Songs like Call The Captain by Steep Canyon Rangers
Based on a tempo of (+/- 10%) and a similar genre
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AJ Lee & Blue Summit
Back to Bluegrass
122 bpm • A Maj • 03:12 • -8.93db
17% Popularity • 66% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Balsam Range
The Girl Who Invented The Wheel
122 bpm • A Maj • 03:23 • -7.59db
12% Popularity • 64% Danceability • 73% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
12% Popularity • 64% Danceability • 73% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
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Fireside Collective
Sweet Summer Rain
122 bpm • A# Maj • 04:27 • -7.46db
21% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Steep Canyon Rangers
Call The Captain
122 bpm • B Maj • 04:13 • -11.31db
32% Popularity • 72% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 72% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Greensky Bluegrass
Grow Together
122 bpm • E Maj • 07:00 • -11.98db
33% Popularity • 47% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 45% Positiveness
33% Popularity • 47% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 45% Positiveness
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Jacob Jolliff
Outbound Plane
122 bpm • C Maj • 03:49 • -12.21db
16% Popularity • 74% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
16% Popularity • 74% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Free the Honey
Take Me Home
122 bpm • F# min • 03:32 • -14db
29% Popularity • 70% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
29% Popularity • 70% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
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The Good Luck Thrift Store Outfit
The Very Best
122 bpm • G Maj • 02:50 • -7.68db
37% Popularity • 61% Danceability • 68% Energy • 12% Liveness
6% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 68% Energy • 12% Liveness
6% Instrumentalness • 77% Positiveness
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Watchhouse
My Blinded Heart
122 bpm • A# Maj • 04:47 • -8.37db
35% Popularity • 69% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
35% Popularity • 69% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Bryan Sutton
You’re Gonna Make Me Lonesome When You...
122 bpm • F min • 03:22 • -11.11db
10% Popularity • 56% Danceability • 54% Energy • 22% Liveness
1% Instrumentalness • 72% Positiveness
10% Popularity • 56% Danceability • 54% Energy • 22% Liveness
1% Instrumentalness • 72% Positiveness
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Trampled by Turtles
Victory
122 bpm • A Maj • 03:57 • -7.78db
48% Popularity • 45% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 45% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Hawktail
El Camino Pt. 2
121 bpm • A Maj • 04:49 • -13.48db
24% Popularity • 62% Danceability • 45% Energy • 92% Liveness
59% Instrumentalness • 72% Positiveness
24% Popularity • 62% Danceability • 45% Energy • 92% Liveness
59% Instrumentalness • 72% Positiveness
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Blue Highway
Union Man
123 bpm • C Maj • 03:34 • -7.81db
26% Popularity • 55% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Wood & Wire
Overblown
121 bpm • E Maj • 03:34 • -7.27db
25% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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AJ Lee & Blue Summit
Something Special
123 bpm • E Maj • 03:49 • -9.99db
22% Popularity • 44% Danceability • 50% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
22% Popularity • 44% Danceability • 50% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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Danny Barnes
Mule
123 bpm • C# min • 04:28 • -9.14db
16% Popularity • 73% Danceability • 63% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
16% Popularity • 73% Danceability • 63% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
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Trampled by Turtles
Valley
123 bpm • E Maj • 03:25 • -7.66db
37% Popularity • 58% Danceability • 82% Energy • 25% Liveness
2% Instrumentalness • 83% Positiveness
37% Popularity • 58% Danceability • 82% Energy • 25% Liveness
2% Instrumentalness • 83% Positiveness
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John Wort Hannam
Church of The Long Grass
121 bpm • D Maj • 03:58 • -9.47db
12% Popularity • 74% Danceability • 39% Energy • 23% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 74% Danceability • 39% Energy • 23% Liveness
1% Instrumentalness • 75% Positiveness
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The Rubber Knife Gang
Drivin' On
123 bpm • D min • 03:38 • -7.54db
22% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Tony Rice Unit
Old Train
121 bpm • F Maj • 02:10 • -10.92db
39% Popularity • 62% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 62% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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J.D. Crowe & The New South
Old Home Place
123 bpm • A# Maj • 02:48 • -11.85db
38% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Hot Rize
Blue Night
121 bpm • B Maj • 02:23 • -13.41db
32% Popularity • 58% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 92% Positiveness
32% Popularity • 58% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 92% Positiveness
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Trampled by Turtles
