Songs like Capricorn by George Duke
Based on a tempo of (+/- 10%) and a similar genre
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George Duke
Alone - 6AM
134 bpm • C# Maj • 01:07 • -17.9db
17% Popularity • 45% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
17% Popularity • 45% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
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Jack Wilkins
Red Clay
134 bpm • A# min • 04:58 • -10.79db
41% Popularity • 59% Danceability • 53% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
41% Popularity • 59% Danceability • 53% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
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Dave Grusin
The Colorado Trail
133 bpm • G Maj • 05:14 • -29.82db
15% Popularity • 37% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
15% Popularity • 37% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Gene Harris
Love Talkin'
133 bpm • D Maj • 04:49 • -13db
24% Popularity • 33% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 31% Positiveness
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Manfredo Fest
That's What She Says
135 bpm • D Maj • 04:07 • -13.37db
25% Popularity • 57% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
25% Popularity • 57% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
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Tarika Blue
Dreamflower
135 bpm • D# min • 04:15 • -18db
49% Popularity • 55% Danceability • 25% Energy • 8% Liveness
72% Instrumentalness • 38% Positiveness
49% Popularity • 55% Danceability • 25% Energy • 8% Liveness
72% Instrumentalness • 38% Positiveness
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George Duke
Capricorn
134 bpm • A min • 05:05 • -19.7db
25% Popularity • 68% Danceability • 17% Energy • 21% Liveness
83% Instrumentalness • 44% Positiveness
25% Popularity • 68% Danceability • 17% Energy • 21% Liveness
83% Instrumentalness • 44% Positiveness
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September
Stump
133 bpm • A min • 03:26 • -12.31db
12% Popularity • 65% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
12% Popularity • 65% Danceability • 39% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
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Weather Report
Cannon Ball
135 bpm • D# Maj • 04:35 • -17db
18% Popularity • 35% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
18% Popularity • 35% Danceability • 18% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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Gene Harris
Losalamitoslatinfunklovesong
135 bpm • F min • 03:10 • -12.01db
47% Popularity • 77% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
47% Popularity • 77% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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The Putbacks
No Man No
135 bpm • A Maj • 05:02 • -13.21db
17% Popularity • 46% Danceability • 31% Energy • 29% Liveness
38% Instrumentalness • 35% Positiveness
17% Popularity • 46% Danceability • 31% Energy • 29% Liveness
38% Instrumentalness • 35% Positiveness
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Nicholas Payton
Four
133 bpm • B min • 05:45 • -11db
10% Popularity • 68% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 37% Positiveness
10% Popularity • 68% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 37% Positiveness
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George Duke
Alone-6AM
135 bpm • C# Maj • 01:07 • -22.33db
12% Popularity • 44% Danceability • 7% Energy • 18% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 18% Liveness
90% Instrumentalness • 15% Positiveness
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Larry Nozero
Tune For L.N.
