Songs like Buttons and Bows by Bob Hope
Based on a tempo of (+/- 10%) and a similar genre
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Bob Hope
Road To Zanzibar: Overture / You Lucky P...
144 bpm • E min • 01:37 • -7.69db
1% Popularity • 52% Danceability • 34% Energy • 8% Liveness
16% Instrumentalness • 56% Positiveness
1% Popularity • 52% Danceability • 34% Energy • 8% Liveness
16% Instrumentalness • 56% Positiveness
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Glenn Miller & The Army Air Force Band
Over There - Remastered 2001
145 bpm • C# Maj • 02:02 • -11.51db
16% Popularity • 67% Danceability • 61% Energy • 10% Liveness
8% Instrumentalness • 65% Positiveness
16% Popularity • 67% Danceability • 61% Energy • 10% Liveness
8% Instrumentalness • 65% Positiveness
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Norman Wisdom
Don't Laugh at Me ('Cause I'm a Fool)
143 bpm • A# Maj • 03:36 • -13.06db
36% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 30% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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The Four Lads
Together Wherever We Go
143 bpm • G Maj • 02:43 • -12.66db
15% Popularity • 63% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 63% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Shirley Temple
An Old Straw Hat
142 bpm • D Maj • 01:04 • -11.91db
21% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Ginger Rogers
I Used to Be Color Blind
146 bpm • C min • 03:27 • -12.32db
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
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Guy Mitchell
Pittsburgh, Pennsylvania - Single Versio...
146 bpm • G Maj • 02:56 • -15.01db
17% Popularity • 63% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 63% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Glenn Miller & The Army Air Force Band
The Army Air Corps - Remastered 2001
146 bpm • A# Maj • 02:23 • -10.32db
21% Popularity • 55% Danceability • 47% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Rudy Vallee
Makin' Whoopee
142 bpm • G Maj • 02:57 • -13db
10% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 55% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Larry Clark
Hallelujah
142 bpm • A# min • 03:27 • -5.09db
7% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Clark Sisters
You Shall Receive - Mr. Talkbox Remix
147 bpm • G# Maj • 03:32 • -4.24db
5% Popularity • 58% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
5% Popularity • 58% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Fred Astaire (performer)
All of You
141 bpm • C# Maj • 06:06 • -17.06db
7% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
7% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Helen O'Connell
You, You Darling
147 bpm • G min • 02:02 • -13.07db
18% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 60% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
31% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Larry Clark
Hallelujah Remix
141 bpm • C# Maj • 04:25 • -5.77db
2% Popularity • 59% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 59% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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The Clark Sisters
The Greatest Glory
140 bpm • G# Maj • 03:30 • -11.23db
5% Popularity • 49% Danceability • 46% Energy • 99% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 49% Danceability • 46% Energy • 99% Liveness
0% Instrumentalness • 24% Positiveness
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Petula Clark, Don Francks & Fred Astaire
Look to the Rainbow
140 bpm • G# Maj • 03:03 • -14db
14% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Four Aces
Dream
139 bpm • A# Maj • 02:17 • -16.19db
30% Popularity • 60% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 42% Positiveness
30% Popularity • 60% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 42% Positiveness
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Bob Hope
Do You Know The Way To Amarillo
139 bpm • A Maj • 02:50 • -14.2db
1% Popularity • 63% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 63% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Clark Sisters
Counting On Joy
140 bpm • D# Maj • 03:31 • -6.97db
7% Popularity • 44% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Teresa Brewer
A Tear Fell
138 bpm • D Maj • 02:35 • -11.42db
39% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Spike Jones
Pack up Your Troubles in Your Old Kit Ba...
150 bpm • G Maj • 02:29 • -10.77db
8% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
12% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Sammy Davis Jr.
The Lady Is A Tramp
138 bpm • C Maj • 04:21 • -12.53db
28% Popularity • 45% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 45% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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The Merry Macs
Praise the Lord and Pass the Ammunition
150 bpm • D Maj • 02:33 • -11.73db
27% Popularity • 67% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 67% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
23% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Billy Williams
I'm Gonna Sit Right Down and Write Mysel...
