Songs like Candy by Paolo Nutini
Based on a tempo of (+/- 10%) and a similar genre
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Paolo Nutini
Candy
125 bpm • G Maj • 04:58 • -7.81db
69% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Fleetwood Mac
Little Lies - 2017 Remaster
125 bpm • D Maj • 03:41 • -10.35db
75% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
75% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Joel
Vienna
125 bpm • A# Maj • 03:34 • -6.66db
83% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
83% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Kate Bush
Wuthering Heights
125 bpm • C# Maj • 04:29 • -11.38db
66% Popularity • 48% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
66% Popularity • 48% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
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The Waterboys
How Long Will I Love You - 2008 Remaster
126 bpm • G Maj • 03:38 • -8db
49% Popularity • 61% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 61% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
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Gerry Cinnamon
Dark Days
124 bpm • D# Maj • 02:55 • -9db
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Razorlight
In The Morning
124 bpm • E min • 03:42 • -3.5db
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Ben Howard
The Fear
126 bpm • B Maj • 04:20 • -9.65db
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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The xx
Islands
124 bpm • E Maj • 02:40 • -11.08db
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
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Jamie T
Love Is Only A Heartbeat Away
126 bpm • F Maj • 02:33 • -9db
37% Popularity • 40% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 40% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Stereophonics
I Wanna Get Lost With You
126 bpm • G min • 03:49 • -3.55db
26% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Xavier Rudd
Follow The Sun
124 bpm • C Maj • 04:16 • -10.76db
71% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
71% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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James
Sit Down
126 bpm • A Maj • 04:04 • -9.45db
61% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Babybird
You're Gorgeous
124 bpm • F Maj • 03:42 • -7.43db
56% Popularity • 58% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 58% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Patti Smith
Because the Night
124 bpm • B min • 03:24 • -7.75db
69% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
69% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Pogues
Dirty Old Town
123 bpm • G Maj • 03:45 • -11db
63% Popularity • 51% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 51% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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America
A Horse with No Name
123 bpm • B min • 04:12 • -17.18db
78% Popularity • 65% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
78% Popularity • 65% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
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Gerry Cinnamon
Belter
127 bpm • A min • 03:14 • -9.68db
63% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Paolo Nutini
Numpty
123 bpm • F# Maj • 03:54 • -9.03db
39% Popularity • 84% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 84% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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James Blunt
1973
123 bpm • A Maj • 04:40 • -7.93db
70% Popularity • 72% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
70% Popularity • 72% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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The xx
Crystalised
123 bpm • B min • 03:21 • -12.37db
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Amy Winehouse
Back To Black
123 bpm • G min • 04:01 • -13.96db
80% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
80% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Paolo Nutini
Children Of The Stars
123 bpm • A Maj • 03:20 • -5.81db
41% Popularity • 50% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 50% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Manic Street Preachers
If You Tolerate This Your Children Will ...
128 bpm • C Maj • 04:50 • -6.19db
57% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
57% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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MIKA
Grace Kelly
122 bpm • C Maj • 03:07 • -5.8db
73% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
73% Popularity • 68% Danceability • 83% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
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Mark Knopfler
What It Is
122 bpm • F# min • 04:55 • -7.27db
58% Popularity • 62% Danceability • 68% Energy • 29% Liveness
25% Instrumentalness • 43% Positiveness
58% Popularity • 62% Danceability • 68% Energy • 29% Liveness
25% Instrumentalness • 43% Positiveness
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Gerry Cinnamon
Sun Queen
128 bpm • C Maj • 04:07 • -9db
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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George Ezra
Hold My Girl
122 bpm • A# Maj • 03:31 • -6.37db
71% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
71% Popularity • 61% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gerry Rafferty
Right Down the Line
128 bpm • C Maj • 04:27 • -15.09db
73% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
73% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Harry Nilsson
Everybody's Talkin'
128 bpm • E Maj • 02:32 • -15.19db
62% Popularity • 50% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 50% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Amy Winehouse
Tears Dry On Their Own
122 bpm • C# min • 03:06 • -13.39db
72% Popularity • 63% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
72% Popularity • 63% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
75% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Lily Allen
Not Fair
121 bpm • F Maj • 03:22 • -9.19db
62% Popularity • 72% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
62% Popularity • 72% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Paolo Nutini
10/10
129 bpm • C Maj • 02:56 • -6.74db