133 bpm • G min • 05:48 • -14.05db
11% Popularity • 57% Danceability • 48% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 48% Energy • 15% Liveness
91% Instrumentalness • 76% Positiveness
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Jon Lucien
Lady Love
135 bpm • C min • 04:59 • -15.12db
22% Popularity • 32% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 45% Positiveness
22% Popularity • 32% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 45% Positiveness
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Gene Ammons
Jungle Strut
133 bpm • D# min • 05:11 • -14db
28% Popularity • 65% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 55% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 5% Liveness
12% Instrumentalness • 55% Positiveness
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Pharoah Sanders
Pharomba
135 bpm • G# Maj • 04:31 • -10db
19% Popularity • 49% Danceability • 86% Energy • 7% Liveness
19% Instrumentalness • 59% Positiveness
19% Popularity • 49% Danceability • 86% Energy • 7% Liveness
19% Instrumentalness • 59% Positiveness
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Milt Jackson
I'm Not So Sure
136 bpm • A# min • 07:55 • -16.69db
9% Popularity • 45% Danceability • 45% Energy • 9% Liveness
46% Instrumentalness • 85% Positiveness
9% Popularity • 45% Danceability • 45% Energy • 9% Liveness
46% Instrumentalness • 85% Positiveness
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Stanley Clarke
Finding My Way
133 bpm • D Maj • 05:39 • -14.82db
14% Popularity • 75% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 75% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Horace Silver
Soul Searchin'
132 bpm • G min • 04:19 • -8.54db
32% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Browne
Moon Rise
136 bpm • G Maj • 05:12 • -9.05db
10% Popularity • 45% Danceability • 38% Energy • 11% Liveness
75% Instrumentalness • 19% Positiveness
10% Popularity • 45% Danceability • 38% Energy • 11% Liveness
75% Instrumentalness • 19% Positiveness
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George Duke
For Love
132 bpm • B min • 04:39 • -14.21db
15% Popularity • 60% Danceability • 60% Energy • 9% Liveness
6% Instrumentalness • 73% Positiveness
15% Popularity • 60% Danceability • 60% Energy • 9% Liveness
6% Instrumentalness • 73% Positiveness
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Phil Upchurch
Cyrenna
136 bpm • A min • 05:22 • -13.42db
22% Popularity • 72% Danceability • 47% Energy • 14% Liveness
93% Instrumentalness • 62% Positiveness
22% Popularity • 72% Danceability • 47% Energy • 14% Liveness
93% Instrumentalness • 62% Positiveness
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Rêverie
In Every Way
136 bpm • A Maj • 05:08 • -7.98db
10% Popularity • 44% Danceability • 74% Energy • 8% Liveness
27% Instrumentalness • 64% Positiveness
10% Popularity • 44% Danceability • 74% Energy • 8% Liveness
27% Instrumentalness • 64% Positiveness
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Jaco Pastorius
John and Mary
132 bpm • C# Maj • 10:53 • -13.2db
24% Popularity • 44% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Gene Harris
Theme For Relana
136 bpm • E min • 06:35 • -12.62db
13% Popularity • 41% Danceability • 69% Energy • 7% Liveness
52% Instrumentalness • 60% Positiveness
13% Popularity • 41% Danceability • 69% Energy • 7% Liveness
52% Instrumentalness • 60% Positiveness
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Stanley Clarke
Hot Fun
132 bpm • B min • 02:55 • -14db
24% Popularity • 62% Danceability • 44% Energy • 24% Liveness
77% Instrumentalness • 48% Positiveness
24% Popularity • 62% Danceability • 44% Energy • 24% Liveness
77% Instrumentalness • 48% Positiveness
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George Duke
Psychocomatic Dung
136 bpm • E min • 05:03 • -14.6db
9% Popularity • 42% Danceability • 65% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
9% Popularity • 42% Danceability • 65% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
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Takuya Kuroda
Mala
132 bpm • F min • 05:59 • -11.4db
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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The Jazz Crusaders
Jackson!
132 bpm • D# Maj • 02:44 • -9.45db
28% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Hiroshima
Kokoro
136 bpm • E min • 06:38 • -22.94db
17% Popularity • 51% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
17% Popularity • 51% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Tarika Blue
You'll Be With Me
132 bpm • A min • 07:10 • -13.09db
18% Popularity • 47% Danceability • 51% Energy • 6% Liveness
15% Instrumentalness • 60% Positiveness
18% Popularity • 47% Danceability • 51% Energy • 6% Liveness
15% Instrumentalness • 60% Positiveness
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Art Farmer
Siddhartha
137 bpm • D min • 07:38 • -14db
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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George Duke
Sister Serene
137 bpm • B min • 04:32 • -21.1db
11% Popularity • 55% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 55% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Yusef Lateef
African Song
131 bpm • G# Maj • 03:50 • -19.62db
23% Popularity • 70% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 86% Positiveness
23% Popularity • 70% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 86% Positiveness
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The Lyman Woodard Organization
Joy Road
131 bpm • G min • 04:57 • -7.67db
24% Popularity • 31% Danceability • 39% Energy • 19% Liveness
80% Instrumentalness • 30% Positiveness
24% Popularity • 31% Danceability • 39% Energy • 19% Liveness
80% Instrumentalness • 30% Positiveness
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Shirley Scott
Keep on Movin' On
137 bpm • A# Maj • 09:52 • -11.85db
9% Popularity • 54% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
9% Popularity • 54% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Jeff Tyzik
Birth Day
137 bpm • F# min • 05:13 • -17.93db
14% Popularity • 32% Danceability • 15% Energy • 9% Liveness
30% Instrumentalness • 13% Positiveness
14% Popularity • 32% Danceability • 15% Energy • 9% Liveness
30% Instrumentalness • 13% Positiveness
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Pleasure
Theme For The Moonchild
137 bpm • G# Maj • 05:24 • -10.15db
19% Popularity • 42% Danceability • 54% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
19% Popularity • 42% Danceability • 54% Energy • 8% Liveness
20% Instrumentalness • 33% Positiveness
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Eric Gale
Sara Smile
137 bpm • D min • 06:09 • -19.59db
20% Popularity • 51% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
20% Popularity • 51% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
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Patrice Rushen
Puttered Bopcorn
137 bpm • C Maj • 04:17 • -16.99db
19% Popularity • 61% Danceability • 48% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
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Pharoah Sanders
Astral Traveling
131 bpm • A# Maj • 05:50 • -14.93db
39% Popularity • 47% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
39% Popularity • 47% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Jack Wilkins
Canzona
130 bpm • A# min • 05:20 • -10.6db
19% Popularity • 43% Danceability • 82% Energy • 11% Liveness
32% Instrumentalness • 81% Positiveness
19% Popularity • 43% Danceability • 82% Energy • 11% Liveness
32% Instrumentalness • 81% Positiveness
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Yellowjackets
The Hornet
130 bpm • C Maj • 05:35 • -15db
24% Popularity • 55% Danceability • 48% Energy • 3% Liveness
93% Instrumentalness • 62% Positiveness
24% Popularity • 55% Danceability • 48% Energy • 3% Liveness
93% Instrumentalness • 62% Positiveness
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Tom Scott
Shadows
130 bpm • C min • 07:37 • -22db
18% Popularity • 47% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
18% Popularity • 47% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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George Duke
Faces in Reflection No.1
138 bpm • C# Maj • 03:40 • -15.49db
13% Popularity • 43% Danceability • 26% Energy • 28% Liveness
84% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 26% Energy • 28% Liveness
84% Instrumentalness • 32% Positiveness
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David "Fathead" Newman
Foxy Brown
130 bpm • E min • 04:58 • -10.34db
9% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
9% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
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The Awakening
When Will It Ever End
139 bpm • A min • 07:18 • -20.68db
15% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
15% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
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Noel Pointer
Rainstorm
129 bpm • F Maj • 06:48 • -11db
11% Popularity • 57% Danceability • 75% Energy • 14% Liveness
81% Instrumentalness • 82% Positiveness
11% Popularity • 57% Danceability • 75% Energy • 14% Liveness
81% Instrumentalness • 82% Positiveness
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Wilma Archer
Scarecrow
129 bpm • A# min • 05:53 • -11.66db
18% Popularity • 43% Danceability • 37% Energy • 30% Liveness
47% Instrumentalness • 31% Positiveness
18% Popularity • 43% Danceability • 37% Energy • 30% Liveness
47% Instrumentalness • 31% Positiveness
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Tarika Blue
Downtown Sound
129 bpm • G Maj • 07:53 • -10.93db
13% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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George Duke
Faces in Reflection No.2
139 bpm • E Maj • 02:22 • -17.84db