138 bpm • C# Maj • 02:07 • -17db
32% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Noel Coward
Mrs Worthington
137 bpm • D# Maj • 02:02 • -18db
17% Popularity • 68% Danceability • 21% Energy • 29% Liveness
37% Instrumentalness • 74% Positiveness
17% Popularity • 68% Danceability • 21% Energy • 29% Liveness
37% Instrumentalness • 74% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Eddy Duchin
It's De-lovely
152 bpm • F Maj • 03:07 • -16db
15% Popularity • 63% Danceability • 18% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 18% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Frances Langford & Johnny 'Scat' Davis
Hooray for Hollywood
136 bpm • F# min • 03:49 • -6db
11% Popularity • 62% Danceability • 75% Energy • 59% Liveness
9% Instrumentalness • 66% Positiveness
11% Popularity • 62% Danceability • 75% Energy • 59% Liveness
9% Instrumentalness • 66% Positiveness
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Stubby Kaye (performer), Guys and Dolls Chorus
Sit Down You're Rockin the Boat!
136 bpm • D# Maj • 02:01 • -13db
22% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Noel Coward
A Room with a View
136 bpm • G Maj • 03:34 • -15db
21% Popularity • 40% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 40% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Marlon Brando
Luck Be A Lady
153 bpm • A# Maj • 03:10 • -11.38db
4% Popularity • 38% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 38% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Bob Hope
Road To Morocco: Ain't Got a Dime To My ...
135 bpm • C min • 02:14 • -12db
17% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
17% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
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The Ames Brothers
The Man with the Banjo
153 bpm • A# Maj • 02:53 • -12.16db
21% Popularity • 33% Danceability • 32% Energy • 26% Liveness
28% Instrumentalness • 62% Positiveness
21% Popularity • 33% Danceability • 32% Energy • 26% Liveness
28% Instrumentalness • 62% Positiveness
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Buddy Clark
Ballerina
135 bpm • A# Maj • 03:06 • -17.08db
15% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rudy Vallee
Maine Stein Song (aka the Stein Song)
135 bpm • G# Maj • 01:26 • -11.79db
22% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Noel Coward
Mad Dogs and Englishmen
136 bpm • G# Maj • 02:49 • -11.96db
11% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
24% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Shirley Temple
Early Bird
135 bpm • G# Maj • 02:02 • -21db
14% Popularity • 53% Danceability • 14% Energy • 56% Liveness
92% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 14% Energy • 56% Liveness
92% Instrumentalness • 47% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
26% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Bob Hope
That's Not The Knot
154 bpm • A Maj • 02:30 • -13.38db
2% Popularity • 66% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 66% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Noel Coward
Mad Dogs and Englishmen
134 bpm • C Maj • 02:51 • -16db
23% Popularity • 68% Danceability • 27% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
23% Popularity • 68% Danceability • 27% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
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Joe Loss & His Orchestra
Tiggerty Boo
134 bpm • C# Maj • 02:37 • -22.87db
11% Popularity • 80% Danceability • 15% Energy • 13% Liveness
64% Instrumentalness • 85% Positiveness
11% Popularity • 80% Danceability • 15% Energy • 13% Liveness
64% Instrumentalness • 85% Positiveness
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Jack Hylton & His Orchestra
Life Is Just a Bowl of Cherries
155 bpm • C# min • 02:54 • -14.85db
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 14% Liveness
78% Instrumentalness • 68% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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The Mellomen with Thurl Ravenscroft
By the Beautiful Sea
134 bpm • D# Maj • 02:29 • -15db
15% Popularity • 82% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 82% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Noel Coward
Mad Dogs And Englishmen
134 bpm • C Maj • 02:51 • -22db
11% Popularity • 68% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 68% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Loss & His Orchestra
The Spitfire Song
134 bpm • C# Maj • 02:53 • -13db
11% Popularity • 75% Danceability • 34% Energy • 15% Liveness
8% Instrumentalness • 91% Positiveness
11% Popularity • 75% Danceability • 34% Energy • 15% Liveness
8% Instrumentalness • 91% Positiveness
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Bob Hope
Road To Singapore: Sweet Potato Piper
156 bpm • D# Maj • 02:51 • -10.29db
2% Popularity • 59% Danceability • 36% Energy • 17% Liveness
4% Instrumentalness • 89% Positiveness
2% Popularity • 59% Danceability • 36% Energy • 17% Liveness
4% Instrumentalness • 89% Positiveness
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The Ames Brothers
A Tree in the Meadow
133 bpm • A Maj • 03:11 • -14.32db
13% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Beverley Sisters
