Songs like Can't You See Me by Roy Ayers
Based on a tempo of (+/- 10%) and a similar genre
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Candi Staton
Cotton Candi
115 bpm • D min • 02:59 • -11.83db
10% Popularity • 55% Danceability • 80% Energy • 9% Liveness
76% Instrumentalness • 86% Positiveness
10% Popularity • 55% Danceability • 80% Energy • 9% Liveness
76% Instrumentalness • 86% Positiveness
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Ramsey Lewis
Spring High
115 bpm • C# Maj • 04:17 • -8.4db
28% Popularity • 72% Danceability • 75% Energy • 10% Liveness
80% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 75% Energy • 10% Liveness
80% Instrumentalness • 92% Positiveness
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Roy Ayers
Can't You See Me
115 bpm • G Maj • 06:58 • -8.9db
26% Popularity • 73% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 78% Positiveness
26% Popularity • 73% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 78% Positiveness
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Mtume
So You Wanna Be a Star - 12" Single Vers...
115 bpm • F# min • 05:13 • -12db
28% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Idris Muhammad
Turn This Mutha Out
115 bpm • A min • 06:49 • -7.95db
36% Popularity • 78% Danceability • 71% Energy • 10% Liveness
17% Instrumentalness • 93% Positiveness
36% Popularity • 78% Danceability • 71% Energy • 10% Liveness
17% Instrumentalness • 93% Positiveness
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Crown Heights Affair
Music Is the World
115 bpm • A Maj • 03:19 • -6.85db
18% Popularity • 65% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 65% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Earland
Coming to You Live
115 bpm • A# min • 06:15 • -8.46db
26% Popularity • 68% Danceability • 84% Energy • 41% Liveness
2% Instrumentalness • 96% Positiveness
26% Popularity • 68% Danceability • 84% Energy • 41% Liveness
2% Instrumentalness • 96% Positiveness
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Breakfast Band
LA 14
115 bpm • C Maj • 06:40 • -10.39db
14% Popularity • 66% Danceability • 76% Energy • 42% Liveness
85% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 76% Energy • 42% Liveness
85% Instrumentalness • 96% Positiveness
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Roy Ayers
Kwajilori
115 bpm • F Maj • 05:30 • -7.36db
15% Popularity • 72% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Will Sessions
Lost Without You
115 bpm • B min • 03:58 • -8.12db
16% Popularity • 82% Danceability • 56% Energy • 7% Liveness
7% Instrumentalness • 89% Positiveness
16% Popularity • 82% Danceability • 56% Energy • 7% Liveness
7% Instrumentalness • 89% Positiveness
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The Gap Band
Got To Get Away
114 bpm • F# min • 03:47 • -14.13db
17% Popularity • 79% Danceability • 63% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 79% Danceability • 63% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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El Coco
Let's Get It Together
116 bpm • C min • 04:58 • -6.5db
22% Popularity • 72% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 72% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Switch
You Pulled A Switch
116 bpm • C# Maj • 04:00 • -9.49db
16% Popularity • 72% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 72% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Twennynine
Fancy Dancer
116 bpm • D min • 03:40 • -10.52db
21% Popularity • 68% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 68% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Roy Ayers
Running Away
116 bpm • A# min • 04:00 • -13.11db
38% Popularity • 84% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 84% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Dr. Buzzard's Original Savannah Band
Sour & Sweet/Lemon In The Honey - Digita...
116 bpm • C Maj • 06:03 • -16.91db
18% Popularity • 57% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 57% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Slave
Dreamin'
116 bpm • C min • 04:20 • -6.57db
19% Popularity • 72% Danceability • 61% Energy • 28% Liveness
33% Instrumentalness • 96% Positiveness
19% Popularity • 72% Danceability • 61% Energy • 28% Liveness
33% Instrumentalness • 96% Positiveness
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Kashif
Don't Stop My Love
114 bpm • D min • 04:36 • -13db
29% Popularity • 82% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 82% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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L.T.D.
