Songs like Campfire by Kevin Morby
Based on a tempo of (+/- 10%) and a similar genre
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Cotton Jones
Gone The Bells
68 bpm • A# Maj • 04:14 • -9db
35% Popularity • 44% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 44% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Swift
Looking Back, I Should Have Been Home Mo...
71 bpm • C Maj • 03:35 • -10db
23% Popularity • 49% Danceability • 38% Energy • 31% Liveness
4% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 38% Energy • 31% Liveness
4% Instrumentalness • 16% Positiveness
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Twain
Death (or S.F.?)
73 bpm • E min • 04:14 • -13db
27% Popularity • 55% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 36% Positiveness
27% Popularity • 55% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 36% Positiveness
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Kevin Morby
Campfire
73 bpm • A Maj • 05:19 • -10.07db
37% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Allah-Las
Star
74 bpm • C Maj • 04:08 • -9.53db
42% Popularity • 66% Danceability • 67% Energy • 13% Liveness
54% Instrumentalness • 94% Positiveness
42% Popularity • 66% Danceability • 67% Energy • 13% Liveness
54% Instrumentalness • 94% Positiveness
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Sharon Van Etten
Tarifa
74 bpm • C Maj • 04:50 • -9db
39% Popularity • 31% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 31% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hurray For The Riff Raff
RHODODENDRON
75 bpm • F Maj • 03:34 • -7.88db
37% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
37% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Blake Mills
If I'm Unworthy
75 bpm • C# Maj • 04:43 • -11db
33% Popularity • 56% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
33% Popularity • 56% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Valerie June
Cosmic Dancer
75 bpm • D Maj • 04:25 • -7.79db
34% Popularity • 45% Danceability • 57% Energy • 7% Liveness
51% Instrumentalness • 21% Positiveness
34% Popularity • 45% Danceability • 57% Energy • 7% Liveness
51% Instrumentalness • 21% Positiveness
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Kevin Morby
Dry Your Eyes
75 bpm • C# min • 04:12 • -10db
29% Popularity • 43% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 43% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Timber Timbre
Demon Host
76 bpm • F Maj • 03:39 • -15db
42% Popularity • 65% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 65% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Woods
Can't See at All
76 bpm • A# min • 04:45 • -5.93db
24% Popularity • 55% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 55% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Cass McCombs
Laughter Is The Best Medicine
76 bpm • F# min • 05:18 • -9db
29% Popularity • 62% Danceability • 52% Energy • 18% Liveness
59% Instrumentalness • 37% Positiveness
29% Popularity • 62% Danceability • 52% Energy • 18% Liveness
59% Instrumentalness • 37% Positiveness
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Micah P. Hinson
Beneath The Rose
76 bpm • G Maj • 02:56 • -12.01db
26% Popularity • 52% Danceability • 35% Energy • 12% Liveness
13% Instrumentalness • 32% Positiveness
26% Popularity • 52% Danceability • 35% Energy • 12% Liveness
13% Instrumentalness • 32% Positiveness
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Karen Dalton
Something on Your Mind
76 bpm • D Maj • 03:23 • -8.53db
34% Popularity • 40% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 40% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Damien Jurado
Cloudy Shoes
76 bpm • C Maj • 04:08 • -7db
36% Popularity • 33% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
36% Popularity • 33% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
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Andy Shauf
Living Room
77 bpm • F Maj • 03:05 • -9.96db
38% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Sonny & The Sunsets
Pretend You Love Me
77 bpm • F Maj • 05:34 • -9.15db
32% Popularity • 54% Danceability • 60% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
32% Popularity • 54% Danceability • 60% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
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Widowspeak
Everything Is Simple
78 bpm • D Maj • 04:19 • -9.15db
36% Popularity • 58% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
36% Popularity • 58% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Grizzly Bear
Deep Blue Sea
78 bpm • F# min • 03:46 • -14db
34% Popularity • 55% Danceability • 22% Energy • 12% Liveness
58% Instrumentalness • 34% Positiveness
34% Popularity • 55% Danceability • 22% Energy • 12% Liveness
58% Instrumentalness • 34% Positiveness
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Yo La Tengo
Our Way to Fall
78 bpm • C Maj • 04:18 • -14.65db
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Damien Jurado
Allocate
77 bpm • D min • 04:42 • -12db
36% Popularity • 46% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
36% Popularity • 46% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Cut Worms