8% Popularity • 41% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
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Sefi Zisling
Ongoing Morning
139 bpm • G# Maj • 07:16 • -12.95db
9% Popularity • 40% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 12% Positiveness
9% Popularity • 40% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 12% Positiveness
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Marvin Gaye
Nuclear Juice - Instrumental
129 bpm • C Maj • 05:41 • -12.16db
12% Popularity • 56% Danceability • 73% Energy • 93% Liveness
81% Instrumentalness • 77% Positiveness
12% Popularity • 56% Danceability • 73% Energy • 93% Liveness
81% Instrumentalness • 77% Positiveness
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The Greg Foat Group
Door into Summer
140 bpm • B min • 05:01 • -12.57db
20% Popularity • 46% Danceability • 43% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
20% Popularity • 46% Danceability • 43% Energy • 22% Liveness
93% Instrumentalness • 28% Positiveness
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Brian Jackson
Moody Too
140 bpm • G min • 06:03 • -11.05db
13% Popularity • 65% Danceability • 30% Energy • 14% Liveness
14% Instrumentalness • 60% Positiveness
13% Popularity • 65% Danceability • 30% Energy • 14% Liveness
14% Instrumentalness • 60% Positiveness
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Tarika Blue
Charlie
129 bpm • B min • 04:44 • -12.97db
16% Popularity • 44% Danceability • 60% Energy • 33% Liveness
93% Instrumentalness • 90% Positiveness
16% Popularity • 44% Danceability • 60% Energy • 33% Liveness
93% Instrumentalness • 90% Positiveness
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George Duke
Preface
128 bpm • C Maj • 01:29 • -10.76db
10% Popularity • 43% Danceability • 39% Energy • 61% Liveness
86% Instrumentalness • 11% Positiveness
10% Popularity • 43% Danceability • 39% Energy • 61% Liveness
86% Instrumentalness • 11% Positiveness
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The RH Factor
Liquid Streets
140 bpm • C min • 04:59 • -15db
31% Popularity • 59% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
31% Popularity • 59% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Jaco Pastorius
Kuru/Speak Like A Child
140 bpm • G Maj • 07:41 • -12db
34% Popularity • 37% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 36% Positiveness
34% Popularity • 37% Danceability • 88% Energy • 29% Liveness
86% Instrumentalness • 36% Positiveness
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Aldorande
Petite Chérie
128 bpm • F# Maj • 06:22 • -12.15db
9% Popularity • 42% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
9% Popularity • 42% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
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Lenny White
Pooh Bear
128 bpm • B min • 05:02 • -13.48db
8% Popularity • 56% Danceability • 68% Energy • 22% Liveness
92% Instrumentalness • 70% Positiveness
8% Popularity • 56% Danceability • 68% Energy • 22% Liveness
92% Instrumentalness • 70% Positiveness
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Tarika Blue
Revelation
128 bpm • C Maj • 07:02 • -10.41db
13% Popularity • 39% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 73% Positiveness
13% Popularity • 39% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 73% Positiveness
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George Duke
Floop De Loop
141 bpm • A# min • 06:47 • -16.39db
10% Popularity • 40% Danceability • 54% Energy • 6% Liveness
81% Instrumentalness • 84% Positiveness
10% Popularity • 40% Danceability • 54% Energy • 6% Liveness
81% Instrumentalness • 84% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
15% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
15% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Caldera
Triste
141 bpm • B min • 06:51 • -8.82db
15% Popularity • 37% Danceability • 74% Energy • 29% Liveness
71% Instrumentalness • 50% Positiveness
15% Popularity • 37% Danceability • 74% Energy • 29% Liveness
71% Instrumentalness • 50% Positiveness
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Deodato
Tahitti Hut
141 bpm • G Maj • 04:27 • -15.51db
30% Popularity • 70% Danceability • 46% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
30% Popularity • 70% Danceability • 46% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
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Lamont Dozier
Prelude
141 bpm • F# min • 01:21 • -19.89db
36% Popularity • 66% Danceability • 12% Energy • 29% Liveness
91% Instrumentalness • 60% Positiveness
36% Popularity • 66% Danceability • 12% Energy • 29% Liveness
91% Instrumentalness • 60% Positiveness
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Tarika Blue
Things Spring
141 bpm • D# Maj • 06:22 • -16.13db
19% Popularity • 45% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
19% Popularity • 45% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 82% Positiveness
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George Duke
That's What She Said
127 bpm • A# Maj • 04:29 • -17.89db
12% Popularity • 53% Danceability • 58% Energy • 10% Liveness
52% Instrumentalness • 88% Positiveness
12% Popularity • 53% Danceability • 58% Energy • 10% Liveness
52% Instrumentalness • 88% Positiveness
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Ruby Rushton
Overture 1
141 bpm • G min • 03:08 • -10.4db
28% Popularity • 44% Danceability • 41% Energy • 34% Liveness
55% Instrumentalness • 39% Positiveness
28% Popularity • 44% Danceability • 41% Energy • 34% Liveness
55% Instrumentalness • 39% Positiveness
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Walter Bishop, Jr.