School Bus Driver
123 bpm • G Maj • 02:56 • -6db
32% Popularity • 68% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
32% Popularity • 68% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Appalachian Road Show
Dance, Dance, Dance
123 bpm • A Maj • 02:38 • -5.58db
22% Popularity • 58% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 58% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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East Nash Grass
I Almost Told Her
121 bpm • G Maj • 02:31 • -11.45db
23% Popularity • 53% Danceability • 57% Energy • 11% Liveness
40% Instrumentalness • 91% Positiveness
23% Popularity • 53% Danceability • 57% Energy • 11% Liveness
40% Instrumentalness • 91% Positiveness
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The Rice Brothers
Don't Think Twice
124 bpm • B Maj • 02:52 • -15db
32% Popularity • 52% Danceability • 53% Energy • 32% Liveness
7% Instrumentalness • 75% Positiveness
32% Popularity • 52% Danceability • 53% Energy • 32% Liveness
7% Instrumentalness • 75% Positiveness
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Greensky Bluegrass
Past My Prime
120 bpm • G Maj • 03:33 • -6.86db
48% Popularity • 55% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
48% Popularity • 55% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Hot Rize
Nellie Kane
123 bpm • E Maj • 02:58 • -14.16db
40% Popularity • 65% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 65% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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The Wooks
Turtle in the Creek
120 bpm • A Maj • 03:19 • -11.28db
13% Popularity • 50% Danceability • 57% Energy • 8% Liveness
72% Instrumentalness • 70% Positiveness
13% Popularity • 50% Danceability • 57% Energy • 8% Liveness
72% Instrumentalness • 70% Positiveness
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Whiskey Shivers
Long Low Down
120 bpm • D Maj • 04:30 • -11.27db
28% Popularity • 64% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 39% Positiveness
28% Popularity • 64% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 39% Positiveness
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Balsam Range
Richest Man
120 bpm • B Maj • 03:02 • -8.29db
22% Popularity • 60% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 60% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Michael Cleveland
The Blues Are Close At Hand
124 bpm • F min • 03:28 • -7.32db
24% Popularity • 58% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
24% Popularity • 58% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Greensky Bluegrass
In Control
124 bpm • B Maj • 04:32 • -6.75db
37% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
37% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
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The Del McCoury Band
Honky Tonk Nights
120 bpm • F Maj • 02:32 • -5.08db
34% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Hot Rize
You Were On My Mind This Morning
121 bpm • A Maj • 02:57 • -10.35db
19% Popularity • 58% Danceability • 62% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 58% Danceability • 62% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
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Hot Buttered Rum
Sittin' Here Alone
120 bpm • E Maj • 03:14 • -8.49db
15% Popularity • 67% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Chatham County Line
Let It Rock
124 bpm • G# Maj • 03:20 • -6.74db
17% Popularity • 74% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 74% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Jim Lauderdale
You’ve Got This
124 bpm • C Maj • 02:33 • -6.24db
13% Popularity • 67% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 67% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Spencer Williams
I Ain't Got Nobody (Live)
120 bpm • C Maj • 06:05 • -8.72db
0% Popularity • 50% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 50% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
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Steep Canyon Rangers
Love Harder
125 bpm • D Maj • 03:58 • -7.54db
9% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Acoustic Syndicate
Sailor Suit
125 bpm • A Maj • 04:00 • -10.15db
18% Popularity • 59% Danceability • 64% Energy • 18% Liveness
38% Instrumentalness • 69% Positiveness
18% Popularity • 59% Danceability • 64% Energy • 18% Liveness
38% Instrumentalness • 69% Positiveness
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The Del McCoury Band
1952 Vincent Black Lightning
125 bpm • C Maj • 04:02 • -10db
42% Popularity • 68% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 68% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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The Po' Ramblin' Boys
Drive Myself to Drinkin'
119 bpm • A Maj • 02:37 • -6.14db
38% Popularity • 67% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 67% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Bryan Sutton
Backwater Blues
119 bpm • F# Maj • 03:49 • -8.29db
12% Popularity • 54% Danceability • 71% Energy • 11% Liveness
20% Instrumentalness • 82% Positiveness
12% Popularity • 54% Danceability • 71% Energy • 11% Liveness
20% Instrumentalness • 82% Positiveness
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Cahalen Morrison & Eli West
Livin' in America
125 bpm • A Maj • 02:37 • -6.57db
16% Popularity • 54% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 54% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Steep Canyon Rangers
