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By the River - Acoustic
Songs like
By the River - Acoustic
by
Stu Larsen
Based on a tempo of (+/- 10%) and a similar genre
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Ciaran Lavery
Your Artist
146 bpm • F Maj • 03:48 • -12db
22% Popularity • 65% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Blanco White
We Know Who U R - Recorded at Spotify St...
147 bpm • G# Maj • 03:42 • -11.49db
39% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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John Smith
Salty And sweet
146 bpm • D# Maj • 03:15 • -13db
36% Popularity • 50% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Bradley Adams
Come Tomorrow
145 bpm • B min • 04:16 • -16.43db
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Old Sea Brigade
Once Again
145 bpm • A Maj • 03:44 • -9.04db
32% Popularity • 50% Danceability • 37% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Ciaran Lavery
Wells Tower Song
146 bpm • F min • 05:01 • -10.18db
23% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Woodlock
Start Again
145 bpm • C Maj • 03:14 • -15db
43% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Long Tall Jefferson
Good Dreamer
145 bpm • G# Maj • 03:19 • -12.86db
35% Popularity • 61% Danceability • 44% Energy • 7% Liveness
3% Instrumentalness • 56% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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OSKA
Helplessly Hoping
148 bpm • C Maj • 02:37 • -15db
37% Popularity • 47% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Black Sea Dahu
My Dear
144 bpm • F min • 04:24 • -12db
37% Popularity • 52% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Scibilia
Seed of Joy
148 bpm • A Maj • 03:30 • -10db
41% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Garrett Kato
Breathe It In
144 bpm • G# min • 03:15 • -10db
48% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Galucki
I Know the Way Home
144 bpm • F Maj • 03:21 • -11.59db
44% Popularity • 70% Danceability • 60% Energy • 12% Liveness
11% Instrumentalness • 33% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Austin Basham
Incarcerated
144 bpm • G# Maj • 02:46 • -9.56db
28% Popularity • 33% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Stu Larsen
The Mile
148 bpm • C Maj • 06:37 • -12.98db
14% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Manchester Orchestra
I Know How To Speak - Acoustic Version
149 bpm • B Maj • 05:12 • -14.47db
40% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
43% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Mosa Wild
Smoke - Mahogany Sessions
143 bpm • D Maj • 03:54 • -12.05db
19% Popularity • 63% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Stu Larsen
By the River
143 bpm • D min • 07:00 • -16.23db
23% Popularity • 45% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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HuskyMe
Husky Voice
143 bpm • B min • 03:35 • -12.34db
38% Popularity • 63% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Ocie Elliott
I Got You, Honey
150 bpm • C Maj • 02:41 • -16.08db
63% Popularity • 55% Danceability • 23% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
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George Ogilvie
Count Your Blessings
150 bpm • G# min • 04:05 • -9db
39% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Amistat
A Lonely Wait
150 bpm • D# min • 03:33 • -11.26db
41% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Cunningham
Lights Off
150 bpm • G Maj • 03:53 • -11.67db
51% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jim and Sam
Doctor Please
150 bpm • E Maj • 03:06 • -13.64db
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Woodlock
The Garden
150 bpm • G Maj • 03:30 • -8.83db
47% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Austin Basham
Frames
142 bpm • C# Maj • 03:49 • -6.65db
28% Popularity • 54% Danceability • 66% Energy • 16% Liveness
9% Instrumentalness • 32% Positiveness
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Jon and Roy
The Better Life
150 bpm • G# Maj • 03:39 • -8.63db
41% Popularity • 59% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Freyr
You Want Love
150 bpm • F Maj • 03:35 • -17db
42% Popularity • 42% Danceability • 30% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
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Jeremy Loops
Hues of the Fall
142 bpm • B Maj • 04:28 • -10db
27% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Daniel Pearson
Honest Man
141 bpm • A Maj • 03:49 • -12.7db
44% Popularity • 34% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Stu Larsen
Skin & Bone
151 bpm • C Maj • 05:51 • -9.84db
30% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Hudson Taylor
Old Soul (acoustic)
141 bpm • D Maj • 04:42 • -8.33db
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nina June
When We Fall
141 bpm • G min • 03:31 • -13.41db
35% Popularity • 63% Danceability • 42% Energy • 11% Liveness
22% Instrumentalness • 14% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Amistat
Far From Home
140 bpm • D Maj • 03:23 • -12db
43% Popularity • 53% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Stu Larsen
Some Kind of Gypsy
141 bpm • D Maj • 03:57 • -8.49db
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Austin Basham
See You Soon
152 bpm • A# Maj • 03:58 • -9.21db
26% Popularity • 29% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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The Wanderer
Down The Road
152 bpm • F Maj • 03:09 • -12db
23% Popularity • 58% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Freedom Fry
Nothing Compares 2 U
140 bpm • E Maj • 03:34 • -9db
40% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Foy Vance
Burden
140 bpm • D Maj • 03:32 • -13db
39% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Blanco White
November Rain
140 bpm • B min • 04:06 • -10.04db
33% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Middleton
I See You
140 bpm • F Maj • 03:02 • -17.26db
39% Popularity • 71% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Stu Larsen
Maybe I Am
153 bpm • B min • 04:12 • -8.15db
