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But For Now
Songs like
But For Now
by
John Treacy Egan
Based on a tempo of (+/- 10%) and a similar genre
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Julia Sutton as Bird Woman
Feed The Birds - London Cast Recording
64 bpm • F# Maj • 03:39 • -17.27db
26% Popularity • 33% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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John Treacy Egan
But For Now
64 bpm • F min • 03:36 • -17.9db
0% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Scarlett Strallen
Would You?
65 bpm • C Maj • 01:34 • -13.46db
16% Popularity • 30% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Kate Reinders
I Love the Way
63 bpm • G Maj • 02:49 • -8.47db
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lindsay Mendez
Mister Snow - Reprise
65 bpm • G Maj • 02:28 • -11.44db
16% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Peter Gallagher
My Time of Day
66 bpm • F Maj • 02:00 • -23db
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Georgia Engel
Love Is Always Lovely in the End
58 bpm • C min • 02:16 • -11db
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Christopher J. Hanke
I Believe In You (Reprise)
59 bpm • G Maj • 01:27 • -17.11db
18% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Sheila Hancock
Here Within These Walls - Reprise
70 bpm • G# Maj • 01:37 • -12.94db
23% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ben Rappaport
Now I Have Everything
58 bpm • G# Maj • 01:55 • -7db
22% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Rose, Herbie, June, Mr. Goldstone and Boys
Have an Eggroll, Mr. Goldstone
57 bpm • B Maj • 02:26 • -4.59db
14% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
36% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Original Cast of Amélie
Tour De France
71 bpm • D Maj • 02:33 • -8.29db
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Derek Klena
Come Back
56 bpm • C Maj • 02:50 • -6db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Krysten Cummings
Just a Housewife
75 bpm • A Maj • 03:25 • -11.55db
14% Popularity • 36% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Rachel Bay Jones
I Guess I'll Miss the Man
55 bpm • C Maj • 02:06 • -14.11db
32% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmy Roberts
Prologue / Cantata For A First Date
76 bpm • C min • 04:44 • -10db
16% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Love Sneaks In
76 bpm • D min • 02:16 • -17.36db
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Faith Prince
Entr'acte / Take Back Your Mink
77 bpm • C min • 05:20 • -15.45db
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
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J.C. Montgomery
A Rumblin' and a Rollin'
77 bpm • A min • 03:28 • -8.27db
15% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Katie Rose Clarke
I Oughta Go
77 bpm • F Maj • 01:35 • -11.04db
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Megan McGinnis
I'm a Beast
77 bpm • C# Maj • 02:11 • -13.77db
19% Popularity • 41% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lea Michele
You Are Woman, I Am Man
77 bpm • D Maj • 03:13 • -11.97db
25% Popularity • 64% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Sally Dexter
London Bridge
78 bpm • G Maj • 04:00 • -19db
17% Popularity • 24% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 7% Positiveness
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Andy Karl and Allison Janney
Let Love Grow
78 bpm • D# Maj • 02:38 • -12.08db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Phillipa Soo
On The Steps Of The Palace
78 bpm • D Maj • 02:26 • -11.72db
40% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
30% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
23% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Radcliffe
Rosemary
79 bpm • G Maj • 03:57 • -13.67db
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Steven Sutcliffe
He Wanted to Say
80 bpm • F# Maj • 02:34 • -10.05db
19% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
25% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
25% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Charles Strouse
Annie: Annie
80 bpm • C# Maj • 01:35 • -12.68db
22% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
28% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
23% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Liz Callaway
The Story Goes On
81 bpm • C Maj • 04:32 • -11.49db
13% Popularity • 27% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Maria Friedman
Words, Words, Words
81 bpm • G# Maj • 04:48 • -19db
13% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
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Phillipa Soo
The Simple Joys of Maidenhood
81 bpm • B Maj • 03:03 • -11.49db
23% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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David Patrick Kelly
Cinderella At The Grave
81 bpm • F Maj • 01:21 • -13.88db
32% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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John Treacy Egan
Sarah
82 bpm • D# Maj • 03:08 • -12.39db
0% Popularity • 32% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
36% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
27% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Hugh Jackman
People Will Say We're in Love (Reprise)
84 bpm • D Maj • 01:32 • -9.97db
22% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Tulsa and Louise
All I Need is the Girl
83 bpm • C Maj • 05:04 • -7.27db
16% Popularity • 42% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
29% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Sean Hayes
Half as Big as Life
84 bpm • F min • 02:05 • -7.97db
14% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
40% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
33% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Ross Lekites
I'll Go Home with Bonnie Jean
84 bpm • G Maj • 02:19 • -8.76db
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
15% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
24% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
21% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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John Treacy Egan
Carrickfergus
85 bpm • D Maj • 04:27 • -15.37db
1% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
27% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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James Congdon
Getting Out of Town
85 bpm • D# Maj • 01:42 • -13.53db
21% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers (Prologue)
85 bpm • D Maj • 02:18 • -10.38db
19% Popularity • 34% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Kieran McIlroy
Bidin' My Time
85 bpm • C Maj • 01:45 • -19.47db
20% Popularity • 46% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Louise
Little Lamb
85 bpm • F# Maj • 02:45 • -14db
13% Popularity • 26% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
John Treacy Egan
I Wish You Love
86 bpm • G Maj • 02:18 • -16.44db
0% Popularity • 36% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Jerry Orbach
Finale: 42nd Street (Reprise) / Bows
86 bpm • D# min • 03:13 • -15db
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Jordan Donica
C'est Moi
86 bpm • C Maj • 03:47 • -9.99db
19% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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But For Now