Songs like Calcutta City by Amjad Ali Khan
Based on a tempo of (+/- 10%) and a similar genre
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L. Subramaniam
Raga kirvani : Pallavî
166 bpm • B Maj • 11:26 • -13.28db
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
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Amjad Ali Khan
Calcutta City
165 bpm • B Maj • 06:14 • -8.15db
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
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Shankar Tucker
Ae Re Chanda, Pt. 1 (Alaap)
164 bpm • E min • 01:33 • -18.21db
25% Popularity • 27% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 27% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gajanan Madhav Karnad
Raga Tilak Kamod
167 bpm • D# Maj • 03:15 • -11.6db
26% Popularity • 39% Danceability • 66% Energy • 31% Liveness
88% Instrumentalness • 75% Positiveness
26% Popularity • 39% Danceability • 66% Energy • 31% Liveness
88% Instrumentalness • 75% Positiveness
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Shruti Sadolikar
Yaman
163 bpm • G# Maj • 03:41 • -18.13db
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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Shkurtay Ambar
Jiri KO Basai Ma
168 bpm • D Maj • 06:55 • -10.01db
16% Popularity • 23% Danceability • 57% Energy • 6% Liveness
75% Instrumentalness • 30% Positiveness
16% Popularity • 23% Danceability • 57% Energy • 6% Liveness
75% Instrumentalness • 30% Positiveness
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Rahim AlHaj
Missing You
168 bpm • A min • 04:18 • -14.09db
0% Popularity • 34% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Bismillah Khan
Banarasi Dhun - Taal Dadra
161 bpm • C# Maj • 07:14 • -17.55db
17% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
17% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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Shankar Tucker
Ae Re Chanda, Pt. 3 (Improvisation)
164 bpm • B min • 01:39 • -7.78db
21% Popularity • 46% Danceability • 48% Energy • 73% Liveness
3% Instrumentalness • 59% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 73% Liveness
3% Instrumentalness • 59% Positiveness
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Amjad Ali Khan
Moksha
169 bpm • F# Maj • 12:29 • -8.12db
8% Popularity • 36% Danceability • 79% Energy • 10% Liveness
12% Instrumentalness • 47% Positiveness
8% Popularity • 36% Danceability • 79% Energy • 10% Liveness
12% Instrumentalness • 47% Positiveness
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Ramachandra Murthy
Krishna Nee Begane Baro - Instrumental
170 bpm • G Maj • 06:25 • -6.35db
20% Popularity • 27% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 27% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
16% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
16% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Nilotpal Sinha
Naino Ke Ishaare
170 bpm • D Maj • 04:37 • -10.77db
11% Popularity • 44% Danceability • 48% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
11% Popularity • 44% Danceability • 48% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Bismillah Khan
Shubh Aagman (Raga Mishra Mel Ki Malhar)
169 bpm • F# min • 14:44 • -17.4db
14% Popularity • 38% Danceability • 39% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
14% Popularity • 38% Danceability • 39% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Ricky Kej
The Awakening
170 bpm • F Maj • 02:21 • -8.19db
27% Popularity • 49% Danceability • 77% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
27% Popularity • 49% Danceability • 77% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
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Ty Burhoe
Devgiri Bilawal
170 bpm • D Maj • 08:14 • -10.39db
12% Popularity • 30% Danceability • 47% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
12% Popularity • 30% Danceability • 47% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
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Shashwat Singh
Albela
160 bpm • C# Maj • 02:15 • -8db
24% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Shahid Parvez
Raga Tilak Kamod
171 bpm • C# Maj • 15:05 • -19.06db
19% Popularity • 28% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 32% Positiveness
19% Popularity • 28% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 32% Positiveness
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Amjad Ali Khan
Bhairavi
160 bpm • A# Maj • 06:47 • -24db
35% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Bismillah Khan
Raga Mishra Mel Ki Malhar - Vilambit Tee...
