Songs like Canon in D Major (arr. V. Paterson and R. Burkhart for violin and cello) by Johann Pachelbel

173 bpm • C Maj • 01:34 • -35db

61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness

173 bpm • C Maj • 02:27 • -27.68db

42% Popularity • 37% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 40% Positiveness

173 bpm • D Maj • 04:03 • -18db

39% Popularity • 20% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness

172 bpm • F Maj • 02:37 • -16.13db

30% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness

172 bpm • D Maj • 03:25 • -11.12db

39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness

172 bpm • A Maj • 03:42 • -23.96db

25% Popularity • 41% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness

175 bpm • E min • 01:49 • -20.06db

37% Popularity • 48% Danceability • 26% Energy • 13% Liveness
97% Instrumentalness • 46% Positiveness

171 bpm • E Maj • 05:42 • -28db

17% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness

175 bpm • G# Maj • 04:51 • -21db

42% Popularity • 28% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness

170 bpm • G Maj • 04:11 • -18db

34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness

176 bpm • C Maj • 03:05 • -17.16db

29% Popularity • 30% Danceability • 9% Energy • 32% Liveness
22% Instrumentalness • 38% Positiveness

170 bpm • G# Maj • 04:54 • -25.34db

14% Popularity • 26% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness

169 bpm • E Maj • 02:21 • -21db

25% Popularity • 39% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness

177 bpm • B Maj • 06:27 • -18.98db

27% Popularity • 27% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness

169 bpm • A Maj • 01:36 • -21.31db

24% Popularity • 50% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness

168 bpm • F Maj • 06:22 • -18.18db

34% Popularity • 43% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness

168 bpm • G# Maj • 02:23 • -24.1db

19% Popularity • 16% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 15% Positiveness

167 bpm • G Maj • 01:23 • -21db

37% Popularity • 29% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 75% Positiveness

167 bpm • D Maj • 08:59 • -22.45db

24% Popularity • 14% Danceability • 11% Energy • 6% Liveness
58% Instrumentalness • 12% Positiveness

179 bpm • D min • 02:14 • -16db

9% Popularity • 18% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness

180 bpm • C Maj • 03:04 • -10db

23% Popularity • 17% Danceability • 33% Energy • 19% Liveness
91% Instrumentalness • 37% Positiveness

180 bpm • D Maj • 03:06 • -21.94db

27% Popularity • 25% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness

165 bpm • D Maj • 04:06 • -18.24db

15% Popularity • 14% Danceability • 13% Energy • 11% Liveness
41% Instrumentalness • 19% Positiveness

164 bpm • G min • 02:46 • -13.44db

50% Popularity • 29% Danceability • 54% Energy • 15% Liveness
78% Instrumentalness • 31% Positiveness

164 bpm • C# Maj • 02:01 • -27db

47% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness

184 bpm • G Maj • 02:19 • -22.04db

38% Popularity • 18% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 71% Positiveness

160 bpm • C Maj • 04:48 • -22.87db

20% Popularity • 30% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness

186 bpm • D Maj • 01:58 • -20.15db

32% Popularity • 24% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 67% Positiveness

160 bpm • D# Maj • 03:38 • -18.26db

40% Popularity • 44% Danceability • 29% Energy • 13% Liveness
86% Instrumentalness • 28% Positiveness

159 bpm • G Maj • 04:02 • -15.28db

41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness

160 bpm • A# Maj • 01:54 • -16.29db

13% Popularity • 39% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness

158 bpm • C Maj • 02:51 • -15.68db

21% Popularity • 19% Danceability • 17% Energy • 11% Liveness
42% Instrumentalness • 18% Positiveness

158 bpm • G Maj • 01:30 • -27.29db

45% Popularity • 26% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 68% Positiveness

156 bpm • E min • 03:23 • -19db

40% Popularity • 70% Danceability • 20% Energy • 6% Liveness
92% Instrumentalness • 33% Positiveness

193 bpm • G Maj • 05:55 • -15.79db

36% Popularity • 13% Danceability • 15% Energy • 23% Liveness
14% Instrumentalness • 10% Positiveness

156 bpm • F# min • 03:24 • -16.99db

45% Popularity • 21% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness

194 bpm • B min • 01:16 • -14.54db

48% Popularity • 32% Danceability • 33% Energy • 12% Liveness
60% Instrumentalness • 84% Positiveness

153 bpm • D Maj • 01:56 • -15.78db

38% Popularity • 36% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 59% Positiveness

195 bpm • C# Maj • 04:15 • -19.38db

35% Popularity • 36% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness

152 bpm • D Maj • 04:47 • -17.8db

19% Popularity • 23% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness

150 bpm • A# Maj • 03:24 • -22.52db

46% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness

149 bpm • F# min • 05:42 • -22db

41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness

153 bpm • D Maj • 06:17 • -19.63db

52% Popularity • 14% Danceability • 14% Energy • 11% Liveness
44% Instrumentalness • 29% Positiveness

201 bpm • C Maj • 03:18 • -15.52db

28% Popularity • 8% Danceability • 16% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness

149 bpm • C Maj • 03:04 • -14.46db

24% Popularity • 45% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 62% Positiveness

149 bpm • G# Maj • 03:19 • -30.75db

52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness

149 bpm • G Maj • 01:19 • -17.01db

34% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness

203 bpm • C# Maj • 04:16 • -21.55db

37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness

152 bpm • D Maj • 04:16 • -18db

32% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness

147 bpm • C Maj • 04:10 • -16.13db

22% Popularity • 30% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness

147 bpm • A min • 05:23 • -17db

25% Popularity • 18% Danceability • 21% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness

147 bpm • C Maj • 03:34 • -20db

46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness

206 bpm • G min • 01:54 • -26.56db

42% Popularity • 26% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness