Songs like But Beautiful by Bill Evans
Based on a tempo of (+/- 10%) and a similar genre
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Stan Getz
But Beautiful
73 bpm • B Maj • 04:40 • -21.88db
58% Popularity • 50% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
58% Popularity • 50% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
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Benny Carter
The Midnight Sun Will Never Set
72 bpm • G min • 03:57 • -12db
41% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
41% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
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Roy Hargrove
Joy Is Sorrow Unmasked
72 bpm • G min • 04:46 • -14.57db
33% Popularity • 42% Danceability • 12% Energy • 16% Liveness
62% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 12% Energy • 16% Liveness
62% Instrumentalness • 16% Positiveness
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Ben Webster
When Your Lover Has Gone - Remastered
72 bpm • G min • 03:59 • -12.69db
39% Popularity • 52% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
39% Popularity • 52% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
31% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
31% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Bill Evans
Here's That Rainy Day
74 bpm • E min • 05:21 • -20.15db
36% Popularity • 40% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
36% Popularity • 40% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Tony Bennett
When In Rome
72 bpm • C Maj • 02:54 • -11.34db
24% Popularity • 51% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 51% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Monica Zetterlund
So Long Big Time
72 bpm • G min • 03:49 • -12.96db
21% Popularity • 44% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 44% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Kenny Dorham
Mack The Knife
75 bpm • D min • 03:03 • -17db
38% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
38% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Bill Evans
B Minor Waltz - Remastered 2003
74 bpm • B min • 03:16 • -16db
52% Popularity • 38% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 38% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
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Tony Bennett
Waltz For Debby
75 bpm • C min • 04:04 • -16.08db
22% Popularity • 41% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 41% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Hank Mobley
Dam That Dream
71 bpm • A min • 06:10 • -15.73db
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Gerry Mulligan Quartet
Nights At The Turntable
76 bpm • G Maj • 02:55 • -10db
32% Popularity • 56% Danceability • 31% Energy • 29% Liveness
6% Instrumentalness • 55% Positiveness
32% Popularity • 56% Danceability • 31% Energy • 29% Liveness
6% Instrumentalness • 55% Positiveness
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Dizzy Gillespie
Salt Peanuts
76 bpm • F Maj • 03:16 • -9.87db
42% Popularity • 70% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 79% Positiveness
42% Popularity • 70% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 79% Positiveness
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Bill Evans
Stella By Starlight
75 bpm • G min • 04:50 • -17.62db
29% Popularity • 39% Danceability • 21% Energy • 18% Liveness
89% Instrumentalness • 35% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 18% Liveness
89% Instrumentalness • 35% Positiveness
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Wayne Shorter
Black Nile - Remastered 2004 / Rudy Van ...
76 bpm • G min • 06:28 • -10.11db
34% Popularity • 44% Danceability • 59% Energy • 8% Liveness
18% Instrumentalness • 59% Positiveness
34% Popularity • 44% Danceability • 59% Energy • 8% Liveness
18% Instrumentalness • 59% Positiveness
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Tony Bennett
The Bad And The Beautiful - Remastered 2...
74 bpm • G# Maj • 02:15 • -23.56db
37% Popularity • 34% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
37% Popularity • 34% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Oscar Peterson
Blue And Sentimental
70 bpm • D# min • 02:26 • -25db
60% Popularity • 55% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 12% Positiveness
60% Popularity • 55% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 12% Positiveness
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Roy Hargrove
Easy To Remember
70 bpm • F min • 06:10 • -16.13db
24% Popularity • 38% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
24% Popularity • 38% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Bill Evans
Why Did I Choose You?
75 bpm • F min • 05:03 • -18.04db
25% Popularity • 29% Danceability • 10% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 29% Danceability • 10% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
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Benny Carter
Body And Soul
76 bpm • A# min • 04:10 • -11db
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
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Tony Bennett
But Beautiful
76 bpm • G Maj • 03:36 • -19.12db
29% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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John Hicks
Naomi's Love Song
77 bpm • G# Maj • 03:02 • -25db
24% Popularity • 27% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Evans
A Time For Love
71 bpm • G min • 05:06 • -19.42db
35% Popularity • 30% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Benny Carter
Blue Star
77 bpm • G# Maj • 05:20 • -10.99db
31% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
31% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
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Kenny Dorham
Dorham's Epitaph - Remastered 2014
70 bpm • F min • 01:09 • -14.51db
48% Popularity • 33% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
48% Popularity • 33% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
42% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Miles Davis
On Green Dolphin Street
77 bpm • G# Maj • 09:49 • -12db
44% Popularity • 44% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 44% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
53% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Bill Evans
Everything Happens To Me
70 bpm • A# Maj • 05:42 • -24.49db
24% Popularity • 30% Danceability • 5% Energy • 5% Liveness
86% Instrumentalness • 14% Positiveness
24% Popularity • 30% Danceability • 5% Energy • 5% Liveness
86% Instrumentalness • 14% Positiveness
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Gerry Mulligan Sextet
Tell Me When
69 bpm • C# Maj • 04:09 • -23.73db
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Sonny Clark
Blue Minor - Rudy Van Gelder Edition/199...