171 bpm • F# min • 15:00 • -5.89db
11% Popularity • 38% Danceability • 75% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
11% Popularity • 38% Danceability • 75% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
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Bharat Nepali Party
Sissaya Heyku (Spinning Wheel)
171 bpm • D Maj • 04:01 • -12.3db
10% Popularity • 24% Danceability • 33% Energy • 32% Liveness
63% Instrumentalness • 33% Positiveness
10% Popularity • 24% Danceability • 33% Energy • 32% Liveness
63% Instrumentalness • 33% Positiveness
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Joe Walsh
Healing Love
171 bpm • C Maj • 07:59 • -12.64db
5% Popularity • 40% Danceability • 33% Energy • 14% Liveness
7% Instrumentalness • 15% Positiveness
5% Popularity • 40% Danceability • 33% Energy • 14% Liveness
7% Instrumentalness • 15% Positiveness
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U. Srinivas
Raghupathi Raghava Rajaram
159 bpm • A min • 03:06 • -17db
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
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Ganesha Bhajans
Jai Ganesha Jai Ganesha
172 bpm • G# Maj • 07:13 • -12.55db
31% Popularity • 33% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 33% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Amjad Ali Khan
Vande Mataram
172 bpm • B Maj • 07:00 • -13.64db
1% Popularity • 46% Danceability • 36% Energy • 9% Liveness
20% Instrumentalness • 15% Positiveness
1% Popularity • 46% Danceability • 36% Energy • 9% Liveness
20% Instrumentalness • 15% Positiveness
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Mughal-E-Funk
Shah Jahan
172 bpm • G min • 05:30 • -6.64db
16% Popularity • 35% Danceability • 62% Energy • 13% Liveness
67% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 62% Energy • 13% Liveness
67% Instrumentalness • 28% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Abi Sampa
Man Kunto Maula
158 bpm • E Maj • 09:22 • -5.93db
38% Popularity • 34% Danceability • 65% Energy • 31% Liveness
1% Instrumentalness • 18% Positiveness
38% Popularity • 34% Danceability • 65% Energy • 31% Liveness
1% Instrumentalness • 18% Positiveness
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Ronu Majumdar
Raaga Bhairav - Dadra
158 bpm • E Maj • 10:31 • -18db
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Indosoul by Karthick Iyer
Manavyala in My Mind
158 bpm • D Maj • 08:56 • -13db
22% Popularity • 39% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 39% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Traditional
Folk Melody Based on Raga Des
173 bpm • D Maj • 07:10 • -7.21db
10% Popularity • 38% Danceability • 79% Energy • 17% Liveness
2% Instrumentalness • 84% Positiveness
10% Popularity • 38% Danceability • 79% Energy • 17% Liveness
2% Instrumentalness • 84% Positiveness
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Hari Prasad Chaurasia / Shivkumar Sharma
Walking In The Rain
173 bpm • G min • 05:50 • -13.5db
10% Popularity • 41% Danceability • 53% Energy • 10% Liveness
68% Instrumentalness • 47% Positiveness
10% Popularity • 41% Danceability • 53% Energy • 10% Liveness
68% Instrumentalness • 47% Positiveness
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Amjad Ali Khan
Raga Darbari
173 bpm • A# min • 14:45 • -25.47db
7% Popularity • 38% Danceability • 18% Energy • 34% Liveness
82% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 18% Energy • 34% Liveness
82% Instrumentalness • 12% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pahadi
157 bpm • C Maj • 08:29 • -24db
16% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Imrat Khan
Raga yaman kalyan : Alap
173 bpm • G# Maj • 05:43 • -15db
15% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Alam Khan
Bhimpalasri alap (solo)
174 bpm • F Maj • 04:14 • -16db
23% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Hariprasad Chaurasia
Kirwani
157 bpm • D min • 04:54 • -9.88db
22% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 62% Positiveness
22% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 62% Positiveness
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Milind Date
Durga-Teen Taal
175 bpm • E Maj • 08:10 • -12.96db
12% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
12% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Amjad Ali Khan
Bhajan - Vaishnav Jana To Tene Re Kahie
174 bpm • G min • 09:35 • -19.53db
13% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
13% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
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Ajoy Chakrabarty
Khelun Piya Sang Hori
156 bpm • F# Maj • 08:01 • -7db
8% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Subham jossi
Radha Krishna flute
175 bpm • A# Maj • 01:10 • -16.26db
46% Popularity • 25% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
46% Popularity • 25% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
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Joel Veena
Bhim
176 bpm • G Maj • 04:38 • -5.18db
7% Popularity • 44% Danceability • 70% Energy • 12% Liveness
21% Instrumentalness • 29% Positiveness
7% Popularity • 44% Danceability • 70% Energy • 12% Liveness
21% Instrumentalness • 29% Positiveness
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Ustad Harbhajan Singh Namdhari
Har Pran Prabhu Sukhdate
176 bpm • F Maj • 13:50 • -8.46db
0% Popularity • 41% Danceability • 72% Energy • 8% Liveness
64% Instrumentalness • 53% Positiveness
0% Popularity • 41% Danceability • 72% Energy • 8% Liveness
64% Instrumentalness • 53% Positiveness
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Linda Shanovitch
Pani Hari
176 bpm • C Maj • 02:17 • -10.87db
35% Popularity • 43% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 43% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Shruti Sadolikar
Bhimpalasi
177 bpm • C# Maj • 03:41 • -19.38db
15% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
15% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Amjad Ali Khan
Raga Miya-Ki-Malhar Teental
177 bpm • A# Maj • 05:24 • -16.96db
26% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
26% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
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Ustad Bismillahkhan
Shudh Sarang - Instrumental
177 bpm • D# Maj • 03:26 • -13db
12% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
12% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Shubha Mudgal
Palna Jhule Nandlal
178 bpm • F min • 07:14 • -10.51db
15% Popularity • 19% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 19% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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The Band Of The Brigade Of Gurkhas
Gairi Khet Ko - The Music of Nepal
153 bpm • G Maj • 05:37 • -10.24db
11% Popularity • 27% Danceability • 41% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
11% Popularity • 27% Danceability • 41% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
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Shanjeet Teeluck
Raag Darbari
180 bpm • D min • 08:04 • -4.99db
16% Popularity • 40% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 40% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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Amjad Ali Khan
Raga Bhatiyali
154 bpm • F Maj • 06:49 • -8.57db
4% Popularity • 43% Danceability • 63% Energy • 66% Liveness
88% Instrumentalness • 33% Positiveness
4% Popularity • 43% Danceability • 63% Energy • 66% Liveness
88% Instrumentalness • 33% Positiveness
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Bombay Jayashri
Raghavam
152 bpm • D Maj • 09:46 • -13.36db
7% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Shubha Mudgal
Raga Tilak Kamod - Raga Tilak Kamod - Te...
