Songs like Canzon 25 a 8 by Gioseffe Guami
Based on a tempo of (+/- 10%) and a similar genre
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Gioseffe Guami
Canzon 25 a 8
140 bpm • D# min • 02:38 • -20.53db
5% Popularity • 21% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 16% Positiveness
5% Popularity • 21% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 16% Positiveness
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Monsieur de Sainte-Colombe
Concert XXVII: Bourrasque - Sarabande
140 bpm • C# min • 02:48 • -30db
11% Popularity • 14% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Nicola Matteis
Musica (Grave-Presto)
140 bpm • F# Maj • 01:42 • -17.35db
11% Popularity • 30% Danceability • 15% Energy • 13% Liveness
4% Instrumentalness • 20% Positiveness
11% Popularity • 30% Danceability • 15% Energy • 13% Liveness
4% Instrumentalness • 20% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 2 in A Major, SF ...
140 bpm • G# Maj • 01:05 • -16.1db
17% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
17% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Fourth ...
141 bpm • B Maj • 01:28 • -21db
18% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
18% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
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William Babell
Sonata in E Minor, Op. 5, No. 8 (arr. W....
140 bpm • D# min • 03:52 • -19.34db
9% Popularity • 21% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Francesco Geminiani
Concerto Grosso in D Major, Op. 2, No. 4...
139 bpm • D Maj • 01:34 • -17.09db
12% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Royal Wind Music
Galliard
139 bpm • F# Maj • 02:22 • -18.59db
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Joseph Haydn
Baryton Trio in C Major, Hob. XI:93: I. ...
141 bpm • B Maj • 03:02 • -21.2db
11% Popularity • 43% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 66% Positiveness
11% Popularity • 43% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 66% Positiveness
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![Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] cover art](https://i.scdn.co/image/ab67616d00001e02fe833cbdd39d5fa4fc6d784d)
Charles Avison
Concerto grosso No. 6 in D Major: II. Co...
139 bpm • C# Maj • 01:16 • -23.76db
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
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Henry Purcell
Fantazia V, Z. 736
139 bpm • E Maj • 04:09 • -17.03db
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS I (In D Major): 1. S...
139 bpm • C# Maj • 01:12 • -18.62db
11% Popularity • 31% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 31% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: VII. Te...
141 bpm • C# Maj • 02:41 • -28db
10% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
10% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Anne Danican Philidor
Sonate in D minor: II. Fugue
141 bpm • C# min • 01:11 • -17.95db
8% Popularity • 48% Danceability • 24% Energy • 8% Liveness
63% Instrumentalness • 67% Positiveness
8% Popularity • 48% Danceability • 24% Energy • 8% Liveness
63% Instrumentalness • 67% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 5 in G Major: III. Pre...
139 bpm • F# Maj • 02:52 • -16db
8% Popularity • 41% Danceability • 20% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
8% Popularity • 41% Danceability • 20% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
141 bpm • A Maj • 03:01 • -24.58db
18% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
18% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
141 bpm • A min • 02:36 • -23.7db
26% Popularity • 63% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
26% Popularity • 63% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: IV. And...
138 bpm • C# Maj • 04:48 • -33.85db
15% Popularity • 32% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
15% Popularity • 32% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul et ba...
137 bpm • D# min • 03:20 • -18.77db
12% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Symphony
137 bpm • F# min • 02:18 • -35.43db
17% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS I (In D Major): 4. S...
144 bpm • C# Maj • 01:27 • -16.85db
4% Popularity • 30% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 30% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Francesco Geminiani
Cello Sonata in D Minor, Op. 5 No. 2, H....
136 bpm • C# min • 02:19 • -21.2db
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Goldberg-Variationen, BWV 988 (Arr. for ...
145 bpm • F# Maj • 07:22 • -22.09db
8% Popularity • 30% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 30% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
22% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
22% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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The Royal Wind Music
Un Sarao de la Chacona
145 bpm • C# Maj • 01:11 • -30.11db
23% Popularity • 31% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
23% Popularity • 31% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Dario Castello
Sonata Duodecima a 3 In A Minor
135 bpm • G# min • 07:58 • -17.46db
4% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
4% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
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George Frideric Handel
Organ Concerto No. 14 in A Major, HWV 29...
135 bpm • F min • 01:25 • -37.57db
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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James Oswald
Airs for the Autumn: Night Shade: I. Ari...
135 bpm • C# Maj • 01:09 • -13.75db
23% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Francesco Carlos de S. Joseph
Obra de 5° tom
135 bpm • B Maj • 04:01 • -20.88db
8% Popularity • 25% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Oboe Concerto in A major, BWV 1055: Alle...
146 bpm • G# Maj • 04:12 • -21.52db
8% Popularity • 30% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Michele Mascitti
Violin Sonata in G Major, Op. 2 No. 5: I...