53% Popularity • 71% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 71% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Fleetwood Mac
Rhiannon
129 bpm • A min • 04:12 • -14.75db
74% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
74% Popularity • 72% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 80% Positiveness
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George Ezra
Listen to the Man
121 bpm • A Maj • 03:03 • -5.94db
58% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Declan McKenna
Brazil
121 bpm • E Maj • 04:12 • -5.21db
82% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
82% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The View
Covers
129 bpm • C Maj • 03:23 • -6db
41% Popularity • 68% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 68% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Paolo Nutini
Shine A Light
129 bpm • A min • 05:56 • -5db
52% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
85% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
85% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Liam Gallagher
Once
121 bpm • F# Maj • 03:33 • -3.96db
56% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Stereophonics
Have A Nice Day
121 bpm • C# min • 03:25 • -4.09db
64% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Vaccines
Wetsuit
121 bpm • F Maj • 03:50 • -6.23db
51% Popularity • 47% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 23% Positiveness
51% Popularity • 47% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 23% Positiveness
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The Kooks
Seaside
129 bpm • A# min • 01:39 • -8.54db
66% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Paolo Nutini
Jenny Don't Be Hasty
120 bpm • A Maj • 03:29 • -8.51db
40% Popularity • 81% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 81% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Duffy
Mercy
130 bpm • C Maj • 03:39 • -3.77db
70% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
70% Popularity • 79% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Gerry Cinnamon
What Have You Done
120 bpm • A# Maj • 02:31 • -8.3db
53% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Paolo Nutini
Tricks of the Trade
120 bpm • D Maj • 02:32 • -10.59db
42% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kasabian
You're in Love with a Psycho
120 bpm • B min • 03:35 • -5.05db
58% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Celeste
Stop This Flame
120 bpm • A# min • 03:29 • -4.93db
54% Popularity • 75% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 75% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Bugg
Broken
120 bpm • G# Maj • 04:07 • -8.87db
52% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
52% Popularity • 44% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Gerry Cinnamon
Lullaby
120 bpm • B Maj • 04:47 • -7.4db
52% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Paolo Nutini
Troubled so Hard (Natural Blues) - Live ...
120 bpm • G Maj • 03:30 • -5.86db
41% Popularity • 50% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 50% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
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Eagle-Eye Cherry
Save Tonight
120 bpm • C Maj • 04:02 • -8.74db
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Rusted Root
Send Me On My Way
119 bpm • C Maj • 04:23 • -8.8db
71% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
71% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Toploader
Dancing in the Moonlight
119 bpm • A# Maj • 03:52 • -3.46db
79% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
79% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Jeff Buckley
Lover, You Should've Come Over
119 bpm • D Maj • 06:44 • -5.67db
72% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Snow Patrol
Open Your Eyes
131 bpm • G Maj • 05:41 • -6db
64% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
64% Popularity • 53% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ben Howard
The Wolves
119 bpm • C min • 05:09 • -9.9db
53% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
53% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Paolo Nutini
These Streets
119 bpm • D Maj • 03:53 • -9.56db
30% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Tracy Chapman
Talkin' Bout a Revolution
119 bpm • G Maj • 02:41 • -6.18db
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 56% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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James Blunt
Bonfire Heart
118 bpm • C Maj • 03:58 • -5.7db
67% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Newton Faulkner
Dream Catch Me
118 bpm • D Maj • 03:56 • -5.69db
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Noah Kahan
Stick Season
118 bpm • A Maj • 03:02 • -6.89db
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Paolo Nutini
Cherry Blossom
118 bpm • G Maj • 06:17 • -7.35db
36% Popularity • 54% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 54% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Simon
Graceland
118 bpm • A Maj • 04:51 • -9db
61% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Catfish and the Bottlemen
Cocoon
133 bpm • G min • 03:56 • -4db
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
76% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
76% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Razorlight
Wire To Wire
117 bpm • A min • 02:58 • -8db
55% Popularity • 58% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 58% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Kasabian
Fire
117 bpm • A# Maj • 04:12 • -5.64db
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
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Paolo Nutini
Funky Cigarette
134 bpm • G Maj • 02:29 • -4.61db
39% Popularity • 61% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 61% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Lily Allen
The Fear
134 bpm • A# Maj • 03:27 • -6.95db
57% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Creedence Clearwater Revival
Have You Ever Seen The Rain
116 bpm • C Maj • 02:40 • -7.03db
88% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
88% Popularity • 74% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The War On Drugs
Under The Pressure
134 bpm • F# Maj • 08:52 • -6.55db
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
