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Call Someone
Songs like
Call Someone
by
Thirteen Senses
Based on a tempo of (+/- 10%) and a similar genre
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Marble Sounds
No One Ever Gave Us The Right
125 bpm • E Maj • 04:19 • -7.09db
12% Popularity • 50% Danceability • 56% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Black Lab
Mine Again
125 bpm • F# Maj • 04:20 • -5.34db
20% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Thirteen Senses
Call Someone
125 bpm • D Maj • 03:58 • -7db
24% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Vega4
Traffic Jam
125 bpm • C Maj • 04:20 • -2.55db
9% Popularity • 47% Danceability • 91% Energy • 6% Liveness
1% Instrumentalness • 44% Positiveness
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Vib Gyor
Red Lights
125 bpm • C# Maj • 04:29 • -2.86db
31% Popularity • 26% Danceability • 58% Energy • 14% Liveness
13% Instrumentalness • 8% Positiveness
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Toploader
Never Stop Wondering
125 bpm • C min • 05:23 • -3.9db
10% Popularity • 24% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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U2
Miracle Drug
125 bpm • B min • 03:54 • -5.73db
44% Popularity • 34% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Racing Glaciers
New Country
125 bpm • G# Maj • 03:17 • -7.35db
27% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 20% Positiveness
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Family of the Year
The Stairs
125 bpm • D# Maj • 03:53 • -4.26db
27% Popularity • 48% Danceability • 84% Energy • 38% Liveness
1% Instrumentalness • 36% Positiveness
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Eskobar
Whatever This Town
125 bpm • C min • 03:13 • -6.56db
11% Popularity • 52% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Turin Brakes
Guess You Heard
125 bpm • G# Maj • 04:38 • -9.77db
12% Popularity • 61% Danceability • 75% Energy • 27% Liveness
22% Instrumentalness • 70% Positiveness
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Unkle Bob
Birds and the Bees
125 bpm • G min • 03:20 • -6.4db
25% Popularity • 60% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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The Reindeer Section
Your Sweet Voice
124 bpm • G Maj • 04:46 • -10.71db
15% Popularity • 63% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Tom Chaplin
Hardened Heart
126 bpm • E Maj • 03:44 • -5.14db
30% Popularity • 56% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Racing Glaciers
Animal
124 bpm • A Maj • 03:29 • -7.91db
26% Popularity • 53% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 17% Positiveness
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Longview
Will You Wait Here
126 bpm • F# Maj • 06:04 • -5.73db
9% Popularity • 42% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Mt. Desolation
Someday, Somehow
124 bpm • C Maj • 04:40 • -7.07db
10% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Matthew Perryman Jones
Looking For You Again
126 bpm • C# Maj • 04:23 • -10.71db
30% Popularity • 48% Danceability • 51% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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Unkle Bob
The Hit Parade
126 bpm • F# Maj • 03:24 • -6.33db
22% Popularity • 54% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Raised By Swans
hall of arrows
124 bpm • A Maj • 05:03 • -8.07db
16% Popularity • 57% Danceability • 67% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
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The Cinematics
A Strange Education
124 bpm • E min • 05:24 • -4db
34% Popularity • 53% Danceability • 84% Energy • 72% Liveness
6% Instrumentalness • 24% Positiveness
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8mm
Forever and Ever Amen
126 bpm • E Maj • 03:02 • -5.67db
22% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kings of Leon
Over
127 bpm • D Maj • 06:10 • -8.25db
48% Popularity • 41% Danceability • 80% Energy • 11% Liveness
51% Instrumentalness • 28% Positiveness
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Black Lab
The Real You
123 bpm • D Maj • 04:08 • -7.96db
12% Popularity • 55% Danceability • 55% Energy • 14% Liveness
23% Instrumentalness • 30% Positiveness
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Racing Glaciers
First Light
127 bpm • C# Maj • 04:01 • -6.51db
30% Popularity • 43% Danceability • 78% Energy • 8% Liveness
51% Instrumentalness • 14% Positiveness
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Toploader
Sound of Your Soul
127 bpm • G min • 03:47 • -2.93db
12% Popularity • 35% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Cinematics
Rise & Fall
126 bpm • E Maj • 04:50 • -3.52db
17% Popularity • 59% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Family of the Year
Never Enough
123 bpm • G Maj • 03:18 • -3.16db
19% Popularity • 45% Danceability • 82% Energy • 31% Liveness
2% Instrumentalness • 50% Positiveness
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Tired Pony
Your Way Is The Way Home
123 bpm • C Maj • 04:16 • -9.82db
13% Popularity • 62% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Remy Zero
Belong
122 bpm • G Maj • 03:50 • -4.45db
26% Popularity • 53% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 53% Positiveness
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Racing Glaciers
Morning
122 bpm • D Maj • 03:20 • -10.46db
12% Popularity • 54% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Burrows
Hometown
128 bpm • C Maj • 03:57 • -8.25db