178 bpm • C# Maj • 12:30 • -9.45db
9% Popularity • 20% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 20% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Niraj Chag
The Wedding
180 bpm • F min • 02:35 • -13.07db
17% Popularity • 68% Danceability • 53% Energy • 32% Liveness
2% Instrumentalness • 75% Positiveness
17% Popularity • 68% Danceability • 53% Energy • 32% Liveness
2% Instrumentalness • 75% Positiveness
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Vedanth Bharadwaj
Naiharva
180 bpm • A Maj • 07:11 • -12.15db
15% Popularity • 38% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 38% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Bickram Ghosh
The Song Of The Little Road
180 bpm • F# min • 01:34 • -8db
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
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Amjad Ali Khan
Raga Darbari - Drut Gat - Teentaal - Ins...
178 bpm • A# min • 09:34 • -7.12db
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
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Kishori Amonkar
Ek Hi Sang Hute
151 bpm • C# Maj • 04:53 • -17db
18% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
18% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
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Anuradha Pal
Tabla Tonic
150 bpm • F# min • 03:23 • -8.22db
24% Popularity • 71% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 54% Positiveness
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Iqubal Huein
Raga Kirwani - Alap Gat - Teental
151 bpm • C min • 10:13 • -11db
10% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
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Advaita
Rasiya
150 bpm • G# Maj • 05:38 • -12db
21% Popularity • 48% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
21% Popularity • 48% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Bawari Basanti
Rahiman Dhaga - Acoustic
150 bpm • D Maj • 02:59 • -10.9db
17% Popularity • 47% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 47% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Amjad Ali Khan
Raga desh : Drut gaat in teentaal
153 bpm • F# Maj • 07:37 • -10.17db
0% Popularity • 32% Danceability • 84% Energy • 70% Liveness
88% Instrumentalness • 53% Positiveness
0% Popularity • 32% Danceability • 84% Energy • 70% Liveness
88% Instrumentalness • 53% Positiveness
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Shruti Sadolikar
Alhaiya Bilaval
150 bpm • C# Maj • 04:09 • -17db
22% Popularity • 29% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 29% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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Shivkumar Sharma
Bhopali
149 bpm • A# Maj • 04:51 • -14.55db
24% Popularity • 36% Danceability • 43% Energy • 10% Liveness
72% Instrumentalness • 37% Positiveness
24% Popularity • 36% Danceability • 43% Energy • 10% Liveness
72% Instrumentalness • 37% Positiveness
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Rahim AlHaj
Release of the Dove
149 bpm • E Maj • 10:28 • -17.32db
3% Popularity • 55% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
3% Popularity • 55% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
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Parvathy Baul
Kotha He
148 bpm • D Maj • 06:29 • -6.31db
10% Popularity • 50% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 50% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Vishwa Mohan Bhatt
Kajari from Varanasi
148 bpm • D Maj • 08:34 • -24db
9% Popularity • 41% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
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Assaraimasko Dabdabhelio
Mountain Song
148 bpm • D Maj • 07:59 • -19.07db
10% Popularity • 26% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
10% Popularity • 26% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Hameer, Gat In Teentaal
185 bpm • D Maj • 05:06 • -17.03db
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
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Ronu Majumdar
Remembering Kabir (Raga Khamaj)
185 bpm • B Maj • 09:54 • -13db
20% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Ram Narayan
Raga Mishra Khamal: Thumri in Teentaal
147 bpm • E Maj • 09:45 • -16.47db
20% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Jayanthi Kumaresh
Varnam
147 bpm • G# Maj • 06:34 • -16.63db
23% Popularity • 47% Danceability • 35% Energy • 29% Liveness
94% Instrumentalness • 36% Positiveness
23% Popularity • 47% Danceability • 35% Energy • 29% Liveness
94% Instrumentalness • 36% Positiveness
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Bharat Nepali Party
Assaraimasko Dabdabhelio (Mountain Song)
147 bpm • D Maj • 08:00 • -15.39db
10% Popularity • 27% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
10% Popularity • 27% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Bismillah Khan
Delightful Journey
147 bpm • D Maj • 09:55 • -11.28db