Coral Keys
141 bpm • D min • 05:37 • -21.15db
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
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Lee Ritenour
The Village
127 bpm • C# Maj • 05:06 • -10.17db
19% Popularity • 71% Danceability • 51% Energy • 11% Liveness
75% Instrumentalness • 77% Positiveness
19% Popularity • 71% Danceability • 51% Energy • 11% Liveness
75% Instrumentalness • 77% Positiveness
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Lenny White
Ritmo Loco
142 bpm • D Maj • 01:18 • -17.66db
25% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
25% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Dexter Wansel
A Prophet Named K.G.
142 bpm • A min • 04:20 • -6.02db
16% Popularity • 39% Danceability • 72% Energy • 20% Liveness
35% Instrumentalness • 38% Positiveness
16% Popularity • 39% Danceability • 72% Energy • 20% Liveness
35% Instrumentalness • 38% Positiveness
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George Duke
Love Reborn
128 bpm • D# min • 04:27 • -15.03db
10% Popularity • 48% Danceability • 40% Energy • 22% Liveness
38% Instrumentalness • 58% Positiveness
10% Popularity • 48% Danceability • 40% Energy • 22% Liveness
38% Instrumentalness • 58% Positiveness
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Pucho and His Latin Soul Brothers
Don't Mind the Tears
127 bpm • D Maj • 02:45 • -12db
18% Popularity • 66% Danceability • 51% Energy • 55% Liveness
96% Instrumentalness • 91% Positiveness
18% Popularity • 66% Danceability • 51% Energy • 55% Liveness
96% Instrumentalness • 91% Positiveness
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Patrice Rushen
Yolon
142 bpm • D Maj • 04:36 • -7.48db
20% Popularity • 50% Danceability • 75% Energy • 11% Liveness
89% Instrumentalness • 75% Positiveness
20% Popularity • 50% Danceability • 75% Energy • 11% Liveness
89% Instrumentalness • 75% Positiveness
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Ronnie Laws
Why Do You Laugh At Me
142 bpm • C Maj • 03:59 • -12.73db
13% Popularity • 34% Danceability • 47% Energy • 9% Liveness
63% Instrumentalness • 26% Positiveness
13% Popularity • 34% Danceability • 47% Energy • 9% Liveness
63% Instrumentalness • 26% Positiveness
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Fred Wesley & The Horny Horns
Peace Fugue
142 bpm • F min • 06:00 • -15.29db
15% Popularity • 39% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
15% Popularity • 39% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Idris Muhammad
By The Red Sea
142 bpm • F min • 08:53 • -17.39db
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
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George Duke
The Once Over
141 bpm • B min • 04:41 • -19.78db
7% Popularity • 51% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
7% Popularity • 51% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
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The RH Factor
The Stroke
126 bpm • F# Maj • 04:28 • -12.93db
29% Popularity • 62% Danceability • 41% Energy • 21% Liveness
48% Instrumentalness • 28% Positiveness
29% Popularity • 62% Danceability • 41% Energy • 21% Liveness
48% Instrumentalness • 28% Positiveness
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Dexter Wansel
Voyager
143 bpm • B min • 08:10 • -8.54db
15% Popularity • 46% Danceability • 76% Energy • 9% Liveness
15% Instrumentalness • 55% Positiveness
15% Popularity • 46% Danceability • 76% Energy • 9% Liveness
15% Instrumentalness • 55% Positiveness
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Manfredo Fest
Braziliana Nº 1
143 bpm • C# Maj • 09:04 • -12.68db
22% Popularity • 42% Danceability • 46% Energy • 14% Liveness
73% Instrumentalness • 41% Positiveness
22% Popularity • 42% Danceability • 46% Energy • 14% Liveness
73% Instrumentalness • 41% Positiveness
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Stanley Clarke
School Days
143 bpm • B min • 07:50 • -12db
34% Popularity • 48% Danceability • 54% Energy • 15% Liveness
78% Instrumentalness • 79% Positiveness
34% Popularity • 48% Danceability • 54% Energy • 15% Liveness
78% Instrumentalness • 79% Positiveness
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Frank Zappa
For Love (I Come Your Friend) - George D...
126 bpm • A Maj • 04:55 • -9.9db
8% Popularity • 50% Danceability • 60% Energy • 86% Liveness
35% Instrumentalness • 58% Positiveness
8% Popularity • 50% Danceability • 60% Energy • 86% Liveness
35% Instrumentalness • 58% Positiveness
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George Duke
North Beach
142 bpm • D# min • 06:18 • -24.17db
10% Popularity • 35% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
10% Popularity • 35% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
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Pharoah Sanders
Moon Child
126 bpm • G# Maj • 08:10 • -19db
24% Popularity • 55% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
24% Popularity • 55% Danceability • 38% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
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Tarika Blue
Blue Neptune
125 bpm • E min • 04:46 • -15.03db
15% Popularity • 39% Danceability • 35% Energy • 19% Liveness
13% Instrumentalness • 16% Positiveness
15% Popularity • 39% Danceability • 35% Energy • 19% Liveness
13% Instrumentalness • 16% Positiveness
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Dexter Wansel
Stargazer
144 bpm • C Maj • 03:19 • -7.41db
14% Popularity • 48% Danceability • 78% Energy • 16% Liveness
62% Instrumentalness • 53% Positiveness
14% Popularity • 48% Danceability • 78% Energy • 16% Liveness
62% Instrumentalness • 53% Positiveness
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The Earth Disciples
Spirit Of The Bells
144 bpm • D Maj • 03:25 • -20.17db
16% Popularity • 52% Danceability • 31% Energy • 12% Liveness
90% Instrumentalness • 68% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 12% Liveness
90% Instrumentalness • 68% Positiveness
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Ruby Rushton
Yardley Suite
125 bpm • A# min • 03:55 • -11.42db
34% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
34% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
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George Duke
Up From The Sea It Arose And Ate Rio In ...
143 bpm • G Maj • 05:25 • -11.47db
9% Popularity • 50% Danceability • 93% Energy • 8% Liveness
36% Instrumentalness • 72% Positiveness
9% Popularity • 50% Danceability • 93% Energy • 8% Liveness
36% Instrumentalness • 72% Positiveness
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Dr. Lonnie Smith
My Latin Sky
125 bpm • A min • 05:45 • -18.56db
8% Popularity • 56% Danceability • 34% Energy • 19% Liveness
49% Instrumentalness • 60% Positiveness
8% Popularity • 56% Danceability • 34% Energy • 19% Liveness
49% Instrumentalness • 60% Positiveness
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Ivan Conti
Encontro
124 bpm • C Maj • 04:28 • -12.39db
17% Popularity • 58% Danceability • 59% Energy • 37% Liveness
34% Instrumentalness • 70% Positiveness
17% Popularity • 58% Danceability • 59% Energy • 37% Liveness
34% Instrumentalness • 70% Positiveness
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Dexter Wansel
Rings of Saturn
145 bpm • A# Maj • 03:42 • -12.19db
18% Popularity • 29% Danceability • 43% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 43% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