31% Popularity • 53% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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The Cinematics
Race To The City
127 bpm • D min • 03:52 • -2.88db
19% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Keane
Thin Air
122 bpm • C Maj • 03:56 • -4db
30% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Grand Avenue
Closer
128 bpm • D Maj • 05:39 • -4.85db
11% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Toploader
Only Human
128 bpm • A min • 04:48 • -4.74db
11% Popularity • 40% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Racing Glaciers
Moths
128 bpm • F# min • 04:04 • -8.76db
35% Popularity • 55% Danceability • 80% Energy • 14% Liveness
20% Instrumentalness • 56% Positiveness
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Mt. Desolation
Distraction
122 bpm • G Maj • 03:45 • -7.99db
10% Popularity • 58% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Old Kid
In Case You're Listening
122 bpm • B min • 03:18 • -7.75db
20% Popularity • 72% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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David Gray
The Other Side
128 bpm • A min • 04:28 • -9.9db
37% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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In-Flight Safety
Coast Is Clear
122 bpm • B Maj • 04:41 • -5db
17% Popularity • 37% Danceability • 77% Energy • 11% Liveness
22% Instrumentalness • 16% Positiveness
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Morning Runner
Hold Your Breath
128 bpm • A Maj • 04:11 • -9db
14% Popularity • 36% Danceability • 45% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
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Vast
Take Me With You
128 bpm • C# min • 03:35 • -15.94db
17% Popularity • 61% Danceability • 25% Energy • 23% Liveness
17% Instrumentalness • 34% Positiveness
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Pilot Speed
Over-Ground
129 bpm • C min • 04:53 • -5.47db
8% Popularity • 46% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Airborne Toxic Event
Numb
130 bpm • G Maj • 04:05 • -5db
32% Popularity • 39% Danceability • 93% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Brett Anderson
Hymn
130 bpm • C# Maj • 03:36 • -11.42db
3% Popularity • 45% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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The Narrative
Eyes Closed
130 bpm • D Maj • 04:30 • -11db
24% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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One Night Only
Bring Me Back Down
130 bpm • C# Maj • 03:20 • -4.69db
19% Popularity • 53% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Vast
It's Not You (It's Me)
121 bpm • A min • 04:07 • -7.29db
10% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Feeling
Fall Like Rain
130 bpm • B min • 04:35 • -5.95db
8% Popularity • 49% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Black Lab
Slow Down
130 bpm • F min • 05:07 • -6.33db
8% Popularity • 53% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Greg Laswell
Off I Go - 2010 Mix
130 bpm • B Maj • 04:18 • -7.6db
43% Popularity • 53% Danceability • 75% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
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Keane
Snowed Under
130 bpm • F Maj • 03:48 • -6.72db
43% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Thirteen Senses
Blame
130 bpm • F Maj • 03:42 • -6.33db
12% Popularity • 53% Danceability • 85% Energy • 12% Liveness
72% Instrumentalness • 48% Positiveness
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Matthew Perryman Jones
Without a Clue
120 bpm • A# Maj • 04:01 • -6.62db
14% Popularity • 59% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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One Eskimo
Hometime - Single Version
120 bpm • C# Maj • 03:27 • -10db
9% Popularity • 77% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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One Night Only
Nothing Left
120 bpm • D Maj • 03:42 • -4.46db
13% Popularity • 41% Danceability • 79% Energy • 30% Liveness
2% Instrumentalness • 26% Positiveness
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Old Kid
It's a Dream
120 bpm • A Maj • 03:32 • -7.17db
16% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Keane
To The End Of The Earth
120 bpm • D min • 03:02 • -6.98db
29% Popularity • 50% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Cinematics
Chase
120 bpm • B min • 04:14 • -2.97db
13% Popularity • 60% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Andy Burrows
Company
120 bpm • C min • 03:57 • -8db
17% Popularity • 65% Danceability • 51% Energy • 8% Liveness
6% Instrumentalness • 63% Positiveness
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David Gray
Nos Da Cariad
120 bpm • G min • 04:10 • -7.65db
25% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Earlimart
Face Down In The Right Town
120 bpm • D Maj • 04:48 • -7.03db
9% Popularity • 65% Danceability • 56% Energy • 17% Liveness
63% Instrumentalness • 51% Positiveness
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Jets Overhead
Heading for Nowhere
120 bpm • G Maj • 04:00 • -5db
24% Popularity • 67% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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Thirteen Senses
Imagine Life
120 bpm • C Maj • 03:37 • -5.25db
10% Popularity • 57% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Doves
Almost Forgot Myself
120 bpm • F# min • 04:42 • -8db
34% Popularity • 51% Danceability • 62% Energy • 11% Liveness