Roll Out The Barrel
132 bpm • A# Maj • 02:05 • -13.89db
15% Popularity • 55% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 55% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 59% Positiveness
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Flanagan & Allen
The Umbrella Man
132 bpm • C# Maj • 02:43 • -10db
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Rudy Vallee
Let's Put out the Lights and Go to Sleep
132 bpm • D Maj • 03:42 • -15.53db
11% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Teresa Brewer
Ricochet (Rick-O-Shay)
132 bpm • D# Maj • 02:42 • -6.97db
21% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
33% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
33% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
24% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
27% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Noel Coward
I'Ll See You Again
131 bpm • G Maj • 03:17 • -19.29db
9% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
9% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
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Shirley Temple
On the Good Ship Lollipop
130 bpm • G min • 02:32 • -8db
28% Popularity • 56% Danceability • 46% Energy • 60% Liveness
54% Instrumentalness • 55% Positiveness
28% Popularity • 56% Danceability • 46% Energy • 60% Liveness
54% Instrumentalness • 55% Positiveness
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Bob Hope
Road To Morocco: Constantly
131 bpm • C min • 03:14 • -14.66db
1% Popularity • 29% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 29% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
33% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Stanley Holloway
Hello! Hello! Who's Your Lady Friend
130 bpm • D Maj • 01:15 • -10db
15% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Al Martino
Here In My Heart
130 bpm • C Maj • 03:04 • -10db
29% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
29% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
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Rudy Vallee
Stein Song
130 bpm • G# Maj • 03:17 • -12db
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Lawrence Welk
Start The Day Right
160 bpm • C Maj • 02:20 • -17.06db
16% Popularity • 62% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 62% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
46% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
46% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Bob Hope
Road To Utopia: Goodtime Charlie
130 bpm • C# Maj • 02:30 • -12.17db
1% Popularity • 72% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 72% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 44% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Noel Coward
Don't Let's Be Beastly to the Germans
128 bpm • A# Maj • 03:12 • -19db
16% Popularity • 79% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 79% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Sammy Davis Jr.
Song And Dance Man
128 bpm • A# Maj • 03:05 • -14.92db
8% Popularity • 65% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 65% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 85% Positiveness
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Robert Preston
Seventy Six Trombones / Goodnight My Som...
128 bpm • C Maj • 01:30 • -12.88db
32% Popularity • 38% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 38% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Deanna Durbin
Danny Boy
128 bpm • D# Maj • 04:02 • -10db
14% Popularity • 25% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Max Bygraves
Que Sera Sera (Whatever Will Be)
128 bpm • B Maj • 01:49 • -13.2db
13% Popularity • 50% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 50% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Hope
Road To Utopia: It's Anybody's Spring
128 bpm • G Maj • 01:49 • -10.39db
2% Popularity • 58% Danceability • 40% Energy • 93% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 58% Danceability • 40% Energy • 93% Liveness
0% Instrumentalness • 79% Positiveness
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Phil Harris
The Thing
128 bpm • D Maj • 02:22 • -10db
14% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Shirley Temple
On The Good Ship Lollipop
128 bpm • A# Maj • 02:33 • -20.04db
8% Popularity • 58% Danceability • 8% Energy • 35% Liveness
3% Instrumentalness • 59% Positiveness
8% Popularity • 58% Danceability • 8% Energy • 35% Liveness
3% Instrumentalness • 59% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
24% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
24% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Ethel Merman
You're The Top
163 bpm • A min • 02:14 • -8.32db
21% Popularity • 57% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 57% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Joni James
Why Don't You Believe Me
163 bpm • D# Maj • 02:56 • -7.22db
14% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 17% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bob Crosby
The Old Master Painter
127 bpm • C Maj • 01:58 • -11.43db
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