Out in the Open
125 bpm • C Maj • 03:25 • -8.34db
16% Popularity • 63% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Old Man Luedecke
Song for Ian Tyson
125 bpm • G# Maj • 03:28 • -9.56db
11% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Shadowgrass
You’ll Never Leave Harlan Alive
125 bpm • A min • 04:55 • -10.49db
29% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Smooth Hound Smith
The Boots That Got Us There
125 bpm • A# Maj • 04:11 • -5.48db
8% Popularity • 62% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 62% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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The Mountain Grass Unit
Shays' Rebellion
125 bpm • D Maj • 03:08 • -7.83db
31% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Junior Sisk
Just Load The Wagon
125 bpm • C Maj • 03:54 • -7.83db
28% Popularity • 71% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 71% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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The Wooks
Sisters and Brothers
125 bpm • G Maj • 04:55 • -11.62db
9% Popularity • 84% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 84% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Po' Ramblin' Boys
East Bound And Down
125 bpm • G Maj • 02:57 • -7.7db
22% Popularity • 67% Danceability • 71% Energy • 37% Liveness
13% Instrumentalness • 86% Positiveness
22% Popularity • 67% Danceability • 71% Energy • 37% Liveness
13% Instrumentalness • 86% Positiveness
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Balsam Range
The Girl From The Highlands
119 bpm • B min • 03:01 • -8.73db
24% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Frank Solivan and Dirty Kitchen
July You're A Woman
125 bpm • A Maj • 04:00 • -8.84db
10% Popularity • 64% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
10% Popularity • 64% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Steep Canyon Rangers
Between Midnight and the Dawn
119 bpm • C min • 04:37 • -6.33db
15% Popularity • 53% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 53% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Rubber Knife Gang
White Embers
119 bpm • A Maj • 03:08 • -8.98db
20% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Chatham County Line
I Got You (At the End of the Century)
126 bpm • A Maj • 02:44 • -6db
19% Popularity • 59% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 59% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Black Lillies
Two Hearts Down
118 bpm • G min • 03:37 • -7db
28% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Balsam Range
Blue Collar Dreams
125 bpm • B Maj • 02:53 • -8.31db
33% Popularity • 62% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 62% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Jeff Austin
Fiddling Around
126 bpm • G Maj • 02:59 • -6db
20% Popularity • 59% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 59% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Wood Belly
Old Home
126 bpm • G Maj • 03:14 • -9.61db
17% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Rubber Knife Gang
Let Her Down Slow
126 bpm • D Maj • 03:41 • -7.71db
14% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Laney Lou and the Bird Dogs
Time or Tears
126 bpm • C Maj • 03:37 • -11db
18% Popularity • 52% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 52% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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The Lonely Heartstring Band
Graceland
118 bpm • E Maj • 04:48 • -11.27db
21% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Balsam Range
Burning Georgia Down
126 bpm • F# min • 03:53 • -7.94db
29% Popularity • 61% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
29% Popularity • 61% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
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Railroad Earth
Long Way To Go
126 bpm • G Maj • 04:30 • -6.35db
46% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 65% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Yarn
Long Way to Texas
126 bpm • E Maj • 03:00 • -9.61db
40% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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The Travelin' McCourys
Crowhop
126 bpm • G Maj • 04:07 • -8.59db
22% Popularity • 50% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 92% Positiveness
22% Popularity • 50% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 92% Positiveness
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Robert Ellis
Drivin'
126 bpm • D Maj • 02:46 • -6.28db
31% Popularity • 61% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
31% Popularity • 61% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
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The Tillers
The Old General Store Is Burning Down
127 bpm • D Maj • 04:21 • -8.4db
11% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Chicken Wire Empire
Joe Eddy
127 bpm • A Maj • 03:29 • -10.62db
18% Popularity • 61% Danceability • 61% Energy • 30% Liveness
12% Instrumentalness • 65% Positiveness
18% Popularity • 61% Danceability • 61% Energy • 30% Liveness
12% Instrumentalness • 65% Positiveness
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Wood & Wire
Galveston
127 bpm • G Maj • 03:02 • -8.06db
27% Popularity • 61% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
27% Popularity • 61% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Yarn