Love To The World
114 bpm • D Maj • 05:03 • -12.53db
26% Popularity • 65% Danceability • 67% Energy • 17% Liveness
3% Instrumentalness • 59% Positiveness
26% Popularity • 65% Danceability • 67% Energy • 17% Liveness
3% Instrumentalness • 59% Positiveness
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Patti LaBelle
When Am I Gonna Find True Love
114 bpm • F Maj • 04:22 • -10.45db
26% Popularity • 74% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 92% Positiveness
26% Popularity • 74% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 92% Positiveness
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Roy Ayers
Don't Stop The Feeling
114 bpm • F min • 08:12 • -9db
14% Popularity • 88% Danceability • 58% Energy • 28% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 88% Danceability • 58% Energy • 28% Liveness
2% Instrumentalness • 82% Positiveness
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Arthur Adams
You Got the Floor - Bonus Track
116 bpm • B Maj • 05:57 • -8db
26% Popularity • 76% Danceability • 74% Energy • 6% Liveness
4% Instrumentalness • 92% Positiveness
26% Popularity • 76% Danceability • 74% Energy • 6% Liveness
4% Instrumentalness • 92% Positiveness
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Ingram
Smoothin' Groovin'
114 bpm • C min • 05:52 • -10.72db
14% Popularity • 63% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
14% Popularity • 63% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
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The Sylvers
Love Me, Love Me Not
116 bpm • E min • 03:24 • -6.64db
24% Popularity • 74% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 74% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Unlimited Touch
I Hear Music in the Streets
116 bpm • B min • 06:53 • -12db
40% Popularity • 70% Danceability • 58% Energy • 8% Liveness
34% Instrumentalness • 82% Positiveness
40% Popularity • 70% Danceability • 58% Energy • 8% Liveness
34% Instrumentalness • 82% Positiveness
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The Salsoul Orchestra
Chicago Bus Stop (Ooh, I Love It)
116 bpm • G min • 04:47 • -9.79db
19% Popularity • 59% Danceability • 69% Energy • 2% Liveness
69% Instrumentalness • 92% Positiveness
19% Popularity • 59% Danceability • 69% Energy • 2% Liveness
69% Instrumentalness • 92% Positiveness
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El Coco
Let's Get It Together
116 bpm • C min • 04:51 • -9.04db
15% Popularity • 74% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 74% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Ayers Ubiquity
Running Away - 12-Inch Long Version
116 bpm • A# min • 06:54 • -11db
41% Popularity • 82% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 82% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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The Pointer Sisters
Bring Your Sweet Stuff Home To Me
116 bpm • D Maj • 03:40 • -8.93db
17% Popularity • 41% Danceability • 95% Energy • 63% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 41% Danceability • 95% Energy • 63% Liveness
0% Instrumentalness • 54% Positiveness
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Paulinho Da Costa
Deja Vu
114 bpm • G Maj • 04:33 • -10db
22% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Maze
Changing Times - Remastered
114 bpm • A min • 06:37 • -7.74db
19% Popularity • 66% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 49% Positiveness
19% Popularity • 66% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 49% Positiveness
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Ashford & Simpson
It Seems To Hang On - 12" Disco Mix
116 bpm • B min • 07:00 • -7.09db
15% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Side Effect
Always There - Special 12" Disco Mix
114 bpm • G# Maj • 05:04 • -8.66db
27% Popularity • 66% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 66% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Twennynine
Best of Friends
116 bpm • C Maj • 03:52 • -9.91db
16% Popularity • 69% Danceability • 75% Energy • 28% Liveness
10% Instrumentalness • 76% Positiveness
16% Popularity • 69% Danceability • 75% Energy • 28% Liveness
10% Instrumentalness • 76% Positiveness
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Roy Ayers
Release Yourself
114 bpm • D# Maj • 06:16 • -4.4db
12% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Sérgio Mendes
The Real Thing
116 bpm • B min • 04:45 • -5.99db
28% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Kleeer
Open Your Mind
114 bpm • F min • 06:38 • -14.13db
26% Popularity • 67% Danceability • 61% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
26% Popularity • 67% Danceability • 61% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
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Carol Dionne
I'm In Love With You
114 bpm • D Maj • 05:56 • -5.37db
20% Popularity • 67% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 67% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Bernard Wright
Master Rocker
114 bpm • D Maj • 03:16 • -8db
23% Popularity • 88% Danceability • 56% Energy • 66% Liveness
34% Instrumentalness • 89% Positiveness
23% Popularity • 88% Danceability • 56% Energy • 66% Liveness
34% Instrumentalness • 89% Positiveness
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Gaz
Sing Sing
114 bpm • G Maj • 07:15 • -16.59db
21% Popularity • 92% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 92% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Logg
(You've Got) That Something
116 bpm • C Maj • 05:40 • -12.26db
15% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Deodato
Night Cruiser
114 bpm • C min • 06:18 • -13db
26% Popularity • 77% Danceability • 66% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
26% Popularity • 77% Danceability • 66% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
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CHIC
You Can Get By - 2018 Remaster
114 bpm • B min • 05:42 • -14.51db
24% Popularity • 81% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 95% Positiveness
24% Popularity • 81% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 95% Positiveness
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Heatwave
Turn Around
113 bpm • C# Maj • 04:55 • -8.1db
20% Popularity • 82% Danceability • 59% Energy • 9% Liveness
26% Instrumentalness • 83% Positiveness
20% Popularity • 82% Danceability • 59% Energy • 9% Liveness
26% Instrumentalness • 83% Positiveness
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Eddie Kendricks
Goin' Up In Smoke
117 bpm • G# min • 04:33 • -9.81db
24% Popularity • 66% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Al Jarreau
Easy
113 bpm • C Maj • 05:25 • -13db
29% Popularity • 67% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 67% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Samuel Jonathan Johnson
Reason for the Reason
113 bpm • A# Maj • 03:00 • -9.35db
12% Popularity • 70% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 70% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Marcus Miller
Suddenly
113 bpm • C Maj • 05:25 • -10.58db
13% Popularity • 81% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 81% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Mystic Merlin
Mr. Magician - 2004 Digital Remaster
113 bpm • D min • 05:17 • -8.49db
29% Popularity • 86% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 86% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Slave
Stellar Fungk
117 bpm • F Maj • 08:43 • -13.34db
17% Popularity • 62% Danceability • 70% Energy • 74% Liveness
10% Instrumentalness • 49% Positiveness
17% Popularity • 62% Danceability • 70% Energy • 74% Liveness
10% Instrumentalness • 49% Positiveness
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Curtis Mayfield
Tell Me, Tell Me (How Ya Like to Be Love...
