Songs like Canteloube : 2 Bourrées : I N'aï pas iéu de mîo by Joseph Canteloube
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Ach, i...
69 bpm • G min • 04:41 • -25.66db
12% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VI. Agnus Dei
69 bpm • D min • 05:39 • -20db
37% Popularity • 6% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 6% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: II. Bal...
69 bpm • A min • 06:35 • -28.52db
10% Popularity • 6% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
10% Popularity • 6% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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Joseph Canteloube
Canteloube : 2 Bourrées : I N'aï pas i...
69 bpm • G Maj • 02:26 • -16.62db
1% Popularity • 22% Danceability • 16% Energy • 31% Liveness
5% Instrumentalness • 40% Positiveness
1% Popularity • 22% Danceability • 16% Energy • 31% Liveness
5% Instrumentalness • 40% Positiveness
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Charles Gounod
Gounod: Messe solennelle de Sainte-CĂ©ci...
68 bpm • A# Maj • 03:09 • -29.41db
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Straussiana
70 bpm • C Maj • 06:37 • -21db
8% Popularity • 29% Danceability • 11% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
8% Popularity • 29% Danceability • 11% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
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Henryk GĂłrecki
Symphony No. 3, Op. 36: II. Lento e Larg...
70 bpm • A# min • 09:27 • -19.79db
41% Popularity • 6% Danceability • 8% Energy • 11% Liveness
47% Instrumentalness • 3% Positiveness
41% Popularity • 6% Danceability • 8% Energy • 11% Liveness
47% Instrumentalness • 3% Positiveness
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Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): I....
70 bpm • E Maj • 02:36 • -31.95db
28% Popularity • 18% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Carl Orff
Orff: Carmina Burana: In Trutina
70 bpm • D Maj • 02:31 • -23.43db
28% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Opera Australia Orchestra
HubiÄŤka, JB 1:104 "The Kiss": Vendulka'...
68 bpm • A min • 04:03 • -19db
10% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75, Act 1: Prelud...
68 bpm • A Maj • 08:33 • -25.37db
14% Popularity • 20% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: When I Am Laid ...
68 bpm • C# min • 04:04 • -19db
24% Popularity • 11% Danceability • 11% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 11% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B flat, K.361 "Gran partita"...
68 bpm • D# Maj • 05:43 • -26.36db
24% Popularity • 16% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Lorraine Hunt Lieberson
Theodora: Aria - As With Rosy Steps The ...
68 bpm • B Maj • 08:19 • -32db
13% Popularity • 18% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Erik Satie
Satie / Orch. Debussy: 3 Gymnopédies: N...
68 bpm • A min • 03:04 • -33.51db
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Edward Elgar
Serenade for String Orchestra, Op. 20: I...
71 bpm • C Maj • 06:16 • -30.07db
9% Popularity • 7% Danceability • 2% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 2% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75: Prelude to Ac...
70 bpm • A Maj • 08:53 • -31db
14% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
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Claude Debussy
Debussy: Nuit d'Ă©toiles, CD 2, L. 4
71 bpm • D# Maj • 03:00 • -26db
19% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe": ...
68 bpm • C min • 06:57 • -22.22db
18% Popularity • 10% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
31% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Samuel Barber
Barber: Agnus Dei
71 bpm • A# min • 07:40 • -21.37db
27% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Jules Massenet
Massenet: ThaĂŻs, Act 2: "Celle qui vien...
67 bpm • C min • 04:18 • -23.18db
17% Popularity • 15% Danceability • 6% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Agnus Dei
67 bpm • F Maj • 05:21 • -19.04db
17% Popularity • 8% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Baïlèro from Songs of the Auvergne - R...
67 bpm • A# Maj • 05:44 • -23.64db
1% Popularity • 13% Danceability • 5% Energy • 37% Liveness
10% Instrumentalness • 6% Positiveness
1% Popularity • 13% Danceability • 5% Energy • 37% Liveness
10% Instrumentalness • 6% Positiveness
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Jean Sibelius
Finlandia, Op. 26, No. 7: Andante sosten...
71 bpm • G# Maj • 09:11 • -16.56db
11% Popularity • 11% Danceability • 23% Energy • 6% Liveness
84% Instrumentalness • 5% Positiveness
11% Popularity • 11% Danceability • 23% Energy • 6% Liveness
84% Instrumentalness • 5% Positiveness
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Gustav Mahler
RĂĽckert Lieder: III. Ich bin der Welt a...
72 bpm • D# Maj • 07:00 • -24.41db
6% Popularity • 7% Danceability • 5% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
6% Popularity • 7% Danceability • 5% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Bernstein: Divertimento for Orchestra: I...
72 bpm • G Maj • 02:23 • -33db
22% Popularity • 8% Danceability • 2% Energy • 23% Liveness
8% Instrumentalness • 18% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 23% Liveness
8% Instrumentalness • 18% Positiveness
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Reynaldo Hahn
7 Chansons grises: No. 5, L'heure exquis...
67 bpm • A# Maj • 02:32 • -33.79db
34% Popularity • 27% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
34% Popularity • 27% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op. 48: Libera me
66 bpm • G min • 04:35 • -18.15db
17% Popularity • 11% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Joseph Canteloube
Chants d'Auvergne (Series 5): 2. Quand z...
72 bpm • G Maj • 02:47 • -23.15db
1% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
39% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
39% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Gerald Finzi
Eclogue, Op. 10
72 bpm • F min • 11:00 • -20db
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 6% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
66 bpm • D# Maj • 03:58 • -19.8db
18% Popularity • 18% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: RĂĽckert-Lieder: No. 4, Ich bin ...
66 bpm • F Maj • 06:56 • -26.91db
9% Popularity • 9% Danceability • 3% Energy • 16% Liveness
26% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 16% Liveness
26% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu (I)
72 bpm • A# Maj • 03:49 • -38.3db
27% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Joseph Canteloube
L'aio De Rotso, Seire 1, No. 3a
66 bpm • D Maj • 06:35 • -19.4db
5% Popularity • 22% Danceability • 18% Energy • 6% Liveness
20% Instrumentalness • 12% Positiveness
5% Popularity • 22% Danceability • 18% Energy • 6% Liveness
20% Instrumentalness • 12% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat mater do...
72 bpm • A min • 04:50 • -24db
20% Popularity • 7% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Ernest Chausson
Poème de l'amour et de la mer, Op. 19: ...
72 bpm • F Maj • 10:02 • -19.98db
9% Popularity • 14% Danceability • 11% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 11% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
When I Am Laid In Earth (Dido's Lament)
72 bpm • F# min • 04:41 • -24.75db
27% Popularity • 21% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Ciganské melodie, Op. 55, B. 104 - Arr....
73 bpm • C# Maj • 03:05 • -19.56db
17% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Joseph Canteloube
Chants d'Auvergne (Series 5): 4. HĂ©! Be...
66 bpm • C Maj • 01:43 • -22.74db
1% Popularity • 56% Danceability • 14% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 14% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Frederick Delius
On Hearing the First Cuckoo in Spring
73 bpm • E min • 06:26 • -27.84db
14% Popularity • 7% Danceability • 5% Energy • 33% Liveness
80% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 5% Energy • 33% Liveness
80% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Viennese version, 176...
65 bpm • C Maj • 02:11 • -35db
36% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
36% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 10 in B-Flat Major, K. 361 ...
65 bpm • D# Maj • 05:46 • -26db
19% Popularity • 19% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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AntonĂn Dvořák
Gypsy Melodies, Op. 55: 4. Songs My Moth...
65 bpm • D Maj • 02:26 • -18.3db
31% Popularity • 26% Danceability • 14% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 14% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Canteloube : 2 Bourrées : Interlude
66 bpm • G Maj • 01:02 • -30.69db
2% Popularity • 31% Danceability • 1% Energy • 31% Liveness
3% Instrumentalness • 13% Positiveness
2% Popularity • 31% Danceability • 1% Energy • 31% Liveness
3% Instrumentalness • 13% Positiveness
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VĂtÄ›zslav Novák
Slovak Suite, Op. 32: I. In the Church. ...
73 bpm • G Maj • 06:58 • -21db
16% Popularity • 7% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
73 bpm • C# Maj • 05:18 • -17.16db
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Sospiri, Op. 70
65 bpm • F Maj • 04:49 • -24.23db
29% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
33% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
33% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Francis Poulenc
Dialogues des Carmelites, FP 159: Act II...
74 bpm • G Maj • 07:06 • -21.96db
8% Popularity • 9% Danceability • 16% Energy • 68% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 16% Energy • 68% Liveness
76% Instrumentalness • 4% Positiveness
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Netania Davrath
Baïlèro
64 bpm • A# Maj • 06:40 • -19.79db
13% Popularity • 22% Danceability • 11% Energy • 18% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 18% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Elin Manahan Thomas
Sous le dome epais
74 bpm • B Maj • 04:21 • -12db
7% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: II. Kyrie
65 bpm • A# Maj • 05:00 • -23.65db
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 - Remastered
64 bpm • C min • 07:05 • -24.24db
15% Popularity • 9% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 8% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte ossia La scuola degli am...
