01:24 • -32.61db
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Nickelback
Rockstar Sea Shanty
90 bpm • C min • 02:42 • -8.63db
56% Popularity • 69% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 69% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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C21fx
Blood Red Roses
90 bpm • C min • 03:28 • -13.78db
36% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