117 bpm • C Maj • 06:24 • -8.29db
11% Popularity • 58% Danceability • 90% Energy • 31% Liveness
5% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 90% Energy • 31% Liveness
5% Instrumentalness • 80% Positiveness
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Marvin Gaye
Funk Me
113 bpm • F min • 05:28 • -9.42db
27% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Jones Girls
Let's Celebrate (Sittin' on Top of the W...
117 bpm • A Maj • 04:19 • -8.35db
28% Popularity • 81% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 81% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Roy Ayers
What You Won't Do For Love
117 bpm • B min • 05:50 • -12.38db
19% Popularity • 61% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
19% Popularity • 61% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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G.Q.
Wonderful
117 bpm • F# min • 05:10 • -12.35db
12% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Banda Black Rio
Miss Cheryl
113 bpm • F min • 03:49 • -7.02db
20% Popularity • 69% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 96% Positiveness
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Dee Felice Trio
There Was A Time - Instrumental
113 bpm • C Maj • 02:58 • -10.34db
29% Popularity • 69% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 87% Positiveness
29% Popularity • 69% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 87% Positiveness
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Winfield Parker
I Wanna Be With You
117 bpm • C Maj • 04:30 • -8.25db
19% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Ned Doheny
To Prove My Love - Vocal Version
113 bpm • C Maj • 04:02 • -7.14db
18% Popularity • 80% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 80% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Milton Wright
Leave Me Alone
117 bpm • E min • 03:41 • -9.89db
25% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Savanna
Never Let You Go
117 bpm • D Maj • 05:37 • -10.36db
28% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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George Benson
The World Is a Ghetto
117 bpm • C min • 09:43 • -15.13db
36% Popularity • 55% Danceability • 53% Energy • 34% Liveness
46% Instrumentalness • 71% Positiveness
36% Popularity • 55% Danceability • 53% Energy • 34% Liveness
46% Instrumentalness • 71% Positiveness
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D-Train
The Shadow of Your Smile
113 bpm • F# min • 06:46 • -12db
27% Popularity • 76% Danceability • 72% Energy • 5% Liveness
45% Instrumentalness • 75% Positiveness
27% Popularity • 76% Danceability • 72% Energy • 5% Liveness
45% Instrumentalness • 75% Positiveness
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Jerry & California Flight
California Flight.
117 bpm • A min • 04:27 • -7.28db
15% Popularity • 80% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 80% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The J.B.'s
Georgia Peach Disco
113 bpm • C# min • 09:53 • -9.64db
9% Popularity • 60% Danceability • 84% Energy • 30% Liveness
48% Instrumentalness • 89% Positiveness
9% Popularity • 60% Danceability • 84% Energy • 30% Liveness
48% Instrumentalness • 89% Positiveness
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Brainstorm
We're On Our Way Home (Part 1)
117 bpm • C Maj • 03:44 • -12.88db
18% Popularity • 66% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 66% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Jean Carn
Free Love
113 bpm • A min • 04:04 • -8db
28% Popularity • 75% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 75% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Gene Dunlap
Party In Me
113 bpm • G Maj • 04:05 • -11.24db
33% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Roy Ayers
Come Out And Play
118 bpm • B min • 03:46 • -6.81db
17% Popularity • 80% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 80% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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The Brothers Johnson
Caught Up
112 bpm • A min • 04:01 • -9.93db
18% Popularity • 67% Danceability • 65% Energy • 18% Liveness
25% Instrumentalness • 68% Positiveness
18% Popularity • 67% Danceability • 65% Energy • 18% Liveness
25% Instrumentalness • 68% Positiveness
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Milton Wright
Black Man
118 bpm • D Maj • 04:15 • -6.81db
19% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Change
Heaven Of My Life - Full Length Album Mi...