78 bpm • F min • 10:19 • -7db
24% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
24% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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McCoy Tyner
We'll Be Together Again
78 bpm • G# Maj • 03:40 • -20.72db
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
51% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Miles Davis Quartet
Miles Ahead
78 bpm • G min • 04:29 • -14.85db
28% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
28% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
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Bill Evans
Why Did I Choose You? - Quartet
77 bpm • G min • 04:17 • -18.54db
22% Popularity • 36% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
22% Popularity • 36% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Freddie Hubbard
Up Jumped Spring
78 bpm • G min • 06:41 • -22db
28% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
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John Coltrane
I'm Old Fashioned - Remastered 2003/Rudy...
78 bpm • D# Maj • 07:57 • -10.48db
46% Popularity • 39% Danceability • 23% Energy • 7% Liveness
50% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 23% Energy • 7% Liveness
50% Instrumentalness • 36% Positiveness
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Terence Blanchard
Jackie Gets Out
68 bpm • F# Maj • 02:56 • -12.42db
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Thelonious Monk Septet
Crepuscule With Nellie - Breakdown
67 bpm • A# min • 01:01 • -27.09db
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 58% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Bill Evans
The Two Lonely People
78 bpm • F# Maj • 06:10 • -17.29db
31% Popularity • 33% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
31% Popularity • 33% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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John Coltrane Quartet
It's Easy To Remember
68 bpm • F min • 02:45 • -11db
63% Popularity • 51% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
63% Popularity • 51% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Art Blakey
Sweet 'n' Sour
67 bpm • F Maj • 05:31 • -13.99db
28% Popularity • 36% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 36% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
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Freddie Hubbard
The Things We Did Last Summer
79 bpm • F Maj • 07:19 • -20db
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
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Bill Evans
Dancing In The Dark
78 bpm • F Maj • 04:35 • -19.16db
28% Popularity • 55% Danceability • 25% Energy • 15% Liveness
59% Instrumentalness • 44% Positiveness
28% Popularity • 55% Danceability • 25% Energy • 15% Liveness
59% Instrumentalness • 44% Positiveness
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Cannonball Adderley
Waltz For Debby
79 bpm • D min • 05:12 • -9.99db
25% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bill Evans Trio
Nardis
80 bpm • C Maj • 05:49 • -24.47db
44% Popularity • 52% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
44% Popularity • 52% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Jutta Hipp
Violets For Your Furs
67 bpm • D# Maj • 06:10 • -15.33db
37% Popularity • 50% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 38% Positiveness
37% Popularity • 50% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 38% Positiveness
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Tony Bennett
Who Can I Turn To? - Remastered 2003
80 bpm • C min • 02:24 • -16.76db
22% Popularity • 46% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 46% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Bill Evans
In Your Own Sweet Way
78 bpm • C# Maj • 02:58 • -25.23db
36% Popularity • 50% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 50% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Lee Konitz Quartet
Stephanie
67 bpm • A# min • 03:55 • -17.51db
28% Popularity • 68% Danceability • 9% Energy • 8% Liveness
40% Instrumentalness • 20% Positiveness
28% Popularity • 68% Danceability • 9% Energy • 8% Liveness
40% Instrumentalness • 20% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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McCoy Tyner
Days Of Wine And Roses
66 bpm • G min • 03:21 • -21db
50% Popularity • 62% Danceability • 13% Energy • 19% Liveness
85% Instrumentalness • 10% Positiveness
50% Popularity • 62% Danceability • 13% Energy • 19% Liveness
85% Instrumentalness • 10% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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John Coltrane Quartet
Say It (Over And Over Again)
66 bpm • D# Maj • 04:15 • -13.04db
58% Popularity • 49% Danceability • 12% Energy • 25% Liveness
33% Instrumentalness • 20% Positiveness
58% Popularity • 49% Danceability • 12% Energy • 25% Liveness
33% Instrumentalness • 20% Positiveness
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Bill Evans
Emily
78 bpm • G Maj • 04:31 • -13.35db
28% Popularity • 46% Danceability • 38% Energy • 73% Liveness
62% Instrumentalness • 22% Positiveness
28% Popularity • 46% Danceability • 38% Energy • 73% Liveness
62% Instrumentalness • 22% Positiveness
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Phil Woods
Hindsight
65 bpm • G# Maj • 06:31 • -19.41db
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
26% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Chet Baker Quartet
But Not for Me (Instrumental)
82 bpm • F min • 03:05 • -11.85db
34% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
34% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
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Roy Hargrove
Ruby My Dear
65 bpm • G# Maj • 06:13 • -12db
43% Popularity • 45% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 7% Positiveness
43% Popularity • 45% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 7% Positiveness
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Cannonball Adderley
Nancy (With The Laughing Face)
65 bpm • D# Maj • 04:05 • -16.68db
22% Popularity • 42% Danceability • 7% Energy • 16% Liveness
68% Instrumentalness • 21% Positiveness
22% Popularity • 42% Danceability • 7% Energy • 16% Liveness
68% Instrumentalness • 21% Positiveness
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Bill Evans
We Will Meet Again - Remastered
79 bpm • C min • 04:04 • -18.98db
45% Popularity • 44% Danceability • 20% Energy • 26% Liveness
90% Instrumentalness • 23% Positiveness
45% Popularity • 44% Danceability • 20% Energy • 26% Liveness
90% Instrumentalness • 23% Positiveness
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Monica Zetterlund
Lucky To Be Me
82 bpm • C# Maj • 03:36 • -16.22db
25% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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John Coltrane Quartet
You Don't Know What Love Is
65 bpm • F min • 05:11 • -12db
41% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
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Johnny Hodges
The Last Time I Saw Paris
82 bpm • C Maj • 02:54 • -21.43db
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
53% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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Sonny Clark
Somebody Loves Me
82 bpm • D min • 04:15 • -14db
32% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Bill Evans
You Must Believe In Spring
80 bpm • D Maj • 05:43 • -16db
44% Popularity • 32% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
44% Popularity • 32% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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Monica Zetterlund
Vindarna Sucka Uti Skogarna
82 bpm • A# min • 03:02 • -24db
24% Popularity • 40% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 40% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Kenny Dorham
My Ideal
65 bpm • E min • 05:05 • -25db
44% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
44% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
42% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
42% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Sonny Clark
Melody For C
83 bpm • C Maj • 07:45 • -13db
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Bill Evans
I'll See You Again
80 bpm • F Maj • 03:55 • -19.36db
40% Popularity • 60% Danceability • 27% Energy • 10% Liveness
35% Instrumentalness • 51% Positiveness
40% Popularity • 60% Danceability • 27% Energy • 10% Liveness
35% Instrumentalness • 51% Positiveness
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Bill Evans Trio
Alice In Wonderland - Take 2 / Live At T...
83 bpm • C Maj • 08:34 • -18.32db
37% Popularity • 43% Danceability • 30% Energy • 71% Liveness
86% Instrumentalness • 36% Positiveness
37% Popularity • 43% Danceability • 30% Energy • 71% Liveness
86% Instrumentalness • 36% Positiveness
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Wayne Shorter
Black Orpheus
83 bpm • F min • 04:35 • -15db
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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Lennie Tristano
Requiem
83 bpm • G min • 04:52 • -11.85db
24% Popularity • 45% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
24% Popularity • 45% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Lester Young
There Will Never Be Another You
83 bpm • C min • 03:25 • -17.94db
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Bill Evans
'Round Midnight
66 bpm • D# min • 06:33 • -22.01db
27% Popularity • 45% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 31% Positiveness
27% Popularity • 45% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 31% Positiveness
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Stan Getz
Grandfather's Waltz
83 bpm • C Maj • 06:28 • -17.71db
38% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
35% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Johnny Hodges
Autumn In New York
84 bpm • F min • 03:37 • -20db
40% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Count Basie
Li'l Darlin' - Live At The Tropicana Hot...
64 bpm • C Maj • 04:52 • -24db
42% Popularity • 27% Danceability • 4% Energy • 89% Liveness
5% Instrumentalness • 21% Positiveness
42% Popularity • 27% Danceability • 4% Energy • 89% Liveness
5% Instrumentalness • 21% Positiveness
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Bill Evans Trio
Haunted Heart
84 bpm • E Maj • 03:25 • -21.4db
37% Popularity • 40% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
37% Popularity • 40% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Bill Evans
Freddie Freeloader - Remastered
81 bpm • F min • 07:34 • -14.46db
31% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 58% Positiveness
31% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 58% Positiveness