Like Going Down Sideways
78 bpm • E Maj • 04:41 • -6.87db
24% Popularity • 44% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
24% Popularity • 44% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Kevin Morby
Cut Me Down
78 bpm • F# Maj • 03:32 • -16.55db
30% Popularity • 41% Danceability • 17% Energy • 10% Liveness
63% Instrumentalness • 26% Positiveness
30% Popularity • 41% Danceability • 17% Energy • 10% Liveness
63% Instrumentalness • 26% Positiveness
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Kacy & Clayton
I Wonder Why
79 bpm • G Maj • 02:05 • -8.55db
32% Popularity • 38% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 38% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Twain
Little Dog Mind
79 bpm • E Maj • 03:09 • -7.5db
26% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Feist
I'm Not Running Away
79 bpm • C min • 03:24 • -7.97db
31% Popularity • 49% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
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Damien Jurado
Hello Sunshine
77 bpm • D Maj • 03:04 • -8.64db
37% Popularity • 57% Danceability • 41% Energy • 10% Liveness
45% Instrumentalness • 53% Positiveness
37% Popularity • 57% Danceability • 41% Energy • 10% Liveness
45% Instrumentalness • 53% Positiveness
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Fruit Bats
You're Too Weird
80 bpm • G Maj • 03:46 • -7.9db
53% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
53% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
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Kevin Morby
Valley
80 bpm • C# min • 04:04 • -6.42db
40% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
40% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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Kacy & Clayton
A Lifeboat
80 bpm • A Maj • 04:29 • -12.07db
33% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
33% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Cass McCombs
Bum Bum Bum
80 bpm • A min • 04:59 • -11db
43% Popularity • 51% Danceability • 51% Energy • 10% Liveness
30% Instrumentalness • 37% Positiveness
43% Popularity • 51% Danceability • 51% Energy • 10% Liveness
30% Instrumentalness • 37% Positiveness
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Jake Xerxes Fussell
Have You Ever Seen Peaches Growing on a ...
80 bpm • E Maj • 06:09 • -6.45db
34% Popularity • 53% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 35% Positiveness
34% Popularity • 53% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 35% Positiveness
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Night Beats
That's All You Got
80 bpm • C# Maj • 04:17 • -6.78db
31% Popularity • 23% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
31% Popularity • 23% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
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Jim James
The World's Smiling Now
80 bpm • E min • 04:53 • -8db
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
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Kevin Morby
Drunk and On a Star
80 bpm • C# Maj • 04:18 • -11.91db
25% Popularity • 43% Danceability • 37% Energy • 6% Liveness
33% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 37% Energy • 6% Liveness
33% Instrumentalness • 34% Positiveness
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Alex Ebert
Truth
80 bpm • F Maj • 04:20 • -8db
60% Popularity • 55% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
60% Popularity • 55% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Big Thief
Cattails
81 bpm • C# Maj • 04:05 • -6.93db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Sharon Van Etten
Our Love
81 bpm • C# min • 03:52 • -9.87db
47% Popularity • 61% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 40% Positiveness
47% Popularity • 61% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 40% Positiveness
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Angel Olsen
All The Good Times
81 bpm • E Maj • 04:36 • -8.72db
50% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Hope Sandoval & The Warm Inventions
Let Me Get There
81 bpm • D Maj • 07:30 • -8db
43% Popularity • 55% Danceability • 52% Energy • 46% Liveness
57% Instrumentalness • 35% Positiveness
43% Popularity • 55% Danceability • 52% Energy • 46% Liveness
57% Instrumentalness • 35% Positiveness
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Marlon Williams
Dark Child
82 bpm • G# min • 05:20 • -9db
21% Popularity • 39% Danceability • 41% Energy • 16% Liveness
26% Instrumentalness • 22% Positiveness
21% Popularity • 39% Danceability • 41% Energy • 16% Liveness
26% Instrumentalness • 22% Positiveness
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Bedouine
One of These Days
82 bpm • G Maj • 02:58 • -12.57db
51% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
51% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
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M. Ward
Let's Dance
82 bpm • B min • 05:00 • -14.41db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Andrew Bird
Bloodless
82 bpm • E min • 06:29 • -5.2db
44% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Sugar Candy Mountain
Windows
83 bpm • F Maj • 03:12 • -8db
50% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Marlon Williams
Dark Child
82 bpm • G# min • 03:57 • -8.16db
32% Popularity • 46% Danceability • 42% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
32% Popularity • 46% Danceability • 42% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
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Ty Segall
My Lady's On Fire
83 bpm • D# Maj • 03:52 • -9.11db
51% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Brian Jonestown Massacre
Anemone
83 bpm • F min • 05:34 • -12.89db
44% Popularity • 53% Danceability • 64% Energy • 20% Liveness
84% Instrumentalness • 61% Positiveness
44% Popularity • 53% Danceability • 64% Energy • 20% Liveness
84% Instrumentalness • 61% Positiveness
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Andrew Bird
Capsized
83 bpm • G Maj • 03:41 • -10db
47% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Kevin Morby
Oh My God
83 bpm • E Maj • 04:05 • -9db
30% Popularity • 32% Danceability • 26% Energy • 16% Liveness
44% Instrumentalness • 8% Positiveness
30% Popularity • 32% Danceability • 26% Energy • 16% Liveness
44% Instrumentalness • 8% Positiveness
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Jake Xerxes Fussell
Jump for Joy
83 bpm • C# Maj • 04:15 • -11db
25% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bodies Of Water
Open Rhythms
84 bpm • F Maj • 04:27 • -7.59db
36% Popularity • 43% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 23% Positiveness
36% Popularity • 43% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 23% Positiveness
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Amen Dunes
Calling Paul The Suffering
84 bpm • G Maj • 03:01 • -8.41db
12% Popularity • 73% Danceability • 71% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
12% Popularity • 73% Danceability • 71% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Whitney
Southern Nights
84 bpm • G min • 03:32 • -7.87db
44% Popularity • 57% Danceability • 30% Energy • 14% Liveness
50% Instrumentalness • 42% Positiveness
44% Popularity • 57% Danceability • 30% Energy • 14% Liveness
50% Instrumentalness • 42% Positiveness
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Andrew Bird
Sisyphus
83 bpm • C min • 04:07 • -4.36db
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Kevin Morby
Farewell Transmission
84 bpm • C# Maj • 06:57 • -10db
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Cass McCombs
Big Wheel
84 bpm • C min • 03:40 • -11.4db
26% Popularity • 50% Danceability • 60% Energy • 13% Liveness
14% Instrumentalness • 85% Positiveness
26% Popularity • 50% Danceability • 60% Energy • 13% Liveness
14% Instrumentalness • 85% Positiveness
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A.A. Bondy
Images of Love
85 bpm • F# Maj • 03:39 • -9.69db
25% Popularity • 72% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 72% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Bonnie Prince Billy
Rubin and Cherise
86 bpm • F Maj • 05:46 • -5.39db
36% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 31% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Amen Dunes
I Know Myself
87 bpm • E Maj • 04:23 • -7.52db
28% Popularity • 39% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 39% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Morby
Sundowner
85 bpm • A Maj • 05:09 • -12.33db
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Cass McCombs
There Can Be Only One
86 bpm • A Maj • 04:17 • -13.59db
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
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Lou Reed
Charley's Girl
87 bpm • A Maj • 02:39 • -7db
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
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Jonathan Wilson
Fazon
87 bpm • G Maj • 05:38 • -10.86db
31% Popularity • 61% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 55% Positiveness
31% Popularity • 61% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 55% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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Michael Nau
No Quit
88 bpm • G min • 03:13 • -9db
53% Popularity • 49% Danceability • 67% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 67% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
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Ryley Walker
Spoil with the Rest
88 bpm • B Maj • 03:42 • -12.72db
19% Popularity • 46% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 46% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Calexico
Alone Again Or - Remastered
88 bpm • D Maj • 03:24 • -8.67db
37% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 49% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Whitney
Valleys (My Love)
89 bpm • B Maj • 03:56 • -7.17db
48% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
48% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
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Alex Ebert
Her Love
89 bpm • C Maj • 04:31 • -6.17db
33% Popularity • 60% Danceability • 76% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
33% Popularity • 60% Danceability • 76% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
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Kevin Morby