112 bpm • B min • 05:38 • -4.68db
33% Popularity • 86% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 86% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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The Impressions
Fan The Fire
118 bpm • F min • 07:16 • -10.03db
13% Popularity • 71% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 92% Positiveness
13% Popularity • 71% Danceability • 76% Energy • 16% Liveness
1% Instrumentalness • 92% Positiveness
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Timeless Legend
I Was Born To Love You
118 bpm • D min • 03:43 • -9.76db
26% Popularity • 66% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 66% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Archie Bell & The Drells
Where Will You Go When the Party's Over
118 bpm • G Maj • 04:05 • -8db
22% Popularity • 62% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 62% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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The Jones Girls
(I Found) That Man of Mine
112 bpm • D min • 04:09 • -10.26db
21% Popularity • 82% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 82% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Trussel
Love Injection
112 bpm • F# Maj • 07:56 • -15.48db
25% Popularity • 86% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 86% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
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Milton Wright
Po' Man
118 bpm • A Maj • 06:27 • -5.44db
17% Popularity • 74% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 74% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Roy Ayers
What's The T? - Delfonic Edit
118 bpm • A# min • 05:26 • -9.41db
30% Popularity • 79% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 74% Positiveness
30% Popularity • 79% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 74% Positiveness
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Commodores
I Like What You Do
112 bpm • F min • 04:47 • -13.02db
23% Popularity • 64% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 64% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Judy Roberts
Never Was Love
118 bpm • E min • 04:04 • -15.05db
13% Popularity • 44% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 70% Positiveness
13% Popularity • 44% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 70% Positiveness
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The Jones Girls
Life Goes On
112 bpm • G min • 04:28 • -9db
22% Popularity • 61% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
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Little Beaver
We Three
112 bpm • A# min • 04:04 • -6.56db
14% Popularity • 62% Danceability • 66% Energy • 28% Liveness
23% Instrumentalness • 65% Positiveness
14% Popularity • 62% Danceability • 66% Energy • 28% Liveness
23% Instrumentalness • 65% Positiveness
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Milton Wright
She Can Have Anything She Wants
118 bpm • G Maj • 02:45 • -10.05db
13% Popularity • 54% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 54% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Will Downing
Lover's Melody
112 bpm • F Maj • 05:26 • -7.9db
10% Popularity • 74% Danceability • 54% Energy • 15% Liveness
46% Instrumentalness • 55% Positiveness
10% Popularity • 74% Danceability • 54% Energy • 15% Liveness
46% Instrumentalness • 55% Positiveness
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Weldon Irvine
We Gettin' Down
112 bpm • A# min • 05:48 • -12.36db
22% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Kleeer
Happy Me
112 bpm • F# min • 04:53 • -16db
27% Popularity • 66% Danceability • 63% Energy • 23% Liveness
12% Instrumentalness • 90% Positiveness
27% Popularity • 66% Danceability • 63% Energy • 23% Liveness
12% Instrumentalness • 90% Positiveness
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Cro-Magnon
Midnight Magic
112 bpm • A min • 06:14 • -7.01db
11% Popularity • 62% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 62% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Deodato
Whistle Bump
118 bpm • F min • 04:32 • -11.71db
32% Popularity • 69% Danceability • 79% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
32% Popularity • 69% Danceability • 79% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
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Bernard Wright
Just Chillin' Out
118 bpm • G Maj • 04:34 • -7.03db
25% Popularity • 86% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 86% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Henderson
Riding
118 bpm • B min • 05:21 • -8.95db
19% Popularity • 62% Danceability • 76% Energy • 34% Liveness
4% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 76% Energy • 34% Liveness
4% Instrumentalness • 67% Positiveness
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Milton Wright
Get No Lovin' Tonight
118 bpm • B min • 03:59 • -7db
34% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Loose Ends
Tell Me What You Want
118 bpm • B min • 04:49 • -10.5db
27% Popularity • 81% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 81% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The B. B. & Q. Band
Time For Love - Full Length Album Mix
112 bpm • E Maj • 06:06 • -9.03db
13% Popularity • 80% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 80% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 87% Positiveness
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Deodato
Keep It in the Family
118 bpm • C Maj • 05:04 • -14db
27% Popularity • 84% Danceability • 66% Energy • 4% Liveness
21% Instrumentalness • 97% Positiveness
27% Popularity • 84% Danceability • 66% Energy • 4% Liveness
21% Instrumentalness • 97% Positiveness
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Bobbi Humphrey
The Good Life
112 bpm • A# min • 05:52 • -12.29db
14% Popularity • 79% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 79% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Gwen McCrae
I Found a Love
118 bpm • G# Maj • 04:21 • -13.62db
17% Popularity • 60% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 60% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Betty Padgett
Sugar Daddy, Pt. 1
118 bpm • F Maj • 03:27 • -6.42db
15% Popularity • 63% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
15% Popularity • 63% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