Fussin' & Fightin' (Singin' Jim Croce)
118 bpm • E Maj • 03:48 • -12db
33% Popularity • 78% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 78% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Travelin' McCourys
Lonesome, On'ry and Mean
117 bpm • G Maj • 05:12 • -7db
32% Popularity • 55% Danceability • 77% Energy • 22% Liveness
5% Instrumentalness • 84% Positiveness
32% Popularity • 55% Danceability • 77% Energy • 22% Liveness
5% Instrumentalness • 84% Positiveness
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Balsam Range
Caney Fork River
127 bpm • B Maj • 03:01 • -4.96db
27% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Steep Canyon Rangers
Everything You Know
127 bpm • F Maj • 04:06 • -5.23db
15% Popularity • 45% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 45% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Steve Martin
More Bad Weather On The Way
127 bpm • F Maj • 03:31 • -9.16db
20% Popularity • 55% Danceability • 55% Energy • 14% Liveness
17% Instrumentalness • 91% Positiveness
20% Popularity • 55% Danceability • 55% Energy • 14% Liveness
17% Instrumentalness • 91% Positiveness
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Caribou Mountain Collective
Long Gone
117 bpm • B min • 03:55 • -10db
22% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Blue Highway
Both Ends of the Train
117 bpm • B Maj • 02:44 • -5.64db
30% Popularity • 65% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 65% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Travelin' McCourys
Loser
127 bpm • G Maj • 07:43 • -8.41db
29% Popularity • 53% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 53% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Balsam Range
Snake Charmer
127 bpm • B Maj • 02:59 • -9.09db
18% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Shinyribs
Change Is Gonna Come
127 bpm • G Maj • 02:51 • -11.06db
37% Popularity • 68% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 68% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Steel Wheels
Sing Me Like A Folk Song
117 bpm • G Maj • 03:20 • -9.33db
19% Popularity • 59% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 59% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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The Wooks
'seng
128 bpm • G Maj • 02:58 • -9.18db
22% Popularity • 59% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 59% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Mile Twelve
City That Drowned
117 bpm • F min • 03:32 • -10.56db
32% Popularity • 59% Danceability • 56% Energy • 20% Liveness
16% Instrumentalness • 71% Positiveness
32% Popularity • 59% Danceability • 56% Energy • 20% Liveness
16% Instrumentalness • 71% Positiveness
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Wyatt Ellis
Get Lost
128 bpm • A min • 04:27 • -12.48db
27% Popularity • 57% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 88% Positiveness
27% Popularity • 57% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 88% Positiveness
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The Travelin' McCourys
Passin' Thru
128 bpm • C Maj • 05:25 • -5.66db
27% Popularity • 51% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
27% Popularity • 51% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
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Three Tall Pines
Stillhouse Road
116 bpm • D Maj • 02:59 • -10.79db
23% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Jeff Scroggins & Colorado
Big Train
128 bpm • C Maj • 03:10 • -9.23db
8% Popularity • 64% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
8% Popularity • 64% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
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AJ Lee & Blue Summit
Still Love You Still
128 bpm • A Maj • 04:55 • -5.61db
23% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Sad Daddy
Bigboned & Buttugly
128 bpm • A Maj • 05:56 • -7.45db
18% Popularity • 54% Danceability • 48% Energy • 28% Liveness
2% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 48% Energy • 28% Liveness
2% Instrumentalness • 60% Positiveness
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Steep Canyon Rangers
A Ramblin' Man Is A Ramblin' Man
116 bpm • F min • 03:03 • -9.45db
15% Popularity • 69% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 69% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Cahalen Morrison & Eli West
Fiddlehead Fern
129 bpm • A Maj • 03:30 • -10.58db
33% Popularity • 56% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
33% Popularity • 56% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 70% Positiveness
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Watchhouse
Picking Up Pieces
129 bpm • C Maj • 03:52 • -8.68db
35% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Uncle Earl
Black-Eyed Susie
129 bpm • D Maj • 01:49 • -7.32db
39% Popularity • 55% Danceability • 60% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
39% Popularity • 55% Danceability • 60% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
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Trent Wagler
Shady Grove
115 bpm • G Maj • 03:28 • -7.01db
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Russell Moore & IIIrd Tyme Out
Pretty Little Girl From Galax
115 bpm • A Maj • 02:54 • -10db
30% Popularity • 68% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 68% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