I Was On Time
88 bpm • E Maj • 03:30 • -13.87db
32% Popularity • 72% Danceability • 50% Energy • 9% Liveness
39% Instrumentalness • 79% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 9% Liveness
39% Instrumentalness • 79% Positiveness
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A. Savage
Indian Style
89 bpm • G Maj • 04:11 • -11.47db
31% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
31% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Daniel Norgren
The Flow
89 bpm • C Maj • 06:30 • -12.01db
34% Popularity • 50% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
34% Popularity • 50% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Steve Gunn
Dust Filled Room
90 bpm • F# Maj • 02:02 • -9.96db
30% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Fruit Bats
Absolute Loser
90 bpm • G Maj • 03:51 • -10.39db
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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Widowspeak
The Good Ones
90 bpm • A Maj • 04:38 • -8.03db
42% Popularity • 79% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
42% Popularity • 79% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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Bill Ryder-Jones
You Can't Hide A Light With The Dark
90 bpm • F Maj • 03:38 • -9.08db
31% Popularity • 47% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 88% Positiveness
31% Popularity • 47% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 88% Positiveness
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Jim James
In The Moment
90 bpm • E min • 04:09 • -6.65db
34% Popularity • 47% Danceability • 69% Energy • 15% Liveness
54% Instrumentalness • 59% Positiveness
34% Popularity • 47% Danceability • 69% Energy • 15% Liveness
54% Instrumentalness • 59% Positiveness
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Whitney
Giving Up
91 bpm • F# Maj • 03:10 • -7.27db
41% Popularity • 64% Danceability • 60% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
41% Popularity • 64% Danceability • 60% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
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Kurt Vile
Pretty Pimpin
91 bpm • G# Maj • 04:58 • -9.07db
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
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Vetiver
Current Carry
91 bpm • G Maj • 03:54 • -8.75db
38% Popularity • 86% Danceability • 78% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
38% Popularity • 86% Danceability • 78% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
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Matt Berninger
Loved So Little
92 bpm • E Maj • 04:55 • -7.44db
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Wooden Shjips
Staring At The Sun
92 bpm • A Maj • 07:27 • -13.22db
43% Popularity • 56% Danceability • 55% Energy • 12% Liveness
84% Instrumentalness • 43% Positiveness
43% Popularity • 56% Danceability • 55% Energy • 12% Liveness
84% Instrumentalness • 43% Positiveness
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Dan Auerbach
King of a One Horse Town
92 bpm • A min • 03:46 • -5.06db
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Whitney
FTA
92 bpm • F min • 02:27 • -12db
59% Popularity • 55% Danceability • 46% Energy • 28% Liveness
80% Instrumentalness • 33% Positiveness
59% Popularity • 55% Danceability • 46% Energy • 28% Liveness
80% Instrumentalness • 33% Positiveness
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Tindersticks
Show Me Everything
93 bpm • C Maj • 05:29 • -9.57db
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Cass McCombs
Night Of The World
93 bpm • E min • 02:23 • -14.22db
32% Popularity • 78% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 78% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Cotton Jones
Blood Red Sentimental Blues
93 bpm • A# Maj • 04:36 • -6.25db
54% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Sun Kil Moon
Ben's My Friend
93 bpm • D# Maj • 05:16 • -6.8db
26% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Kevin Morby
Rock Bottom
94 bpm • E min • 02:44 • -6.34db
40% Popularity • 63% Danceability • 89% Energy • 34% Liveness
50% Instrumentalness • 96% Positiveness
40% Popularity • 63% Danceability • 89% Energy • 34% Liveness
50% Instrumentalness • 96% Positiveness
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Amen Dunes
Lonely Richard
94 bpm • A Maj • 05:18 • -8.38db
35% Popularity • 50% Danceability • 63% Energy • 12% Liveness
85% Instrumentalness • 52% Positiveness
35% Popularity • 50% Danceability • 63% Energy • 12% Liveness
85% Instrumentalness • 52% Positiveness
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Kurt Vile
Lost my Head there
94 bpm • A min • 06:55 • -9.17db
39% Popularity • 50% Danceability • 59% Energy • 8% Liveness
74% Instrumentalness • 56% Positiveness
39% Popularity • 50% Danceability • 59% Energy • 8% Liveness
74% Instrumentalness • 56% Positiveness
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Father John Misty
Hollywood Forever Cemetery Sings
94 bpm • A Maj • 03:10 • -4.13db
62% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
62% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
