Songs like Calradia (Travel Neutral) - Mount and Blade Original Video Game Soundtrack by Jesse Hopkins
Based on a tempo of (+/- 10%) and a similar genre
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Jamie Christopherson
Island Village
90 bpm • E Maj • 02:04 • -15.75db
34% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
34% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
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Piotr Musiał
The Moon Over Mount Gorgon
90 bpm • D min • 02:05 • -14db
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
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Jesse Hopkins
Town Khergit - Mount and Blade Original ...
90 bpm • G Maj • 02:03 • -29.69db
19% Popularity • 54% Danceability • 5% Energy • 6% Liveness
7% Instrumentalness • 5% Positiveness
19% Popularity • 54% Danceability • 5% Energy • 6% Liveness
7% Instrumentalness • 5% Positiveness
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Percival Schuttenbach
The Nightingale
90 bpm • A min • 01:39 • -10.77db
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
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Borislav Slavov
A Part of Their Story
90 bpm • G min • 04:11 • -14db
34% Popularity • 34% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
34% Popularity • 34% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Howard Shore
The Nazgûl
90 bpm • D min • 06:04 • -24.89db
43% Popularity • 10% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Rich Douglas
Daggerfall - Main Theme
89 bpm • F min • 02:11 • -15.93db
19% Popularity • 16% Danceability • 30% Energy • 16% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 16% Danceability • 30% Energy • 16% Liveness
92% Instrumentalness • 9% Positiveness
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Piotr Musiał
For Honor! For Toussaint!
90 bpm • A min • 02:04 • -9.17db
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
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Jesse Hopkins
Calradia (Travel Neutral) - Mount and Bl...
90 bpm • A# Maj • 03:28 • -19.63db
21% Popularity • 14% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
21% Popularity • 14% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Mikolai Stroinski
Whispers Of Oxenfurt
90 bpm • D min • 02:34 • -11db
47% Popularity • 28% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 28% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Borislav Slavov
The Queen's High Seas - Tavern Version
89 bpm • A min • 01:42 • -17.26db
41% Popularity • 77% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
41% Popularity • 77% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
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Bill Brown
Crossroad at Dawn
89 bpm • G min • 02:00 • -19.39db
54% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
54% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Jeremy Soule
The City Gates
91 bpm • G min • 03:46 • -18db
57% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
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Piotr Musiał
Reaching the Shores (Bonus Track)
90 bpm • E min • 01:34 • -17.12db
28% Popularity • 18% Danceability • 25% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
28% Popularity • 18% Danceability • 25% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
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Jesse Hopkins
Siege Neutral
89 bpm • G Maj • 02:58 • -25.13db
6% Popularity • 18% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
6% Popularity • 18% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Gary Schyman
Bathysphere Ride
89 bpm • A min • 04:52 • -25.77db
8% Popularity • 12% Danceability • 19% Energy • 90% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 19% Energy • 90% Liveness
75% Instrumentalness • 4% Positiveness
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Russell Shaw
Nearing Town
88 bpm • A# min • 01:10 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
A Reckoning in Blood
88 bpm • G min • 04:35 • -12.76db
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Richard Beddow
The Mamluks attack
92 bpm • G# Maj • 02:19 • -12.6db
16% Popularity • 18% Danceability • 59% Energy • 18% Liveness
93% Instrumentalness • 12% Positiveness
16% Popularity • 18% Danceability • 59% Energy • 18% Liveness
93% Instrumentalness • 12% Positiveness
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Piotr Musiał
Arrival
91 bpm • D min • 04:15 • -24.06db
28% Popularity • 23% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Jake Lefkowitz
Pride and Penance
88 bpm • C min • 05:53 • -15db
28% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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SIE Sound Team
The Night Unfurls
88 bpm • C Maj • 02:05 • -17.18db
43% Popularity • 9% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 9% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Stephen Rippy
I, Menevero
88 bpm • G Maj • 02:33 • -12.02db