74 bpm • E Maj • 03:09 • -18.61db
26% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Tannhauser: Pilgrims Chorus
75 bpm • D# Maj • 04:35 • -23.15db
20% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Messe solennelle de Sainte CĂ©cile (1988...
75 bpm • F Maj • 05:16 • -15db
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
64 bpm • D# Maj • 03:09 • -21db
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Wachet auf, ruft uns die Stimm...
64 bpm • D# Maj • 03:27 • -22.97db
21% Popularity • 15% Danceability • 11% Energy • 14% Liveness
41% Instrumentalness • 13% Positiveness
21% Popularity • 15% Danceability • 11% Energy • 14% Liveness
41% Instrumentalness • 13% Positiveness
► Preview
John Shrapnel
Music: Stolzel: Bist Du Bei Mir
64 bpm • D# Maj • 02:25 • -19db
43% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
► Preview
Johannes Brahms
Brahms: Ein deutsches Requiem, Op. 45: I...
64 bpm • F Maj • 09:55 • -29.16db
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Joseph Canteloube
Chants d'Auvergne (Series 4): 2. Oi ayai
64 bpm • A# Maj • 03:35 • -26.05db
2% Popularity • 30% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 30% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 1. Introitus: Requiem a...
74 bpm • A# Maj • 06:33 • -28.76db
10% Popularity • 9% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
AntonĂn Dvořák
Rusalka, Op. 114, B. 203, Act I: Lieblic...
63 bpm • F# Maj • 06:30 • -23db
29% Popularity • 18% Danceability • 7% Energy • 17% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 17% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
75 bpm • G# min • 08:54 • -29db
12% Popularity • 9% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
63 bpm • D Maj • 03:26 • -21db
37% Popularity • 6% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
37% Popularity • 6% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Canteloube : 3 Bourrées : Interlude 1
75 bpm • G Maj • 01:20 • -33.56db
3% Popularity • 25% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
3% Popularity • 25% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 7. In Paradisum (Chorus...
63 bpm • D Maj • 03:59 • -35db
15% Popularity • 12% Danceability • 1% Energy • 29% Liveness
99% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 1% Energy • 29% Liveness
99% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Claude Debussy
Debussy: Beau soir, CD 84, L. 6
75 bpm • F# min • 02:17 • -27.82db
14% Popularity • 28% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
76 bpm • G Maj • 07:48 • -35.36db
14% Popularity • 7% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
63 bpm • D Maj • 02:22 • -35.25db
9% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne: 2. Bailero
75 bpm • A# Maj • 03:36 • -23.85db
11% Popularity • 16% Danceability • 5% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: Sanctus (Ed. Mar...
76 bpm • D# Maj • 03:09 • -22.58db
12% Popularity • 9% Danceability • 9% Energy • 14% Liveness
20% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 9% Energy • 14% Liveness
20% Instrumentalness • 3% Positiveness
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Frederick Delius
Delius: On Hearing the First Cuckoo in S...
76 bpm • G Maj • 05:57 • -26db
8% Popularity • 7% Danceability • 8% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 8% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
77 bpm • G Maj • 04:11 • -21db
40% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 19, Solveig's Son...
77 bpm • A min • 05:34 • -27.15db
6% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 5a. N'ai ...
76 bpm • G Maj • 03:37 • -23.88db
5% Popularity • 26% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
5% Popularity • 26% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: VII. In Paradisu...
77 bpm • D Maj • 03:42 • -34db
19% Popularity • 8% Danceability • 2% Energy • 22% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 22% Liveness
76% Instrumentalness • 4% Positiveness
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Jules Massenet
ThaĂŻs / Act 2: MĂ©ditation
77 bpm • E min • 05:20 • -21.67db
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
77 bpm • C# Maj • 05:50 • -22db
5% Popularity • 9% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
5% Popularity • 9% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Francis Poulenc
Les chemins de l'amour, FP 106
77 bpm • C# Maj • 03:59 • -23db
18% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 2. Bailer...
76 bpm • A# Maj • 05:14 • -21.65db
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VIII. In Paradisum
74 bpm • D Maj • 03:18 • -25.56db
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
77 bpm • A min • 07:55 • -22.92db
9% Popularity • 7% Danceability • 4% Energy • 15% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 4% Energy • 15% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Klarinettenkonzert A-Dur, K. 622: 2. Ada...
78 bpm • D Maj • 07:57 • -27.89db
45% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
LĂ©o Delibes
Delibes: Lakmé, Act 2: "Où va la jeune...
61 bpm • B Maj • 07:25 • -21.57db
21% Popularity • 27% Danceability • 8% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
21% Popularity • 27% Danceability • 8% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