18% Popularity • 29% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Amistat
Parley
140 bpm • F# min • 04:04 • -11.9db
32% Popularity • 44% Danceability • 46% Energy • 11% Liveness
56% Instrumentalness • 27% Positiveness
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Jarle Skavhellen
Matylda
153 bpm • A# Maj • 03:30 • -9.86db
16% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jon and Roy
Runner
153 bpm • G Maj • 02:42 • -8.33db
60% Popularity • 59% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 72% Positiveness
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ME + MARIE
Where's Your Soul
139 bpm • C min • 04:03 • -15db
33% Popularity • 59% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Garrett Kato
River Mouth - Acoustic
139 bpm • F# Maj • 02:53 • -11.27db
39% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Zac Crook
rather be losing
139 bpm • F min • 03:37 • -7.86db
19% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Old Sea Brigade
We Belong
138 bpm • D Maj • 03:49 • -13.68db
42% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Freyr
Over My Head
154 bpm • D# Maj • 03:30 • -12db
42% Popularity • 58% Danceability • 36% Energy • 82% Liveness
52% Instrumentalness • 14% Positiveness
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Robby Hecht
Not a Number
138 bpm • D Maj • 03:30 • -14.13db
3% Popularity • 44% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
48% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Jesse Marchant
Sister, I
138 bpm • F Maj • 04:05 • -11db
32% Popularity • 47% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Stu Larsen
The Black Tree
138 bpm • E Maj • 03:39 • -16.38db
26% Popularity • 49% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
55% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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John Smith
Save My Life - Radio Edit
138 bpm • F# Maj • 03:37 • -10.12db
44% Popularity • 58% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Leif Vollebekk
East of Eden
138 bpm • G Maj • 04:50 • -14db
36% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Beta Radio
Tongue Tied - Acoustic
154 bpm • G Maj • 03:05 • -15db
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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David Benjamin
Sunrise
138 bpm • D min • 03:23 • -14db
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ciaran Lavery
Selene
137 bpm • C Maj • 04:38 • -13.14db
17% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
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Amistat
Vada
137 bpm • D min • 04:26 • -12.71db
19% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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John Smith
Save My Life
138 bpm • F# Maj • 04:06 • -12.12db
37% Popularity • 60% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Fink
My Love’s Already There - Acoustic
155 bpm • G Maj • 03:30 • -14db
41% Popularity • 64% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Austin Basham
All Is Well
156 bpm • B Maj • 04:16 • -12db
54% Popularity • 32% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Tobias Carshey
Almond Eyes
137 bpm • F Maj • 04:37 • -9.45db
37% Popularity • 50% Danceability • 53% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Jesse Marchant
Frame for One
156 bpm • G# Maj • 05:23 • -8.09db
27% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
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Lily Kershaw
The Sea
137 bpm • A# Maj • 03:46 • -13.36db
36% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
52% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
60% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Gregor McEwan
On Her Radar
136 bpm • F Maj • 03:03 • -11.91db
38% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Stu Larsen
No Longer Yours
135 bpm • D Maj • 04:56 • -13.02db
6% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Blanco White
The Lily
158 bpm • D min • 04:14 • -10.15db
48% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Tiz McNamara
Steady as You Go
135 bpm • D Maj • 02:26 • -12.4db
33% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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William Wild
Wound Up
158 bpm • E Maj • 03:15 • -11.01db
33% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Abigail Lapell
Gonna Be Leaving
135 bpm • F Maj • 03:10 • -15.05db
42% Popularity • 72% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nathan Ball
Right Place
134 bpm • E Maj • 03:45 • -14.9db
25% Popularity • 64% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
40% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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Of The Valley
Ride Alone
159 bpm • C Maj • 04:29 • -8.58db
22% Popularity • 46% Danceability • 45% Energy • 8% Liveness
20% Instrumentalness • 16% Positiveness
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FIL BO RIVA
Go Rilla - Acoustic Version
134 bpm • G Maj • 04:43 • -11.42db
43% Popularity • 61% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Octave Lissner
My Grace
134 bpm • G# min • 03:54 • -17.42db
25% Popularity • 43% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Belaver
Into the Abyss
160 bpm • A min • 03:04 • -16.19db
30% Popularity • 42% Danceability • 13% Energy • 11% Liveness
46% Instrumentalness • 17% Positiveness
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Craig Cardiff
Dirty Old Town
160 bpm • C Maj • 04:06 • -13db
54% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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The White Raven
Still so Blind
160 bpm • D min • 03:15 • -11.13db
34% Popularity • 43% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
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Amistat
ready now
160 bpm • F min • 02:56 • -14.78db
57% Popularity • 66% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Garda
Upper/Lower Water Course
133 bpm • D Maj • 04:48 • -10.82db
30% Popularity • 57% Danceability • 49% Energy • 12% Liveness
16% Instrumentalness • 12% Positiveness
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By the River - Acoustic