23% Popularity • 12% Danceability • 24% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 24% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Shogun II: Total War
92 bpm • A min • 03:05 • -11db
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
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Carlos Viola
My Last Regrets
92 bpm • C Maj • 01:10 • -16db
21% Popularity • 16% Danceability • 22% Energy • 21% Liveness
93% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 22% Energy • 21% Liveness
93% Instrumentalness • 3% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Magnus Skogehall
Steppes Of The Nomads
88 bpm • G Maj • 03:24 • -16.36db
9% Popularity • 28% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
9% Popularity • 28% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
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Arnaud Roy
Pierre de Lune
88 bpm • C min • 04:19 • -15.85db
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Grant Kirkhope
Dalentarth
92 bpm • E min • 04:09 • -21db
30% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Breakdown Epiphanies
The Homestead
88 bpm • A min • 02:20 • -14.79db
14% Popularity • 10% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 5% Positiveness
14% Popularity • 10% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 5% Positiveness
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Collosia
Hunter's Pursuit
88 bpm • G min • 02:08 • -19.74db
28% Popularity • 22% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
28% Popularity • 22% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Funcom Soundtrack
An Oasis of Calm
92 bpm • F Maj • 03:23 • -15.72db
30% Popularity • 48% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
30% Popularity • 48% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Jan Valta
Losing Father's Sword
87 bpm • F min • 04:37 • -16.29db
22% Popularity • 9% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Robert L. Euvino
Crusader
87 bpm • F min • 01:05 • -14.31db
21% Popularity • 12% Danceability • 21% Energy • 20% Liveness
76% Instrumentalness • 11% Positiveness
21% Popularity • 12% Danceability • 21% Energy • 20% Liveness
76% Instrumentalness • 11% Positiveness
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Jesse Hopkins
III. Doin' Nothin' - Live
94 bpm • G Maj • 02:40 • -19.78db
5% Popularity • 18% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 13% Positiveness
5% Popularity • 18% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 13% Positiveness
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Russell Shaw
Albion Awaits
86 bpm • D# min • 02:06 • -19.51db
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
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Piotr Musiał
The Darkest of Days
87 bpm • F min • 04:41 • -14.11db
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
43% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
43% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Chance Thomas
Ages of the Golden Wood
94 bpm • C# Maj • 03:39 • -16.46db
30% Popularity • 12% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Beddow
Napoleon heads to The East
86 bpm • G min • 01:16 • -15.85db
14% Popularity • 22% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Funcom Soundtrack
Dawn over the Savannah
86 bpm • F Maj • 02:34 • -19.25db
21% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Audinity
Main Theme
94 bpm • G Maj • 02:39 • -14.6db
17% Popularity • 37% Danceability • 28% Energy • 29% Liveness
78% Instrumentalness • 20% Positiveness
17% Popularity • 37% Danceability • 28% Energy • 29% Liveness
78% Instrumentalness • 20% Positiveness
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Piotr Musiał
The Last Autumn Theme
86 bpm • F min • 02:44 • -13.36db
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Jan Valta
The River Sasau Theme
86 bpm • F Maj • 01:54 • -12.36db
26% Popularity • 23% Danceability • 30% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 30% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
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Joey Newman
Cave of Silence
86 bpm • D# Maj • 01:08 • -13.97db
41% Popularity • 13% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Grant Kirkhope
Troll
95 bpm • D min • 02:32 • -8.34db
16% Popularity • 50% Danceability • 49% Energy • 15% Liveness
57% Instrumentalness • 12% Positiveness
16% Popularity • 50% Danceability • 49% Energy • 15% Liveness
57% Instrumentalness • 12% Positiveness
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Jeremy Soule
Imperial Throne
85 bpm • C min • 02:22 • -26db
53% Popularity • 16% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
53% Popularity • 16% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Richard Beddow
Troy - Behold a Terrible Beauty
95 bpm • D min • 02:36 • -18.23db
17% Popularity • 27% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Jesse Hopkins
Travel Nord - Mount and Blade Original V...
95 bpm • F# min • 01:52 • -33.96db
24% Popularity • 26% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
24% Popularity • 26% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Audinity
For Honor And Glory
95 bpm • F min • 03:11 • -13.59db
15% Popularity • 52% Danceability • 35% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
15% Popularity • 52% Danceability • 35% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Kevin MacLeod
Curse of the Scarab
95 bpm • D Maj • 05:27 • -16.6db
16% Popularity • 59% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 33% Positiveness
16% Popularity • 59% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 33% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Adam Skorupa
Pride of Saxony
95 bpm • D min • 01:12 • -8.18db
32% Popularity • 44% Danceability • 50% Energy • 25% Liveness
54% Instrumentalness • 49% Positiveness
32% Popularity • 44% Danceability • 50% Energy • 25% Liveness
54% Instrumentalness • 49% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
37% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
37% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Bill Brown
Deep Shadows
85 bpm • C# Maj • 02:02 • -14.16db
44% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Richard Beddow
The art of war
96 bpm • D min • 01:39 • -29.28db
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Breakdown Epiphanies
The Oasis
96 bpm • D min • 02:23 • -12.1db
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
33% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Adam Skorupa
Blue Mountains - Edit Version
85 bpm • F# Maj • 03:44 • -13.15db
36% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
36% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
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Jesse Hopkins
Travel Vaegir - Mount and Blade Original...
96 bpm • G# min • 03:20 • -24.38db
18% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
18% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Jesper Kyd
Red Moon - Saracena
96 bpm • E min • 01:14 • -24.62db
22% Popularity • 63% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
22% Popularity • 63% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Stan LePard
Win a Holy Bone
84 bpm • E min • 01:06 • -14.92db
11% Popularity • 40% Danceability • 26% Energy • 29% Liveness
94% Instrumentalness • 73% Positiveness
11% Popularity • 40% Danceability • 26% Energy • 29% Liveness
94% Instrumentalness • 73% Positiveness
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Tyler Cunningham
Sons of Constantinople
84 bpm • A Maj • 04:12 • -12.62db
15% Popularity • 44% Danceability • 30% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
15% Popularity • 44% Danceability • 30% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Jeremy Soule
Churl's Revenge
84 bpm • E min • 01:08 • -20.27db
42% Popularity • 48% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 48% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jesse Hopkins
Lord's Hall Vaegir - Mount and Blade Ori...
96 bpm • A min • 02:30 • -39.71db
23% Popularity • 68% Danceability • 0% Energy • 7% Liveness
7% Instrumentalness • 70% Positiveness
23% Popularity • 68% Danceability • 0% Energy • 7% Liveness
7% Instrumentalness • 70% Positiveness
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Bill Brown
Dance at the Festival
84 bpm • D Maj • 02:11 • -12.95db
40% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
40% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Skye Lewin
Second Thoughts
84 bpm • C min • 01:12 • -24db
35% Popularity • 19% Danceability • 2% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 2% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Stuart Chatwood
The Inn
84 bpm • D min • 05:52 • -24.24db
25% Popularity • 25% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 25% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Graves
The Knights' Theme
84 bpm • F Maj • 03:28 • -17db
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Jesse Hopkins
Travel Swadian - Mount and Blade Origina...
96 bpm • D min • 01:42 • -18.59db
23% Popularity • 41% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
23% Popularity • 41% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
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Robert L. Euvino
The Maiden
97 bpm • D min • 02:09 • -17.37db
30% Popularity • 42% Danceability • 6% Energy • 14% Liveness
32% Instrumentalness • 22% Positiveness
30% Popularity • 42% Danceability • 6% Energy • 14% Liveness
32% Instrumentalness • 22% Positiveness
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Alex Cottrell
The Red Tide (Main Theme)
97 bpm • D min • 02:58 • -17.23db
18% Popularity • 51% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 14% Positiveness
18% Popularity • 51% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 14% Positiveness
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Stephen Rippy
Revolootin
97 bpm • A min • 01:13 • -12.38db
18% Popularity • 48% Danceability • 36% Energy • 33% Liveness
97% Instrumentalness • 51% Positiveness
18% Popularity • 48% Danceability • 36% Energy • 33% Liveness
97% Instrumentalness • 51% Positiveness
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Audinity
Benedicte
83 bpm • F Maj • 04:11 • -24.26db
18% Popularity • 8% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 8% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Tilman Sillescu
1404 Main Theme For Strings (Botanica DL...
97 bpm • F Maj • 01:02 • -17.21db
25% Popularity • 20% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 12% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Beddow
Napoleon's Promise
83 bpm • D min • 01:27 • -14.97db
21% Popularity • 10% Danceability • 34% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 34% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin MacLeod
On the Shore
83 bpm • D Maj • 01:40 • -21.25db
27% Popularity • 13% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 13% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Adam Skorupa
A Tavern On The Riverbank
82 bpm • D min • 01:43 • -11.91db
47% Popularity • 47% Danceability • 38% Energy • 8% Liveness
33% Instrumentalness • 13% Positiveness
47% Popularity • 47% Danceability • 38% Energy • 8% Liveness
33% Instrumentalness • 13% Positiveness
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Adam Sporka
Landscape Atmosphere 20
83 bpm • A# Maj • 01:54 • -17.89db
32% Popularity • 16% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Justin Bell
Defiance Bay
82 bpm • A# min • 03:10 • -14.8db
43% Popularity • 21% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Richard Beddow
Napoleon Boneparte
83 bpm • D min • 02:12 • -12db
31% Popularity • 9% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
46% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Audinity
Adagio For Four Strings
82 bpm • G min • 04:18 • -29.61db
19% Popularity • 8% Danceability • 4% Energy • 26% Liveness
10% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 4% Energy • 26% Liveness
10% Instrumentalness • 3% Positiveness
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Collosia
Blessing of Vivec
99 bpm • E min • 03:18 • -19.72db
32% Popularity • 15% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Piotr Musiał
On the Edge Theme
82 bpm • C min • 02:49 • -11.66db
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
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Borislav Slavov
Power of Innocence 2017 - Orchestra Vers...
82 bpm • E min • 04:01 • -14.85db
34% Popularity • 37% Danceability • 25% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
34% Popularity • 37% Danceability • 25% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Glenn Stafford
Demon Hunter
82 bpm • E min • 02:58 • -18.62db
22% Popularity • 26% Danceability • 37% Energy • 36% Liveness
93% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 37% Energy • 36% Liveness
93% Instrumentalness • 12% Positiveness
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Jason Graves
Agamemnon Rising
82 bpm • F min • 02:48 • -19db
27% Popularity • 65% Danceability • 60% Energy • 15% Liveness
80% Instrumentalness • 71% Positiveness
27% Popularity • 65% Danceability • 60% Energy • 15% Liveness
80% Instrumentalness • 71% Positiveness
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Audinity
At The Country Manor
82 bpm • F Maj • 02:16 • -27.61db
21% Popularity • 15% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Greg Edmonson
The Setup
82 bpm • D Maj • 02:29 • -12.53db
25% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
25% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Piotr Musiał
New London Ultimatum
82 bpm • A min • 04:07 • -12.62db
26% Popularity • 34% Danceability • 50% Energy • 37% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 34% Danceability • 50% Energy • 37% Liveness
90% Instrumentalness • 15% Positiveness
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buskerflutist
Heroes Of Might And Magic III Snowland
99 bpm • C min • 01:17 • -14.44db
19% Popularity • 28% Danceability • 10% Energy • 8% Liveness
53% Instrumentalness • 96% Positiveness
19% Popularity • 28% Danceability • 10% Energy • 8% Liveness
53% Instrumentalness • 96% Positiveness
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Jeff van Dyck
Rome Total War
82 bpm • G# Maj • 02:59 • -13.08db
29% Popularity • 18% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Glenn Stafford
Wings of Liberty
82 bpm • A min • 07:15 • -11.12db
31% Popularity • 15% Danceability • 41% Energy • 17% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 15% Danceability • 41% Energy • 17% Liveness
84% Instrumentalness • 8% Positiveness