16% Popularity • 40% Danceability • 71% Energy • 13% Liveness
56% Instrumentalness • 45% Positiveness
16% Popularity • 40% Danceability • 71% Energy • 13% Liveness
56% Instrumentalness • 45% Positiveness
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Shahid Parvez
Raga Yaman Drut
147 bpm • C# Maj • 08:56 • -13db
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Rajan & Sajan Mishra
Mangal Murti Marut Nandan
147 bpm • C# Maj • 08:44 • -17db
18% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Bhimsen Joshi
Ram Ka Gun Gaan Kariye
147 bpm • F# Maj • 05:19 • -10.02db
14% Popularity • 41% Danceability • 45% Energy • 24% Liveness
5% Instrumentalness • 67% Positiveness
14% Popularity • 41% Danceability • 45% Energy • 24% Liveness
5% Instrumentalness • 67% Positiveness
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Vishwa Mohan Bhatt
Vaisnava Bhajan
147 bpm • D Maj • 09:15 • -24db
27% Popularity • 41% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
27% Popularity • 41% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Ram Narayan
Raga Baïragi-Bhaïrav - Drut Tîn-Tal
146 bpm • A# min • 02:32 • -20db
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
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Mychael Danna
Your Good Name
145 bpm • G# min • 03:40 • -13.47db
18% Popularity • 31% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 16% Positiveness
18% Popularity • 31% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 16% Positiveness
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Musafir
Musafir
145 bpm • B min • 06:16 • -8.36db
18% Popularity • 41% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 41% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Shujaat Khan
Rangi Saari
145 bpm • F# Maj • 08:55 • -11.1db
15% Popularity • 34% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 34% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Rahim AlHaj
Journey
145 bpm • A min • 12:11 • -14.33db
2% Popularity • 42% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
2% Popularity • 42% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Vishwa Mohan Bhatt
Romantic Dhun
146 bpm • G Maj • 10:43 • -25db
14% Popularity • 40% Danceability • 17% Energy • 5% Liveness
96% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 17% Energy • 5% Liveness
96% Instrumentalness • 12% Positiveness
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Prabha Atre
Kajri - Ghir Ke Aayee Badariya
144 bpm • D# Maj • 12:34 • -11db
12% Popularity • 31% Danceability • 75% Energy • 84% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 31% Danceability • 75% Energy • 84% Liveness
0% Instrumentalness • 34% Positiveness
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The Anirudh Varma Collective
Bihag
144 bpm • A Maj • 05:53 • -9.27db
21% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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A.R. Rahman
Piya Ho
144 bpm • B Maj • 06:02 • -15.82db
14% Popularity • 53% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
14% Popularity • 53% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
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Veena Sahasrabuddhe
Om Namah Shivay
143 bpm • B Maj • 07:56 • -17.21db
11% Popularity • 26% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 26% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Amjad Ali Khan
Sandhya
144 bpm • F# Maj • 06:57 • -9.38db
10% Popularity • 45% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 21% Positiveness
10% Popularity • 45% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 21% Positiveness
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Bismillah Khan
Raga Purbi: Alap in Rupaktaal
143 bpm • D Maj • 09:40 • -11.1db
11% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
11% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Bidyut Khan Band
Raga Mishra Kafi - Wire
143 bpm • A Maj • 06:59 • -13.52db
19% Popularity • 38% Danceability • 82% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
19% Popularity • 38% Danceability • 82% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Musafir
Pundela
143 bpm • C Maj • 07:19 • -8.68db
18% Popularity • 30% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 30% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Rahim AlHaj
Celebrations
143 bpm • B min • 10:33 • -14.58db
1% Popularity • 49% Danceability • 29% Energy • 6% Liveness
78% Instrumentalness • 38% Positiveness
1% Popularity • 49% Danceability • 29% Energy • 6% Liveness
78% Instrumentalness • 38% Positiveness
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Shruti Sadolikar
Bhatiyar
191 bpm • G# Maj • 04:10 • -17.4db
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
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Amjad Ali Khan
Himaalaya
143 bpm • B Maj • 07:17 • -6.5db
10% Popularity • 43% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness