Songs like Capriol Suite: 3. Tordion by Peter Warlock
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Mahler
Symphony No. 1 in D Major: II. Kräftig ...
96 bpm • A Maj • 07:23 • -24db
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 26% Positiveness
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 26% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
36% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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Adolphe Adam
Giselle: Act II: Apparition de Giselle (...
96 bpm • B Maj • 01:11 • -29db
13% Popularity • 18% Danceability • 4% Energy • 36% Liveness
20% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 36% Liveness
20% Instrumentalness • 5% Positiveness
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François-Adrien Boieldieu
Concerto for Harp and Orchestra in C: 3....
95 bpm • C min • 06:56 • -19db
17% Popularity • 34% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
17% Popularity • 34% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Bedřich Smetana
Má vlast (My Country): No. 3, Šárka
95 bpm • A Maj • 10:05 • -20db
14% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
14% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
16% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
16% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
97 bpm • D# min • 01:05 • -26.62db
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 3. Rondeau: Al...
97 bpm • A Maj • 03:56 • -18.75db
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D minor Op. 22 ...
97 bpm • A# Maj • 05:05 • -23.09db
17% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 24 in C Minor, K. 491...
94 bpm • D# Maj • 08:13 • -28.98db
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 7% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
97 bpm • D# Maj • 08:38 • -11.04db
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E, Op. 22: 1. Mo...
98 bpm • E Maj • 04:09 • -24.85db
12% Popularity • 17% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Peter Warlock
Serenade for Strings
94 bpm • D Maj • 07:42 • -21.54db
16% Popularity • 16% Danceability • 14% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: II. A...
94 bpm • F Maj • 08:24 • -29db
17% Popularity • 18% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Concerto for Oboe and Bassoon in G Major...
94 bpm • D Maj • 03:22 • -22db
43% Popularity • 48% Danceability • 12% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Peter Warlock
Little Trotty Wagtail (Arr. for Choir & ...
94 bpm • D min • 01:32 • -20.62db
1% Popularity • 49% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 49% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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George Butterworth
A Shropshire Lad - Rhapsody
94 bpm • F min • 10:18 • -19db
15% Popularity • 11% Danceability • 8% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 8% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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![Ancient Airs And Dances, Suite No. 1, [P. 109]: 2. Gagliarda cover art](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)
Ottorino Respighi
Ancient Airs And Dances, Suite No. 1, [P...
93 bpm • D Maj • 03:22 • -19.06db
11% Popularity • 28% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
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Johannes Brahms
Serenade No. 2 in A Major, Op. 16: 2. Sc...
99 bpm • C Maj • 02:43 • -18.74db
33% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Warlock
The Countryman (Arr. for Voice & Orchest...
93 bpm • F Maj • 01:37 • -18.87db
1% Popularity • 44% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 44% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Jean-Marie Leclair
Violin Concerto in B-Flat Major, Op. 10 ...
99 bpm • A Maj • 04:59 • -21.75db
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Trumpets in C ...
99 bpm • C Maj • 01:03 • -31.13db
51% Popularity • 22% Danceability • 3% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 22% Danceability • 3% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
93 bpm • D Maj • 03:57 • -18.46db
25% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
25% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
99 bpm • G min • 03:28 • -44db
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 0% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Gioachino Rossini
Armida: Overture
100 bpm • D Maj • 07:10 • -17.73db
9% Popularity • 29% Danceability • 12% Energy • 28% Liveness
80% Instrumentalness • 12% Positiveness
9% Popularity • 29% Danceability • 12% Energy • 28% Liveness
80% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • E min • 05:20 • -21.77db
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 6 in ...
100 bpm • A Maj • 05:24 • -19.1db
35% Popularity • 47% Danceability • 22% Energy • 22% Liveness
9% Instrumentalness • 78% Positiveness
35% Popularity • 47% Danceability • 22% Energy • 22% Liveness
9% Instrumentalness • 78% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
► Preview
Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Pinchas Zukerman
3 Violin Duets (1996 Digital Remaster): ...
91 bpm • B min • 02:20 • -24db
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
28% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
28% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
William Boyce
Symphony in D Major, Op. 2 No. 5 "St. Ce...
101 bpm • D Maj • 02:01 • -19db
32% Popularity • 51% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 51% Positiveness
► Preview
Peter Warlock
Twelve Oxen
101 bpm • F# min • 01:39 • -12.45db
1% Popularity • 53% Danceability • 38% Energy • 22% Liveness
24% Instrumentalness • 68% Positiveness
1% Popularity • 53% Danceability • 38% Energy • 22% Liveness
24% Instrumentalness • 68% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
34% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Orchestral Suite No. 3 in D major, BWV 1...
91 bpm • D Maj • 04:52 • -16.16db
39% Popularity • 19% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
► Preview
Frederick Delius
Koanga / Act 2: La Calinda
90 bpm • D Maj • 04:07 • -15.26db
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Alexander Borodin
String Quartet No.2 in D Major
90 bpm • A Maj • 08:12 • -20.95db
22% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
► Preview
Hector Berlioz
Roman Carnival Overture, Op. 9, H. 95
90 bpm • A Maj • 08:06 • -17.52db
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
36% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
90 bpm • A Maj • 05:11 • -24.56db
26% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
26% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
90 bpm • A min • 08:16 • -18.4db
26% Popularity • 22% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Ottorino Respighi
Pines Of Rome, P. 141: 1. The Pines Of V...
102 bpm • F Maj • 02:56 • -16db
23% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
23% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
► Preview
Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
George Butterworth
The Banks of Green Willow
90 bpm • E min • 06:06 • -20.22db
19% Popularity • 14% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Peter Warlock
Captain Stratton's Fancy (Arr. for Voice...
103 bpm • F Maj • 02:00 • -13.88db
2% Popularity • 52% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 52% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 4 in ...
89 bpm • F# Maj • 07:23 • -21db
37% Popularity • 41% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 41% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
103 bpm • C Maj • 07:14 • -27.12db
25% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: 2. Sarabande (And...
89 bpm • G Maj • 04:32 • -16.67db
5% Popularity • 16% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
George Butterworth
Two English Idylls
89 bpm • C Maj • 09:44 • -19.54db
14% Popularity • 15% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 3 in ...
104 bpm • G Maj • 05:45 • -20.6db
17% Popularity • 62% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
17% Popularity • 62% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
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Antonio Vivaldi
Concerto for 2 Flutes in C Major, RV 533...
89 bpm • C Maj • 01:52 • -30db
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
32% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto for 2 Oboes in F Major, Op. 9, ...
104 bpm • F Maj • 04:45 • -15.36db
29% Popularity • 65% Danceability • 31% Energy • 20% Liveness
81% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 31% Energy • 20% Liveness
81% Instrumentalness • 81% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Academy of St. Martin in the Fields
Two Eligiac Melodies Last Spring
88 bpm • G Maj • 05:20 • -22.95db
12% Popularity • 14% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Violin Concerto in E Major, BWV 1042: II...
104 bpm • E Maj • 02:28 • -10.85db
30% Popularity • 51% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 51% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Manuel de Falla
Falla: El sombrero de tres picos, Pt. 2:...
88 bpm • D Maj • 03:32 • -27.02db
26% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
26% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Intermezzo
88 bpm • D# Maj • 05:18 • -19.92db
24% Popularity • 19% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Suite No. 3 in D Major, BWV 1068: II. Ai...
89 bpm • D Maj • 03:35 • -22db
39% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
39% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Gioachino Rossini
William Tell: Overture
88 bpm • E Maj • 11:06 • -21.49db
32% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
32% Popularity • 18% Danceability • 7% Energy • 27% Liveness
51% Instrumentalness • 9% Positiveness
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Peter Warlock
Passing By
88 bpm • D# Maj • 03:08 • -21.64db
1% Popularity • 36% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
1% Popularity • 36% Danceability • 12% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 3. The Trevi ...
105 bpm • A Maj • 04:02 • -10.98db
18% Popularity • 17% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
105 bpm • D Maj • 02:03 • -21db
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 59% Danceability • 19% Energy • 29% Liveness
88% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
II. Adagio - Presto
87 bpm • G min • 01:53 • -30.98db
32% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
105 bpm • F Maj • 03:45 • -20db
53% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
53% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Peter Warlock
Sleep
106 bpm • F min • 02:51 • -21.75db
2% Popularity • 28% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 13% Positiveness
2% Popularity • 28% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 13% Positiveness
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Academy of St. Martin in the Fields
Two Eligiac Melodies Heart Wounds
87 bpm • C Maj • 03:45 • -19.64db
13% Popularity • 9% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 11% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