33% Instrumentalness • 76% Positiveness
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Eskobar
Persona Gone Missing
131 bpm • C# Maj • 04:26 • -7.15db
8% Popularity • 50% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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David Gray
Disappearing World
120 bpm • D Maj • 05:04 • -8.3db
25% Popularity • 58% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Of Monsters and Men
Empire
119 bpm • F min • 04:20 • -6.32db
51% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Devics
If We Cannot See
119 bpm • C# Maj • 05:11 • -8.12db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Thirteen Senses
Spark
120 bpm • G# Maj • 04:11 • -10.61db
7% Popularity • 33% Danceability • 30% Energy • 36% Liveness
3% Instrumentalness • 5% Positiveness
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Joseph Arthur
A Smile That Explodes
119 bpm • C# Maj • 03:21 • -14.26db
24% Popularity • 55% Danceability • 28% Energy • 8% Liveness
47% Instrumentalness • 26% Positiveness
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Tom Chaplin
Still Waiting
119 bpm • A# Maj • 03:52 • -7.03db
29% Popularity • 48% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Unkle Bob
Put a Record On
119 bpm • D Maj • 03:43 • -5.51db
33% Popularity • 57% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Phoenix
Love for Granted
132 bpm • D Maj • 04:24 • -8db
34% Popularity • 69% Danceability • 48% Energy • 8% Liveness
58% Instrumentalness • 22% Positiveness
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In-Flight Safety
Surround
132 bpm • G# Maj • 04:39 • -4.98db
23% Popularity • 45% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Thirteen Senses
History
131 bpm • B Maj • 03:51 • -10.63db
15% Popularity • 54% Danceability • 25% Energy • 8% Liveness
63% Instrumentalness • 11% Positiveness
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Matthew Perryman Jones
Breaking Out the Windows
132 bpm • A Maj • 03:36 • -9.51db
13% Popularity • 59% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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Mt. Desolation
Control
132 bpm • C# min • 04:33 • -10.16db
8% Popularity • 52% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Unkle Bob
Swans (Extended Version)
118 bpm • B min • 04:07 • -5.61db
18% Popularity • 49% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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The Cooper Temple Clause
Waiting Game
132 bpm • B Maj • 03:33 • -4.5db
20% Popularity • 47% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Veils
The Leavers Dance
132 bpm • B Maj • 04:06 • -8.85db
37% Popularity • 43% Danceability • 55% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
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Bush
Inflatable
118 bpm • E min • 04:21 • -11.45db
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Matthew Perryman Jones
Echoes of Eden
118 bpm • E Maj • 04:28 • -8.69db
12% Popularity • 84% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Plain Jane Automobile
Stones
118 bpm • D Maj • 04:40 • -3.92db
15% Popularity • 52% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Brandon Flowers
Hard Enough
132 bpm • B Maj • 04:05 • -7.25db
36% Popularity • 56% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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In-Flight Safety
CloudHead
118 bpm • B min • 03:46 • -5.21db
11% Popularity • 56% Danceability • 71% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
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Tired Pony
Dead American Writers
118 bpm • F# Maj • 02:34 • -6db
28% Popularity • 55% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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One Night Only
Long Time Coming
118 bpm • G Maj • 03:40 • -9.52db
15% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Longview
If You Asked
133 bpm • A# Maj • 04:40 • -10.12db
9% Popularity • 56% Danceability • 40% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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The Cinematics
Break
133 bpm • F# min • 04:01 • -2.78db
28% Popularity • 62% Danceability • 94% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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Plain Jane Automobile
You Were Only A Song
133 bpm • A Maj • 04:31 • -5.09db
17% Popularity • 44% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Unkle Bob
Swans
117 bpm • B min • 02:30 • -8.12db
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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The Music
Fight The Feeling
117 bpm • F# min • 04:12 • -5.88db
8% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Air Traffic
No More Running Away
134 bpm • C Maj • 04:15 • -6.68db
14% Popularity • 59% Danceability • 68% Energy • 11% Liveness
38% Instrumentalness • 40% Positiveness
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Jets Overhead
No Nations
117 bpm • C# Maj • 02:54 • -8.27db
15% Popularity • 61% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Morning Runner
Oceans
133 bpm • C Maj • 03:46 • -8.82db
13% Popularity • 52% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Vast
Winter in My Heart
117 bpm • A min • 03:36 • -7db
30% Popularity • 50% Danceability • 56% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Toploader
A Balance To All Things
134 bpm • C# min • 03:46 • -5.1db
21% Popularity • 50% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Buddy
11/22
117 bpm • C Maj • 04:01 • -10.5db
18% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Call Someone