146 bpm • A# min • 01:07 • -17.38db
12% Popularity • 41% Danceability • 14% Energy • 17% Liveness
88% Instrumentalness • 82% Positiveness
12% Popularity • 41% Danceability • 14% Energy • 17% Liveness
88% Instrumentalness • 82% Positiveness
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Antonio Vivaldi
Trio Sonata in A Minor, RV 86: II. Alleg...
134 bpm • G# min • 02:55 • -17.24db
11% Popularity • 53% Danceability • 16% Energy • 13% Liveness
57% Instrumentalness • 54% Positiveness
11% Popularity • 53% Danceability • 16% Energy • 13% Liveness
57% Instrumentalness • 54% Positiveness
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Grupo de musica barroca La Folia/Pedro Bonet
Suite Premiere - Ii. Menuet I-Ii-I (Char...
134 bpm • D# Maj • 02:16 • -14.92db
15% Popularity • 33% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 33% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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George Frideric Handel
Trio Sonata in G Minor, Op. 2 No. 8, HWV...
133 bpm • F# min • 02:13 • -21.46db
12% Popularity • 36% Danceability • 16% Energy • 5% Liveness
28% Instrumentalness • 68% Positiveness
12% Popularity • 36% Danceability • 16% Energy • 5% Liveness
28% Instrumentalness • 68% Positiveness
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Johann Sebastian Bach
Prelude, Fugue and Allegro in E-Flat Maj...
148 bpm • B min • 04:19 • -21.85db
11% Popularity • 28% Danceability • 21% Energy • 14% Liveness
94% Instrumentalness • 80% Positiveness
11% Popularity • 28% Danceability • 21% Energy • 14% Liveness
94% Instrumentalness • 80% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 3 in D Major: II. Viv...
133 bpm • C# Maj • 01:36 • -20.2db
13% Popularity • 37% Danceability • 13% Energy • 16% Liveness
15% Instrumentalness • 32% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 16% Liveness
15% Instrumentalness • 32% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: X. Minu...
133 bpm • C# Maj • 02:15 • -30.1db
11% Popularity • 42% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
11% Popularity • 42% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Grupo de musica barroca La Folia/Pedro Bonet
Suite Premiere - Vi. Marche Espagnole (C...
133 bpm • D# min • 01:55 • -15.01db
13% Popularity • 23% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 23% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
9% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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George Frideric Handel
Water Music Suite No. 3 in G Major, HWV ...
133 bpm • G Maj • 02:33 • -15.09db
13% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
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Giulio Segni Da Modena
Ricercar 5
132 bpm • A# min • 02:07 • -19.74db
8% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
148 bpm • B Maj • 02:41 • -15.9db
10% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Heinrich Ignaz Franz von Biber
Sonata IX: Jesus Carries His Cross
148 bpm • G# min • 05:45 • -19.59db
17% Popularity • 36% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
17% Popularity • 36% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
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Nicola Matteis
Suite in A Minor: IV. Scaramuccia
149 bpm • G# min • 00:55 • -15.34db
14% Popularity • 44% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 90% Positiveness
14% Popularity • 44% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 90% Positiveness
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Marin Marais
Troisième suite in F Major: No. 8, Chac...
131 bpm • E Maj • 03:15 • -14.93db
7% Popularity • 28% Danceability • 28% Energy • 13% Liveness
29% Instrumentalness • 49% Positiveness
7% Popularity • 28% Danceability • 28% Energy • 13% Liveness
29% Instrumentalness • 49% Positiveness
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William Boyce
Symphony No. 5 in D Major, Op. 2, "St. C...
131 bpm • C# Maj • 01:37 • -20.34db
30% Popularity • 47% Danceability • 7% Energy • 8% Liveness
98% Instrumentalness • 54% Positiveness
30% Popularity • 47% Danceability • 7% Energy • 8% Liveness
98% Instrumentalness • 54% Positiveness
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![Water Music, Suite No. 2 in D Major, HWV 349: IV. [Rigaudon 1] cover art](https://i.scdn.co/image/ab67616d00001e024901a4a7fbdb16c43cfcd61d)
George Frideric Handel
Water Music, Suite No. 2 in D Major, HWV...
131 bpm • F# Maj • 01:08 • -19.76db
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VIII. A...
131 bpm • F# Maj • 01:05 • -16.86db
22% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
22% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
► Preview
Georg Philipp Telemann
Overture in D Major, TWV 55:D21: Overtur...
131 bpm • B Maj • 01:10 • -31.85db
16% Popularity • 38% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 30% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 30% Positiveness
► Preview
Nicola Matteis
Preludio in ostination: Passagio rotto
131 bpm • F# min • 01:09 • -16.8db
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Carlo Pallavicino
Pallavicino: Demetrio, Sinfonia: I. Grav...
130 bpm • C Maj • 00:57 • -20.49db
18% Popularity • 27% Danceability • 5% Energy • 42% Liveness
65% Instrumentalness • 22% Positiveness
18% Popularity • 27% Danceability • 5% Energy • 42% Liveness
65% Instrumentalness • 22% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. II: Symphony Of So...
150 bpm • A# min • 01:29 • -34.26db
13% Popularity • 15% Danceability • 1% Energy • 14% Liveness
70% Instrumentalness • 13% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 14% Liveness
70% Instrumentalness • 13% Positiveness
► Preview
Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
► Preview
![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
Nicola Matteis
Allegro
131 bpm • D# min • 02:01 • -17.55db
15% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: VI. Ada...
130 bpm • C# Maj • 04:21 • -36.17db
11% Popularity • 18% Danceability • 0% Energy • 11% Liveness
24% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 0% Energy • 11% Liveness
24% Instrumentalness • 7% Positiveness
► Preview
John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
► Preview
François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
129 bpm • E Maj • 02:11 • -21.01db
8% Popularity • 34% Danceability • 10% Energy • 24% Liveness
99% Instrumentalness • 71% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 24% Liveness
99% Instrumentalness • 71% Positiveness
► Preview
Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
► Preview
Alessandro Scarlatti
29 Partite sopra l'aria della Folia (Arr...
129 bpm • C# min • 07:50 • -21.13db
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 15, "The Bea...
129 bpm • B Maj • 01:54 • -20.99db
15% Popularity • 36% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
15% Popularity • 36% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
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Carl Friedrich Abel
Allegretto in A Major
129 bpm • G# Maj • 04:43 • -28.4db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Capriccio sopra la lontananza de il frat...
129 bpm • C# min • 01:36 • -29.77db
9% Popularity • 56% Danceability • 18% Energy • 8% Liveness
76% Instrumentalness • 74% Positiveness
9% Popularity • 56% Danceability • 18% Energy • 8% Liveness
76% Instrumentalness • 74% Positiveness
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Musici di San Marco
Concerto, D-Major, For Strings And Organ...
128 bpm • C# Maj • 02:15 • -20.69db
12% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
128 bpm • A Maj • 02:11 • -13.01db
16% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
16% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
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Johann Christian Schickhardt
Concerto in G Minor: V. Allegro
128 bpm • C# min • 01:02 • -21.54db
9% Popularity • 55% Danceability • 9% Energy • 33% Liveness
25% Instrumentalness • 75% Positiveness
9% Popularity • 55% Danceability • 9% Energy • 33% Liveness
25% Instrumentalness • 75% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
128 bpm • B min • 01:56 • -23.28db
10% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
10% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
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Johann Bernhard Bach
Overture In G Minor: I. Ouverture
128 bpm • G Maj • 04:36 • -28.52db
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: II. C...
128 bpm • F# Maj • 01:46 • -17.69db
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
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Marin Marais
5e livre de viole: Chaconne
128 bpm • F# Maj • 03:13 • -22db
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Johann Friedrich Fasch
Concerto for 2 Oboes da caccia, 2 Violas...
127 bpm • F# Maj • 02:43 • -27db
12% Popularity • 36% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Carlo Gesualdo
Canzon Francese del Principe
127 bpm • G# min • 04:45 • -27.98db
24% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
24% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
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Monsieur de Sainte-Colombe
Concert XLIV
127 bpm • F Maj • 06:16 • -24.76db
7% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
7% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
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Johann Pachelbel
Partie 1 en fa majeur: Ballet - variatio
155 bpm • E Maj • 00:53 • -21.04db
10% Popularity • 36% Danceability • 20% Energy • 27% Liveness
37% Instrumentalness • 92% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 27% Liveness
37% Instrumentalness • 92% Positiveness
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James Oswald
Airs for the Winter: Golden Rod: II. Mus...
127 bpm • F# min • 01:03 • -11.02db
26% Popularity • 40% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 56% Positiveness
26% Popularity • 40% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 56% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Georg Philipp Telemann
12 Fantasias for Solo Flute, No. 5 in C ...
127 bpm • B min • 01:17 • -29.37db
8% Popularity • 56% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
8% Popularity • 56% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
13% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
13% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: VII. Pre...
126 bpm • C# min • 02:07 • -16.39db
11% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
25% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
25% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Louis-Nicolas Clérambault
Sonata No. 7 in E Minor "La magnifique":...
125 bpm • D min • 01:32 • -20db
20% Popularity • 26% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
20% Popularity • 26% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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William Babell
Sonata in C Major, Op. 5, No. 10 (arr. W...
126 bpm • B Maj • 02:09 • -18.88db
14% Popularity • 49% Danceability • 17% Energy • 13% Liveness
44% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 17% Energy • 13% Liveness
44% Instrumentalness • 96% Positiveness
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Johann Caspar Ferdinand Fischer
Ariadne Musica: No. 2, Prelude & Fugue i...
124 bpm • C min • 01:34 • -24.4db
12% Popularity • 24% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 32% Positiveness
12% Popularity • 24% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 32% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
